What does the Parisian park look like? For many, the answer to that question comes in the form of a painting: Georges Seurat’s A Sunday Afternoon on the Island of La Grande Jatte, in which the well-dressed bourgeoisie leisurely enjoy a natural oasis on a verdant island within their industrializing city.
Bernard Tschumi Architects has been awarded one of the largest university commissions in France, with the design and build of a €283 million ($350 million) state-of-the-art educations and research center at the Université Paris-Sud in Saclay, just south of the French capital. The “METRO Center” will form part of the biology, pharmacy and chemistry wing of the university, comprising six buildings connected by flying bridges, featuring teaching facilities, research labs, offices, restaurants, and logistics areas.
Having won a competition against teams containing Herzog & De Meuron and MVRDV, Bernard Tschumi will work in collaboration with Bouygues Construction, Groupe-6 and Baumschlager Eberle Architekten for the scheme’s realization and operation.
For those familiar with the more canonical work of Bernard Tschumi, the Limoges Concert Hall may seem a puzzlingly conventional departure from the radical, intensively theoretical projects that introduced the world to the Swiss architect. In one sense, the visual clarity of the design doesn’t provoke the same complex discourses on architectural violence and eroticism that guided his early-career pursuits, and it is certainly a more functional evolution of his polemic on non-programmatic space that was famously exhibited at Parc de la Villete. In another sense, the concept and form of Limoges aren't anything novel, either, emerging almost in its entirety from a concert hall prototype Tschumi developed in the late 1990s for a similar venue at Rouen. But Limoges is important for other reasons: in addition to its thoughtful material and spatial choices, it is one of the more articulate illustrations of Tschumi’s explorations of movement and enclosure—“vectors and envelopes”—that inform much of his recent work.
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In preparation for groundbreaking, Bernard Tschumi Architects have released the final design for the ANIMA (Arts, Nature, Ideas, Music, Action) cultural center in Grottammare (Ascoli Piceno, Italy). The 30-meter “perfect square” will offer the Piceno region and the Adriatic coast a public centre for collecting and cultivating the broadest manifestations of artistic, creative and productive culture.
An animation, the architect's description and more images after the break.
ANIMA, the first work in Italy by Bernard Tschumi, is a cultural, social, and architectural generator of events. Situated in Grottammare, the project is intended to welcome and encourage a broader expression of creativity and culture. The schematic design highlights the remarkable quality of a building characterized by flexible space and the structure manifests itself to the visitor as both highly permeable and exceptionally receptive. Unveiled just last month, completion is scheduled for 2016, creating stronger ties between the people and the territory. More images and architects' description after the break.
This dynamic cultural center in Grottammare, Italy, will be Bernard Tschumi Architects’ first commission in Italy. Inspired by the city's small medieval center, the roughly 7,000 square meter structure will house a variety of exhibitions, conferences and workshops in an effort to “strengthen people’s ties to the territory with which they identify” by exchanging information about the existing city and envision its possibilities for the future.
The architect's description after the break...
As part of an international competition, 1982-83, to revitalize the abandoned and undeveloped land from the French national wholesale meat market and slaughterhouse in Paris, France, Bernard Tschumi was chosen from over 470 entries including that of OMA/Rem Koolhaas, Zaha Hadid, and Jean Nouvel.
.jpg?1533397440 "© <a href='https://upload.wikimedia.org/wikipedia/commons/f/f6/Parc_de_La_Villette_%40_Paris_%2828926264776%29.jpg'> Creative Commons User Guilhem Vellut</a> licensed under <a href=’https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
.jpg?1533397475 "© <a href='https://upload.wikimedia.org/wikipedia/commons/d/d2/Folie_N8_%40_La_Villette_%40_Paris_%2833893431256%29.jpg'> Creative Commons User Guilhem Vellut</a> licensed under <a href=’https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
.jpg?1533397559 "© <a href='https://upload.wikimedia.org/wikipedia/commons/b/b4/Canal_%40_La_Villette_%40_Paris_%2833091237904%29.jpg'> Creative Commons User Guilhem Vellut</a> licensed under <a href=’https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a>")
