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    <title>Office: Federico Soriano &amp; Dolores Palacios | ArchDaily</title>
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        <![CDATA[AD Classics: Euskalduna Conference Center and Concert Hall / Federico Soriano & Dolores Palacios]]>
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      <pubDate>Tue, 28 May 2019 15:00:00 +0000</pubDate>
      <dc:creator>Borja Fernández</dc:creator>
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        <![CDATA[<p class="p1"><a href="http://www.bilbaointernational.com/abandoibarra/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Abandoibarra</a> is now the heart of <a href="https://goo.gl/maps/W4cA3Au5WuSyKFqL8?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Bilbao</a>. Years ago, the former <a href="https://youtu.be/txeCkWhQuNA?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">shipyards</a> and Renfe railway depots prevented this stretch of land along the Bilbao estuary from revealing the full potential it enjoys today. Part of this area, the now-defunct <a href="http://www.patrimonioindustrialvasco.com/actividades/el-derribo-masivo-de-la-euskalduna-en-1992-por-que-se-preservaron-los-diques-secos/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Euskalduna shipyard</a>, withstood the passage of time until <a href="https://www.elcorreo.com/bizkaia/anos-palacio-euskalduna-imagenes-20190218143619-ga.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">1992</a>, when the widespread demolition of the facility that gave the site its name began. A total of 8.4 hectares of land were cleared to make way for new public uses—specifically, the creation of a “general equipment network.” Initiated in 1993, the intervention was subsidized by the Basque Government's <a href="http://www.euskadi.eus/ruinas-industriales/web01-a2lurral/es/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Industrial Ruins Demolition Program</a>, with a budget of 83,403,157 pesetas. The construction of the Guggenheim Museum at one end; the development of the Conference and Music Center [1994–1998], or <a href="https://www.euskalduna.eus?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Euskalduna Palace</a>, on these vacant lots; and the open dialogue established with the University of Deusto and the Museum of Fine Arts created a dynamic relationship among four architectural pieces that activates the site, shaping a new cultural enclave.</p>]]>
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