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    <title>Office: Carrilho da Graça Arquitectos | ArchDaily</title>
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        <![CDATA[Lisbon Cruise Terminal / Carrilho da Graça Arquitectos]]>
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      <link>https://www.archdaily.com/897598/lisbon-cruise-terminal-carrilho-da-graca-arquitectos</link>
      <pubDate>Fri, 06 Jul 2018 02:00:00 +0000</pubDate>
      <dc:creator>Daniel Tapia</dc:creator>
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        <![CDATA[Cruise Terminal]]>
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        <![CDATA[<p class="Body"><strong>Raised ground</strong><br>On the Alfama slope, <a href="https://www.archdaily.com/tag/lisbon">Lisbon</a> is an amphitheater looking out into the Tagus estuary. At the foot of the hill, on the flats of the early 20th-century landfill of the port, the building of the new Cruise Terminal echoes, and returns, the gaze: a small amphitheater, apparently with its back to the river, look back at the city.</p>]]>
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        <![CDATA[SKIN / P-06 Atelier + JLCG Arquitectos]]>
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      <link>https://www.archdaily.com/544106/skin-p-06-atelier-jlcg-arquitectos</link>
      <pubDate>Tue, 09 Sep 2014 01:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
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        <![CDATA[Pavilion]]>
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      <description>
        <![CDATA[<p>Wayfinding and environmental graphic design project developed in partnership with the architect João Luís Carrilho da Graça, for the Pavilion of Knowledge (Centro de Ciência Viva), a Science Museum in Lisbon.</p>]]>
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        <![CDATA[School Of Music In Lisbon / João Luís Carrilho da Graça]]>
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      <link>https://www.archdaily.com/206489/school-of-music-in-lisbon-joao-luis-carrilho-da-graca</link>
      <pubDate>Fri, 10 Feb 2012 00:00:00 +0000</pubDate>
      <dc:creator>Victoria King</dc:creator>
      <category>
        <![CDATA[Institute]]>
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        <![CDATA[<p>When I first started working on this project I happened to be visiting Eero Saarinen’s School of Music in Ann Harbor. Even though the building is interesting, it struck me as odd that no music could be heard in the passageways, not even in the common spaces. At about the same time I watched a documentary about the Music Conservatory in Santiago de Cuba, it was an old colonial house filled with people, joy and music. For this project, I wanted to push to the limits the possibility of acoustic excellence – and also the seclusion and soundproofing of every space –, as well as convey the conviviality and extroversion particular to certain musical practices.<br></p> ]]>
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        <![CDATA[Renovation And Extension Of The German School In Lisbon / JLCG Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/202857/renovation-and-extension-of-the-german-school-in-lisbon-jlcg-arquitectos</link>
      <pubDate>Mon, 30 Jan 2012 01:00:00 +0000</pubDate>
      <dc:creator>Megan Jett</dc:creator>
      <category>
        <![CDATA[Renovation]]>
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        <![CDATA[<p>When the German School of <a href="https://www.archdaily.com/tag/lisbon">Lisbon</a> was first built in 1961, architectural practice in Portugal was divided into Estado Novo architecture and a growing resistance to it, resulting from the 1st National Congress of Architecture in 1948, the creation of the Modern Architects Organization that same year, and the publication of the Popular Architecture Survey that took place between 1955 and 1961.</p>]]>
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        <![CDATA[Pedestrian Bridge / JLCG Arquitectos]]>
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      <link>https://www.archdaily.com/105320/pedestrian-bridge-jlcg-arquitectos</link>
      <pubDate>Mon, 24 Jan 2011 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
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        <![CDATA[Pedestrian bridge]]>
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      <description>
        <![CDATA[<p>The sinuous and segmented design of the bridge winds above the valley, along a distance of about 220 m. The central bay takes the perpendicularity to the line of the valley. The other two sections are inflected and oriented towards their anchoring points. </p>]]>
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        <![CDATA[Theatre and Auditorium in Poitiers / JLCG Arquitectos]]>
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      <link>https://www.archdaily.com/94419/theatre-and-auditorium-in-poitiers-jlcg-arquitectos</link>
      <pubDate>Thu, 09 Dec 2010 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
      <category>
        <![CDATA[auditorium]]>
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      <description>
        <![CDATA[<p>Deciding what is essential in a given programme for a given place should be the primary objective of every single architecture project – and nothing else. This may be even more valid when a public building is concerned, as it involves a strong and vibrant interaction with the city as “work in progress”.</p>]]>
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        <![CDATA[St. Antonio’s Church & St. Bartolomeu Social Center / JLCG Arquitectos]]>
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      <link>https://www.archdaily.com/91978/st-antonio%25e2%2580%2599s-church-st-bartolomeu-social-center-jlcg-arquitectos</link>
      <pubDate>Mon, 29 Nov 2010 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
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        <![CDATA[Churches]]>
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        <![CDATA[<p><span class="Apple-style-span" style="display: inline; float: none; ">Buildings should be simple and warm.</span><br></p> ]]>
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        <![CDATA[Musealization of the Archaeological Site of Praça Nova of São Jorge Castle / JLCG Arquitectos]]>
      </title>
      <link>https://www.archdaily.com/89460/musealization-of-the-archaeological-site-of-praca-nova-of-sao-jorge-castle-jlcg-arquitectos</link>
      <pubDate>Thu, 18 Nov 2010 00:00:00 +0000</pubDate>
      <dc:creator>Nico Saieh</dc:creator>
      <category>
        <![CDATA[Museum]]>
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      <description>
        <![CDATA[<p>“Language is an archaeological vehicle... the language we speak is a whole palimpsest of human effort and history.”</p> ]]>
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