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    <title>Office: Tonkin Zulaikha Greer Architects | ArchDaily</title>
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        <![CDATA[Campbel House Offices / Tonkin Zulaikha Greer Architects]]>
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      <link>https://www.archdaily.com/1006140/campbel-house-offices-tonkin-zulaikha-greer-architects</link>
      <pubDate>Tue, 29 Aug 2023 18:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Adaptive reuse]]>
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        <![CDATA[<p>Campbell House is the adaptive reuse of an 1890s early Federation house set within a Heritage Conservation area. The integrated design approach of architecture-heritage-interior stitched together unifies the contemporary office use and the original building. Through the simplicity of materiality and bespoke architectural details, the ‘Campbell House’ project intertwines the relationship between new and old.</p>]]>
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        <![CDATA[Newcastle East End Mixed Use Building / SJB + Durbach Block Jaggers + Tonkin Zulaikha Greer Architects]]>
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      <link>https://www.archdaily.com/1001073/newcastle-east-end-mixed-use-building-sjb-plus-durbach-block-jaggers-plus-curious-practice</link>
      <pubDate>Wed, 17 May 2023 00:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Commercial Architecture]]>
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        <![CDATA[<p class="p2">Having emerged as a future-focused and truly livable urban locale, <a href="/tag/newcastle">Newcastle</a> is a city reinvented. The recent completion of three new mixed-use buildings each designed by one of Australia’s leading architecture studios for Stage 1 of the Newcastle East End development, reflects significant innovation in the design and planning processes that will shape the city’s continued growth.</p>]]>
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        <![CDATA[Almora House / Tonkin Zulaikha Greer Architects]]>
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      <link>https://www.archdaily.com/937097/almora-house-tonkin-zulaikha-greer</link>
      <pubDate>Wed, 08 Apr 2020 21:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Down on the flat sand plain at the base of the <a href="/tag/balmoral">Balmoral</a> rock escarpment, a new house is slotted into the established garden that our client wished to keep and develop further as part of the overall concept for their property. The house is organised along a central circulation spine, punctuated by a frangipane tree at one end, and a contemporary Australian sculpture at the other. From within, its room-forms ‘press’ out into the landscape setting. The perimeter of the house is extended by a series of courtyards which disintegrate the otherwise pure form of the building. These extended areas draw the sun deep into the plan throughout the duration of the day, answering our client’s wish for abundant natural light on a site that is enclosed by nine other dwellings.</p>]]>
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        <![CDATA[75 Myrtle Street Offices / Tonkin Zulaikha Greer]]>
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      <link>https://www.archdaily.com/925672/75-myrtle-street-offices-tonkin-zulaikha-greer</link>
      <pubDate>Tue, 01 Oct 2019 03:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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        <![CDATA[<p>The building at 75 Myrtle Street is significant for its association with the nineteenth and early twentieth century industrial activities that took place in <a href="/tag/chippendale">Chippendale</a>. The two storey inter-war factory building located at 75 Myrtle Street, Chippendale was constructed c1925 for J.C. Goodwin &amp; Co Ltd, glass importers, bevellers and silverers, who were first established in Chippendale in 1875 in a factory on Abercrombie Street. The building has now been remodeled into three purpose built offices located either side of a central courtyard. The Brief called for one large and two small tenancies, the larger tenancy to be accessible via Myrtle Street and the two smaller tenancies to be accessed from the rear of the building, via Dangar Place. Centrally located is a sunlit and naturally ventilated courtyard which features a contemporary cacti and succulent garden that melds with the surrounding pixelated paving. The courtyard has its own structural order, based on the range of glass types used, which links the building to the site’s former factory use. This order is set against the existing structure.</p>]]>
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        <![CDATA[Craigieburn Bypass / Tonkin Zulaikha Greer + Taylor Cullity Lethlean]]>
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      <link>https://www.archdaily.com/425426/craigieburn-bypass-tonkin-zulaikha-greer-taylor-cullity-lethlean</link>
      <pubDate>Thu, 12 Sep 2013 01:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Bridges]]>
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        <![CDATA[<p>Sound walls and road furniture’ for a new 32km stretch of freeway linking the Hume Highway with the <a href="/tag/melbourne">Melbourne</a> Ring Road were designed in association with Landscape Architects Taylor Cullity Lethlean. Artist and sculptor Robert Owen was also creatively involved in the concept design and modelling of all the elements. </p>]]>
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        <![CDATA[Cloudy Bay Winery / Tonkin Zulaikha Greer Architects  + Paul Rolfe Architects]]>
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      <link>https://www.archdaily.com/425410/cloudy-bay-winery-tonkin-zulaikha-greer-architects-paul-rolfe-architects</link>
      <pubDate>Mon, 09 Sep 2013 01:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Cloudy Bay Shack establishes the connection between the image on the wine label and the direct experience of the vineyard. We shaped the building to gain vistas along the vineyards to the Richmond Ranges, whose silhouette adorns each bottle. </p>]]>
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      <title>
        <![CDATA[BLAXLAND / Tonkin Zulaikha Greer Architects]]>
      </title>
      <link>https://www.archdaily.com/412272/blaxland-tonkin-zulaikha-greer-architects</link>
      <pubDate>Thu, 08 Aug 2013 01:00:00 +0000</pubDate>
      <dc:creator>Jonathan Alarcón</dc:creator>
      <category>
        <![CDATA[Commercial Architecture]]>
      </category>
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      <description>
        <![CDATA[<p>As part of an extensive landform to house a variety of play experiences, Tonkin Zulaikha Greer designed a kiosk as part of a greater playground designed by JMD Design.</p>]]>
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      <title>
        <![CDATA[ARBORETUM / Tonkin Zulaikha Greer Architects]]>
      </title>
      <link>https://www.archdaily.com/412227/arboretum-tonkin-zulaikha-greer-architects</link>
      <pubDate>Wed, 07 Aug 2013 00:00:00 +0000</pubDate>
      <dc:creator>Jonathan Alarcón</dc:creator>
      <category>
        <![CDATA[Commercial Architecture]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/412227/arboretum-tonkin-zulaikha-greer-architects</guid>
      <description>
        <![CDATA[<p>The Village Centre is the main point of arrival for the National Arboretum <a href="/tag/canberra">Canberra</a>, providing visitor orientation, information, education spaces and interpretation, together with retail and a high-quality café.</p>]]>
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        <![CDATA[Old Tannery School / Tonkin Zulaikha Greer Architects + Greer Hindmarsh Architects]]>
      </title>
      <link>https://www.archdaily.com/112592/old-tannery-school-tonkin-zulaikha-greer-architects-greer-hindmarsh-architects</link>
      <pubDate>Wed, 23 Feb 2011 00:00:00 +0000</pubDate>
      <dc:creator>Andrew Rosenberg</dc:creator>
      <category>
        <![CDATA[Adaptive reuse]]>
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      <guid isPermaLink="false">https://www.archdaily.com/112592/old-tannery-school-tonkin-zulaikha-greer-architects-greer-hindmarsh-architects</guid>
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        <![CDATA[<p>The Old Tannery, a stout brick factory-style edifice built for the training of tanners in the 1930s, enjoys no official heritage status. However, our clients viewed it differently. Kane Construction, a building company that pursues unusual and inventive building projects, wanted their Sydney office building to reflect this interest.</p> ]]>
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