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    <title>Office: Rhizome | ArchDaily</title>
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        <![CDATA[Tochka na Karte Country Hotel / Rhizome]]>
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      <link>https://www.archdaily.com/942404/tochka-na-karte-country-hotel-rhizome</link>
      <pubDate>Thu, 16 Jul 2020 14:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
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        <![CDATA[Hotels]]>
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        <![CDATA[<p>The East coast of Ladoga lake is marked by brand-new “Tochka na Karte” (Russian for “A point on the map”) Country Hotel that is isolated from any inhabited places and surrounded by wild Karelian landscape. The pine forest, the vast sand beach and the lake resembling the sea by its scale and character have became the primary guidance and the context of the architecture. The factor of nature has also influenced both technological and material basis of the project as well as less global decisions – small scale architectural elements like benches and street lights corresponding with their surroundings.</p>]]>
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        <![CDATA[Futura Bistro / Rhizome]]>
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      <link>https://www.archdaily.com/941060/futura-bistro-rhizome</link>
      <pubDate>Sat, 13 Jun 2020 05:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
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        <![CDATA[Restaurant]]>
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        <![CDATA[<p>The massive reconstruction of postindustrial spaces in <a href="https://www.archdaily.com/tag/saint-petersburg">Saint Petersburg</a>, Russia resulted in the appearance of many places that are either obsessed with loft aesthetics or simply ignore it despite the surrounding context. The project of Futura bistro occupying a former metering station at Lenpoligraphmash factory demonstrates another approach towards the reuse of the heritage of our recent past.</p>]]>
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        <![CDATA[Living Room Pavilion / Rhizome]]>
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      <link>https://www.archdaily.com/921153/living-room-pavilion-rhizome</link>
      <pubDate>Mon, 15 Jul 2019 10:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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        <![CDATA[Hotels]]>
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        <![CDATA[<p class="normal">The villa as an architectural category has always been linked to a particular sort of escapism: the upper class of society, being tired of urban bustle, preferred a solitary yet luxurious way of living in a natural environment to densely populated and noisy city. This very essence of the villa remains unaltered despite several style changes, developing principles of design and introduction of mind-blowing paradigms such as modernist movement. ‘Tochka na karte’ (Russian for ‘a point on the map’) living room pavilion enters into a dialogue with the concept of villa and opposes the ideas of accessibility, equality and openness to the elitist, private and isolated character of modernist glass house villa which was taken as an aesthetic model for the project. Denying the vertical hierarchy, space can be described as highly welcoming and inclusive for everyone who enters it.  At the same time, the pavilion inherits the modernist desire to set a new standard of life and offers a refreshed understanding of spending the leisure time, being outside of the city and reestablishes the link between the architecture and the context of its existence.</p>]]>
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        <![CDATA[Tochka na Karte Hotel / Rhizome]]>
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      <link>https://www.archdaily.com/891641/tochka-na-karte-hotel-rhizome</link>
      <pubDate>Thu, 31 May 2018 02:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Hotels]]>
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        <![CDATA[<p>‘Tochka na karte’ country hotel (Russian for ‘a point on the map’) is located 120 km away from Saint-Petersburg on the shore of the Lake Ladoga, at the border of the Republic of Karelia. The hotel complex consists of prolonged 2-story blocks of double rooms, detached suites, and a reception building. The hotel is a designed in a prefabricated technology: 3.5x7m modules are assembled at the factory and then delivered to the site with the interior finish, networks, and sanitary engineering inside.</p>]]>
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