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    <title>Photographer: Gili Merin | ArchDaily</title>
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      <title>
        <![CDATA[Milan Architecture City Guide: 43 Projects from Historic Landmarks to Contemporary Designs]]>
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      <link>https://www.archdaily.com/979356/milan-city-guide-20-projects-to-see-in-italys-fashion-capital</link>
      <pubDate>Thu, 02 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/milan" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/tag/milan" data-sk="tooltip_parent">Milan</a>, a global hub of fashion and finance, increasingly asserts itself as a leading center for architecture and design. Its status as Italy's second-largest city underpins its vibrant cultural scene, attracting both established and emerging creative talent. Additionally, Milan is home to esteemed educational institutions recognized for their focus on heritage preservation and conservation. Its cultural and design significance is increasingly pronounced, as a growing number of creators are relocating to establish their presence in this vibrant creative hub.</p>]]>
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        <![CDATA[Wohnpark Alterlaa: Vienna’s Monumental Vision for Everyday Life]]>
      </title>
      <link>https://www.archdaily.com/1037099/wohnpark-alterlaa-viennas-monumental-vision-for-everyday-life</link>
      <pubDate>Wed, 07 Jan 2026 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>On the southern edge of <a href="https://www.archdaily.com/city/vienna">Vienna</a>, a cluster of monumental terraces rises above the cityscape, their stepped balconies cascading with greenery and their rooftops crowned with swimming pools. This is the Wohnpark Alterlaa, one of the most ambitious social housing projects in postwar Europe. Designed by Austrian architect Harry Glück and built between 1973 and 1985, the complex was founded on a provocative principle: <a href="https://www.archdaily.com/963912/we-already-have-viable-models-for-quality-affordable-housing">municipal housing</a> should not only provide affordable shelter but also offer the pleasures and amenities usually reserved for the wealthy.</p>]]>
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      <title>
        <![CDATA[Rewriting Modernism Through Materials]]>
      </title>
      <link>https://www.archdaily.com/1026214/material-strategies-for-updating-and-repurposing-modernist-classics</link>
      <pubDate>Mon, 29 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/791939/ad-classics-park-hill-estate-sheffield-jack-lynn-ivor-smith?ad_medium=gallery" target="_blank" rel="noopener">Park Hill</a>, a large social housing complex in Sheffield, stands out as one of the most ambitious examples of modernist architecture in post-war Britain. Designed in 1961 by Jack Lynn and Ivor Smith, its innovative concept of "streets in the sky" aimed to combine high-density housing with the community spirit of traditional neighborhoods. By the late 20th century, the complex had fallen into severe neglect, marked by social problems and structural degradation that undermined both its functionality and reputation. Gradually, Park Hill became synonymous with the failure of modernism, carrying a heavy social stigma and marginalizing its residents. </p>]]>
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      <title>
        <![CDATA[Rethinking Prefabrication From Standardization to Design Freedom]]>
      </title>
      <link>https://www.archdaily.com/1020705/debunking-the-myth-that-prefabricated-structures-are-rigid-and-unattractive</link>
      <pubDate>Tue, 02 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p data-start="278" data-end="728">Once synonymous with monotony, &ldquo;prefabricated&rdquo; buildings often bring to mind the gray, repetitive housing blocks of the postwar era. But that image no longer fits today&rsquo;s reality. Powered by digital design, robotics, and advanced materials, prefabrication has evolved into a language of innovation and precision. Far from uniform, it now enables flexible, efficient, and sustainable spaces that reflect the individuality of contemporary architecture.</p>]]>
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        <![CDATA[Architecture as Soft Power: Cultural Diplomacy and Its Role in Shaping Architectural Production]]>
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      <link>https://www.archdaily.com/1034690/architecture-as-soft-power-cultural-diplomacy-and-its-role-in-shaping-architectural-production</link>
      <pubDate>Sat, 18 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034690/architecture-as-soft-power-cultural-diplomacy-and-its-role-in-shaping-architectural-production</guid>
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        <![CDATA[<p><a href="https://www.culturaldiplomacy.org/index.php?en_culturaldiplomacy=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cultural diplomacy</a> refers to the use of cultural expression and creative exchange to foster understanding and build relationships between nations. In this context, <a href="https://www.archdaily.com/tag/architecture">architecture</a> has long played a distinctive role. Beyond its functional and aesthetic dimensions, it serves as a medium of communication, a language through which countries express identity, values, and ambition on the global stage.</p>]]>
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        <![CDATA[ Architectural Details of the Bauhaus Movement: Revisiting the Glass Corners and Tubular Steel Construction]]>
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      <link>https://www.archdaily.com/1020389/architectural-details-of-the-bauhaus-movement-revisiting-the-glass-corners-and-tubular-steel-construction</link>
      <pubDate>Sat, 31 Aug 2024 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Bauhaus's designs have influenced our contemporary society in obvious and subtle ways. Iconic examples include <a href="https://www.archdaily.com/tag/marcel-breuer">Marcel Breuer</a>’s <a href="https://www.archdaily.com/633744/spotlight-marcel-breuer">Wassily Chair, the B55 Chair</a>, <a href="https://www.archdaily.com/881233/10-fonts-for-architects">the Bauhaus typeface</a>, and the graphic design principles emphasizing clean lines, primary colors, and geometric shapes. However, the architectural construction details of the Bauhaus movement are much less discussed. While most can readily identify modern or Bauhaus buildings by their geometric forms, functionality, and industrial materials, their architectural details are often overlooked. They not only echo the design language of <a href="https://www.archdaily.com/983972/styling-interiors-with-design-icons-eames-breuer-jacobsen-and-bellini">Breuer’s renowned furniture pieces</a> but also have influenced the much-celebrated <a href="https://www.archdaily.com/574575/material-masters-glass-is-more-with-mies-van-der-rohe">architectural glass details of Mies van der Rohe</a>. How were Bauhaus's details executed, and how might they be translated into contemporary details today?</p>]]>
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      <title>
        <![CDATA[5 Art Movements that Influenced Architecture ]]>
      </title>
      <link>https://www.archdaily.com/972816/5-art-movements-that-influenced-architecture</link>
      <pubDate>Sat, 17 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/972816/5-art-movements-that-influenced-architecture</guid>
      <description>
        <![CDATA[<p dir="ltr">As far as history goes back, art and architecture <a href="https://www.archdaily.com/962541/the-close-relationship-between-art-and-architecture-in-modernism" target="_blank" rel="noopener">have always been interrelated</a> disciplines. From the elaboration of the Baroque movement to the geometric framework of modernism, architects found inspiration from stylistic approaches, techniques, and concepts of historic art movements, and translated them into large-scale habitable structures. In this article, we explore 5 of many art movements that paved the way for modern-day architecture, looking into how architects borrowed from their characteristics and approaches to design to create their very own architectural compositions. </p>]]>
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      <title>
        <![CDATA[Adaptive Reuse as a Strategy for Sustainable Urban Development and Regeneration]]>
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      <link>https://www.archdaily.com/970632/adaptive-reuse-as-a-strategy-for-sustainable-urban-development-and-regeneration</link>
      <pubDate>Sat, 04 Nov 2023 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/970632/adaptive-reuse-as-a-strategy-for-sustainable-urban-development-and-regeneration</guid>
      <description>
        <![CDATA[<p>“New ideas must use old buildings,” said Jane Jacobs in her seminal book <a href="https://www.amazon.com/Death-Life-Great-American-Cities/dp/067974195X?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Death and Life of Great American Cities</a>, championing the reuse of existing building stock as a means to catalyze positive change and foster diverse urban environments. Inserting new activities within an existing framework is increasingly becoming a defining aspect of contemporary architecture, as the need for sustainable alternatives to building anew turns more urgent. From an urban perspective, adaptive reuse is a valuable strategy for revitalizing post-industrial cities, creating density and mitigating urban sprawl, or helping shrinking cities redefine their urban fabric. </p>]]>
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      <title>
        <![CDATA[The Top 20 Most Visited AD Architecture Classics ]]>
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      <link>https://www.archdaily.com/925774/the-top-20-most-visited-ad-architecture-classics</link>
      <pubDate>Sat, 21 Oct 2023 07:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/925774/the-top-20-most-visited-ad-architecture-classics</guid>
      <description>
        <![CDATA[<p><em>AD Classics</em> presents you with some of the greatest buildings of the past that have influenced and shaped architecture today. Throughout ArchDaily's 13 years, more than 200 classics were published, and for this edition, we have rounded up the top 20 most visited <a href="https://www.archdaily.com/architecture-classics" target="_blank" rel="noopener">Architecture Classics</a> to date. </p>]]>
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        <![CDATA[Architecture Classics: Unite d' Habitation / Le Corbusier]]>
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      <link>https://www.archdaily.com/85971/ad-classics-unite-d-habitation-le-corbusier</link>
      <pubDate>Fri, 10 Feb 2023 05:30:00 +0000</pubDate>
      <dc:creator>Andrew Kroll</dc:creator>
      <category>
        <![CDATA[Apartments]]>
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      <guid isPermaLink="false">https://www.archdaily.com/85971/ad-classics-unite-d-habitation-le-corbusier</guid>
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        <![CDATA[<p>After World War II, the need for housing was at an unprecedented high. The Unite d’Habitation in <a href="https://www.archdaily.com/tag/marseille">Marseille</a>, France was the first large scale project for the famed architect, Le Corbusier. In 1947, Europe was still feeling the effects of the Second World War, when Le Corbusier was commissioned to design a multi-family residential housing project for the people of Marseille that were dislocated after the bombings on France.</p>]]>
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        <![CDATA[Architecture Classics: Habitat 67 / Safdie Architects]]>
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      <link>https://www.archdaily.com/404803/ad-classics-habitat-67-moshe-safdie</link>
      <pubDate>Thu, 09 Feb 2023 05:30:00 +0000</pubDate>
      <dc:creator>Gili Merin</dc:creator>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/404803/ad-classics-habitat-67-moshe-safdie</guid>
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        <![CDATA[<p>Habitat 67, designed by the Israeli-Canadian architect <a href="https://www.archdaily.com/tag/moshe-safdie">Moshe Safdie</a> as the Canadian Pavilion for the World Exposition of 1967, was originally intended as an experimental solution for high-quality housing in dense urban environments. Safdie explored the possibilities of prefabricated modular units to reduce housing costs and allow for a new housing typology that could integrate the qualities of a suburban home into an urban high-rise.</p>]]>
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        <![CDATA[Architecture Guide: 24 Must-See Le Corbusier Works ]]>
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      <link>https://www.archdaily.com/918111/architecture-guide-24-must-see-le-corbusier-works</link>
      <pubDate>Sun, 12 Sep 2021 07:30:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/918111/architecture-guide-24-must-see-le-corbusier-works</guid>
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        <![CDATA[<p><a href="http://www.plataformaarquitectura.cl/tag/le-corbusier/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Le Corbusier</a> was a pioneer of the Modernist Movement in architecture. Throughout his career, he undertook an array of projects all around the world. See below for <a href="https://www.plataformaarquitectura.cl/cl/791617/17-proyectos-de-le-corbusier-ahora-son-patrimonio-de-la-humanidad-de-la-unesco?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">17 of his works that have been named World Heritage Sites by UNESCO</a>, as well as many more of his other popular pieces. Hopefully, someday you get to go and see them yourself!</p>]]>
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        <![CDATA["I Believe in Buildings Like This, in the Physical Quality of Architecture": David Chipperfield Discusses Neue Nationalgalerie and the Work of Mies Van der Rohe]]>
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      <link>https://www.archdaily.com/967593/i-believe-in-buildings-like-this-in-the-physical-quality-of-architecture-david-chipperfield-discusses-neue-nationalgalerie-and-the-work-of-mies-van-der-rohe</link>
      <pubDate>Sun, 29 Aug 2021 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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      <description>
        <![CDATA[<p>The Neue Nationalgalerie, designed by Mies van der Rohe, reopened to the public after an extensive renovation project carried out by the practice of <a href="https://www.archdaily.com/tag/david-chipperfield">David Chipperfield</a>. In this video created by <a class="editor-rtfLink" href="https://www.miesvanderrohehaus.de/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mies van der Rohe House</a>, Chipperfield shares his thoughts on the design language of Mies van der Rohe while also discussing the qualities of Neue Nationalgalerie and the future role of architectural monuments. The interview is part of the film and exhibition project <a class="editor-rtfLink" href="https://www.miesvanderrohehaus.de/en/2021-space-time-odyssey/mies-goes-future-film-and-exhibition-project/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Mies Goes Future</a>, which invites artists, architects, and historians to explore the work of the renowned <a href="https://www.archdaily.com/tag/modernist">Modernist</a> architect as a source of inspiration for contemporary practice.</p>]]>
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        <![CDATA[Less is More: Mies van der Rohe, a Pioneer of the Modern Movement]]>
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      <link>https://www.archdaily.com/350573/happy-127th-birthday-mies-van-der-rohe</link>
      <pubDate>Sat, 27 Mar 2021 07:30:00 +0000</pubDate>
      <dc:creator>ArchDaily Team</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/mies-van-der-rohe/" target="_blank">Ludwig Mies van der Rohe</a> (27 March 1886 – 17 August 1969) is one of the most influential architects of the 20th century, known for his role in the development of the most enduring architectural style of the era: <a href="http://www.archdaily.com/tag/modernism/" target="_blank">modernism</a>. Born in <a href="http://www.archdaily.com/tag/aachen/" target="_blank">Aachen</a>, <a href="http://www.archdaily.com/tag/germany/" target="_blank">Germany</a>, Mies' career began in the influential studio of <a href="http://www.archdaily.com/tag/peter-behrens/" target="_blank">Peter Behrens</a>, where Mies worked alongside two other titans of modernism, <a href="http://www.archdaily.com/tag/walter-gropius/" target="_blank">Walter Gropius</a> and <a href="http://www.archdaily.com/tag/le-corbusier/">Le Corbusier</a>. For almost a century, Mies' minimalist style has proved very popular; his famous aphorism <em>"</em><em>less is more"</em> is still widely used, even by those who are unaware of its origins.</p>]]>
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      <title>
        <![CDATA[The Birth of Design Movements: Where Are We Now?]]>
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      <link>https://www.archdaily.com/952818/the-birth-of-design-movements-where-are-we-now</link>
      <pubDate>Sun, 13 Dec 2020 07:30:00 +0000</pubDate>
      <dc:creator>Kaley Overstreet</dc:creator>
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        <![CDATA[<p dir="ltr">Architecture, and all aspects of the design world, has experienced numerous movements throughout time that have defined the way we express ourselves through buildings, art, and other mediums. Created out of a dissatisfaction with the status quo or the emergence of new technology, there have been particularly notable design shifts and emerging ideologies over the last 100 years. This leaves us to ask the question- what design moment are we in now, and what characterizes it? How will we retroactively reflect on this moment of time in design, and will the <a href="https://www.archdaily.com/tag/covid-19">COVID-19</a> pandemic accelerate innovation to bring us to our next design era?</p>]]>
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        <![CDATA[Spotlight: Aldo Rossi]]>
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      <link>https://www.archdaily.com/367400/happy-birthday-aldo-rossi</link>
      <pubDate>Sun, 03 May 2020 03:30:00 +0000</pubDate>
      <dc:creator>Andrew Galloway</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/ada-louise-huxtable/" target="_blank">Ada Louise Huxtable</a>&nbsp;once described him as &ldquo;a poet who happens to be an architect.&rdquo; Italian architect&nbsp;<a href="http://www.archdaily.com/office/aldo-rossi/" target="_blank">Aldo Rossi</a>&nbsp;(3 May 1931 &ndash; 4 September 1997) was known for his drawings, urban theory, and for winning the&nbsp;<a href="http://www.archdaily.com/tag/pritzker-prize/" target="_blank">Pritzker Prize</a>&nbsp;in 1990. Rossi also directed the&nbsp;<a href="http://www.archdaily.com/267113/a-history-of-the-venice-architecture-biennale/">Venice Biennale</a>&nbsp;in 1985 and 1986&mdash;one of only two people to have served as director twice.</p>]]>
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        <![CDATA[Architecture Classics: Gallaratese Quarter / Aldo Rossi + Carlo Aymonino]]>
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      <link>https://www.archdaily.com/867165/ad-classics-gallaratese-quarter-milan-aldo-rossi-carlo-aymonino</link>
      <pubDate>Sun, 23 Feb 2020 06:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
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        <![CDATA[Residential]]>
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        <![CDATA[<p id="docs-internal-guid-7057fe1f-cb1a-959d-4d7a-d832a7c428fd" dir="ltr">As the dust settled following the Second World War much of Europe was left with a crippling shortage of housing. In <a href="https://www.archdaily.com/tag/milan">Milan</a>, a series of plans were drafted in response to the crisis, laying out satellite communities for the northern Italian city which would each house between 50,000 to 130,000 people. Construction the first of these communities began in 1946, one year after the end of the conflict; ten years later in 1956, the adoption of <em>Il Piano Regolatore Generale</em>—a new master plan—set the stage for the development of the second, known as 'Gallaratese'. The site of the new community was split into parts 1 and 2, the latter of which was owned by the <em>Monte Amiata Società Mineraria per Azioni</em>. When the plan allowed for private development of Gallaratese 2 in late 1967, the commission for the project was given to Studio Ayde and, in particular, its partner <a href="https://www.archdaily.com/tag/carlo-aymonino">Carlo Aymonino</a>. Two months later Aymonino would invite <a href="https://www.archdaily.com/tag/aldo-rossi">Aldo Rossi</a> to design a building for the complex and the two Italians set about realizing their respective visions for the ideal microcosmic community.[1]</p>]]>
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        <![CDATA[The Beauty of Marble in Interiors and Facades]]>
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      <link>https://www.archdaily.com/931982/the-beauty-of-marble-in-interiors-and-facades</link>
      <pubDate>Tue, 21 Jan 2020 04:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p dir="ltr">Michelangelo's sculptures. The ancient Greek temples. Castle interiors and palaces. The iconic <a href="https://www.archdaily.com/109135/ad-classics-barcelona-pavilion-mies-van-der-rohe">Barcelona Pavilion of Mies van der Rohe</a>. When we approach the history of architecture and sculpture, it is inevitable that we speak of marble. Originating from a chemical reaction in limestone when exposed to high pressures and temperatures for thousands of years, this notable material is a <a href="https://en.wikipedia.org/wiki/Metamorphic_rock?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">metamorphic rock</a> generally found in regions where volcanic activity has occurred. Its extraction, by itself, <a href="https://www.archdaily.com/602739/marble-quarrying-looks-even-more-awesome-than-you-imagined?ad_source=search&amp;ad_medium=search_result_articles">is already a spectacle</a>.</p>]]>
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