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    <title>Office: Rizoma Arquitetura | ArchDaily</title>
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        <![CDATA[Yayoi Kusama Gallery / MACh Arquitetos + Rizoma Arquitetura]]>
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      <link>https://www.archdaily.com/1011565/yayoi-kusama-gallery-mach-arquitetos-plus-rizoma-arquitetura</link>
      <pubDate>Wed, 27 Dec 2023 06:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
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        <![CDATA[Gallery]]>
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        <![CDATA[<p style="font-weight: 400;">The pavilion for Yayoi Kusama will house two installations from the artist at Inhotim: I am here but nothing and Aftermath of obliteration of eternity, known for attracting a great quantity of people, that inevitably form long waiting lines. That way, the architectural design should respond not only to the sheltering of the art works, but also to the creation of a protected space for the wait and to the preparation of the public to the unique experience offered by the art.</p>]]>
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        <![CDATA[Tunga Gallery / Rizoma Arquitetura]]>
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      <link>https://www.archdaily.com/605438/tunga-gallery-rizoma-arquitetura</link>
      <pubDate>Wed, 18 Mar 2015 12:00:28 +0000</pubDate>
      <dc:creator>Victor Delaqua</dc:creator>
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        <![CDATA[Gallery]]>
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        <![CDATA[<p>Tunga Gallery was designed as a highly flexible space to accommodate various works, temporary and permanent, in various scales and types, without resorting to the traditional "white cube".</p>]]>
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        <![CDATA[Lygia Pape Gallery / Rizoma Arquitetura]]>
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      <link>https://www.archdaily.com/349967/lygia-pape-gallery-rizoma-arquitetura</link>
      <pubDate>Tue, 26 Mar 2013 01:00:00 +0000</pubDate>
      <dc:creator>Gica Fernandes</dc:creator>
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        <![CDATA[Gallery]]>
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        <![CDATA[<p>The Gallery Lygia Pape was designed after a demand from the curatorial team at Inhotim to have a building for one specific installation by Brazilian artist Lygia Pape, Ttéia. The dimensions of the gallery were pre-established by the installation: a cube of 21x21x6m. The building should also be closed and dark, as Ttéia is a light piece. The site was relatively small if compared to the size of the requested building. It was a plateau in the slope of a hill, approached by a narrow ascending road in a forest.</p> ]]>
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        <![CDATA[Oiticica Restaurant / Rizoma Arquitetura]]>
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      <link>https://www.archdaily.com/225580/oiticica-restaurant-rizoma</link>
      <pubDate>Mon, 16 Apr 2012 00:00:00 +0000</pubDate>
      <dc:creator>Kritiana Ross</dc:creator>
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        <![CDATA[Restaurant]]>
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        <![CDATA[<p>The project for the restaurant was based in two main premises. 1- Utilize simple and low-cost building techniques, such as brise soleils that control the incidence of the sun; big openings and spans that allow for natural ventilation and lighting; green roof with openings, creating a cross ventilation and increasing the environmental comfort in the interior space. 2- Think of a building that is discrete in its context and that benefits from to the surrounding landscape.</p> ]]>
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