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    <title>Office: junya ishigami + associates | ArchDaily</title>
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        <![CDATA[Zaishui Art Museum / junya ishigami + associates]]>
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      <link>https://www.archdaily.com/1012718/embargo-feb-1st-zaishui-art-museum-junya-ishigami-plus-associates</link>
      <pubDate>Thu, 01 Feb 2024 10:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Museum]]>
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        <![CDATA[<p><strong><em>Gently gigantic -</em></strong> When contemplating architecture in China, that country's vast, boundless landscapes can pose a daunting challenge.</p>]]>
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        <![CDATA[House & Restaurant / junya ishigami + associates]]>
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      <link>https://www.archdaily.com/987227/house-and-restaurant-junya-ishigami-plus-associates</link>
      <pubDate>Mon, 19 Sep 2022 07:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p class="p1">The project is a residence/restaurant for a French restaurant owner. He is an old friend of mine, and he was the one who commissioned <em>the Tables for a Restaurant</em>. I was asked to design a building as “heavy” as possible. “I want an architecture whose heaviness would increase with time,” he said. “It cannot be artificially smooth but rather something with the roughness of nature. Authentic cuisines require such a place.” He also told me that “it has to look as if it has been there and will continue to be there for the longest time.” His idea was to create a brand-new long-established restaurant. He was longing for something that is both a house and a restaurant, something he could pass on to his children and grandchildren. Now, he invites guests to the restaurant as he would invite friends to his house, and with someone special, he would let them into the living room or even stay overnight. When the restaurant is closed, the hall serves as a place for the family to spend time or for the children to study. The plan is arranged with the restaurant on the north and the residence on the south. To go back and forth between the spaces, they can walk through any one of the three courtyards that separate them.</p>]]>
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        <![CDATA[Kokage-gumo Pavilion / junya ishigami + associates]]>
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      <link>https://www.archdaily.com/966675/kokage-gumo-pavilion-junya-ishigami-plus-associates</link>
      <pubDate>Fri, 13 Aug 2021 07:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Temporary installations]]>
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        <![CDATA[<p class="Corps">There is an old house in Kudanshita, built-in 1927 by the industrialist Mankichi Yamaguchi. Among those involved in its creation, there is Tacchu Naito who designed the structural plans for <a href="https://www.archdaily.com/tag/tokyo">Tokyo</a> Tower. In the beautiful old garden of this house, a sunshade was planned to softly block the sunlight exclusively during the summer of 2021.</p>]]>
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        <![CDATA[Plaza of Kanagawa Institute of Technology / junya ishigami + associates]]>
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      <link>https://www.archdaily.com/954785/plaza-of-kanagawa-institute-of-technology-junya-ishigami-plus-associates</link>
      <pubDate>Fri, 15 Jan 2021 07:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
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        <![CDATA[Other facilities]]>
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        <![CDATA[<p class="a"><em>The text was written by the project curator with reference to the architect's notes.</em> While working on the outdoor plaza to the KAIT workshop of <a href="https://www.archdaily.com/tag/kanagawa">Kanagawa</a> Institute of Technology (completed in winter of 2008) <a href="https://www.archdaily.com/tag/junya-ishigami-associates">Junya Ishigami + Associates</a> considered two main characteristics: <strong>Versatility </strong>and the<strong> Semi-outdoor</strong>, and what these two would really represent within the project development. </p>]]>
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        <![CDATA[JINS SWFC Shop / junya ishigami + associates]]>
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      <link>https://www.archdaily.com/908169/jins-swfc-shop-junyshigami-plus-associates</link>
      <pubDate>Wed, 26 Dec 2018 19:00:00 +0000</pubDate>
      <dc:creator>舒岳康</dc:creator>
      <category>
        <![CDATA[Showroom]]>
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        <![CDATA[<p class="CuerpoA">To create a huge emptiness within the crowded shopping mall and tried to present the interior space more like an architectural work, a simple solution for the store came up:</p>]]>
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        <![CDATA[House of Peace / Svendborg Architects + junya ishigami + associates]]>
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      <link>https://www.archdaily.com/530677/junya-ishigami-associates-win-competition-to-design-world-peace-pavilion-in-copenhagen</link>
      <pubDate>Thu, 24 Jul 2014 00:00:00 +0000</pubDate>
      <dc:creator>Connor Walker</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
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        <![CDATA[<p><strong><a href="http://www.svendborgarchitects.dk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Svendborg Architects</a></strong> and <strong><a href="http://www.jnyi.jp/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">junya.ishigami+associates</a></strong> have won first place in the HOPE foundation's <a href="http://houseofpeace.dk/House_Of_Peace/House_Of_Peace_English.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">House of Peace Competition</a>. The competition brief calls for a monumental architectural installation to be built in the city harbor of <a href="http://www.archdaily.com/tag/copenhagen/">Copenhagen</a>, one that will endure as a lasting symbolic form devoted to world peace. The firms’ winning entry is a floating, cloud-like structure that seems almost to hover over the harbor’s horizon.</p>]]>
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