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    <title>Office: Delmulle Delmulle Architecten | ArchDaily</title>
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        <![CDATA[Pluim House / Delmulle Delmulle Architecten]]>
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      <link>https://www.archdaily.com/992982/pluim-house-delmulle-delmulle-architecten</link>
      <pubDate>Thu, 01 Dec 2022 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>The project was built against a house designed by architect Marie-José Van Hee. A painting by Vermeer, called ‘Het Straatje’, served as an image for Van Hee. The design of the house was to apply the same main rule as Van Hee: responding rigorously respond to the surrounding preconditions and preserving and strengthening the existing dialogue: an answer to her answer.</p>]]>
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        <![CDATA[Factory Roof Houses / Delmulle Delmulle Architecten]]>
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      <link>https://www.archdaily.com/921898/factory-roof-houses-delmulle-delmulle-architecten</link>
      <pubDate>Sat, 18 Sep 2021 06:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Mixed Use Architecture]]>
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        <![CDATA[<p>The factory roof housing project is located in <a href="https://www.archdaily.com/tag/oudenaarde">Oudenaarde</a>, a provincial town in Belgium, where -according to the planning regulations- only industrial buildings can be built. Because of its central location and the residential character of the area, we presented a different vision to the city: we will utilize the roof, an otherwise unused surface as a second surface for constructing low-energy roof houses. Treating a factory roof, which is otherwise unused (water impermeable) surface, as a building lot for housing can provide a small answer to the ever-increasing population pressure.</p>]]>
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        <![CDATA[Rag Doll House / Delmulle Delmulle Architecten]]>
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      <link>https://www.archdaily.com/957086/rag-doll-house-delmuelle-delmuelle-architecten</link>
      <pubDate>Wed, 17 Feb 2021 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Renovation]]>
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        <![CDATA[<p>In this neighbourhood, homeowners like to give their homes a name. The name of this house was “Rag Doll”. A rag doll is a stuffed doll, made from different incoherent pieces of material and parts, forming a coherent ensemble. This house is just that.</p>]]>
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        <![CDATA[Studio Regie / Delmulle Delmulle Architecten]]>
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      <link>https://www.archdaily.com/921772/studio-regie-delmuelle-delmuelle-architecten</link>
      <pubDate>Sun, 28 Jul 2019 13:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Renovation]]>
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        <![CDATA[<p>1956: Raymond ‘Mondse’ Wollaert was a well-known and beloved citizen of <a href="https://www.archdaily.com/tag/merelbeke">Merelbeke</a>. With his wife Germaine Willems, Raymond owned a butchery and a café. In the fifties he built the film theatre adjacent to it.<br>This cinema was thereupon transformed into the famous banquet hall. The name REGI is actually composed from the first names of the Wollaert family: R (Raymond), E(Etienne, son-in-law) and GI for Germaine and Gisèle (daughter).<br>The cinema was opened in February with a big dance party. The next day, chairs were speedily put in place for the first film Daddy Long Legs with Fred Astaire and Leslie Caron in the leading roles. </p>]]>
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        <![CDATA[Shutterflats Apartment Building / Delmulle Delmulle Architecten]]>
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      <link>https://www.archdaily.com/921784/shutterflats-apartment-building-delmulle-delmulle-architecten</link>
      <pubDate>Sat, 27 Jul 2019 05:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
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        <![CDATA[Apartments]]>
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        <![CDATA[<p>Sliding shutters, in vertically open wooden slatted work, provide intimacy, serve as sunscreens against overheating, as privacy screens at busy peak times and as a dynamic factor of the building. This creates a relationship with the city, coupled with an optimal utility value for the residents. The facade is not static; it is constantly changing. It is partly determined by the residents, by the moment, by the seasons, day and night, so that life and building merge into one another. The entrance at the back is part of the urban circuit. One enters on the side through a small street in a mysterious urban slit between the building and the neighbouring building.</p>]]>
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        <![CDATA[Puncture Medical Centre / Delmulle Delmulle Architecten]]>
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      <link>https://www.archdaily.com/921787/puncture-medical-centre-delmulle-delmulle-architecten</link>
      <pubDate>Fri, 26 Jul 2019 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[healthcare center]]>
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        <![CDATA[<p>This ultra-compact puncture centre has the simplest square plan. It contains four doctor’s cabinets, a waiting room, sanitary cells and a multipurpose meeting room. The aim was to achieve as much compactness as possible. This compact form, extensively insulated, provides a more than contemporary energy balance.</p>]]>
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