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    <title>Tag: visual-arts | ArchDaily</title>
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      <title>
        <![CDATA[Recasting Cultural Infrastructure: On AAU Anastas’s Aga Khan Award–Winning Wonder Cabinet]]>
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      <link>https://www.archdaily.com/1037480/recasting-cultural-infrastructure-on-aau-anastass-aga-khan-award-winning-wonder-cabinet</link>
      <pubDate>Sun, 11 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Among the <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners" target="_blank" rel="noopener">2025 Aga Khan Award winners</a> is <a href="https://www.archdaily.com/office/aau-anastas" target="_blank" rel="noopener">AAU Anastas</a> and their project, <a href="https://www.archdaily.com/1031287/wonder-cabinet-aau-anastas?ad_campaign=normal-tag">Wonder Cabinet</a> in <a href="/tag/palestine">Palestine</a>, whose central aim is to serve as a haven for culture and creativity and a bridge between design and production. Beyond this meaningful project, AAU Anastas—working from offices in Bethlehem, Palestine, and Paris, France—has built a broad portfolio since 2015. Notable works include <a href="https://www.archdaily.com/989864/dar-al-majous-aau-anastas?ad_source=search&amp;ad_medium=projects_tab">Dar Al Majous</a>, a restoration in Bethlehem that challenges the boundary between <a href="https://www.archdaily.com/1035204/the-spatial-agency-gap-rethinking-public-space-through-co-designing-with-foreign-domestic-workers" target="_blank" rel="noopener">domestic and public realms</a>; the <a href="https://www.archdaily.com/777431/toulkarem-courthouse-aau-anastas?ad_source=search&amp;ad_medium=projects_tab">Tulkarm Courthouse</a> (2015), one of their first projects that redefined civicness and social gathering on a prominent corner site in Tulkarm; and <a href="https://www.archdaily.com/903127/the-flat-vault-aau-anastas?ad_source=search&amp;ad_medium=projects_tab">The Flat Vault</a>, a commercial intervention that adds a juxtaposed stone vault to an existing monastery shop associated with a church built in the 12th century by the Crusaders.</p>]]>
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        <![CDATA[Qatar Foundation Launches New Museum Dedicated to M. F. Husain in Doha’s Education City]]>
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      <link>https://www.archdaily.com/1036088/qatar-foundation-launches-new-m-f-husain-museum-in-dohas-education-city</link>
      <pubDate>Mon, 17 Nov 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On November 28, 2025, Qatar Foundation will launch Lawh Wa Qalam: M. F. Husain Museum, a new addition to <a href="https://www.archdaily.com/country/qatar" target="_blank" rel="noopener">Qatar's cultural landscape</a> dedicated to the life and work of artist Maqbool Fida Husain. The museum will be the world's first institution to trace Husain's artistic journey from the 1950s to his death in 2011, offering an immersive experience in a building drafted by the artist himself. The permanent exhibition will include paintings, films, tapestry, photography, poetry, and installations, presented through multimedia storytelling. Covering more than 3,000 square meters, the museum aims to foster creativity and dialogue, serving as a new space for learning and exploration within Qatar Foundation's Education City in <a href="https://www.archdaily.com/tag/doha" target="_blank" rel="noopener">Doha</a>. The initiative adds to a campus that houses <a href="https://www.archdaily.com/search/projects/categories/educational-architecture" target="_blank" rel="noopener">educational and research institutions</a> designed by architects such as <a href="https://www.archdaily.com/office/arata-isozaki" target="_blank" rel="noopener">Arata Isozaki</a>, <a href="https://www.archdaily.com/tag/rem-koolhaas" target="_blank" rel="noopener">Rem Koolhaas</a>, and <a href="https://www.archdaily.com/tag/antoine-predock" target="_blank" rel="noopener">Antoine Predock</a>, as well as firms like <a href="https://www.archdaily.com/tag/legorreta-legorreta" target="_blank" rel="noopener">Legorreta + Legorreta</a> and <a href="https://www.archdaily.com/tag/mangera-yvars-architects" target="_blank" rel="noopener">Mangera Yvars Architects</a>.</p>]]>
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        <![CDATA[From Favela to the World: The Story Behind the Lá da Favelinha Cultural Center]]>
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      <link>https://www.archdaily.com/1022828/from-the-favela-to-the-world-the-story-behind-the-la-da-favelinha-cultural-center</link>
      <pubDate>Wed, 30 Oct 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1022828/from-the-favela-to-the-world-the-story-behind-the-la-da-favelinha-cultural-center</guid>
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        <![CDATA[<p>In Belo Horizonte’s Aglomerado da Serra, Brazil’s third-largest <a href="https://www.archdaily.com/tag/favela" target="_blank" rel="noopener">favela</a> complex with 50,000 residents, the <a href="https://www.archdaily.com/976536/la-da-favelinha-cultural-center-coletivo-levante" target="_blank" rel="noopener">Lá da Favelinha Cultural Center</a> stands out as a vibrant hub of art and education. Founded in 2015 by the multifaceted artist Kdu do Anjos, the striking red building that stands out in the <a href="https://www.archdaily.com/997302/in-the-hood-11-projects-built-in-favelas-and-peripheral-neighborhoods" target="_blank" rel="noopener">outskirts</a> has gained recognition in both national and international architectural circles, earning several prestigious <a href="https://www.archdaily.com/tag/prize" target="_blank" rel="noopener">awards</a> Yet, the recent <a href="https://www.archdaily.com/tag/renovation" target="_blank" rel="noopener">renovation</a> by <a href="https://www.archdaily.com/office/coletivo-levante" target="_blank" rel="noopener">Coletivo LEVANTE</a>—honored as one of the <a href="https://www.archdaily.com/1014620/archdailys-2024-best-new-practices" target="_blank" rel="noopener">Best New Architectural Practices of 2024</a>—represents far more than vivid colors and bold design. It symbolizes the creativity and potential of the community itself. As a space for support and inspiration, Lá da Favelinha reflects a collective, democratic vision that merges the community’s dreams with the dedication of its founders.</p>]]>
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        <![CDATA[Narratives on the Precariousness of the Built Environment: Architectural Themes at the 2024 Whitney Biennial]]>
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      <link>https://www.archdaily.com/1015694/narratives-on-the-precariousness-of-the-built-environment-architectural-themes-at-the-2024-whitney-biennial</link>
      <pubDate>Wed, 17 Apr 2024 04:00:00 +0000</pubDate>
      <dc:creator>Carla Bonilla Huaroc</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/art" target="_blank" rel="noopener">Art</a> can be a catalyst for architects to see the <a href="https://www.archdaily.com/tag/built-environment" target="_blank" rel="noopener">built environment</a> through a different lens. It provides a unique opportunity to delve into the viewpoints of trained architects who have transitioned into the visual arts and artists who explore cities and their inner workings through their personal stories. </p>]]>
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        <![CDATA[BIG Designs Immersive Set Design for the World Tour of WhoMadeWho]]>
      </title>
      <link>https://www.archdaily.com/1011785/big-designs-immersive-set-design-for-the-world-tour-of-whomadewho</link>
      <pubDate>Wed, 03 Jan 2024 06:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1011785/big-designs-immersive-set-design-for-the-world-tour-of-whomadewho</guid>
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        <![CDATA[<p>Architecture group <a href="/tag/big">BIG</a> has unveiled the new <a href="/tag/stage">stage</a> design for the world tour of the Danish band WhoMadeWho. With visuals developed in collaboration with flora&amp;faunavisions, EyeMix Studio, and Christopher Mulligan, the design features an inflatable sphere created to become a canvas for the three-dimensional video projections that contribute to the concert experience. The tour kicked off on November 2023 and will reach several cities around the world, including Paris, Madrid, Berlin, Istanbul, New York City, Los Angeles, Santiago de Chile, London as well as the band’s hometown, Copenhagen.</p>]]>
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      <title>
        <![CDATA["Visualizations Always Start with the Story": An Interview with Visual Artist Ceren Arslan]]>
      </title>
      <link>https://www.archdaily.com/980461/visualizations-always-start-with-the-story-an-interview-with-visual-artist-ceren-arslan</link>
      <pubDate>Wed, 20 Apr 2022 04:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p>Beyond hyper-realistic renders and accurate depictions of what projects look like once completed, visualizations have become tools to communicate atmospheres and emotions portrayed by architects. The use of mixed media, combined with architectural compositions, art, lighting, and oftentimes music, have generated a new genre of architectural storytelling, one that combines reality with imagination. And as the world immerses in NFT's and experimenting with cutting-edge technologies to create digital environments, visualizations might soon become "the new reality". </p>]]>
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        <![CDATA[The Art of Visual Communication: 12 Tips for Creating Powerful Mood Boards]]>
      </title>
      <link>https://www.archdaily.com/960594/the-art-of-visual-communication-12-tips-for-creating-powerful-mood-boards</link>
      <pubDate>Sat, 01 May 2021 05:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p>Design projects rely heavily on <a href="https://www.archdaily.com/tag/visualization">visual tools</a> that illustrate the project's features and overall atmosphere, and whether you are an architect, interior designer, furniture designer, or engineer, the term 'mood board' has definitely come up at some point during the early stages of the design process. Generally speaking, images have immense powers of influencing and inspiring their viewers, so putting together a powerful mood board can be a game changer for the architect, the visual artist, and the clients, and can amplify the project's story telling process. So what is a mood board and how can you create one?</p>]]>
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        <![CDATA[Snøhetta Selected to Design the New Visual Identity for the Open-Source Platform Wikipedia ]]>
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      <link>https://www.archdaily.com/932191/snohetta-selected-to-design-the-new-visual-identity-for-the-open-source-platform-wikipedia</link>
      <pubDate>Mon, 20 Jan 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/932191/snohetta-selected-to-design-the-new-visual-identity-for-the-open-source-platform-wikipedia</guid>
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        <![CDATA[<p>The Wikimedia Foundation selected <a href="/tag/multidisciplinary">multidisciplinary</a> firm Snøhetta to develop the new brand identity for <a href="/tag/wikipedia">Wikipedia</a>, its free open platform. Aiming to create visuals that push forward Wikimedia’s international commitment to “<em>setting knowledge free</em>”, the process will be entirely documented.</p>]]>
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      <title>
        <![CDATA[Persian Palaces Meet Contemporary Landmarks in Forouzanfar's Retrofuturism Series ]]>
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      <link>https://www.archdaily.com/922556/persian-palaces-meet-contemporary-landmarks-in-forouzanfars-retrofuturism-series</link>
      <pubDate>Sun, 11 Aug 2019 06:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/922556/persian-palaces-meet-contemporary-landmarks-in-forouzanfars-retrofuturism-series</guid>
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        <![CDATA[<p>There is often a debate on whether architects and engineers should <a href="https://www.archdaily.com/tag/restoration" target="_blank">restore</a> old buildings and preserve what is still standing as a token of the past, or completely demolish them and introduce contemporary designs and features. In <a href="https://www.archdaily.com/country/iran" target="_blank">Iran</a>, the remains of <a href="https://www.archdaily.com/tag/historic-architecture" target="_blank">historic monuments</a>, some of which are World Heritage Sites, have yet to know their fate, as restoration strategies remain uncertain. </p>]]>
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        <![CDATA[SO-IL and BCJ’s Davis Museum of Art through the Animated Lens of Another : ]]>
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      <link>https://www.archdaily.com/922206/so-ils-davis-museum-of-art-through-the-animated-lens-of-another</link>
      <pubDate>Mon, 05 Aug 2019 04:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
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        <![CDATA[<p dir="ltr">The <a href="https://www.archdaily.com/890404/jan-shrem-and-maria-manetti-shrem-museum-of-art-so-il" target="_blank">Jan Shrem and Maria Manetti Shrem Museum of Art</a> by <a href="https://www.archdaily.com/office/so-il" target="_blank">SO-IL</a> and <a href="https://www.bcj.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Bohlin Cywinski Jackson</a> is the first contemporary arts <a href="https://www.archdaily.com/tag/museum" target="_blank">museum</a> for the <a href="https://www.archdaily.com/tag/university-of-california" target="_blank">University of California</a> and the city of Davis. The museum’s signature element is the grand canopy that stretches over the surrounding site and building.</p>]]>
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