J. Mayer H. Architects has revealed their design for the new Kärcher Musuem that took 3rd prize in a recent closed competition. Designed for international cleaner manufacturer Kärcher, the museum will feature exhibits on the company’s 80+ year legacy and the history of cleaning technologies.
Located on a 2,500 square meter site in Winnenden, Germany, J. Mayer H. Architects’ proposal takes the form of a large, sawtooth cut volume inspired by the surrounding commercial and industrial structures. This monolithic form is cut into at the entrance, revealing the hollowed out interior within. Additional cuts into the body offer views to neighboring company buildings, toward the city and to the surrounding landscape.
On the ground floor of the Chicago Cultural Center, Labyrinth—a cluster of installations and exhibitions occupying a warren of rooms as part the 2017 Chicago Architecture Biennial—serves as the visitor's introduction to participants' responses to the theme, Make New History. In this short film, architects including Jürgen Mayer H., Freek Persyn (51N4E) and Philip F. Huan (Archi-Union) present their projects and reflect on their work, process, and involvement in North America's largest architectural event.
https://www.archdaily.com/880467/a-labyrinth-of-projects-at-2017-chicago-architecture-biennial-demonstrate-novel-approaches-to-design-and-citiesAD Editorial Team
With the 2017 Chicago Architecture Biennial in full swing and open to the public until January 7, 2017, we've scoured the galleries, halls and corridors of the Chicago Cultural Center to bring you our favorite fifteen installations. Documented through the lens of Laurian Ghinitoiu and assembled by our Editorial Team on location, this selection intends to shed light on the breadth, scope and preoccupations of Make New History– the largest architecture event in North America.
“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”
Adding to the ever-changing public landscape of Times Square, German artist and architect J. Mayer H. has unveiled XXX TIMES SQUARE WITH LOVE, three bright-pink, X-shaped custom lounge chairs that allow visitors to lie back and take in the cacophony of lights and sounds for which Times Square is famous. Originally inspired by the “X-like” intersection of Broadway and 7th Avenue, the name also serves as a cheeky reference to the adult theaters and sex shops that once lined the square before its revitalization in the 1990s.
“There is a certain tradition, history, and continuity that you can read in European architecture” - Spela Videcnik, OFIS arhitekti
A product of context and history, Europe has influenced the architecture world in a way that perhaps no other continent has. The continent is the topic of the latest video from the Fundació Mies van der Rohe, produced in relation to their European Union Prize for Contemporary Architecture, in which prize-nominated architects from 16 European cities are interviewed on what they believe brings them together, and what makes them different.
As a US citizen who has previously lived in Europe for two years, I was struck by the essential question prompted by the video: “Is there a European identity in architecture?” And if so, what exactly is it? To try to answer this question, I sat down with ArchDaily’s managing editor Rory Stott - a Brit - to debate differing perspectives.
No matter what you think of it, these days there is no denying that a celebrity culture has a significant effect on the architecture world, with a small percentage of architects taking a large portion of the spotlight. Questioning this status quo, Vladimir Belogolovsky's new book "Conversations with Architects in the Age of Celebrity" interrogates some of these famous architects to find out what they think of the culture which has elevated them to such heights. In this excerpt from the book's foreword, Belogolovsky asks how we got into this celebrity-loving architectural culture, and what it means for the buildings produced.
Not to be confused with other kinds of stars, the most popular of architects are identified as “starchitects.”* Is this a good thing? The notion of starchitecture is hated wholeheartedly by most of the leading architectural critics. They run away from addressing the issue because they think it has nothing to do with professional criticism. But what do the architects think? One of the architectural megastars, Rem Koolhaas, was astonishingly self-effacing in an interview for Hanno Rauterberg’s 2008 book Talking Architecture:
“I think what we are experiencing is the global triumph of eccentricity. Lots of extravagant buildings are being built, buildings that have no meaning, no functionality. It’s rather about spectacular shapes and, of course, the architects’ egos.”
If there is a universal truth, it is that nobody likes spending time in an airport. This article from the Financial Times corroborates this fact, pointing out that, no matter how well-designed a terminal is, people make every effort to leave it as soon as possible. While the novelty of air travel has worn off since its inception in the 20th century, the work devoted to designing airports has only increased. We’ve collected some of our favorite terminals we'd actually love to get stuck in, including works by Eero Sarinen, SOM, Fentress, J. Mayer H., KCAP, Paul Andreu, bblur architecture and 3DReid, Corgan Associates, De Bever, and Studio Fuksas. Enjoy!
An expansion to their permanent Level Green exhibition at Volkswagen Autostadt visitor’s center in Wolfsburg, J. MAYER H. has completed a “playful learning landscape” of inhabitable solid wood sculptures that allow children to explore various aspects of sustainability. From the “issue of mobility” to cooking courses, the “MobiVersum” is designed to challenge children’s motor skills and imagination.
In a design competition hosted by the German city of Jubilee, J. Mayer H. Architects and Rubner Holzbau have won the commission for a temporary event pavilion which will be erected in Castle Park in March of 2015 to celebrate the 300th Anniversary of the founding of the city of Karlsruhe.
The Hasselt Court of Justice will be one of the two high-rise buildings that are part of the restructured former railway station. The site will include a park, public buildings, offices, hotels and urban residential blocks. Designed by J. Mayer H. Architects, along with a2o architecten and LensºAss architecten, the courthouse references in the design process refer both to the image of the “tree”, the hazelnut trees in the City of Hasselt’s coat of arms, and steel structures in the once industrial- and Art Nouveau-influenced area.
Hufton+Crow have shared with us these amazing photos of the project. More after the break.