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    <title>Photographer: Chris Wilkinson Courtesy of Article 25 | ArchDaily</title>
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        <![CDATA[The Computer vs The Hand In Architectural Drawing: ArchDaily Readers Respond]]>
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      <pubDate>Tue, 05 May 2015 10:30:02 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>In the architecture world, there are a handful of persistent debates that arise time and time again: the challenges of being a <a href="http://www.archdaily.com/tag/women-in-architecture/" target="_blank">woman in the field of architecture</a> is one of them, for example; the <a href="http://www.archdaily.com/616567/for-and-against-all-nighter-culture-archdaily-readers-respond/" target="_blank">problems of a culture of long hours and hard work</a> is another. But one of the most enduring arguments in architecture - especially in the academic sphere - is the battle between <a href="http://www.archdaily.com/tag/drawing/" target="_blank">hand drawing</a> and <a href="http://www.archdaily.com/tag/cad/" target="_blank">computer aided design</a>. Both schools have their famous proponents: <a href="http://www.archdaily.com/tag/michael-graves/" target="_blank">Michael Graves</a>, for example, was known as a huge talent with a pencil and paper, and came to the defense of drawing in <a href="http://www.nytimes.com/2012/09/02/opinion/sunday/architecture-and-the-lost-art-of-drawing.html?_r=0&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">articles for the New York Times</a>, among others. <a href="http://www.archdaily.com/tag/women-in-architecture/" target="_blank">Patrik Schumacher</a>, on the other hand, is famous for his commitment to the capabilities of the computer.</p>]]>
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      <title>
        <![CDATA[Hand vs. Computer Drawing: A Student's Opinion]]>
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      <pubDate>Sat, 11 Apr 2015 09:30:42 +0000</pubDate>
      <dc:creator>Enzo Tessitore</dc:creator>
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        <![CDATA[<p style="text-align: left;" align="JUSTIFY">In the debate about how architects - both present and future - represent our ideas, it is easy to find a lot of articles supporting both sides. One can read as many arguments as they want and find valid points supporting both <a href="http://www.archdaily.com/tag/architectural-drawings/" target="_blank">hand-drawing</a> and <a href="http://www.archdaily.com/tag/cad/" target="_blank">computer production</a>. One could argue that there is nothing prettier than a well done hand-rendering of a project. Another could say that, although hand-drawing is something that catches the eye, it is not practical at all, takes longer than doing it on the computer and does not allow architects to easily modify it.</p>]]>
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