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    <title>Office: Ingarden &amp; Ewý Architects | ArchDaily</title>
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        <![CDATA[The Europe Far East Gallery / Ingarden & Ewý Architects]]>
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      <link>https://www.archdaily.com/775764/the-europe-nil-far-east-gallery-ingarden-and-ewy-architekci</link>
      <pubDate>Mon, 26 Oct 2015 21:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
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        <![CDATA[Gallery]]>
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        <![CDATA[<p>The year 2015 marks twenty-eight years since the publication of Tygodnik Powszechny magazine’s interview in which Andrzej Wajda announced his intention to create a Museum of Japanese Art and Technology in <a href="/tag/krakow">Kraków</a> – a permanent venue for exhibiting Feliks ‘Manggha’ Jasieński’s collection of Japanese art. In 1994, during the opening of the new building, nobody would have thought that the new facility would initiate a whole series of the artist’s ideas instigating the creation of new architecture in <a href="/tag/krakow">Krakow</a>, along with new cultural and educational institutions. Following that project, which was unprecedented in every possible way, more were launched on Wajda’s inspiration: the Tea Pavilion with a garden, the Japanese Language School, the Wyspiański 2000 Pavilion, and now the most recent development – an exhibition annex to the Manggha Museum called Europe–Far East Gallery.</p>]]>
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        <![CDATA[Ice Kraków Congress Centre / IEA + Arata Isozaki & Associates]]>
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      <pubDate>Thu, 30 Oct 2014 00:00:00 +0000</pubDate>
      <dc:creator>Daniel Sánchez</dc:creator>
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        <![CDATA[<p class="Tekst">Commenting on the 2007 verdict announcing the winning design, the president of the jury in the international architectural competition, Luxemburg architect Bohdan Paczowski, admitted that the choice between the works selected for the final round reflected the traditional division into the partisans of the romantic and classicist tendencies in art, and that it was finally the champions of the romantic current who determined the selection of the best design. I believe that Bohdan Paczowski very truthfully and precisely grasped and emphasised one of the most significant and distinctive features of our project, as what we included in our bid – besides the accurately designed functional and technological planes – was precisely the dream of developing free and open spaces, defined with curved lines and surfaces, with unconventional flows and divisions, fluently forming the interior and the external form of the Congress Centre building.</p>]]>
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        <![CDATA[Małopolska Garden of Arts / Ingarden & Ewý Architects]]>
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      <pubDate>Fri, 02 Nov 2012 00:00:00 +0000</pubDate>
      <dc:creator>Javier Gaete</dc:creator>
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        <![CDATA[visual arts center]]>
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        <![CDATA[<p>The building of the Małopolska Garden of Arts (MGA) has been constructed according to a competition-winning (Union of Polish Architects, SARP 2005) design by Ingarden &amp; Ewy Architects. The initiative of establishing a new cultural institution in Kraków was proposed a year earlier by Krzysztof Orzechowski, Director of the Juliusz Słowacki Theatre and Janusz Sepioł, at the time the Marshal of the Małopolska Region. It is no coincidence that the building was raised in the vicinity of ul. Karmelicka – a street popular with students and locals alike – opposite the building of the public library, with the aim of ensuring its smooth inclusion into the “bloodstream” of the city. </p>]]>
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