After two weeks of nominations and voting, last week we announced the 16 winners of the 2017 Building of the Year Awards. In addition to providing inspiration, information, and tools for architecture lovers from around the world, ArchDaily seeks to offer a platform for the many diverse and global voices in the architecture community. In this year's Building of the Year Awards that range of voices was once again on display, with 75,000 voters from around the world offering their selections to ultimately select 16 winners from over 3,000 published projects.
Behind each of those projects are years of research, design, and labor. In the spirit of the world's most democratic architecture award, we share the stories behind the 16 buildings that won over our global readership with their urban interventions, humanitarianism, playfulness, and grandeur.
With two weeks of nominations and voting now complete, we are happy to present the winners of the 2017 ArchDaily Building of the Year Awards. As a peer-based, crowdsourced architecture award, these winners were chosen by the collective intelligence of over 75,000 votes from ArchDaily readers around the world, filtering over 3,000 projects down to the 16 best works featured on ArchDaily in 2016.
In being published on ArchDaily, these 16 exemplary buildings have helped us to continue our mission, bringing inspiration, knowledge, and tools to architects around the world. This award wouldn't be possible without the hundreds of firms that choose to publish their projects with ArchDaily every year, or without those who take part in the voting process to become part of our thousands-strong awards jury. To everyone who took part—either by submitting a project in the past year, or by nominating and voting for candidates in the past weeks—thank you for giving strength to this award. And of course, congratulations to all the winners!
Read on to see the full list of winning projects.
https://www.archdaily.com/804859/winners-of-the-2017-building-of-the-year-awardsAD Editorial Team
As the common phrase attests, “history is written by the victors.” We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.
The current boom of the Global South is based not only on new work, but rather on the recognition of an invisible architecture which was apparently not worthy of publication in the journals of the 1990s. The world stage has changed, with the emergence of a humanity that is decentralized yet local; globalized, yet heterogeneous; accelerated, yet unbalanced. There are no longer red and blue countries, but a wide variety of colors, exploding like a Pollock painting.
This serves as a preamble to consider the outstanding projects of 2016 according to the British critic Oliver Wainwright, whose map of the world appears to extend from New York in the West to Oslo in the East, with the exception of Birzeit in Palestine. The Global South represents more than 40% of the global economy and already includes most of the world’s megacities, yet has no architecture worthy of recognition? We wanted to highlight the following projects in order to expand the western-centric world view, enabling us to truly comprehend the extent of architectural innovation on a global scale.