This article was originally published on September 28, 2013. To read the stories behind other celebrated architecture projects, visit our AD Classics section.
Hospital buildings, with their high standards of hygiene and efficiency, are a restrictive brief for architects, who all too often end up designing uninspiring corridors of patient rooms constructed from a limited palette of materials. However, this was not the case in Bertrand Goldberg's 1975 Prentice Women's Hospital. The hospital is the best example of a series of Goldberg-designed medical facilities, which all adhere to a similar form: a tower containing rooms for patient care, placed atop a rectilinear plinth containing the hospital's other functions.
The production of creative work often requires a very particular type of space—a temple, if you will, to the work being done. Architects and artists are open about how their living and working areas affect their practice, and musicians, of course, are no different. Perhaps this is why places and spaces are often featured on album covers. The art on an album cover is partially advertising, but it is also often a visual symbol of an entire period in the life of a musician. An album's cover artwork may depict the view a band saw coming into the studio every day, the building the album was recorded in, the city the musician grew up in, or myriad other more abstract connections. We will leave it to you to make sense of the connection between the 7 architectural landmarks featured on the following albums and the music their images envelop, but the stories behind the constructions themselves may help you make a more educated guess.
In anticipation of the 100th anniversary of the founding of the Bauhaus school in 2019, Harvard Art Museums has released an online catalogue of their 32,000-piece Bauhaus Collection, containing rarely seen drawings and photographs from attendees and instructors of the revolutionary German design school.
Following the extensive preservation battle over Bertrand Goldberg's iconic Prentice Women's Hospital, the Chicago landmark was demolished a few months ago to pave the way for Perkins+Will's new Biomedical Research Building for the Feinberg School of Medicine. The four year preservation struggle was marked by repeated appeals to the Commission on Chicago Landmarks and Mayor Rahm Emanuel with attempts to place the building on historic registers, proposals to adapt it for modern use, and design competitions to gain public opinion on the future of the building. Ultimately, the outpouring of global support by architects and preservationists to save Prentice fell short of the political agenda of progress, prioritizing future development over preserving the city's past.
Last night, thousands in Chicago turned out to cheer on tightrope walker Nik Wallenda, as he performed two tightrope walks involving some of the Windy City's most famous buildings: Bertrand Goldberg's Marina City Apartments and Kevin Roche John Dinkeloo and Associates' Leo Burnett Building. Wallenda set two Guinness World records, the first for the steepest ever tightrope walk as he climbed from the 588-foot Marina City to the 671-foot Leo Burnett Building, and then for the highest blindfolded tightrope walk as he crossed between the two Marina City towers. The stunt was covered live by Discovery, whose footage comes replete with dramatic sweeping shots of a mid-walk Wallenda, made miniscule against the backdrop of Chicago's famous Skyscraper Canyon.
When the concrete cloverleaf of Prentice Hospital sprouted from the Chicago ground in 1975, its award-winning design met the praise of critics and the admiration of many Chicagoans. Architect Bertrand Goldberg drew from Brutalism, but with a symmetry and grace that distinguished Prentice from more angular works in that style.
This week, as Goldberg’s famous work is pulled apart by wreckers, nothing about its loss seems symmetrical or graceful. Within 40 years, the building transitioned from a proud symbol of civic renewal and design innovation to the victim of old-fashioned Chicago politics. The controversy surrounding the demolition of Prentice, however, injected the preservation movement into an urban design discussion with a presence not seen in a long time.
https://www.archdaily.com/441977/is-the-demolition-of-prentice-hospital-another-penn-station-momentMichael R. Allen
In response to the Commission on Chicago Landmarks’ decision to reject landmark status to Prentice Woman’s Hospital for the second time in three months, the two preservationist groups challenging the City of Chicago have withdrawn their lawsuits. This eliminates the last barrier standing in Northwestern University’s way to demolish the historic, Bertrand Goldberg structure for a new biomedical research facility.
For many, this news is disheartening as architects and preservationists from around the globe have fought in solidarity for much of the past year in an attempt to illustrate the importance of this one-of-a-kind structure.
Despite strong opposition from preservationists and architects world-wide, Chicago Mayor Rahm Emanuel has announced his decision to support the demolition of Bertrand Goldberg’s Prentice Women’s Hospital. In a op-ed piece released by the Chicago Tribune, Emanuel supported his stance by arguing that Northwestern’s new biomedical research facility would “bring 2,000 jobs and hundreds of millions of dollars in investment” to Chicago. Emanuel believes Goldberg’s “vision is alive in Chicago beyond one building” and allowing Northwestern to build the new medical center is crucial in keeping Chicago at the forefront of scientific innovation.
The Art Institute of Chicago is hosting a retrospective for Bertrand Goldberg, famed architect of Marina City (1959–1967), two cylindrical corncob-shaped commercial/residential towers. The exhibition contains a range of Goldberg’s work; it begins with his work at the Bauhaus and the 1933 Century of Progress Exposition and follows his career into his visionary plans of a postwar America. The exhibition will feature architectural drawings, models, photographs, along with graphic and furniture design.
Follow us after the break for images of Goldberg’s work.
This concrete, clover leaf-shaped structure, which was built in 1975, will likely suffer a fate common to many vacant and disused buildings. After approximately four years of vacancy, this Bertrand Goldberg-designed building will likely be demolished when ownership will revert to Northwestern University this year. Although Goldberg’s organic architectural designs – such as this one – were widely influential, none of his major Chicago works are protected by local landmark designation. Prentice Women’s Hospital was considered groundbreaking for its cutting-edge architecture, advanced engineering, and its progressive design approach to organizing medical departments and services. It received international press coverage and an award from Engineering News Record for its innovative tower and open floor-plate layout that eliminated the need for structural support columns. “You will not find the structural solution to Prentice, which is an exterior shell cantilevered off a core, anywhere else in the world” notes Geoffrey Goldberg, an architect and Bertrand Goldberg’s son. “Prentice was the only one in which this was achieved.”