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Lina Bo Bardi

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The Role of Color in Architecture: Visual Effects and Psychological Stimuli

08:00 - 9 June, 2018
The Role of Color in Architecture: Visual Effects and Psychological Stimuli, Escola em Alto de Pinheiros / Base Urbana + Pessoa Arquitetos. Image © Pedro Vanucchi
Escola em Alto de Pinheiros / Base Urbana + Pessoa Arquitetos. Image © Pedro Vanucchi

Colors and their perceptions are responsible for a series of conscious and subconscious stimuli in our psycho-spatial relationship. Despite its presence and its variations, it is present in all places. Have you ever wondered what its role is in architecture?

As well as the constructive elements that make up an architectural object, the application of colors on surfaces also influences the user's experience of the space. According to Israel Pedrosa, "a colorful sensation is produced by the nuances of light refracted or reflected by a material, commonly the word color is designated to those shades that function as stimuli in a chromatic sensation." [1]

Material and Immaterial Poetry: The Work of Lina Bo Bardi

06:00 - 22 May, 2018
Material and Immaterial Poetry: The Work of Lina Bo Bardi, Facade - Valéria Cirell House. Image © Instituto Lina Bo e P.M. Bardi.
Facade - Valéria Cirell House. Image © Instituto Lina Bo e P.M. Bardi.

Italian-born architect Lina Bo Bardi is one of the most important figures of Brazilian design. Her ability to blend architecture, politics and popular culture made her an icon throughout the country and world, while her relentlessness to break from traditionalisms made Brazil the ideal location for her work.

Bo Bardi's architecture incorporates both materiality and culture. In addition to the concrete and solidified elements, she designed pieces based on cultural factors and intense political discussions. She wished to break the barriers between intellectuals and everyday people.

"See-Through:" Video Explores the Spatial Dynamics Fostered by Lina Bo Bardi's Glass Easels

08:00 - 18 May, 2018

Architectural photographer and filmmaker Romullo Fontenelle of Studio Flagrante shared his latest video featuring Lina Bo Bardi's concrete and glass easels and the spatial dynamics they create in the São Paulo Museum of Art (MASP). The easels, first introduced in 1968, were brought back to life after a redesign by Metro Arquitetos.

Furniture Designed by Brazilian Architects

08:00 - 19 March, 2018
Furniture Designed by Brazilian Architects, Poltrona Bowl_Lina Bo Bardi. Image © Nelson Kon
Poltrona Bowl_Lina Bo Bardi. Image © Nelson Kon

For some practitioners of architecture, the insatiable desire to draw everything, from the largest to the smallest to take full control of the project, echoes the famous phrase uttered by Mies Van Der Rohe: "God is in the details." Similarly, designing furniture provides another creative outlet for in-depth exploration of human-scale works of architecture.

Throughout the history of the Brazilian Architecture, and especially since the modernist movement, architects not only became known for their building designs, but also for their detailed chairs and tables. Several of these pieces of furniture were initially designed for a specific project and then went into mass production due to their popularity. 

Cadeira Isa d’aprés siza_Marcenaria Baraúna. Image Cortesia de Dpot Cadeira Nóize_Guto Requena. Image Cortesia de Guto Requena Poltrona Bowl_Lina Bo Bardi. Image © Nelson Kon Poltrona Paulistano_Paulo Mendes da Rocha. Image Cortesia de Dpot + 55

Spotlight: Lina Bo Bardi

10:30 - 5 December, 2017
Sesc Pompéia. Image © Pedro Kok
Sesc Pompéia. Image © Pedro Kok

Lina Bo Bardi (December 4, 1914 – March 20, 1992) was one of the most important and expressive architects of 20th century Brazilian architecture. Born in Italy as Lina Achillina Bo, she studied architecture at the University of Rome, moving to Milan after graduation. In Milan, Bo Bardi collaborated with Gio Ponti, and later become editor of the magazine Quiaderni di Domus.

With her office destroyed in World War II Bo Bardi, along with Bruno Zevi, founded the publication A Cultura della Vita. As a member of the Italian Communist Party, she met the critic and art historian Pietro Maria Bardi, with whom she would move permanently to Brazil.

Sesc Pompéia. Image © Pedro Kok São Paulo Museum of Art (MASP). Image © Pedro Kok São Paulo Museum of Art (MASP). Image © Pedro Kok Sesc Pompéia. Image © Pedro Kok + 9

Palm Springs Art Museum Opens Exhibit on Lina Bo Bardi and Albert Frey

14:00 - 8 October, 2017
Palm Springs Art Museum Opens Exhibit on Lina Bo Bardi and Albert Frey, © Lance Gerber
© Lance Gerber

Mid-century modern visionaries, Albert Frey and Lina Bo Bardi are exhibited together at the Palm Springs Art Museum for an unprecedented show of models, drawings, design objects, and photographs, opened this fall and will remain on exhibit through January 7, 2018. 

The exhibit A Search for Living Architecture explores the shared belief of Albert Frey and Lina Bo Bardi, that architecture is a way to connect people, nature, building, and living. The mid-century show-stoppers are highlighted in the installation design by Bestor Architecture.

© Lance Gerber © Lance Gerber © Lance Gerber © Lance Gerber + 26

AD Classics: Teatro Oficina / Lina Bo Bardi & Edson Elito

08:00 - 11 September, 2017
AD Classics: Teatro Oficina / Lina Bo Bardi & Edson Elito, © Nelson Kon
© Nelson Kon

© Nelson Kon © Nelson Kon © Nelson Kon © Nelson Kon + 40

The Teatro Oficina Uzyna Uzona, popularly know as Teatro Oficina, located on Jaceguai Street, in the Bela Vista neighborhood, in São Paulo, was founded in the 1960s, more specifically in 1958 by José Celso Martinez Correa, acting as a manifest theater, marked by great spectacles between theatrical expressions, musical presentations, dance and performances.

Over time, the theater sought to revolutionize the performances that they put on. To this end, the architecture was designed to "collaborate" with the events, allowing the drama of the spectacle to engage more profoundly with audiences. T he architect Edson Elito, who would later instigate this reform, said [trans.]:

7 Abandoned and Deteriorating Latin American Architectural Classics

08:00 - 11 July, 2017
7 Abandoned and Deteriorating Latin American Architectural Classics, © Luiz Seo
© Luiz Seo

How many lives does a great work of architecture have? The first begins when it is built and inhabited, judged based on the quality of life it provides for its residents. The second comes generations later when it becomes historically significant and perhaps its original function no longer suits the demands of society. The value of such buildings is that they inform us about the past and for that reason their conservation is necessary.

However, in Latin America, there are countless cases of buildings of great architectural value that are in tragic states of neglect and deterioration. Seven such examples are:

23 Examples of Impressive Museum Architecture

08:00 - 18 May, 2017

Designing a museum is always an exciting architectural challenge. Museums often come with their own unique needs and constraints--from the art museum that needs specialist spaces for preserving works, to the huge collection that requires extensive archive space, and even the respected institution whose existing heritage building presents a challenge for any new extension. In honor of International Museum Day, we’ve selected 23 stand-out museums from our database, with each ArchDaily editor explaining what makes these buildings some of the best examples of museum architecture out there.

Veronika Kellndorfer, Tropical Modernism: Lina Bo Bardi

17:17 - 9 August, 2016
Veronika Kellndorfer, Tropical Modernism: Lina Bo Bardi, Veronika Kellndorfer, Tree House (Casa de Vidro), 2014
Veronika Kellndorfer, Tree House (Casa de Vidro), 2014

Christopher Grimes Gallery is pleased to present a solo exhibition of new works by Veronika Kellndorfer. This body of work stems from her 2015 solo exhibition at the Casa de Vidro in São Paulo, home of celebrated Italian-born Brazilian architect Lina Bo Bardi. During this time Kellndorfer also engaged with the architecture of Oscar Niemeyer and gardens of Roberto Burle Marx, finding their approach to Brazilian Modernism nascent to a new scope of reference.

The Guardian's Rowan Moore Names 10 Best Concrete Buildings

06:00 - 11 February, 2016
The Guardian's Rowan Moore Names 10 Best Concrete Buildings

“Concrete has the ability to be primitive and technological, massive and levitating, to combine the properties of steel with those of mud,” says Rowan Moore in his list of The 10 best concrete buildings created for The Guardian. Through examples spanning three continents, Moore unites old standbys with unexpected wonders, all of which show the varied possibilities inherent in mixing water, aggregate, and cement. In a list that incorporates examples from Classical times to the present, Moore establishes concrete’s unique ability to adapt to different times, styles, applications, and treatments.

Examples by Le Corbusier, Álvaro Siza, Lina Bo Bardi, and Marcel Breuer demonstrate that concrete is anything but workaday or utilitarian. Moore’s list affirms that a material simultaneously strong and light, durable, sustainable, and fire-resistant, can scarcely be considered anything short of miraculous. Of course, ten buildings can only provide an abridged version of concrete’s possibilities, and Moore cheekily apologizes for some of the obvious omissions. Check out the full list here.

Concrete and Glass: Lina Bo Bardi's Easels and a New, Old Way of Displaying Art

06:00 - 29 December, 2015
Concrete and Glass: Lina Bo Bardi's Easels and a New, Old Way of Displaying Art, © Romullo Baratto
© Romullo Baratto

Forty-seven years after their first appearance, Lina Bo Bardi's iconic glass easels have returned to the gallery at São Paulo's Museum of Art (MASP), displaying some of the museum's most valuable paintings, spanning from the medieval to the modern, in an exhibition on the second floor of the museum.

Removed from display in 1996, the concrete pillars, wood and glass easels were reviewed by METRO Arquitetos, who became part of MASP's curatorial team -- in charge of exhibition design -- last December.  Having carried out various exhibitions this year at the museum - such as Brazilian Art Through the 1900s METRO Arquitetos decided to end the year by bringing back the easels, in an exhibition similar to the original one conceived by Lina, which almost five decades later, continues to impress with its innovative way of exhibiting art in museums. 

We had the opportunity to visit the exhibition montage and speak with architect Martin Corullon about the return of the easels and the process of recovering the space as conceived by Lina for the museum. Read the complete interview below.

© Romullo Baratto © Romullo Baratto © Romullo Baratto © Romullo Baratto + 24

Radical Pedagogies: Lina Bo Bardi’s Theory of an Immediate-Life-Architecture (1957)

09:30 - 4 November, 2015
Radical Pedagogies: Lina Bo Bardi’s Theory of an Immediate-Life-Architecture (1957), Lina at MASP under construction. Photo © Lew Parrela
Lina at MASP under construction. Photo © Lew Parrela

ArchDaily is continuing our partnership with Radical Pedagogies, an ongoing multi-year collaborative research project led by Beatriz Colomina with a team of PhD students of the School of Architecture at Princeton University, presenting a series of paradigmatic cases in architectural education. In this fourth example of Radical Pedagogies in Latin AmericaVanessa Grossman (PhD Candidate in History and Theory of Architecture at Princeton University) presents Lina Bo Bardi's application for a chair at the Faculty of Architecture and Urban Studies of the University of São Paulo. Although the application was rejected by the faculty commission, the submitted essay still is a singular source of new ideas for architectural education.

"We performed hitherto a sort of tour throughout time and throughout the “theories” of architecture, dwelling upon one of the aspects and modes of interpretation: the critical aspect. But the experience of teaching has led us to assume, among students, a certain impatience. This impatience we know very well: it means that we no longer feel the sap flowing from the past, that we have almost constitutionally “cut the roots,” that the natural habit of a calm and methodical study no longer exists, despite the consciousness of an acquired cultural heritage. It is the impatience of those who no longer want to know things that do not produce a result soon, of things that do not serve solutions to the problems of immediate life."

—Lina Bo Bardi, Introduction to “Problems of Method,” the second and final chapter of Propaedeutic Contribution to the Teaching of Architecture Theory (1957) [p. 45 in the 1992 Brazilian edition].

Lina Bo Bardi’s Archive on Display at her Glass House in São Paulo

15:00 - 16 May, 2015
Lina Bo Bardi’s Archive on Display at her Glass House in São Paulo, © Marina Correia
© Marina Correia

Text description provided by the architects. The design of the Lina em Casa: Percursos (Lina at Home: Journeys) exhibition was developed with the intention of preserving the spatial experience and the unique atmosphere of Casa de Vidro (Glass House). Understanding the House as the principle legacy of the architect on display and a major object of interest for visitors, the organization of the exhibition stands avoids creating spatial subdivisions that could detract from the building’s architecture. 

"Lina Bo Bardi: Together" Opens at The Graham Foundation

09:00 - 25 April, 2015
"Lina Bo Bardi: Together" Opens at The Graham Foundation , Courtesy of The Graham Foundation
Courtesy of The Graham Foundation

From April 25 through July 25, 2015, the Graham Foundation will host an exhibition at its Madlener House showcasing the vision of Italian-Brazilian architect Lina Bo Bardi. Known for her emphasis on social modernism and expressive use of materials, Lina Bo Bardi: Together explores her legacy through her collected works, as well as that of other artists paying homage to the architect and striving to generate new conversations about her designs. Curated by Noemi Blager, the exhibition features photographs, films, and artistic objects reflecting Bo Bardi's diverse work and immersion in Brazilian culture.

Arquitetas Invisíveis Presents 48 Women in Architecture: Part 3, Architecture

16:30 - 11 March, 2015
Arquitetas Invisíveis Presents 48 Women in Architecture: Part 3, Architecture, Courtesy of Arquitetas Invisíveis
Courtesy of Arquitetas Invisíveis

To celebrate International Women’s Day, we asked the Brazilian non-profit group Arquitetas Invisíveis to share with us a part of their work, which identifies women in architecture and urbanism. They kindly shared with us a list of 48 important women architects, divided into seven categories: pioneers, “in the shadows,” architecture, landscape architecture, social architecture, urbanism and sustainable architecture. We will be sharing this list over the course of the week.

Today we present women architects who stand out for the quality of their work. 

Carme Pinós. © Estudio Carme Pinós Jô Vasconcellos. © Beto Novaes/EM/D.A Press Gae Aulenti. © Ernesto Ruscio - Getty Images Europe via Zimbio. Jeanne Gang in front of the Acqua Tower. Image Courtesy of the John D. and Catherine T. MacArthur Foundation + 32

Architecture Documentaries To Watch In 2015

09:00 - 8 March, 2015
Architecture Documentaries To Watch In 2015, Microtopia (2013) / Jesper Wachtmeister
Microtopia (2013) / Jesper Wachtmeister

Following our top 40 Architecture Docs to Watch in 2014 and our favourite 30 Architecture Docs to Watch in 2013, 2015 is no exception! Our latest round up continues to feature a fantastic range of films and documentaries telling the tales of unsung architectural heroes and unheard urban narratives from around the world. This entirely fresh selection looks past the panoply of stars to bring you more of the best architectural documentaries which will provoke, intrigue and beguile.

From a film which explores one man's dream to build a cathedral (#4) and a simultaneous history of and vision of Rotterdam's future (#7), to a tour of the world's last surviving squatter town in Copenhagen (#14) and A Short History of Abandoned Sets in Morocco (#16), we present - in no particular order - thirty freshly picked documentaries for you to watch in 2015.

Video: The Glass House / Workshop “filming architecture”

00:00 - 5 December, 2014

In a three day pilot workshop, students from the Architecture and Urbanism School of Mackenzie Presbyterian University in São Paulo took part in an introduction to architecture filmmaking. Coordinated by architects Gabriel Kogan and Pedro Kok, the group spent a day at Lina Bo Bardi's Glass House in São Paulo following theoretical and technical lectures. 

The idea was to recreate – now in moving images – an iconic photograph of the site  by exploring issues of representation, transparency, interior/exterior, promenades, ways of living and the tectonics of this architectural masterpiece.