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    <title>Office: Alvaro Moragrega arquitecto | ArchDaily</title>
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        <![CDATA[R&R House / Alvaro Moragrega / arquitecto]]>
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      <link>https://www.archdaily.com/1006394/r-and-r-house-alvaro-moragrega-arquitecto</link>
      <pubDate>Tue, 05 Sep 2023 06:00:00 +0000</pubDate>
      <dc:creator>Benjamin Zapico</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p class="p1">Casa R&amp;R is located in a dense pine forest. It is the main house of a family, not a vacation home, so special attention was paid to the way the private spaces of the house relate to the 'day' areas and a clear separation from the public parts of the house: a yoga room for 20 people and a guest suite.</p>]]>
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        <![CDATA[Casa BGS  / Alvaro Moragrega / arquitecto]]>
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      <link>https://www.archdaily.com/901414/casa-bgs-alvaro-moragrega-arquitecto</link>
      <pubDate>Tue, 18 Sep 2018 09:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
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        <![CDATA[Houses]]>
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        <![CDATA[<p>Casa BGS consists of two small cabins connected by a living area in the middle of the <a href="https://www.archdaily.com/tag/tapalpa">Tapalpa</a> forest. The site was chosen after careful consideration of existing trees. The volumes are disposed in such a way as to avoid any cutting of trees, the resulting scheme is not an orthogonal disposition of each volume, but a freestanding placement respecting each tree in site. The final placement was decided, not only by the natural space in the forest, but also to have 4 mayor trees right in front of the living area, making them a central feature of the view.</p>]]>
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        <![CDATA[EGL1916 / Alvaro Moragrega arquitecto]]>
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      <link>https://www.archdaily.com/575328/egl1916-alvaro-moragrega-arquitecto-daniela-cruz</link>
      <pubDate>Mon, 08 Dec 2014 00:00:00 +0000</pubDate>
      <dc:creator>Karen Valenzuela</dc:creator>
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        <![CDATA[Housing]]>
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        <![CDATA[<p>At the heart of the Colonia Americana a 5 story project is designed inspired by the industrial buildings of the inter-war period. The main façade has an orthodox abstract rhythm of void and filled spaces that do not follow any structural order. The voids themselves have a second protective lattice with falling crosses evocative of similar lattices often used in the area by the Escuela Tapatía.</p>]]>
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