Red is everywhere. From stop signs to bricks and lipstick to wine, our constant use of the color in everyday objects has slowly taken over our subconscious. Red is a color that always blends with the context, telling us how to feel or what to think, but why are we attracted to it? Why did cavemen choose ochre-based paint to draw on their walls? Why do revolutions always seem to use red to stir support? Why do we parade celebrities down red carpets, when green or blue would surely do the same job? While the answers to these questions may be vague and indefinite, red’s use in architecture is almost always meticulously calculated.
James Welling, 8183, 2016 from the series Chicago, 2016-2017, Courtesy the Artist and David Zwirner, New York and London. Image Courtesy of Chicago Architecture Biennial
The Chicago Architecture Biennial has announced the list of participants invited to contribute to the event’s second edition, which will be held from September 16 to January 7, 2018 in Chicago. More than 100 architecture firms and artists have been selected by 2017 artistic directors Sharon Johnston and Mark Lee, founders of Los Angeles–based Johnston Marklee, to design exhibitions that will be displayed at the Chicago Cultural Center and throughout the city.
“Our goal for the 2017 Chicago Architecture Biennial is to continue to build on the themes and ideas presented in the first edition,” explained Johnston and Lee. “We hope to examine, through the work of the chosen participants, the continuous engagement with questions of history and architecture as an evolutionary practice.”
A year in the making, Krumbach in Austria has unveiled seven eye-catching bus shelters which have turned the world's gaze on the tiny village. Designed by internationally renowned architects such as Wang Shu, Sou Fujimoto and Smiljan Radic, who worked in collaboration with local architects and craftsmen, the whimsical structures will put the village of 1000 residents on the map.
Curator Dietmar Steiner praised the commitment of those involved, saying "the entire project succeeded because it was supported in the most generous fashion by more than 200 people." This included the architects, who took up their projects for little more than a free holiday in the area and the chance to engage in an unusual challenge. However, BUS:STOP was not merely a vanity project: Verena Konrad, Director of vai Vorarlberger Architektur Institut, noted that the project was important for "the successful connection of infrastructure and mobility for the rural area."
Krumbach, a small Austrian village of 1000 inhabitants, is not the place you'd expect to find structures from a variety of architecture's biggest names. But thanks to Verein Kultur Krumbach, a new association dedicated to encouraging culture in the village, that's exactly what's happening, with seven international architecture firms agreeing to design bus stops for Krumbach.
Read after the break to find out more about the seven designs.
BUS:STOP Krumbach is a recently initiated project in the Bregenzerwald region of Austria that will bring together seven well-known architecture offices from around the world, pair them up with seven local architects and allow the pairs to work together on the design of seven new bus shelters in the town of Krumbach. A true collaboration between tradition and innovation, national and international, BUS:STOP hopes to create a series of small and functional buildings with their own unique characters that tell not only the story of these architects, but also of this special region.
For the list of participating offices and to learn more about BUS:STOP, read on.
