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    <title>Office: Óscar Pedrós arquitecto | ArchDaily</title>
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        <![CDATA[Housing in Casas Baratas Neighborhood / Óscar Pedrós arquitecto]]>
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      <link>https://www.archdaily.com/962830/housing-in-casas-baratas-neighborhood-scar-pedros-arquitecto</link>
      <pubDate>Mon, 07 Jun 2021 15:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
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        <![CDATA[Renovation]]>
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        <![CDATA[<p class="Standard">Contemporary actions in the area of ​​the Colonia de Casas Baratas Juan Canalejo (the 1950s) (as known in Spanish by The Neighborhood of Cheap Houses) have distorted its &ldquo;typology&rdquo;, if we understand as a type not only the condition of semi-detached house freed from auxiliary buildings but also a language of the facade that, we insist, found the conditions for an aesthetic uniformity due to economic reasons. Nowadays, there is not a single reconstructed or rebuilt house that maintains the initial composition and that introduces us to an even more complex reality: in the modest Neighborhood, there were buildings with one and two floors, whose design was already resolved on the original project. That is to say: its condition of different heights had already been resolved from the coherence of the project. What happens then, when on an original building of a unique plan, the Master Plan allows building a new one on top?</p>]]>
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        <![CDATA[The Skate Park in Carballo / Óscar Pedrós arquitecto]]>
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      <pubDate>Tue, 31 Mar 2020 18:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
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        <![CDATA[Sports Architecture]]>
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        <![CDATA[<p class="Standard">The Skate Park in Carballo (A Coru&ntilde;a, Spain) appears as an extension of the public space that surrounds the Media Library in that village, offering the possibility of practicing some alternative sport that emerges strongly in the cities. From the point of view of urban insertion, the main intention was to dilute the border between the skating surface and the rest of the public space, so that the entire space could be read as unique, avoiding some ghetto or bubble sensation that usually present this type of parks. That is why we should call it&nbsp;<em>skate-plaza.</em>Thus, the integration of the tricks, access of the fire brigade to Media Library, stands, vertical connections, shade, water and benches are considered as an integrated artificial topography, in the same way that the pedestrian is protected from an eventual impact with the skateboards, sinking park&acute;s height around 16 cm.</p>]]>
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        <![CDATA[Mediateca de Carballo / Óscar Pedrós arquitecto]]>
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      <link>https://www.archdaily.com/544501/mediateca-de-carballo-oscar-pedros-fernandez</link>
      <pubDate>Fri, 12 Sep 2014 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Library]]>
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        <![CDATA[<p>“Thinking on a 21th. Century library -as a friend of mine would say-, is like wondering about a book´s cemetery”. At that point, all efforts must conciliate architectonic non-variable values as sequence, promenade and staying with immateriality brought by new technologies. There is no other solution than sharing jealously material space with virtuality to avoid Carballo´s newest building ending as book warehouse.</p>]]>
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        <![CDATA[EINS House / Óscar Pedrós arquitecto]]>
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      <link>https://www.archdaily.com/300983/eins-house-oscar-pedros</link>
      <pubDate>Mon, 03 Dec 2012 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>Living as hens&hellip;waking up with sun and going to bed at dusk, without any fear of big glass walls. Once in a time there was a neighborhood where people were more aware of flat roofs than cutting the grass. First project is placed there; the first house, In&eacute;s&acute; house&hellip;house ONE, house EINS.</p>]]>
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