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    <title>Office: Frei Otto and Rolf Gutbrod | ArchDaily</title>
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        <![CDATA[AD Classics: German Pavilion, Expo '67 / Frei Otto and Rolf Gutbrod]]>
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      <link>https://www.archdaily.com/623689/ad-classics-german-pavilion-expo-67-frei-otto-and-rolf-gutbrod</link>
      <pubDate>Mon, 27 Apr 2015 06:00:11 +0000</pubDate>
      <dc:creator>David Langdon</dc:creator>
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        <![CDATA[Public Architecture]]>
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        <![CDATA[<p>The pivotal turning point in the late Frei Otto’s career – capped by <a href="http://www.archdaily.com/607935/frei-otto-named-2015-pritzker-laureate/">last month’s Pritzker announcement</a> – came nearly fifty years ago at the Expo ’67 World’s Fair in <a href="/tag/montreal">Montreal</a>, Quebec. In collaboration with architect Rolf Gutbrod, Otto was responsible for the exhibition pavilion of the Federal Republic of Germany, a tensile canopy structure that brought his experiments in lightweight architecture to the international stage for the first time. Together with <a href="http://www.archdaily.com/tag/buckminster-fuller/">Fuller’s</a> <a href="http://www.archdaily.com/572135/ad-classics-montreal-biosphere-buckminster-fuller/">Biosphere</a> and <a href="http://www.archdaily.com/tag/moshe-safdie/">Safdie’s</a> <a href="http://www.archdaily.com/404803/ad-classics-habitat-67-moshe-safdie/">Habitat 67</a>, the German Pavilion was part of the Expo’s late-modern demonstration of the potential of technology, pre-fabrication, and mass production to generate a new humanitarian direction for architecture. This remarkable collection at the Expo was both the zenith of modern meliorism and its tragic swan song; never since has the world seen such a singularly hopeful display of innovative architecture.</p>]]>
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