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    <title>Tag: wells | ArchDaily</title>
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        <![CDATA[Land of Wells: Designing for Saharan Nomads]]>
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      <link>https://www.archdaily.com/1038830/land-of-wells-designing-for-saharan-nomads</link>
      <pubDate>Sun, 22 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>In some languages, the very word for <a href="https://en.wiktionary.org/wiki/immeuble?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">building</a> refers to its immovability. The discipline of <a href="https://www.archdaily.com/tag/structural-engineering" target="_blank" rel="noopener">engineering</a> related to buildings is referred to as <em>statics</em>. Thus, architecture is closely related to the fixed and the immobile. And yet, for millions of nomadic people around the world, shelters must be of a light and distinctly movable structure, while home is the vast landscape in which they reside. Such lifestyles, which carry centuries of traditions, are constantly under threat from the pull factors of sedentary life in towns and <a href="https://www.archdaily.com/tag/cities" target="_blank" rel="noopener">cities</a>. In <a href="/tag/tunisia">Tunisia</a>, one project acknowledges the risk of <a href="https://www.archdaily.com/tag/archdaily-topic-2026-rethinking-heritage" target="_blank" rel="noopener">heritage</a> loss and attempts to improve conditions for nomadic herders.</p>]]>
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        <![CDATA[The Astonishing (Vanishing) Stepwells of India]]>
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      <pubDate>Fri, 08 Sep 2017 08:00:00 +0000</pubDate>
      <dc:creator>Victoria Lautman</dc:creator>
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        <![CDATA[<p dir="ltr">Thirty years ago, on my first visit to <a href="/tag/india">India</a>, I glanced over an ordinary wall. The ground fell away and was replaced by an elaborate, man-made chasm the length and depth of which I couldn’t fathom. It was disorienting and even transgressive; we are, after all, conditioned to look <em>up</em> at architecture, not <em>down</em> into it, and I had no clue as to what I was looking at. Descending into the subterranean space only augmented the disorientation, with telescoping views and ornate, towering columns that paraded five stories into the earth. At the bottom, above-ground noises became hushed, harsh light had dimmed, and the intense mid-day heat cooled considerably. It was like stepping into another world.</p>]]>
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