Office: Tomas Ghisellini Architects | ArchDaily

MEET & (GR)EAT Open-Air Hub / Tomas Ghisellini Architects

Valeria Silva — Tue, 07 Dec 2021 10:00:00 +0000

The project draws a heterogeneous scenario that identifies sport as only one of the possible tools for community involvement: body health deriving from dynamic maintenance and training activity is associated with psychophysical health deriving from proper nutrition and its exercise in conditions of cool collective sharing, common exchange, social cohesion. Finally, the activities related to sport and exercise will find new opportunities for enrichment, integration, sophistication, hybridization, and completion in the scenario proposed by the project. Because if it is true that sporting activity is normally followed by the hunger for the biological need for new energies, it is also true that a large meal can be neutralized by a good dose of exercise!

White Digger / Tomas Ghisellini Architects

Pilar Caballero — Fri, 02 Nov 2018 00:00:00 +0000

A brand new wellness space made of transparency is set in the very heart of the Riviera Grand Hotel, the highly renowned historical hotel complex along the Ionian Salento coast.

Meridionale Fondiaria Real Estate HQ / Tomas Ghisellini Architects

Cristobal Rojas — Fri, 30 Mar 2018 13:00:00 +0000

Meridionale Fondiaria originates from the common intentions of two young entrepreneurs who in 1980 decided to build together their idea of real estate agency, thus laying the foundations of what would become the reference franchise for the city of Lecce and all of the Salento region.

Riviera Grand Hotel / Tomas Ghisellini Architects

Cristobal Rojas — Sat, 14 Jan 2017 10:00:00 +0000

After many years of complete abandonment, the Riviera Grand Hotel, a historical complex in southern Italy Salento area, comes to a new life after a challenging renovation and a radical interior redesign.

Tomas Ghisellini Architects Propose Shimmering Extension to the Italian Institute of Culture in Paris

Lauren Crockett — Fri, 29 Jul 2016 06:00:00 +0000

As part of an experimental ideas exhibition, Tomas Ghisellini Architects (TGA) have designed an extension to the Italian Institute of Culture in Paris. Nine Italian practices were engaged by a consortium of French and Italian institutions, and this cohesive union of cultures is mirrored in TGA's design. TGA's proposal plays with transparency and layering, with two large volumes of glass and steel referencing the "Parisian architectures of transparency," whilst displaying the excellence of Italian materiality and craftsmanship. The exhibition is being shown at the historical complex of the Hotel de Galliffet in Paris until December this year.

Tomas Ghisellini Architects Reveals Cinisi Church Competition Entry

Sabrina Santos — Sun, 18 Oct 2015 08:00:00 +0000

A few weeks ago, we featured Andrea Maffei Architects’ entry to the Redemptoris Mater Church competition to design a new church complex in Cinisi, Italy. Now, Tomas Ghisellini Architects has unveiled their entry, titled Living Stones, which gets its shape from a series of steles that surround the complex.

Loft B / Tomas Ghisellini Architects

Daniel Sánchez — Sat, 29 Nov 2014 00:00:00 +0000

At the top of a precious historical building, right in the heart of the most valuable and fascinating Ferrara, a long uninhabited flat, after a former approximate restoration carried out during the nineties, has been transformed into a contemporary domestic space.

House G / Tomas Ghisellini Architects

Jonathan Alarcón — Wed, 10 Jul 2013 01:00:00 +0000

Just a few meters from one of the mostbeautiful straights of the Renaissancedefensive walls complex, within the compact urban structure of the historic center of Ferrara, an existing building from the early fifties reaches a bold new facethrough a surgery intervention of recovery and expansion.

The Court Of The Trees / Tomas Ghisellini Architects

Victoria King — Tue, 20 Dec 2011 00:00:00 +0000

Careful to address the delicate relations of cohabitation especially with the near cemetery, the architecture of the school chooses the path of simplicity, rejecting any unnecessary formal presentation, and set up in a relationship of dependence and exchange rather than assertion. The building, which is generated by the composition of elementary volumes made of exposed brick and white plaster, shows massive fronts to the streets; architectural language, deliberately discreet and essential, builds the old suggestion of a "defensive" construction for which a compact and seemingly impenetrable basement is in charge of contact with the urban land.