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    <title>Office: Studio Ponti Fornaroli Roselli | ArchDaily</title>
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        <![CDATA[AD Classics: Pirelli Tower / Gio Ponti, Pier Luigi Nervi]]>
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      <link>https://www.archdaily.com/481062/ad-classics-pirelli-tower-gio-ponti-pier-luigi-nervi</link>
      <pubDate>Thu, 27 Feb 2014 04:00:00 +0000</pubDate>
      <dc:creator>Denim Pascucci</dc:creator>
      <category>
        <![CDATA[Offices Interiors]]>
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        <![CDATA[<p><span style="line-height: 1.45em;">In contrast with its traditional </span><a href="http://www.archdaily.com/tag/milan/" style="line-height: 1.45em;">Milanese</a><span style="line-height: 1.45em;"> surroundings, the Pirelli Tower is one of the earliest examples of </span><a href="http://www.archdaily.com/tag/modern-architecture/" style="line-height: 1.45em;">Modern</a><span style="line-height: 1.45em;"> </span><a href="http://www.archdaily.com/category/skyscrapers/" style="line-height: 1.45em;">skyscrapers</a><span style="line-height: 1.45em;"> in </span><a href="http://www.archdaily.com/tag/italy/" style="line-height: 1.45em;">Italy</a><span style="line-height: 1.45em;">. Affectionately called "Il Pirellone” (The Big Pirelli), the 127 meter tower stood as Italy’s tallest building from 1958 to 1995. The design of the structure, led by architect/designer Gio Ponti and engineer </span><a href="http://www.archdaily.com/tag/pier-luigi-nervi/" style="line-height: 1.45em;">Pier Luigi Nervi</a><span style="line-height: 1.45em;">, featured a tapered plan—as opposed to the conventional rectilinear volume which was prevalent in America—encouraging greater creative freedom during a time when skyscrapers typically lacked experimentation.</span><br></p>]]>
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