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Raimund Abraham

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AD Classics: Austrian Cultural Forum / Raimund Abraham

22:00 - 27 October, 2018
AD Classics: Austrian Cultural Forum / Raimund Abraham, © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York
© Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York

This article was originally published on May 25, 2015. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Before the impossibly “super-thin” tower became ubiquitous on the Midtown Manhattan skyline, Raimund Abraham’s Austrian Cultural Forum challenged the limits of what could be built on the slenderest of urban lots. Working with a footprint no bigger than a townhouse (indeed, one occupied the site before the present tower), Abraham erected a daring twenty-four story high-rise only twenty-five feet across. Instantly recognizable by its profile, a symmetrical, blade-like curtain wall cascading violently toward the sidewalk, ACFNY was heralded by Kenneth Frampton as “the most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Museum of 1959.” [1]

The massing of the building is dictated solely by zoning laws and the immediacy of its neighbors. Image © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York The director's office that occupies the box-like protrusion on the southern facade. Image © Photo by David Plakke, davidplakke.com; Courtesy of Austrian Cultural Forum New York East-facing section with the "scissor stairs" on the left-hand side + 7

Wolf D. Prix on Raimund Abraham: Visions in Exile or: Before we were so rudely interrupted

00:00 - 27 February, 2014
Wolf D. Prix on Raimund Abraham: Visions in Exile or: Before we were so rudely interrupted, © Tomas Riehle / Arturimages
© Tomas Riehle / Arturimages

In the early years of COOP HIMMELB(L)AU, Raimund Abraham was a role model - later on a friend. On the occasion of the Austrian government "Staatspreis" awarded to Raimund Abraham, Wolf D. Prix held the speech of honor, and characterized him as one of the main representatives of the Austrian architectural approach of celebrating space.

Raimund Abraham's Last Project Realized at Former NATO Missile Base

00:00 - 7 February, 2014
Raimund Abraham's Last Project Realized at Former NATO Missile Base, © Tomas Riehle / Arturimages
© Tomas Riehle / Arturimages

Raimund Abraham's last project, a "stunning" design for a building atop an unused NATO missile base in Hombroich, has been realized four years after the architect's death. At the time of his passing, Abraham was working on this project as part of a unique outdoor art complex close to Düsseldorf, Germany. A competition has now been announced to determine the future for the space which has become an "an integral part of Hombroich's cultural sphere."

Raimund Abraham's Final Work / Photographer Thomas Mayer

10:29 - 23 July, 2012
House for Music. Photo © Thomas Mayer
House for Music. Photo © Thomas Mayer

Raimund Abraham (1933-2010), who would have turned 79 today, was far from your typical architect. A striking figure – usually sporting a black fedora, thick moustache, and cigar – Abraham was a radical thinker who believed passionately in the sacred importance of architecture.

For Abraham, architecture existed just as legitimately in the mind as on the ground; as he put it: “I don’t need a building to validate my ideas.” In fact, many of his visionary drawings were exhibited as art, including in the MOMA. Although most of his designs were never actually built, those that were gained critical acclaim.

He was best known for the Austrian Cultural Forum in New York City, a 24-story, “guillotine-like” building curiously squeezed onto a plot only 25 feet wide. Architectural historian Kenneth Frampton called itthe most significant modern piece of architecture to be realized in Manhattan since the Seagram Building and the Guggenheim Musuem of 1959.”

To celebrate this great mind, we present you his final work, Musikerhaus (House for Music or Musician’s House), as photographed by Thomas Mayer. The House, a former NATO missile base turned artists’ residence/exhibition gallery (you can see the latest exhibition “The Reality of the Unbuilt” in the photos below), will be completed next year.

More photos & quotes, after the break…