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    <title>Office: Langarita Navarro Arquitectos | ArchDaily</title>
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        <![CDATA[Hernández House / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/1004472/hernandez-house-langarita-navarro-arquitectos</link>
      <pubDate>Sun, 06 Aug 2023 09:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Housing]]>
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        <![CDATA[<p>The developments proliferating on the outskirts of <a href="/tag/madrid">Madrid</a>, in wastelands and brownfields surrounding the city, show urban planning that is completely indifferent towards the landscape and any kind of cohabitation with nature. Broadly speaking, strict planning regulations have resulted in plots built to the brim and surrounded by a narrow strip of garden unlikely to thrive.</p>]]>
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        <![CDATA[PS-50 House / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/1004475/ps-50-house-langarita-navarro-arquitectos</link>
      <pubDate>Mon, 31 Jul 2023 03:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>The lead character in this project is an extraordinary coastal landscape; thick, rugged, and impregnable, resisting the assaults of the Atlantic winds. We imagine the possibility of living under the cover of this greenery with the self-imposed objectives of being large and at the same time inconspicuous, while also invoking the unexpected behaviors of bodies and matters.</p>]]>
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        <![CDATA[Olimpo Nômade Installation / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/1004481/olimpo-nomade-installation-langarita-navarro-arquitectos</link>
      <pubDate>Tue, 25 Jul 2023 02:00:00 +0000</pubDate>
      <dc:creator>Benjamin Zapico</dc:creator>
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        <![CDATA[Temporary installations]]>
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        <![CDATA[<p>Olimpo N&ocirc;made is an itinerant city for artists at a music festival. It is the place where musicians prepare before a performance and where they release tension with their peers after the concert or session. It is a lightweight, foldable, transportable, galactic city that, wherever it unfolds, must serve as the background and support for memorable experiences and mythical encounters.</p>]]>
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        <![CDATA[Penthouse H / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/892310/penthouse-h-langarita-navarro-arquitectos</link>
      <pubDate>Thu, 12 Apr 2018 05:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Penthouse]]>
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        <![CDATA[<p>Attics comprise a peculiar urban geography. As the tops of buildings, they can reveal surprising singularities that are hard to imagine when one is strolling through a city at ground level. Cupolas, pavilions, terraces and towers share the space with leafy plantations, delusions in textile, illegal transparent enclosures and sloping tiled roofs. This project is linked to this world of fantasy, which it exploits through the restoration of the site's stunning original features and the invention of architectural operations close to woodwork and gardening.</p>]]>
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        <![CDATA[Medialab-Prado / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/517045/medialab-prado-langarita-navarro-arquitectos</link>
      <pubDate>Thu, 19 Jun 2014 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
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        <![CDATA[visual arts center]]>
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        <![CDATA[<p>Perhaps more than anything else, it is the very strangeness of the diverging intentions found in the <em>La Serrería Belga</em> adaptation project for the Medialab-Prado that makes it possible for them to coexist, though not without a certain measure of irony.</p>]]>
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        <![CDATA[Baladrar House / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/474459/baladrar-house-langarita-navarro-arquitectos</link>
      <pubDate>Sat, 08 Feb 2014 01:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>The scattered and trans-European city that the mountainous coast of Alicante has become, houses a heterogeneous population that is drawn to the sun, the sea, the temperate climate, the convenient public services and the leafy greenery. The promise of relaxing and hedonistic experiences captivates both seasonal tourists and long-term residents who see their expectations fulfilled amongst jasmine and bougainvilleas. The project draws from this context and is designed to meet the demands of multiple families in the summertime and as a haven for retirees the rest of the year.  </p>]]>
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        <![CDATA[Red Bull Music Academy / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/213918/red-bull-music-academy-langarita-navarro-arquitectos</link>
      <pubDate>Tue, 06 Mar 2012 00:00:00 +0000</pubDate>
      <dc:creator>Kritiana Ross</dc:creator>
      <category>
        <![CDATA[Music Venue]]>
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        <![CDATA[<p>In many ways this project shares the logic of a Russian matryoshka doll. Not only in the most literal, physical sense, in which one thing is directly incorporated into another, but also in a temporal sense, in which oneactually originates within the other. The initial circumstancesof this project established a favorable backdrop for this condition:</p>]]>
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        <![CDATA[Lolita / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/89195/lolita-langarita-navarro-arquitectos</link>
      <pubDate>Wed, 17 Nov 2010 00:00:00 +0000</pubDate>
      <dc:creator>Kelly Minner</dc:creator>
      <category>
        <![CDATA[Mixed Use Architecture]]>
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        <![CDATA[<p>Lolita is not just another roadside restaurant off a busy interstate - a rare species within the prestigious restaurant world.  With the  focus on versatile design, Langarita Navarro Arquitectos thoughtfully created a flexible space capable of setting itself up as a scenario for almost any type of activity.</p> ]]>
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      <title>
        <![CDATA[Double House / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/64369/double-house-langarita-navarro-arquitectos</link>
      <pubDate>Wed, 16 Jun 2010 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>Moving their home to the outer limits of a small town in the province of Zaragoza is the wish of a newly married couple about to retire. Embodied in their decision lies the conviction that it is possible to both undergo a radical change and still enjoy the comforts of their previous life. To explore this dual situation a project has been designed which attempts to evade its usual position as a solution at the end of a process and to take positions as starting point or state previous to the development.</p> ]]>
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        <![CDATA[Led Action Façade, Digital Façade for Medialab Prado / Langarita Navarro Arquitectos]]>
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      <link>https://www.archdaily.com/43582/led-action-facade-digital-facade-for-medialab-prado-langarita-navarro-arquitectos</link>
      <pubDate>Mon, 14 Dec 2009 00:00:00 +0000</pubDate>
      <dc:creator>David Basulto</dc:creator>
      <category>
        <![CDATA[Lighting]]>
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        <![CDATA[<p>The city is created under emergency conditions: On the one hand, the obligation to update its infrastructures and, on the other hand, the need to maintain the same standards as in other cities, both of which require the continuous incorporation of new technologies to public spaces. If the now rare telephone booths were an example of this modernising in their day, today’s urban screens are so now. Once the economic factors were overcome, they were implemented all over the city following confused criteria linked to business performance and inertia inherited from previous examples, such as in Times Square in New York. These trends have led non-commercial display devices to become a rare exception within the city’s digitalisation process. Apart from informative electronic signs, these experiences have been uncommon and always reduced to a temporary scale. This situation shows that although some private companies are interested in them as a support for their advertising purposes, few institutions have been able to profit from their ability to activate public spaces or their capacity to create local identity and identify open processes in the city.</p> ]]>
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