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    <title>Office: MARC FORNES / THEVERYMANY | ArchDaily</title>
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        <![CDATA[Pier 865 / MARC FORNES  / THEVERYMANY]]>
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      <link>https://www.archdaily.com/1036363/pier-865-marc-fornes-theverymany</link>
      <pubDate>Thu, 27 Nov 2025 03:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Public Architecture]]>
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        <![CDATA[<p>The view from a pier is normally that of water, but at the site of Marc Fornes' new sculpture Pier 865, visitors enjoy a panoramic vantage point over the tree canopy of a historical <a href="/tag/knoxville">Knoxville</a> park. Like its namesake structure, the <strong>sculpture</strong> commissioned by the City of Knoxville joins two worlds, <strong>bridging the Old Town neighborhood and theater district</strong>, inviting passers-by to walk out to the pier's end and engage in a moment of reflection and observation. Pier 865 also invites larger groups of people to linger: one of the <strong>cantilevered wings creates a shaded stage</strong> for small gatherings and public performances.</p>]]>
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        <![CDATA[Piloti Installation / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/1033965/piloti-installation-marc-fornes-theverymany</link>
      <pubDate>Fri, 12 Sep 2025 05:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Landscape Architecture]]>
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        <![CDATA[<p>An <strong>ultra-thin, self-supported, aluminum shell structure</strong> for the City of <a href="/tag/bellevue">Bellevue</a>, Washington. Commissioned by the City of Bellevue, PILOTI is a striking rotunda structure designed by Marc Fornes and THEVERYMANY. Rising as an<strong> iconic entrance on the threshold of Bellevue's Downtown Park</strong>, PILOTI gathers the city into its embrace while opening onto the green expanse beyond.</p>]]>
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        <![CDATA[The Orb / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/1029316/the-orb-marc-fornes-theverymany</link>
      <pubDate>Tue, 22 Apr 2025 12:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Landscape Architecture]]>
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        <![CDATA[<p>Commissioned by Google and designed by Marc Fornes/THEVERYMANY, The Orb is a monumental pavilion in <a href="/tag/mountain-view">Mountain View</a>, California. This 10-meter-tall, 26-meter-wide, ultra-thin aluminium structure serves as the centrepiece of the public plaza at Google's Charleston East Campus. Its undulating, surreal form embodies the spirit of innovation and creativity central to the company's work culture.</p>]]>
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        <![CDATA[Agent Crystalline Pavilion / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/926256/agent-crystalline-pavilion-marc-fornes-theverymany</link>
      <pubDate>Thu, 10 Oct 2019 21:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Landscape Architecture]]>
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        <![CDATA[<p>Standing at attention to <a href="/tag/edmonton">Edmonton</a>’s Police Service, Agent Crystalline emphasizes a sense of vigilance and acuity through its graphic associations. The work speaks assertively in the language of traffic. In the lexicon of traffic, hues that demand awareness are vital. The vibrant array strikes a balance between safety orange and a sweeter tangerine. Adopting the coloring of the construction offers the structure the ethos of protection and productivity; as well as a bold timeless feeling.</p>]]>
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        <![CDATA[Zephyr Pavilion / MARC FORNES  / THEVERYMANY]]>
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      <link>https://www.archdaily.com/925059/zephyr-pavilion-marc-fornes-theverymany</link>
      <pubDate>Mon, 23 Sep 2019 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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        <![CDATA[<p>Zephyr Pavilion, a windswept canopy, offers a shaded passage through the courtyard of the Honors Residence Hall at Texas Tech University in <a href="/tag/lubbock">Lubbock</a>, Texas.The pavilion serves as a social anchor at the convergence of countless flows. Dueling cantilevers extend from a knot-like center, offering both a signal and a sheltering experience along the campus path. This gentle giant is a highly curated scheme of computationally finessed protocols informing a graphically rich structural skin. Four densely striped columns expand into bridging arcs, undulating wings and open looped columns that define oculi to the sky.</p>]]>
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        <![CDATA[Pillars of Dreams Pavilion / MARC FORNES  / THEVERYMANY]]>
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      <link>https://www.archdaily.com/918398/pillars-of-dreams-pavilion-marc-fornes-theverymany</link>
      <pubDate>Tue, 04 Jun 2019 03:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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        <![CDATA[<p>An ebullient structure seems to hover in the plaza of the newly renovated Valerie C. Woodard Center in <a href="/tag/charlotte">Charlotte</a>, North Carolina. <strong><em>Pillars of Dreams </em></strong>is an icon to be experienced. The cloud-like pavilion is anchored to the ground on nine legs, which are part of the continuous aluminum surface that makes up the double-curving canopy overhead. These open pillars resolve into a field of clustered seating, establishing a public agora for visitors and employees. Along the path from parking to the main entrance, the pavilion accommodates friendly interaction as well as quiet moments for reflection. The airy structure offers relief from the sun but also casts dynamic light through its porous surface. The atmosphere within, full of color and dappled light, inspires curiosity, collegiality, and a renewed spirit of place.</p>]]>
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        <![CDATA[Wanderwall / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/912692/wanderwall-marc-fornes-theverymany</link>
      <pubDate>Fri, 08 Mar 2019 17:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Arts & Architecture]]>
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        <![CDATA[<p><em>Public art at the urban scale.</em> The dynamic pulse of Wanderwall re-imagines an exterior parkade wall in the uptown core of <a href="/tag/charlotte">Charlotte</a>. Evocative of swirling activity—ecological, social, and economic—the folded metal facade describes elements of flows and networks, with a labyrinthine porosity that allows light through to the garage interior. This dimensional architectural skin is composed of 5,768 individual parts that wrap the South and East elevations of the Stonewall Station parking garage. Eight stories of vibrant aluminum cladding announce the building as a beacon on the Uptown skyline and produce several scales of experience that extend far beyond the building itself.</p>]]>
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        <![CDATA[Form of Wander / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/905862/form-of-wander-marc-fornes-theverymany</link>
      <pubDate>Wed, 14 Nov 2018 12:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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        <![CDATA[<p>Where the Riverfront Park recreational space extends onto the waterway, Form of Wander is situated to host new outdoor activities and new memories of the <a href="/tag/tampa">Tampa</a>’s active waterfront. As an inverted mangrove, the green-hued aluminum canopy announces itself among palms as a signal on the Hillsborough River. The tree-like structure appears to float between water and land.</p>]]>
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        <![CDATA[Boolean Operator / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/902478/boolean-operator-marc-fornes-theverymany</link>
      <pubDate>Fri, 21 Sep 2018 16:00:00 +0000</pubDate>
      <dc:creator>Fernanda Castro</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
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        <![CDATA[<p>For the event of the Jinji Lake Biennial, MARC FORNES / THEVERYMANY installed a large-scale outdoor pavilion on the elevated plaza of the Suzhou Center. Its undulating enclosure interrupts the usual traffic, as an unexpected, emergent environment. It appears to have bubbled up from the ground, or dropped from the sky. The structure, both massive in scale and delicate in white aluminum, lands lightly on an ultra-thin edge.</p>]]>
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        <![CDATA[Marquise / MARC FORNES  / THEVERYMANY]]>
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      <link>https://www.archdaily.com/897088/marquise-marc-fornes-theverymany</link>
      <pubDate>Wed, 27 Jun 2018 15:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Small Scale]]>
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        <![CDATA[<p><strong>Long Form Statement<br></strong>A parasol planted in the sand, a tropical fish on land, a tent at the foot of Franklin Mountains: this exuberant surface assumes multiple guises. Marquise is a spatial entry structure for <a href="/tag/el-paso">El Paso</a>’s Westside Natatorium. A visual icon and architectural threshold, the lightweight aluminum structure transforms the approach and experience of this new public building. Gridded curvilinear panels comprise the brightly-colored canopy and as well its self-supporting structural system.</p>]]>
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        <![CDATA[Pine Sanctuary / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/890373/pine-sanctuary-marc-fornes-theverymany</link>
      <pubDate>Fri, 09 Mar 2018 11:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Small Scale]]>
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      <guid isPermaLink="false">https://www.archdaily.com/890373/pine-sanctuary-marc-fornes-theverymany</guid>
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        <![CDATA[<p><strong>A Tree Unlike Other Trees</strong><br>On the road to Riverwood, a peak among pines announces the sprawling park, a scenery of natural splendor, but unreal experiences. Pine Sanctuary by MARC FORNES / THEVERYMANY is a “placemaker” for Riverwood Conservancy in <a href="/tag/mississauga">Mississauga</a>. It signals the entrance to the park and provides a unique spatial experience for visitors to wander through and enjoy. From the speed of a car driving down Burnhamthorpe Road West, the piece stands out as a visual icon, but its tall and pointed profile is at home in the context of Riverwood’s pine trees, even if it provokes a second look.</p>]]>
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        <![CDATA[HYPARBOLE / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/882387/hyparbole-marc-fornes-theverymany</link>
      <pubDate>Sat, 28 Oct 2017 09:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
      <category>
        <![CDATA[Arts & Architecture]]>
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        <![CDATA[<p>A hyperbolic surface thrusts itself into the air at the entrance to Rhode Island College’s Fine Arts Center, as a dramatic opening to the campus scene. In a burst of bright green curves, it enacts a threshold to creative practice and ushers studio-goers, faculty and campus visitors alike toward inspiration and action.</p>]]>
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        <![CDATA[Minima | Maxima / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/879626/minima-maxima-marc-fornes-theverymany</link>
      <pubDate>Wed, 13 Sep 2017 15:00:00 +0000</pubDate>
      <dc:creator>Fernanda Castro</dc:creator>
      <category>
        <![CDATA[Landscape Architecture]]>
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      <description>
        <![CDATA[<p>Minima | Maxima, the latest Structural Stripes 'Crawling Assembly' from MARC FORNES / THEVERYMANY, provides a moment of contemplation amid the busy grounds of World Expo 2017.</p>]]>
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        <![CDATA[MaHouse / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/782246/mahouse-thevermany</link>
      <pubDate>Thu, 18 Feb 2016 03:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>At MaHouse, designed by MARC FORNES / THEVERYMANY, the extra length of a step, the degree of each tilt, the obliques in plan and elevation and their corner indentations act as small anomalies to introduce the experiential to one’s daily environment.</p>]]>
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        <![CDATA[Situation Room  / MARC FORNES / THEVERYMANY]]>
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      <link>https://www.archdaily.com/557215/marc-fornes-and-theverymany-_-storefront-with-immersive-ultra-thin-shell-structure</link>
      <pubDate>Tue, 14 Oct 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
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        <![CDATA[<p class="p1"><strong><a href="http://theverymany.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Marc Fornes &amp; THEVERYMANY</a></strong> has constructed a light-weight, ultra-thin self-supported shell structure augmented by artist <strong><a href="http://www.janawinderen.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Jana Winderen</a></strong>’s engineered sounds at the <a href="http://storefrontnews.org/programming/exhibitions?c=&amp;e=661&amp;p=&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Storefront for Art and Architecture</a> in <a href="/tag/new-york">New York</a> City. Now on view through November 21, the “Situation Room” presents itself, as Storefront describes, "a vibrating sound experiment that that aims to transform architecture into animated sensible form."</p>]]>
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