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    <title>Tag: weimar | ArchDaily</title>
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      <title>
        <![CDATA[House of the Weimar Republic / Muffler Architekten]]>
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      <link>https://www.archdaily.com/1005055/house-of-the-weimar-republic-muffler-architekten-partg-mbb</link>
      <pubDate>Tue, 08 Aug 2023 11:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Adaptive reuse]]>
      </category>
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        <![CDATA[<p><em>Context. </em>Historical events shape identity, and this holds true for the building at Theaterplatz 4. Located directly across from the significant <a href="/tag/weimar">Weimar</a> National Theatre, it plays a crucial role in the city's narrative. This heritage-listed former carriage depot (1823) stands as a witness to a diverse history. Like the city itself, the building has undergone numerous architectural transformations. Its most recent incarnation as an art gallery, known as the "Bauhaus Museum," strategically aligns with Theaterplatz, showcasing its grand facade. While the original symmetrical concept has been somewhat obscured by alterations to the side annexes, the art gallery's expansive exhibition space emerges clearly from its original symmetry. However, while the building's connection to the square is well-defined and architecturally significant, this precision is lost in the rear portion.</p>]]>
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        <![CDATA[A New Collective Led by Sabine Marcelis Revitalizes the Story of Women in the Bauhaus Movement]]>
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      <link>https://www.archdaily.com/989915/a-new-collective-led-by-sabine-marcelis-revitalizes-the-story-of-women-in-the-bauhaus-movement</link>
      <pubDate>Mon, 03 Oct 2022 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p><a href="https://www.laprairie.com/en-int/edition?editionId=the-women-bauhaus-collective&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Women Bauhaus</a> is a new art collective of five female artists led by mentor <a href="/tag/sabine-marcelis">Sabine Marcelis</a>, who are taking inspiration from the legacy of women in the Bauhaus movement. The project was commissioned by luxury skincare brand La Prairie as part of its ongoing patronage of the arts. The projects developed are taking inspiration from Bauhaus icons such as textile artists Otti Berger, Benita Koch-Otte, and sculptor, metalsmith, and designer <a href="/tag/marianne-brandt">Marianne Brandt</a>. The initiative also hopes to bring attention to the often-overlooked legacy of women who joined the Bauhaus movement, and whose struggles to affirm themselves as artists and designers are rarely recognized.</p>]]>
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        <![CDATA[Park Toilette  / Naumann Wasserkampf Architekten]]>
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      <link>https://www.archdaily.com/982959/park-toilette-naumann-wasserkampf-architekten</link>
      <pubDate>Fri, 03 Jun 2022 02:00:00 +0000</pubDate>
      <dc:creator>Bianca Valentina Roșescu</dc:creator>
      <category>
        <![CDATA[Small Scale]]>
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        <![CDATA[<p>Looking back in the history of our cities - and thus also parks – one determines that so-called street furniture played a major role than today. Nowadays often anthracite-colored paintwork of these elements is causing invisibility in public spaces. An intention of a designed shape is no longer ascertainable. Benches, dustbins, phone boxes, and in German so-called “Bedürfnisanstalten“ were – in the past much more than today – read and designed as furniture of the public space.</p>]]>
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        <![CDATA[Portal at the Stadtschloss / Helga Blocksdorf Architektur]]>
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      <link>https://www.archdaily.com/971825/portal-at-the-stadtschloss-helga-blocksdorf-architektur</link>
      <pubDate>Fri, 12 Nov 2021 07:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Temporary installations]]>
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        <![CDATA[<p>Read as “Set, Scenario, Situation” (1), the building site defined by Coudray’s wall with its two gatehouses, the Red Palace, the Yellow Palace, the study centre of the Duchess Anna Amalia Library, and the New Guard House extends an invitation to a guest performance behind, on and over the wall.</p>]]>
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        <![CDATA[The Reasons Offsite - a Virtual Exhibition on Prefab and Modular Architecture]]>
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      <link>https://www.archdaily.com/922108/the-reasons-offsite-a-virtual-exhibition-on-prefab-and-modular-architecture</link>
      <pubDate>Wed, 31 Jul 2019 13:07:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The project presents a collection of buildings and building systems significant in the historical evolution of modular and prefabricated architecture. The contents are shown in a virtual reality environment, through VR headset kits, which transport the audience to a 20x20m virtual space filled with panels and architectural models.</p>
<p>The goal is to picture several stages of this evolution. Examples of different buildings are shown, from the 17th century to the present, from anonymous architecture to Jean Prouv&eacute;, Walter Gropius, Buckminster Fuller, Shigeru Ban and MVRDV.</p>
<p>&ldquo;The Reasons Offsite&rdquo; intends to point out conflicts between prefab building systems and traditional ones. Standardization vs.</p>]]>
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        <![CDATA["We Designed an Exhibition that Presents the Bauhaus in all its Dazzling Diversity": Barbara Holzer Explains her Design for the New Bauhaus Museum]]>
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      <link>https://www.archdaily.com/915203/we-designed-an-exhibition-that-presents-the-bauhaus-in-all-its-dazzling-diversity-barbara-holzer-explains-her-design-for-the-new-bauhaus-museum</link>
      <pubDate>Sat, 20 Apr 2019 10:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p dir="ltr">On the weekend of the 5th-7th of April, the city of <a href="https://www.archdaily.com/tag/weimar" target="_blank">Weimar</a> celebrated the opening of the recently-completed <a href="https://www.archdaily.com/tag/bauhaus" target="_blank">Bauhaus</a> Museum, along with its permanent <a href="https://www.archdaily.com/tag/exhibition" target="_blank">exhibition</a> of the <a href="https://www.archdaily.com/tag/bauhaus-100" target="_blank">100-year history</a> of <a href="https://www.archdaily.com/tag/bauhaus" target="_blank">Bauhaus</a>.</p>]]>
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        <![CDATA[Infographic: The Bauhaus, Where Form Follows Function]]>
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      <link>https://www.archdaily.com/225792/the-bauhaus</link>
      <pubDate>Thu, 11 Apr 2019 05:30:00 +0000</pubDate>
      <dc:creator>Megan Jett</dc:creator>
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        <![CDATA[<p><strong>UPDATE: </strong>In honor of the 100th anniversary of the <a href="http://wp.archdaily.com/tag/bauhaus/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Bauhaus</a>, we’re re-publishing this popular infographic, which was originally published April 16th, 2012.</p>]]>
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        <![CDATA[Have Sweet Bauhaus Dreams in BauhausLand]]>
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      <link>https://www.archdaily.com/910642/have-sweet-bauhaus-dreams-in-bauhausland</link>
      <pubDate>Sun, 03 Feb 2019 11:00:00 +0000</pubDate>
      <dc:creator>Megan Schires</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/910642/have-sweet-bauhaus-dreams-in-bauhausland</guid>
      <description>
        <![CDATA[<p dir="ltr">If you’re looking for a way to celebrate the <a href="https://www.archdaily.com/tag/bauhaus-100">Bauhaus centennial</a> and you’re also in need of a vacation, you can accomplish both this year by visiting BauhausLand. goBauhaus is ready to help you plan your next trip to the Saxony-Anhalt and Thuringia regions of <a href="https://www.archdaily.com/country/germany">Germany</a>, otherwise known as BauhausLand. The region that witnessed the beginnings of the Bauhaus movement is home to many buildings influenced by its revolutionary style. In celebration of the school’s centennial, goBauhaus has compiled a list of notable Bauhaus-y places where visitors can stay overnight to immerse themselves in the experience. So if you’ve always wanted to make an architectural pilgrimage to pay homage to <a href="https://www.archdaily.com/375067/happy-birthday-to-bauhaus-founder-and-acclaimed-modernist-walter-gropius">Gropius</a> and his pals, 2019 is the time!</p>]]>
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        <![CDATA[Bauhaus Houses, Eritrea's Capital and Ahmedabad's Walled City Among 20 Cultural Sites Added to UNESCO's World Heritage List]]>
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      <link>https://www.archdaily.com/875568/bauhaus-houses-eritreas-capital-and-ahmadabads-walled-city-among-20-cultural-sites-added-to-unescos-world-heritage-list</link>
      <pubDate>Tue, 11 Jul 2017 14:00:00 +0000</pubDate>
      <dc:creator>Suneet Zishan Langar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/875568/bauhaus-houses-eritreas-capital-and-ahmadabads-walled-city-among-20-cultural-sites-added-to-unescos-world-heritage-list</guid>
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        <![CDATA[<p><a href="http://whc.unesco.org/en/committee/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">UNESCO’s World Heritage Committee</a>, currently holding its <a href="http://whc.unesco.org/en/sessions/41com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">forty-first annual session</a> in the Polish city of Krakow, inscribed twenty new cultural sites on its <a href="/tag/world-heritage-list">World Heritage List</a>, including the <a href="http://whc.unesco.org/en/list/1551?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">historic city of Ahmedabad</a> in <a href="/tag/india">India</a>, archaeological sites in <a href="http://whc.unesco.org/en/list/1532?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Cambodia</a> and <a href="http://whc.unesco.org/en/list/1548?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Brazil</a>, and a <a href="http://whc.unesco.org/en/list/1545?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">“cultural landscape” in South Africa</a>. The Committee also added extensions to two sites already on the list: <a href="http://whc.unesco.org/en/list/495?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Strasbourg in France</a>, and <a href="http://whc.unesco.org/en/list/729?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the Bauhaus in Germany</a>. On the other hand, <a href="http://whc.unesco.org/en/news/1684?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the historic center of Vienna was inscribed on the List of World Heritage in Danger</a> as the Committee examined the state of conservation of one-hundred-and-fifty-four of its listed sites.</p>]]>
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        <![CDATA[AD Classics: Haus am Horn / Georg Muche]]>
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      <link>https://www.archdaily.com/873082/ad-classics-haus-am-horn-germany-georg-muche</link>
      <pubDate>Mon, 12 Jun 2017 07:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Houses]]>
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      <guid isPermaLink="false">https://www.archdaily.com/873082/ad-classics-haus-am-horn-germany-georg-muche</guid>
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        <![CDATA[<p>In 1919, at a time in which Germany was still in upheaval over its defeat in the First World War (and compounded by the loss of its monarchy), the Academy of Fine Arts and School of Applied Arts in <a href="/tag/weimar">Weimar</a>, <a href="/tag/germany">Germany</a>, were combined to form the first <a href="/tag/bauhaus">Bauhaus</a>. Its stated goal was to erase the separation that had developed between artists and craftsmen, combining the talents of both occupations in order to achieve a unified architectonic feeling which they believed had been lost in the divide. Students of the Bauhaus were to abandon the framework of design standards that had been developed by traditional European schools and experiment with natural materials, abstract forms, and their own intuitions. Although the school’s output was initially Expressionist in nature, by 1922 it had evolved into something more in line with the rising International Style.[1]</p>]]>
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        <![CDATA[Genius Loci Weimar Video Mapping and Facade Projection Competition]]>
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      <link>https://www.archdaily.com/781777/genius-loci-weimar-video-mapping-and-facade-projection-competition</link>
      <pubDate>Mon, 08 Feb 2016 19:27:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/781777/genius-loci-weimar-video-mapping-and-facade-projection-competition</guid>
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        <![CDATA[<p>All interested artists are invited to submit their concept ideas for the Genius Loci Weimar Festival between the opening date of 27 January 2016 up to the deadline of 23 March 2016. Submitted concepts will be displayed ina public exhibition in Weimar in spring 2016. The best projects will chosen, among other means, with the help of an audience vote. The three winning projects will then be completed with the help of prize money totalling &euro;45,000 before being shown in the context of an evening tour of Weimar, itself part of a wider festival to take place from 12 to 14 August 2016.</p>]]>
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        <![CDATA[Infographic: The Bauhaus Movement and the School that Started it All ]]>
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      <link>https://www.archdaily.com/572724/infographic-the-bauhaus-movement-and-the-school-that-started-it-all</link>
      <pubDate>Fri, 28 Nov 2014 01:00:00 +0000</pubDate>
      <dc:creator>Evan Rawn</dc:creator>
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        <![CDATA[<p><a href="http://www.archdaily.com/tag/bauhaus/" target="_blank">Bauhaus</a>, the school of design established by <a href="http://www.archdaily.com/tag/walter-gropius/" target="_blank">Walter Gropius</a> in <a href="http://www.archdaily.com/tag/weimar/" target="_blank">Weimar</a> in 1919, has arguably been the most influential of any institution in shaping the trajectory of modern architecture. Out of this single school came an entire movement that would have lasting effects on architectural pedagogy and the design of everything from buildings to road signs. Born out of a larger cultural movement following <a href="http://www.archdaily.com/tag/germany/" target="_blank">Germany</a>’s defeat in World War I which left the country ripe for regrowth without the previous constraints imposed by censorship, the core of Bauhaus philosophy were the principles of craftsmanship and mass production, which allowed for the movement’s rapid proliferation and a production model that would later inform contemporary design companies such as Ikea. Check out the infographic from <a href="http://www.aram.co.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Aram</a> below to learn more about the movement, tracking the school from its origins in Weimar, via its canonical <a href="http://www.archdaily.com/87728/ad-classics-dessau-bauhaus-walter-gropius/" target="_blank">Gropius-designed home in Dessau</a>, to its continuing legacy today. </p>]]>
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        <![CDATA[Neues Museum Weimar Honors Henry van de Velde’s Contribution to European Modernism]]>
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      <link>https://www.archdaily.com/344416/neues-museum-weimar-honors-henry-van-de-veldes-contribution-to-european-modernism</link>
      <pubDate>Sat, 23 Mar 2013 00:00:00 +0000</pubDate>
      <dc:creator>Lisa Wronski</dc:creator>
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        <![CDATA[<p>The Klassik Stiftung <a href="http://www.archdaily.com/tag/weimar/" target="">Weimar</a> will present the exhibition “Passion, Function and Beauty. <a href="/tag/henry-van-de-velde">Henry van de Velde</a> and his Contribution to European Modernism” on March 24, 2013 at 11:00am. The press conference will be held at the <a href="/tag/neues-museum-weimar">Neues Museum Weimar</a> in commemoration of the 150<sup>th </sup>anniversary of the Belgian architect and designer Henry van de Velde.<br></p>]]>
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        <![CDATA[New Bauhaus Museum / Pedro Monteiro, Rodrigo Cruz, Sérgio Silva]]>
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      <link>https://www.archdaily.com/232949/new-bauhaus-museum-pedro-monteiro-rodrigo-cruz-sergio-silva</link>
      <pubDate>Sat, 12 May 2012 07:00:53 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p>The design proposal for the New Bauhaus Museum by <a href="http://pedromonteiro4.carbonmade.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Pedro Monteiro</strong></a>, <strong><a href="http://rodrigomartingocruz.serw5.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Rodrigo Cruz</a></strong>, and <a href="http://cargocollective.com/sergiodiassilva/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Sérgio Silva</strong></a> establishes a volumetric relation with the Gauforum in regard to its location. The first thing you see is a tower of light. It leads the way. As you walk along the narrow line of Oskar Schlemmer’s logo, you are entering Bauhaus. As it gains depth, the two-dimensional design of the logo becomes a geometrical stone sculpture. Its occupation defines its architecture. More images and architects’ description after the break.</p>]]>
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        <![CDATA[New Bauhaus Museum / BUBE]]>
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      <link>https://www.archdaily.com/220714/new-bauhaus-museum-bube</link>
      <pubDate>Tue, 27 Mar 2012 15:00:05 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/220714/new-bauhaus-museum-bube</guid>
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        <![CDATA[<p>Rotterdam-based practice <strong><a href="http://www.bube.biz/bube/Home.html%20?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">BUBE</a></strong> has shared with us their third-place winning proposal in the <a href="http://www.archdaily.com/219779/winners-announced-for-the-new-bauhaus-museum-in-weimar/#more-219779">Classic Siftung Weimar international competition</a> for the New Bauhaus Museum. Three translucent cubes are clustered together in an effort to maximize open space and reorganize the site with a focus of intensifying the interactions between park and museum visitors. BUBE’s proposal is one of the final four designs still competing. The jury is expected to announce the winning design this summer. More images and architects’ description after the break.</p>]]>
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