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    <title>Photographer: Charlie Koolhaas - OMA | ArchDaily</title>
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        <![CDATA[Sound Absorption and Aesthetics: What is Stabilized Aluminum Foam?]]>
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      <link>https://www.archdaily.com/995916/sound-absorption-and-aesthetics-what-is-stabilized-aluminum-foam</link>
      <pubDate>Mon, 13 Feb 2023 02:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>Stabilized Aluminum Foam is a unique looking material that combines the aesthetics of aluminum (its texture, shades and brightness) with a spongy, porous appearance. It is produced by injecting air into a cast aluminum alloy with stabilizing agents, which after curing, creates a porous and lightweight, yet highly resistant and rigid cellular structure. Because of its mechanical and thermal properties, it is particularly useful in applications in various industries, such as automotive, aerospace and marine, especially for energy absorption, thermal insulation, and sound dampening.</p>]]>
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        <![CDATA[Rem Koolhaas on Prada, Preservation, Art and Architecture]]>
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      <pubDate>Fri, 31 Jul 2015 09:30:00 +0000</pubDate>
      <dc:creator>Catherine Shaw</dc:creator>
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        <![CDATA[<p><em>With the opening of the Fondazione Prada art galleries in May, OMA showed a different side to their practice, one focusing on preservation and assemblage rather than the iconography and diagrammatic layout that many associate with the firm. In this interview, originally published by <a href="/tag/metropolis-magazine">Metropolis Magazine</a> as "<a href="http://www.metropolismag.com/July-August-2015/Koolhaas-Talks-Prada/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Koolhaas Talks Prada</a>," <a href="/tag/rem-koolhaas">Rem Koolhaas</a> explains the reasoning behind this new approach, and how they attempted to avoid falling into the clichés of post-industrial art spaces.</em></p>]]>
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        <![CDATA[Fondazione Prada / OMA]]>
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      <pubDate>Thu, 07 May 2015 12:00:09 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
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        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p>It is surprising that the enormous expansion of the art system has taken place in a reduced number of typologies for art's display. To apparently everybody’s satisfaction, the abandoned industrial space has become art’s default preference -- attractive because its predictable conditions do not challenge the artist’s intentions -- enlivened occasionally with exceptional architectural gestures.</p>]]>
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