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Various Architects

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Villa Faun / Various Architects

02:00 - 15 August, 2017
Villa Faun / Various Architects, © Ibrahim Elhayawan
© Ibrahim Elhayawan

© Ibrahim Elhayawan © Roger Sandvær © Roger Sandvær © Ibrahim Elhayawan + 31

  • Architects

  • Location

    Oslo, Norway
  • Category

  • Lead Architect

    Ibrahim Elhayawan
  • Design Team

    Isabell Adamofski, Ibrahim Elhayawan, Alexander H. Berg, Birgitte J. Haug, Laura Martinez
  • Area

    1000.0 m2
  • Project Year

    2016
  • Photographs

Bicycle Hotel Lillestrøm / Various Architects

05:00 - 8 December, 2016
Bicycle Hotel Lillestrøm / Various Architects, © Ibrahim Elhayawan
© Ibrahim Elhayawan

© Dawid Nowak © Ibrahim Elhayawan © Noemi Fuentes © Ibrahim Elhayawan + 24

AD Classics: Exposition Internationale des Arts Décoratifs et Industriels Modernes

04:00 - 19 August, 2016
AD Classics: Exposition Internationale des Arts Décoratifs et Industriels Modernes, The Exposition’s poster, designed by Robert Bonfils. ImageCourtesy of the Victoria and Albert Museum
The Exposition’s poster, designed by Robert Bonfils. ImageCourtesy of the Victoria and Albert Museum

The end of the First World War did not mark the end of struggle in Europe. France, as the primary location of the conflict’s Western Front, suffered heavy losses in both manpower and industrial productivity; the resulting economic instability would plague the country well into the 1920s.[1] It was in the midst of these uncertain times that the French would signal their intention to look not to their recent troubled past, but to a brighter and more optimistic future. This signal came in the form of the Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Decorative Arts and Modern Industries) of 1925 – a landmark exhibition which both gave rise to a new international style and, ultimately, provided its name: Art Deco.

Courtesy of Wikimedia user François GOGLINS (Public Domain) Courtesy of Wikimedia user François GOGLINS (Public Domain) Horta’s Belgian Pavilion was a radical departure from his typically curvilinear Art Nouveau style. ImageCourtesy of Wikimedia user François GOGLINS (Public Domain) Courtesy of Wikimedia user François GOGLINS (Public Domain) + 14

Mesterfjellet 1-10 School And Family Centre / CEBRA + Various Architects + SPINN Arkitekter

03:00 - 17 March, 2015
Mesterfjellet 1-10 School And Family Centre  / CEBRA + Various Architects + SPINN Arkitekter, © Mikkel Frost
© Mikkel Frost

© Mikkel Frost © Mikkel Frost © Jiri Havran © Mikkel Frost + 25

Piraeus Museum for Underwater Antiquities Competition Entry / Various Architects

01:00 - 2 March, 2013
Piraeus Museum for Underwater Antiquities Competition Entry / Various Architects, Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos
Courtesy of Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos

The collaborative team of architects Khvil Anastasia, Ivanova Elena, Fadeeva Alina, Rudikov Aleksei, and Spiridon Mellos chose simplicity as their main strategy in the Piraeus Museum for Underwater Antiquities Competition. Without creating enormous change, their design aims to use only what is already there, emphasizing simplicity and industrial nature of the building and beauty of the place to create a complex travel route. More images and architects' description after the break.