<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: washington | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Fri, 10 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[National Museum of the United States Army / Skidmore, Owings & Merrill]]>
      </title>
      <link>https://www.archdaily.com/951365/national-museum-of-the-united-states-army-skidmore-owings-and-merrill</link>
      <pubDate>Thu, 08 Jan 2026 17:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/951365/national-museum-of-the-united-states-army-skidmore-owings-and-merrill</guid>
      <description>
        <![CDATA[<p>The National Museum of the United States Army (NMUSA), a cultural institution of national significance that is the first to tell the story of the oldest branch of the United States military. The building – which is located just 20 miles outside of <a href="/tag/washington">Washington</a>, D.C. – is designed to serve as a center of education, and the Army's symbolic front door. By walking visitors through every generation of the Army, the museum focuses not on battles or wars, but on the individual soldier – a centuries-long narrative of honor, sacrifice, and valor.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5fad/86a8/63c0/17d2/ee00/0131/newsletter/NMUSA_SOM_DaveBurk_002_jpg.jpg?1605207684"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[“Coming Together” Exhibition in Washington Explores Post-Pandemic Transformations of Community and Public Spaces]]>
      </title>
      <link>https://www.archdaily.com/1037450/coming-together-exhibition-in-washington-explores-post-pandemic-transformations-of-community-and-public-spaces</link>
      <pubDate>Tue, 30 Dec 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037450/coming-together-exhibition-in-washington-explores-post-pandemic-transformations-of-community-and-public-spaces</guid>
      <description>
        <![CDATA[<p>The exhibition <em>Coming Together: Reimagining America's Downtowns</em>, held at <a href="https://www.archdaily.com/city/washington" target="_blank" rel="noopener">Washington</a>, D.C.'s <a href="https://www.archdaily.com/tag/national-building-museum" target="_blank" rel="noopener">National Building Museum</a>, explores the transformations underway in the <a href="https://www.archdaily.com/country/united-states" target="_blank" rel="noopener">United States</a>' downtowns and the ways communities have organized to shape alternative urban scenarios. Curated by <a href="https://gufaculty360.georgetown.edu/s/contact/00336000014TcxaAAC/uwe-brandes?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Uwe S. Brandes</a>, Professor at Georgetown University, and designed by <a href="https://www.archdaily.com/office/reddymade-design" target="_blank" rel="noopener">Reddymade </a>and <a href="https://www.archdaily.com/professional/mgmt" target="_blank" rel="noopener">MGMT</a>., it is the first of three major exhibitions within the Museum's Future Cities initiative, an interdisciplinary project examining the city as a hub, catalyst, essential building block, and reflection of society. <em>Coming Together</em> features examples from more than 60 U.S. cities, both large and small, highlighting lessons learned and opportunities embraced in the wake of the <a href="https://www.archdaily.com/tag/covid-19" target="_blank" rel="noopener">COVID-19 pandemic</a> as communities adapt to lasting changes in work, housing, mobility, entertainment, and recreation. The exhibition is currently open to the public and will remain on view through Fall 2026.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6953/3980/369e/5f36/dc20/3a48/newsletter/coming-together-reimagining-americas-downtowns_5.jpg?1767061917"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Lizzie and Jonathan Tisch Center for Innovation and Active Citizenship / Sasaki]]>
      </title>
      <link>https://www.archdaily.com/1028251/the-lizzie-and-jonathan-tisch-center-for-innovation-and-active-citizenship-sasaki</link>
      <pubDate>Sun, 23 Mar 2025 15:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Community]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1028251/the-lizzie-and-jonathan-tisch-center-for-innovation-and-active-citizenship-sasaki</guid>
      <description>
        <![CDATA[<p>The new Center for Innovation and Active Citizenship at the Frederick Gunn School unites a range of learning environments together in one integrated building. The school was founded in 1850 by Frederick William Gunn, who was an educator, abolitionist, and advocate for the outdoors, and responsible for innovations in curriculum and student development. The new building honors his vision, replaces an outdated brutalist science building, and brings a contemporary expression to campus while maintaining the scale and integrity of its surrounding context.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67dd/b3d0/910c/d100/0174/2da6/newsletter/08323_00U_N96_large.jpg?1742582855"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[McCourt School of Public Policy Georgetown University / Robert A.M. Stern Architects]]>
      </title>
      <link>https://www.archdaily.com/1026087/mccourt-school-of-public-policy-georgetown-university-roberto-am-stern-architects</link>
      <pubDate>Tue, 28 Jan 2025 17:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[University]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1026087/mccourt-school-of-public-policy-georgetown-university-roberto-am-stern-architects</guid>
      <description>
        <![CDATA[<p>Robert A.M. Stern Architects (RAMSA) has designed a new flagship home for the McCourt School of Public Policy at Georgetown University's Capitol Campus in downtown <a href="/tag/washington">Washington</a>, D.C. The new 150,0000 sqft building, located at 125 E St. NW, is an academic hub for students, faculty, researchers, and the wider policymaking community active in the nation's capital. The building houses extensive educational and community spaces, including 20 classrooms, an expansive main commons, academic offices, a 400-seat auditorium, and a large rooftop terrace with sweeping views of the U.S. Capitol and a 280-seat venue. As an academic center devoted to addressing complex national and international challenges, the McCourt School of Public Policy prioritizes sustainability and energy efficiency and is designed to achieve LEED Platinum certification. Additionally, a series of original site-specific installations by architect, designer, artist, and sculptor Maya Lin encourage building users to consider their natural surroundings.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6791/955b/e4b3/5801/8aa5/8fc6/newsletter/mccourt-school-of-public-policy-georgetown-university-roberto-am-stern-architects-ramsa_9.jpg?1737594225"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Brown House / BLDUS]]>
      </title>
      <link>https://www.archdaily.com/1025617/brown-house-bldus</link>
      <pubDate>Tue, 14 Jan 2025 16:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1025617/brown-house-bldus</guid>
      <description>
        <![CDATA[<p>A single-family house in a newly named alley in Capitol Hill is an opportunity to elaborate upon a healthy material palette featuring black locust wood, cork cladding, hemp insulation, and bamboo structural walls. The design of the linear alley house strikes a balance between privacy and light, using balconies, a vestibule, a terrace, and a rooftop garden to mediate the site and its surrounding context. Durable black locust slats protect cork cladding, screen balconies, structure a fence, and provide fall protection on the rooftop. The exterior cork cladding is echoed by a spray cork finish on interior ceilings, while the bamboo structural panels are exposed on the interior and stained with PolyWhey, a by-product of the cheese industry. Cellulose and hemp insulation fill the hollow wall cavities and flat roofs. Copper details handle precipitation and highlight the layers of the house in Overbeck Alley. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6784/64d4/7ace/9501/886f/5d7b/newsletter/brown-house-bldus_1.jpg?1736729828"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Australian Embassy in Washington D.C. / Bates Smart]]>
      </title>
      <link>https://www.archdaily.com/1019403/australian-embassy-in-washington-dc-bates-smart</link>
      <pubDate>Tue, 30 Jul 2024 03:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Embassy]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1019403/australian-embassy-in-washington-dc-bates-smart</guid>
      <description>
        <![CDATA[<p><em>Site </em>- The Embassy of Australia in <a href="/tag/washington">Washington</a> D.C. is one of the country’s largest diplomatic presences. The design by Bates Smart stands as both an integral civic space and an enduring symbol of Australia. The embassy’s architecture, landscape, and commissioned artworks combine to embed an enduring relationship between Australia and the United States. The Embassy respects and upholds the character of the city of Washington D.C., completing Scott Circle and addressing the street axes to 16th Street and the White House and Massachusetts Avenue, commonly referred to as Embassy Row. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/66a3/ddc0/df91/fa42/bbce/b926/newsletter/australian-embassy-in-washington-dc-bates-smart_1.jpg?1722015183"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Wide House / BLDUS]]>
      </title>
      <link>https://www.archdaily.com/1018536/wide-house-bldus</link>
      <pubDate>Sat, 13 Jul 2024 20:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1018536/wide-house-bldus</guid>
      <description>
        <![CDATA[<p>Tucked away in an alley in central <a href="/tag/washington">Washington</a>, D.C., this long thin house subverts conventions of the surrounding rowhouse fabric and other alley houses being built nearby. Prioritizing a balance between natural light and privacy, the six-bedroom house features several outdoor spaces between it and its integral fence.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6688/03f8/057e/4000/01c4/c4b8/newsletter/BLDUS_Wide_006.jpg?1720190026"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Cities Light Up in Solidarity with Ukraine]]>
      </title>
      <link>https://www.archdaily.com/1006999/cities-light-up-in-solidarity-with-ukraine</link>
      <pubDate>Tue, 19 Sep 2023 03:30:00 +0000</pubDate>
      <dc:creator>Thomas Schielke</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1006999/cities-light-up-in-solidarity-with-ukraine</guid>
      <description>
        <![CDATA[<p>In the realm of media architecture and its role in supporting struggles for social justice, the recent <a href="https://mab23.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Media Architecture Biennale 2023 (MAB23)</a> in Toronto, Canada, shed light on a captivating aspect: The rapid and vast propagation of solidarity lighting in response to Russia's invasion of <a href="/tag/ukraine">Ukraine</a> in 2022. The synchronized illuminations, infused with activism and global art projects, became a powerful emblem of worldwide support for Ukraine during its time of crisis. Two emphatic female political leaders in Europe initiated the lighting solidarity message. Surprisingly, the blue and yellow Ukrainian flag illumination on iconic buildings worldwide defined an image of solidarity even faster in the press than large crowds of people in anti-war protests the weekend after the war began. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6508/5bfc/b136/6844/d8dd/b73f/newsletter/cities-light-up-in-solidarity-with-ukraine_1.jpg?1695046665"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Perkins&Will Is Among the Finalists for the United States Navy Museum Design, Along with BIG, Gehry Partners, DLR Group and Quinn Evans]]>
      </title>
      <link>https://www.archdaily.com/999719/perkins-and-will-is-among-the-finalists-for-the-united-states-navy-museum-design-along-with-big-gehry-partners-dlr-group-and-quinn-evans</link>
      <pubDate>Wed, 19 Apr 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/999719/perkins-and-will-is-among-the-finalists-for-the-united-states-navy-museum-design-along-with-big-gehry-partners-dlr-group-and-quinn-evans</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/perkins-and-will">Perkins&amp;Will</a> has been selected as one of the five finalists in the nationwide artistic ideas competition for the design of the new National <a href="/tag/museum">Museum</a> of the U.S. Navy. The other finalists are <a href="https://www.archdaily.com/office/dlr-group">DLR Group</a>, <a href="https://www.archdaily.com/office/gehry-partners">Frank Gehry Partners</a>, <a href="https://www.archdaily.com/tag/quinn-evans-architects">Quinn Evans</a>, and <a href="https://www.archdaily.com/office/bjarke-ingels-group">BIG</a>. Organised by the Naval Heritage History and Command’s (NHHC), the competition’s aim is to create a modern museum for Naval veterans and the public, a new building and ceremonial courtyard to reflect the Navy’s values and legacy. The campus would consist of approximately 270,000 square feet, with 100,000 square feet of gallery space. The Navy’s preferred location for the museum is on a site adjacent to the <a href="/tag/washington">Washington</a> Navy Yard.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/643f/a82f/dba0/a52f/6049/894c/newsletter/perkins-and-will-is-among-the-finalists-for-the-united-states-navy-museum-design-along-with-big-gehry-partners-dlr-group-and-quinn-evans_2.jpg?1681893486"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[BIG Selected as a Finalist for New United States Navy Museum Design]]>
      </title>
      <link>https://www.archdaily.com/999496/big-selected-as-a-finalist-for-new-united-states-navy-museum-design</link>
      <pubDate>Fri, 14 Apr 2023 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/999496/big-selected-as-a-finalist-for-new-united-states-navy-museum-design</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/office/bjarke-ingels-group">Bjarke Ingels Group</a> (BIG) was selected as one of the finalists in the Naval Heritage History and Command’s (NHHC) competition for the design of the new National <a href="/tag/museum">Museum</a> of the U.S. Navy. The competition’s aim is to create a publicly accessible modern museum for Naval veterans and the public, a memorial to the U.S. Navy’s heritage, and a center for education and cultural events. The <a href="https://www.history.navy.mil/news-and-events/news/2023/SECNAV-unveils-concepts-for-planned-Navy-museum.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">other finalists</a> are <a href="https://www.archdaily.com/office/dlr-group">DLR Group</a>, <a href="https://www.archdaily.com/office/gehry-partners">Frank Gehry Partners</a>, <a href="https://www.archdaily.com/tag/quinn-evans-architects">Quinn Evans</a>, and <a href="https://www.archdaily.com/office/perkins-and-will">Perkins&amp;Will</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6439/2500/4d5c/4601/7978/2061/newsletter/big-selected-as-a-finalist-for-new-united-states-navy-museum-design_1.jpg?1681466653"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Northwest Native: Homes of the Salish Sea]]>
      </title>
      <link>https://www.archdaily.com/951536/northwest-native-homes-of-the-salish-sea</link>
      <pubDate>Fri, 03 Feb 2023 05:30:00 +0000</pubDate>
      <dc:creator>Eric Baldwin</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/951536/northwest-native-homes-of-the-salish-sea</guid>
      <description>
        <![CDATA[<p>The Pacific Northwest is synonymous with rainy mountains, expansive coastlines and dense forests. Known for its majestic landscapes, the region has innate connections to the waterfront. Over time, these channels were referred to as the Salish Sea. Encompassing the Strait of Georgia, the Strait of Juan de Fuca, and Puget Sound, the intricate network of bays and inlets is bounded by British Columbia and <a href="/tag/washington">Washington</a>. Dotted with a number of major port cities, including <a href="/tag/bellingham">Bellingham</a>, <a href="/tag/vancouver">Vancouver</a>, and <a href="/tag/seattle">Seattle</a>, the Salish Sea has also been home to many indigenous peoples.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5ff3/be4d/63c0/1725/9000/036c/newsletter/Kevin_Scott_3.jpg?1609809474"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[AKRIS Boutique Saint Gallen  / David Chipperfield Architects]]>
      </title>
      <link>https://www.archdaily.com/986101/akris-boutique-saint-gallen-david-chipperfield-architects-milan</link>
      <pubDate>Thu, 28 Jul 2022 03:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Retail Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/986101/akris-boutique-saint-gallen-david-chipperfield-architects-milan</guid>
      <description>
        <![CDATA[<p>Following a collaboration that began in 2018 between DCA Milan and the Kriemler brothers for the development of a new Store Concept, the first AKRIS prototype store opened in <a href="/tag/washington">Washington</a> DC. AKRIS is an international fashion house founded in Saint Gallen, Switzerland in 1922, its name is an acronym of Alice Kriemler– Schoch, the company’s founder. Ownership has since passed down the family and is now in the hands of the founder’s grandchildren, Albert and Peter Kriemler.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62e1/8e5d/f8b8/6601/6622/42bc/newsletter/akris-boutique-saint-gallen-david-chipperfield-architects-milan_14.jpg?1658949229"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Grimshaw Reveals the Design of Washington Union Station Expansion Project]]>
      </title>
      <link>https://www.archdaily.com/985823/grimshaw-reveals-the-design-of-washington-union-station-expansion-project</link>
      <pubDate>Fri, 22 Jul 2022 05:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/985823/grimshaw-reveals-the-design-of-washington-union-station-expansion-project</guid>
      <description>
        <![CDATA[<p>Architecture practice <a href="/tag/grimshaw">Grimshaw</a>, in collaboration with Beyer Blinder Belle, Arup, and VHB, has revealed designs for the <a href="/tag/washington">Washington</a> Union Station Expansion Project (SEP) in <a href="/tag/washington-dc">Washington DC</a>, USA. The project will ensure the preservation of the historic station and will improve access to the existing railway services, Metrorail, DC Streetcar, and bus services. The expansion aims to become a multi-modal transportation hub for the district adjacent to the historic station. In addition, the SEP will incorporate enhanced vehicle access and cycle and pedestrian routes.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/62da/5233/faad/c361/d8dd/87f7/newsletter/grimshaw-reveals-the-design-of-washington-union-station-expansion-project_2.jpg?1658475083"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Gyo Obata’s Restaurant Pavilion in Washington D.C to be Demolished and Replaced with Bezos Learning Center]]>
      </title>
      <link>https://www.archdaily.com/980163/gyo-obatas-restaurant-pavilion-in-washington-dc-to-be-demolished-and-replaced-with-bezos-learning-center</link>
      <pubDate>Wed, 13 Apr 2022 06:30:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/980163/gyo-obatas-restaurant-pavilion-in-washington-dc-to-be-demolished-and-replaced-with-bezos-learning-center</guid>
      <description>
        <![CDATA[<p><a href="https://washington.org/smithsonian-institution-museums?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The Smithsonian Institution</a> has announced that the glass-clad pyramid restaurant of Washington D.C's National Air and Space Museum, designed by <a href="/tag/gyo-obata">Gyo Obata</a>, FAIA, co-founder of renowned architecture firm <a href="https://www.archdaily.com/tag/hok">HOK</a>, will be demolished this spring and replaced with a new educational facility titled the Bezos Learning Center. The restaurant is one of two buildings designed by the late architect for the National Mall, originally constructed in 1988 as an additional structure to the National Air and Space Museum, that served as a dining area for the museum's visitors. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6256/9edf/3e4b/31d4/6900/002d/newsletter/Smithsonian_Magazine.jpg?1649843931"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Martin Luther King Jr. Memorial Library / Mecanoo + OTJ Architects]]>
      </title>
      <link>https://www.archdaily.com/972337/the-martin-luther-king-jr-memorial-library-mecanoo-plus-otj-architects</link>
      <pubDate>Tue, 23 Nov 2021 04:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Library]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/972337/the-martin-luther-king-jr-memorial-library-mecanoo-plus-otj-architects</guid>
      <description>
        <![CDATA[<p class="p1">After a three-year transformation by Dutch architecture firm Mecanoo, working in collaboration with OTJ Architects, the Martin Luther King Jr. Memorial Library (MLKL) has re-opened in <a href="/tag/washington">Washington</a> D.C. The library, which opened in 1972, is reborn as a contemporary lifelong-learning hub that reaches out to all communities. It was the only library designed by Ludwig Mies van der Rohe, one of the twentieth century’s greatest architects, and was subsequently named after Dr. King, the towering civil rights leader who was assassinated in 1968. Francine Houben, principal, founding partner, and creative director of Mecanoo, says: “We have been guided by Martin Luther King’s timeless values and implemented them in this, the most important library for the people of America’s capital”.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/619b/c65d/9a95/7a18/64e9/9483/newsletter/2-mlkl-image-by-trent-bell.jpg?1637598905"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[C40 and Arup Showcase Climate Action Initiatives from 11 Global Cities Within a Virtual Exhibition at COP26]]>
      </title>
      <link>https://www.archdaily.com/971396/c40-and-arup-showcase-climate-action-initiatives-from-11-global-cities-within-a-virtual-exhibition-at-cop26</link>
      <pubDate>Fri, 05 Nov 2021 05:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/971396/c40-and-arup-showcase-climate-action-initiatives-from-11-global-cities-within-a-virtual-exhibition-at-cop26</guid>
      <description>
        <![CDATA[<p>This week, the <a href="/tag/c40">C40</a> global network of cities and engineering and sustainability firm <a href="/tag/arup">Arup</a> launched a virtual exhibition showcasing examples of climate initiatives and resiliency strategies from 11 cities committed to addressing climate change. Given that cities account for more than 70% of global carbon emissions, <a class="editor-rtfLink" href="https://global-cities-climate-action-exhibition.virtual-engage.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the Global Cities Climate Action Exhibition</a> aims to highlight the role of cities in reaching climate targets through local policies and urban development plans, achieving tangible emission reductions and increasing social equity.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6184/08db/0b29/824e/d21a/0d41/newsletter/image005.jpg?1636042975"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Two Rivers Public Charter School / Studio Twenty Seven Architecture]]>
      </title>
      <link>https://www.archdaily.com/967747/two-rivers-public-charter-school-studio-twenty-seven-architecture</link>
      <pubDate>Sun, 05 Sep 2021 11:00:00 +0000</pubDate>
      <dc:creator>Alexandria Bramley</dc:creator>
      <category>
        <![CDATA[Elementary & Middle school]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/967747/two-rivers-public-charter-school-studio-twenty-seven-architecture</guid>
      <description>
        <![CDATA[<p>Two Rivers Public Charter School is a network of high-performing public charter schools in <a href="/tag/washington">Washington</a> DC. The new middle school at Young campus, designed by Studio Twenty Seven Architecture, is a state-of-the-art facility featuring large classrooms, dedicated common space, a full-sized gymnasium, outdoor courts, sun-filled atrium and the signature ‘sitting steps’ in the foyer. This school serves 6th through 8th graders and is connected to the existing elementary school via an elevated bridge. Special instruction rooms include art, drama, music, Spanish, science lab, and breakout instructional spaces.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/612e/059c/8abe/bf01/66e5/7a18/newsletter/studio27-tworivers-10.jpg?1630406060"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[West Half  / ODA New York]]>
      </title>
      <link>https://www.archdaily.com/967398/west-half-oda</link>
      <pubDate>Thu, 26 Aug 2021 03:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Apartments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/967398/west-half-oda</guid>
      <description>
        <![CDATA[<p>ODA’s process, just like their design, is fractal by nature - thinking about how cities are made up of small units of life, that operate independently yet are bound by a shared community. This concept has manifested in an iconic new structure in <a href="/tag/washington">Washington</a> DC’s Navy Yard. West Half, a newly completed multi-family residential complex, houses 465 apartments, nearly 1000 people, in a single square block. And yet the internal circulation of the building, the curated multi-level amenities, rich access to outdoor space, and the cascading nature of the facade creates a connection at the street level and gives the building a transparent, approachable feel, while the bright yellow underbelly of the cantilevers delivers a subliminal layer of color theory 101: Happiness. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6126/395f/ead9/b801/65f0/e95f/newsletter/sfrances-201020-0144-d-rgb.jpg?1629895023"></enclosure>
    </item>
  </channel>
</rss>
