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As one architectural scholar described it, Luigi Moretti’s 1950 Casa “Il Girasole” is “a bit of madness on the solidity of Roman walls.” [1] Yet, this clever apartment building in the heart of Rome is far from the work of a madman. Its subtle historical allusions and deliberately ambiguous composition betray the genius of the architect’s creative and analytical mind. Moretti, whose notable commissions include Villa La Saracena (1957), Montreal’s Stock Exchange Tower (1964), and the Watergate Complex (1971), achieves a complexity of form and materiality in “Il Girasole” that distinguishes the project from its mid-century contemporaries and has earned it recognition as one of the earliest forerunners of postmodern design.

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