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    <title>Office: Eagles of Architecture | ArchDaily</title>
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        <![CDATA[Maarschalk Gerardstraat 5 Studios / Eagles of Architecture]]>
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      <link>https://www.archdaily.com/964206/maarschalk-gerardstraat-5-studios-eagles-of-architecture</link>
      <pubDate>Wed, 30 Jun 2021 10:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
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        <![CDATA[Cowork Interiors]]>
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        <![CDATA[<p>On Maarschalk Gerardstraat in <a href="/tag/antwerp">Antwerp</a>, Eagles of Architecture subdivided a large nineteenth-century house into studios. The façade was painted a uniform white, and the interior of the porte-cochère and its two classical columns were given the same treatment. The passage was obstructed by a third hollow column covered with pink plasterboard, the standard finishing for a pipe duct. The combination of a classical column with a pipe duct comes across as a laconic gesture comparable to Le Corbusier’s exclamation, ‘Pour Ledoux, c’était facile – pas de tubes’ (For Ledoux, it was easy – no tubes). But if the confrontation with the townhouse is in itself already a contest, then Eagles of Architecture lets its opponent have the choice of weapons.</p>]]>
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        <![CDATA[Begijnhoflaan 27 House Renovation / Eagles of Architecture]]>
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      <link>https://www.archdaily.com/962014/begijnhoflaan-27-house-renovation-eagles-of-architecture</link>
      <pubDate>Fri, 21 May 2021 03:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>When Alison and Peter Smithson designed the put-away-house in the 1990’s they were elaborating on an idea, they first put forward in 1958 in an article called “the future of furniture”. Convinced that the overabundance of consumer goods would soon become oppressive, they designed a house with an elaborate backstage: “The heart of the plan is a large-item store, with access directly from outside, available to every room without passing through another room.” They may have anticipated the rise of commodity culture, but they were misguided about its nature. Glut did not represent a burden for the first generation that was able to accumulate a myriad of products. For them, it was the very image of freedom.</p>]]>
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