ArchDaily | Broadcasting Architecture Worldwide https://www.archdaily.com/ Sun, 28 Jun 2026 00:00:00 +0000 en-US hourly 1 https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg 026CB6 https://www.archdaily.com/946197/the-r-wall-in-fukui-yoshichika-takagi-plus-associates Tue, 25 Aug 2020 01:00:00 +0000 Hana Abdel https://www.archdaily.com/946197/the-r-wall-in-fukui-yoshichika-takagi-plus-associates Tohaku Hasegawa’s “Shorin-zu (Pine Trees)” is delicately and boldly drawn with much blank space left on the canvas. It looks incomplete but is very attractive because of the existence of the blank space (ground), on which we can imagine and envision various things that are not actually drawn. The relationship between the figure and the ground in Western art is also a topic close to the above. Lucio Fontana’s “Attese (Spatial Concepts: Expectation)” was made by accurately cutting the painted canvas to create the ground in the figure, building a new relationship between the figure and the ground.

]]> https://www.archdaily.com/921773/the-deformed-roof-house-of-furano-yoshichika-takagi-plus-associates Fri, 27 Mar 2020 06:00:00 +0000 Pilar Caballero https://www.archdaily.com/921773/the-deformed-roof-house-of-furano-yoshichika-takagi-plus-associates This plan is to renovate a house, built in 1974, into a two-family house. Its’ current figure is a result of going through extensions and reconstructions twice. Housings such as these which are called “Deformed Roof” houses, can be seen often in Hokkaido, but is difficult to call them beautiful, and cannot be seen out of Hokkaido. It could be said as a vernacular and anonymous kind of design.

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