<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: venice-biennale-2016 | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Sat, 11 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[A Compact Yet Fundamental Survey of the Modern Movement: In Conversation with Kenneth Frampton]]>
      </title>
      <link>https://www.archdaily.com/1025082/a-compact-yet-fundamental-survey-of-the-modern-movement-in-conversation-with-kenneth-frampton</link>
      <pubDate>Thu, 26 Dec 2024 08:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1025082/a-compact-yet-fundamental-survey-of-the-modern-movement-in-conversation-with-kenneth-frampton</guid>
      <description>
        <![CDATA[<p>If there is one book every architecture student must have on their shelf, it must be an architectural history. There is no more comprehensive yet compact alternative than <a href="https://www.archdaily.com/tag/kenneth-frampton" target="_blank" rel="noopener">Kenneth Frampton</a>'s <a href="https://www.amazon.com/Modern-Architecture-Critical-History-Fourth/dp/0500203954?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>Modern <a href="/tag/architecture">Architecture</a>: A Critical History, </em></a>originally published in 1980 by Thames &amp; Hudson. Its much-expanded latest fifth 734-page, 813-illustration edition came out in 2020. In 2023, I discussed the book at length with the author in a video interview, now available on YouTube.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6768/7614/3fc1/3e01/8824/ce45/newsletter/a-compact-yet-fundamental-survey-of-the-modern-movement-in-conversation-with-kenneth-frampton_9.jpg?1734899223"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[SUMMARY Presents a Concrete Installation at the 2016 Venice Biennale ]]>
      </title>
      <link>https://www.archdaily.com/895846/summary-presents-in-the-venice-biennale-a-concrete-installation</link>
      <pubDate>Thu, 07 Jun 2018 14:30:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/895846/summary-presents-in-the-venice-biennale-a-concrete-installation</guid>
      <description>
        <![CDATA[<p><em>Text description from the architects. </em>At the 15th edition of the <a href="http://www.labiennale.org/en/architecture/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Venice Biennale</a>, Alejandro Aravena invited us to look at new fields of action, projects that intend to improve life quality and stories of success that are worth getting to know. Thus, <strong>Samuel Gonçalves</strong>, founder of <a href="https://www.summary.pt?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the <strong>SUMMARY</strong> studio</a>, the youngest studio invited, was selected to present his work <strong>“infrastructure-structure-architecture” </strong>with the purpose of showing the concept behind his project <a href="vimeo.com/144377983">Gomos System</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5751/a017/e58e/ce5e/7400/0219/newsletter/INFRASTRUCTURE-STRUCTURE-ARCHITECTURE_SUMMARY_(GOMOS_SYSTEM)_%C2%A9BUILDINGPICTURES_18.jpg?1464967187"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[7 Architectural Solutions for Asylum Seekers Shown by the Finnish Pavilion at the 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/867339/7-architectural-solutions-for-asylum-seekers-shown-by-the-finnish-pavilion-at-the-2016-venice-biennale</link>
      <pubDate>Sat, 18 Mar 2017 09:30:00 +0000</pubDate>
      <dc:creator>Isabella Baranyk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/867339/7-architectural-solutions-for-asylum-seekers-shown-by-the-finnish-pavilion-at-the-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p dir="ltr">The <a href="http://www.archdaily.com/tag/venice-biennale-2016">2016 Venice Biennale</a> may have officially closed in November, but many of its constituent parts continue to have a life beyond the confines of Venice. <em>From Border to Home</em>, the exhibit hosted by the Finnish Pavilion, showcased the results of an international architecture <a href="/tag/competition">competition</a> between October and November of 2015 that called for residential solutions for asylum seekers that offer both short-term shelter for refugees and long-term impact on the surrounding community. Three winners and four honorable mentions were featured in the exhibition, accompanied by a <a href="http://frombordertohome.fi/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">blog</a> that offered sustained dialogue on the topic from architects around the world. On March 21st, Finland's contribution to the Biennale will finally be concluded <a href="http://frombordertohome.fi/what-next/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">with a review of the Biennale's themes</a> and a seminar on the pavilion, hosted in Helsinki. Read on to find out more about the winners and four mentions from the competition that were featured in Finland's <em>From Border to Home</em> pavilion.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/58ca/c4a9/e58e/cec1/a900/026e/newsletter/BeFunky_Collage.jpg?1489683613"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Considering the Airport Terminal of Tomorrow]]>
      </title>
      <link>https://www.archdaily.com/803677/aerial-futures-grounded-visions-the-airport-terminal-of-tomorrow</link>
      <pubDate>Thu, 19 Jan 2017 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/803677/aerial-futures-grounded-visions-the-airport-terminal-of-tomorrow</guid>
      <description>
        <![CDATA[<p><strong>Aerial Futures, Grounded Visions: Shaping the Airport Terminal of Tomorrow</strong> was a two-day symposium held in October 2016 as part of the European Cultural Center's collateral event at the 2016 <a href="/tag/venice">Venice</a> Biennale. It encouraged discussion about the future of air travel from the perspectives of architecture, design, technology, culture and user experience. The event featured presentations and discussions by the likes of airport architect <strong>Curtis Fentress</strong>, <strong>Nelly Ben Yahoun</strong>, <strong>Donald Albrecht</strong>, Director of the Museum of the City of New York;<strong> Anna Gasco</strong>, post-doctoral researcher at the ETH-Future Cities Laboratory in Singapore;<strong> Jonathan Ledgard</strong>, co-founder of the Droneport Project; and <strong>Ashok Raiji</strong>, Principal at <a href="/tag/arup">Arup</a> New York.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/587f/9368/e58e/ce8d/9300/0055/newsletter/18102016-DSC_6501.jpg?1484755812"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Reporting from the Front: 6 Months in 5 Minutes]]>
      </title>
      <link>https://www.archdaily.com/800063/2016-venice-architecture-biennale-reporting-from-the-front-6-months-in-5-minutes</link>
      <pubDate>Fri, 25 Nov 2016 05:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/800063/2016-venice-architecture-biennale-reporting-from-the-front-6-months-in-5-minutes</guid>
      <description>
        <![CDATA[<p>This week the <a href="http://www.archdaily.com/tag/venice-biennale-2016" target="_blank">2016 Venice Architecture Biennale</a>—<em>Reporting From the Front</em>—will close. Six months have passed and hundreds of thousands of architects, urbanists, designers and tourists have perused both the National Participations (of which more were represented this year than ever before) and the central exhibition curated by <a href="http://www.archdaily.com/tag/alejandro-aravena" target="_blank">Alejandro Aravena</a> – the first South American to direct the most prestigious event on the architectural calendar. <em>ArchDaily</em> has compiled our most extensive coverage of the event and, as the 15th incarnation of Biennale shuts its gates for the last time, our collection of articles, interviews and publication excerpts remains permanently accessible.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5836/1e93/e58e/ce5c/7400/005e/newsletter/copyright_laurian_ghinitoiu_nordic_(1_of_49).jpg?1479941774"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Video: Jan Gehl on Modernism and the Social Sciences]]>
      </title>
      <link>https://www.archdaily.com/798690/video-jan-gehl-on-modernism-and-the-social-sciences</link>
      <pubDate>Sun, 06 Nov 2016 08:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/798690/video-jan-gehl-on-modernism-and-the-social-sciences</guid>
      <description>
        <![CDATA[<p>The <a href="http://www.archdaily.com/781457/boris-brorman-jensen-and-kristoffer-lindhardt-weiss-to-curate-danish-pavilion-at-2016-venice-biennale">Danish Pavilion at the 2016 Venice Biennale</a>, curated by Boris Brorman Jensen and <a href="http://www.archdaily.com/tag/kristoffer-lindhardt-weiss">Kristoffer Lindhardt Weiss</a>, is dense with models – "a wunderkammer of architectural prototypes." The exhibition, which attempts to present new insights into how contemporary Danish architecture has been influenced by critics of Modernism (the "Modern approach"), features Jan Gehl—a famed Danish architect and urbanist renowned for his focus on improving the quality of urban life—as its standard bearer. In this exclusive film, shared by the curators, Gehl puts forward his position.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/581b/927b/e58e/cef1/4500/0025/newsletter/Screen_Shot_2016-11-03_at_20.44.13.jpg?1478201972"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[In Wake of Revolution, Francis Kéré Envisions a Transparent New Architecture for the Burkina Faso Parliament Building]]>
      </title>
      <link>https://www.archdaily.com/797283/in-wake-of-revolution-francis-kere-envisions-a-transparent-new-architecture-for-the-burkina-faso-parliament-building</link>
      <pubDate>Fri, 14 Oct 2016 14:00:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/797283/in-wake-of-revolution-francis-kere-envisions-a-transparent-new-architecture-for-the-burkina-faso-parliament-building</guid>
      <description>
        <![CDATA[<p dir="ltr">On October 30, 2014, as <a href="/tag/burkina-faso">Burkina Faso</a> President Blaise Compaoré was preparing to make an amendment to the country’s constitution that would eliminate presidential term limits and allow him to extend his 27 year rule, tens of thousands of Burkinabé citizens in the capital city of <a href="/tag/ouagadougou">Ouagadougou</a> <a href="https://www.theguardian.com/world/2014/oct/30/burkina-faso-protests-president-constitution-power?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">broke through police lines</a> to set fire to several government buildings, including city hall, the ruling party headquarters, and the National Assembly Building. The following day, Compaoré stepped down, ushering in a new era of democratic rule and resulting in the country’s <a href="http://www.nytimes.com/2015/11/27/world/africa/burkina-faso-elections.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">first ever pluralistic and competitive Presidential election</a> in 2015.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57ff/e390/e58e/ce3e/5d00/0072/newsletter/Kere_Parliament_Aerial_Horizontal_Crop.jpg?1476387717"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Google and La Biennale di Venezia Release Online Catalogue of 3700 Images from the 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/797277/google-and-la-biennale-di-venezia-release-online-catalogue-of-3700-images-from-the-2016-venice-biennale</link>
      <pubDate>Thu, 13 Oct 2016 13:45:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/797277/google-and-la-biennale-di-venezia-release-online-catalogue-of-3700-images-from-the-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p dir="ltr">Google and La Biennale di Venezia have teamed up to release an online catalogue of the <a href="http://www.archdaily.com/tag/venice-biennale-2016" target="_blank">2016 Venice Biennale</a>. Hosted on <a href="/tag/google">Google</a>’s Arts and Culture platform, the digital archive contains over 3700 images and videos from the 15th International Architecture Exhibition “Reporting From The Front”, curated by <a href="http://www.archdaily.com/tag/alejandro-aravena" target="_blank">Alejandro Aravena</a>, and a selection of National Pavilions and ancillary events.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57ff/c3a6/e58e/ce3e/5d00/003c/newsletter/Corderie-Arsenale_Opening-room-Photo-by-Andrea-Avezzu%CC%8A-Courtesy-of-La-Biennale-di-Venezia.jpg?1476379554"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Branding Islands Making Nations" Case Study Competition at La Biennale di Venezia]]>
      </title>
      <link>https://www.archdaily.com/796781/branding-islands-making-nations-case-study-competition-at-la-biennale-di-venezia</link>
      <pubDate>Mon, 10 Oct 2016 13:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/796781/branding-islands-making-nations-case-study-competition-at-la-biennale-di-venezia</guid>
      <description>
        <![CDATA[<p>Part of the Venice Architecture Biennale 2016&rsquo;s Collateral Events,&nbsp;<em>Branding Islands Making Nations: On Intangible Assets and Value Propositions in Spatial Practice</em>&nbsp;is a public program and case study competition, drawing attention to the application of political power in spatial practice. Intended to open the discourse on added value in design, Branding Islands Making Nations expands upon the 15th International Architecture Exhibition&rsquo;s call to arms by inviting an extended field of spatial practitioners to Venice. Consultants and communication designers, marketing and advertising experts will gather to speculate on the role of branding in the making of a place.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57f5/75df/e58e/ce5a/8200/006e/newsletter/open-uri20161005-21134-17g3v9.jpg?1475704283"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[At 2016 Biennale Half-Point, We Celebrate Architects: "Spiral Travelers That Imagine Our Universe"]]>
      </title>
      <link>https://www.archdaily.com/794271/at-2016-biennale-half-point-we-celebrate-architects-spiral-travelers-that-imagine-our-universe</link>
      <pubDate>Tue, 30 Aug 2016 01:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/794271/at-2016-biennale-half-point-we-celebrate-architects-spiral-travelers-that-imagine-our-universe</guid>
      <description>
        <![CDATA[<p>92 days into the 2016 Venice Biennale we have reached its exact midpoint, and the ArchDaily team, together with photographer <a href="/tag/jesus-granada">Jesús Granada</a>, bring you a video compilation from the opening days. With this video we want to thank the architects and talented teams that worked to produce invaluable exhibitions that were a joy to photograph and document. They showed patience, availability and attention to detail that made our job much easier. We also extend our thanks to architects in general—"viajeros en espiral que imaginan el universo" (spiral travelers that imagine our universe)—who inspire the work of all of us ArchDaily. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57c4/9a3d/e58e/ce6b/5f00/002e/newsletter/open-uri20160829-16564-1lklypm.jpg?1472502330"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA["Transformations: The Emirati National House": Inside UAE's Pavilion at the 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/793838/transformations-the-emirati-national-house-inside-uaes-pavilion-at-the-2016-venice-biennale</link>
      <pubDate>Mon, 22 Aug 2016 16:20:00 +0000</pubDate>
      <dc:creator>Yasser Elsheshtawy</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793838/transformations-the-emirati-national-house-inside-uaes-pavilion-at-the-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p class="p1"><em>As part of ArchDaily's coverage of the <a href="http://www.archdaily.com/tag/venice-biennale-2016" target="_blank">2016 Venice Biennale</a>, we are presenting a series of articles written by the curators of the exhibitions and installations on show.</em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57bb/58b3/e58e/ce98/cf00/000c/newsletter/NPUAE_2016_InstallationMedRes_046.jpg?1471895719"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Zumthor's LACMA Design Suspended in a Rainbow of Fabric at the 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/793821/zumthors-lacma-design-suspended-in-a-rainbow-of-fabric-at-the-2016-venice-biennale</link>
      <pubDate>Mon, 22 Aug 2016 12:25:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793821/zumthors-lacma-design-suspended-in-a-rainbow-of-fabric-at-the-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p dir="ltr">At the <a href="http://www.archdaily.com/tag/venice-biennale-2016" target="_blank">2016 Venice Biennale</a>, <a href="http://www.archdaily.com/tag/peter-zumthor/" target="_blank">Peter Zumthor</a> has put his designs for the <a href="http://www.archdaily.com/tag/lacma" target="_blank">Los Angeles County Museum of Art</a> (LACMA) on display for the professional community. Inside the Arsenale building, a model of the tar-pit-inspired building has been suspended to float within a curving display of textile artworks by <a href="/tag/christina-kim">Christina Kim</a>, while a soundtrack by Walter De Maria – “Ocean Music,” written in 1968 – provides a rhythmic backdrop for the installation.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57bb/1b08/e58e/ceed/7000/000f/newsletter/Zumthor2016VeniceBiennale009.jpg?1471879940"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Carla Bechelli Arquitectos Unveils Villa Housing Project at 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/793551/carla-bechelli-arquitectos-unveils-villa-housing-project-at-2016-venice-biennale</link>
      <pubDate>Sun, 21 Aug 2016 08:00:00 +0000</pubDate>
      <dc:creator>Sabrina Santos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793551/carla-bechelli-arquitectos-unveils-villa-housing-project-at-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p><em><strong>Update: We've added a video, presented by <a href="http://plane-site.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">PLANE-SITE</a>, about the exhibition, featuring quotes from Carla Bechelli.</strong></em></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57b5/47bc/e58e/cec2/0800/018a/newsletter/01.jpg?1471498162"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Video: Curators Discuss "Making Heimat, Arrival Country," the German Contribution to the 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/793514/video-curators-discuss-making-heimat-arrival-country-the-german-contribution-to-the-2016-venice-biennale</link>
      <pubDate>Wed, 17 Aug 2016 16:30:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793514/video-curators-discuss-making-heimat-arrival-country-the-german-contribution-to-the-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p dir="ltr">In this video, presented in collaboration with <a href="http://plane-site.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">PLANE—SITE</a>, the curators of the <a href="http://www.archdaily.com/788636/making-heimat-inside-germanys-pavilion-for-the-2016-venice-biennale" target="_blank">German Pavilion</a> at the 2016 <a href="http://www.archdaily.com/tag/venice">Venice</a> Biennale discuss their theme of “Making Heimat, Arrival Country.” The exhibition explores the current influx of refugee communities occurring in <a href="http://www.archdaily.com/country/germany" target="_blank">Germany</a>, and how architecture can be used to improve the “arrival cities” where immigrants tend to settle.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57b4/c46d/e58e/ce64/f600/0003/newsletter/open-uri20160817-20262-28mgwq.jpg?1471464516"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Video: Ali Karimi and Hamed Bukhamseen Discuss the Kuwaiti Contribution to the 2016 Venice Biennale]]>
      </title>
      <link>https://www.archdaily.com/793369/video-ali-karimi-and-hamed-bukhamseen-discuss-the-kuwaiti-contribution-to-the-2016-venice-biennale</link>
      <pubDate>Mon, 15 Aug 2016 16:20:00 +0000</pubDate>
      <dc:creator>Patrick Lynch</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793369/video-ali-karimi-and-hamed-bukhamseen-discuss-the-kuwaiti-contribution-to-the-2016-venice-biennale</guid>
      <description>
        <![CDATA[<p dir="ltr">In this interview, presented in collaboration with <a href="http://plane-site.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">PLANE—SITE</a>, <a href="/tag/ali-karimi">Ali Karimi</a> and <a href="/tag/hamed-bukhamseen">Hamed Bukhamseen</a>, curators of the <a href="http://www.archdaily.com/country/kuwait" target="_blank">Kuwait</a> Pavilion at the 2016 <a href="http://www.archdaily.com/tag/venice">Venice</a> Biennale, discuss the architectural identity and potential of Kuwait and the Middle East region as a whole. The duo explain how they approached the pavilion design by asking themselves the question: “How do we imagine a conversation between the different countries of the Gulf?”</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57b2/225c/e58e/ceb7/8500/12c3/newsletter/open-uri20160815-748-9ero1v.jpg?1471291993"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Pezo von Ellrichshausen Discuss Their Philosophy of Human-Scaled Architecture]]>
      </title>
      <link>https://www.archdaily.com/793225/pezo-von-ellrichshausen-discuss-their-philosophy-of-human-scaled-architecture</link>
      <pubDate>Sat, 13 Aug 2016 09:30:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/793225/pezo-von-ellrichshausen-discuss-their-philosophy-of-human-scaled-architecture</guid>
      <description>
        <![CDATA[<p id="docs-internal-guid-1423c295-7de3-9d5f-e98c-d57fc064a7af" dir="ltr">For <a href="http://www.archdaily.com/office/pezo-von-ellrichshausen" target="_blank">Mauricio Pezo and Sofía Von Ellrichshausen</a>, the architect's job is about much more than dealing with functional issues, as well as social issues, sustainability, and safety. “Of course architecture from its very essence is solving problems, and the problems constantly change,” says von Ellrichshausen in this <a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=pukaMBPzmv8" target="_blank">interview with </a><em><a href="https://www.youtube.com/watch?utm_medium=website&amp;utm_source=archdaily.com&amp;v=pukaMBPzmv8" target="_blank">The Architectural Review</a> </em>outside their <a href="http://www.archdaily.com/788751/pezo-von-ellrichshausens-vara-pavilion-is-a-maze-of-concentricity-in-venice" target="_blank">Vara Pavilion</a> at the <a href="http://www.archdaily.com/tag/venice-biennale-2016" target="_blank">2016 Venice Biennale</a>. “But probably the life span of architecture is many times larger than the problem that it addresses initially. Therefore we think of architecture more in terms of this larger span and hopefully it might embody a set of values and not necessarily propose a solution.”</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57ad/8fb9/e58e/cef5/d400/0444/newsletter/copyright_laurian_ghinitoiu_vara_(5_of_15).jpg?1470992306"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Three Nordic Refractions: After Belonging Agency Discuss the Theme of the 2016 Oslo Trienniale]]>
      </title>
      <link>https://www.archdaily.com/791923/three-nordic-refractions-the-after-belonging-agency-discuss-the-theme-of-the-2016-oslo-trienniale</link>
      <pubDate>Fri, 12 Aug 2016 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/791923/three-nordic-refractions-the-after-belonging-agency-discuss-the-theme-of-the-2016-oslo-trienniale</guid>
      <description>
        <![CDATA[<p>In May 2016, the <a href="/tag/after-belonging-agency">After Belonging Agency</a> discussed the theme of the forthcoming <a href="/tag/oslo">Oslo</a> Architecture Triennale—entitled <em>After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit</em>—as part of <em>In Therapy</em>, <a href="http://www.archdaily.com/788407/in-therapy-inside-the-nordic-pavilion-at-the-2016-venice-biennale">the exhibition of the Nordic Pavilion</a> at the 2016 <a href="/tag/venice">Venice</a> Biennale. The hour-long discussion, which also includes presentations by <a href="/tag/shumi-bose">Shumi Bose</a> and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/5792/a383/e58e/ce7e/2500/0029/newsletter/copyright_laurian_ghinitoiu_nordic_(43_of_49).jpg?1469227903"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[This is How Urban Agency Made a 150kg Concrete Model]]>
      </title>
      <link>https://www.archdaily.com/792982/this-is-how-urban-agency-made-a-150kg-concrete-model</link>
      <pubDate>Tue, 09 Aug 2016 10:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/792982/this-is-how-urban-agency-made-a-150kg-concrete-model</guid>
      <description>
        <![CDATA[<p>As part of the Danish contribution to the <a href="http://www.archdaily.com/tag/venice-biennale-2016">2016 Venice Biennale</a> <a href="http://www.urban-agency.com/venice-biennale-2016/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Urban Agency</a> embarked on a challenging feat: the construction a <a class="video_time" data-time="110">1:50</a> concrete model. The firm—based in Dublin, Copenhagen and Lyon—contributed three projects to the "Human Architectures" exhibition at this year's Danish Pavilion.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/57a9/e0a8/e58e/ce1d/3100/0240/newsletter/urbanagencyvideo.jpg?1470750884"></enclosure>
    </item>
  </channel>
</rss>
