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    <title>Tag: venezia | ArchDaily</title>
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        <![CDATA[Majlis & The Manama (Wind Catchers) Pavilion  / Ahmed and Rashid Bin Shabib]]>
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      <link>https://www.archdaily.com/1034852/majlis-and-the-manama-wind-catchers-pavilion-ahmed-and-rashid-bin-shabib</link>
      <pubDate>Wed, 08 Oct 2025 19:00:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
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        <![CDATA[<p><em>Reinterpreting Vernacular Gulf Architecture as a Living Scaffold for the Future – </em>The Majlis &amp; The Manama (Wind Catchers) pavilion at the 19th International Architecture Exhibition in Venice presents a powerful reimagining of Gulf vernacular intelligence. Anchored in personal memory and regional tradition, the pavilion draws from the architectural archetypes of the Majlis and Manama to propose a contemporary structure that breathes, hosts, and remembers. Supported by Expo City Dubai.</p>]]>
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        <![CDATA[Pavilion of Estonia Let Me Warm You Biennale Architettura 2025 / Keiti Lige + Elina Liiva + Helena Männa]]>
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      <link>https://www.archdaily.com/1030040/pavilion-of-estonia-let-me-warm-you-biennale-architettura-2025-keiti-lige-plus-elina-liiva-plus-helena-manna</link>
      <pubDate>Tue, 27 May 2025 12:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Pavilion]]>
      </category>
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      <description>
        <![CDATA[<p>The Ministry of Culture of Estonia presents the installation and exhibition "Let me warm you" www.letmewarmyou.com curated by architects Keiti Lige, Elina Liiva, and Helena Männa, the Pavilion of Estonia at the 19th International Architecture Exhibition of La Biennale di <a href="/tag/venezia">Venezia</a> (May 10th - November 23rd, 2025). The Pavilion explores whether current insulation-driven renovations are merely a compliance measure to meet European energy targets or if they can serve as an opportunity to enhance the spatial and social quality of mass housing districts. To highlight this issue, the Estonian Pavilion will cover the facade of a Venetian building with insulation panels, the same practice used in Estonia for mass housing. The palazzetto is located in Riva dei Sette Martiri 1611 in the waterfront between Corso Garibaldi and the Giardini, within the Castello neighborhood (Address: Riva dei Sette Martiri 1611, Castello, Venice). On the ground floor of the same building, a room, wrapped in plastic film, will host an exhibition showing how social dynamics within different stakeholders have an effect on spatial solutions.</p>]]>
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        <![CDATA[Rest as an Experience in a Space Rich with Symbolism: Insights from the Argentinian Pavilion at the 2025 Venice Biennale]]>
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      <link>https://www.archdaily.com/1030139/rest-as-an-experience-in-a-space-rich-with-symbolism-insights-from-the-argentinian-pavilion-at-the-2025-venice-biennale</link>
      <pubDate>Thu, 15 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
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      <description>
        <![CDATA[<p data-start="165" data-end="626">The proposal by Argentinian architects <a href="/tag/marco-zampieron">Marco Zampieron</a> and Juan Manuel Pachué for the <a href="/tag/argentinian-pavilion">Argentinian Pavilion</a> at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025">19th Venice Architecture Biennale 2025</a> is clear from the outset: upon entering <a href="https://www.archdaily.com/1025104/siestario-the-project-that-will-represent-argentina-at-the-2025-venice-architecture-biennale" target="_blank" rel="noopener"><em data-start="358" data-end="369">Siestario</em></a>, visitors are immersed in a space of dim lighting and evocative sound, and immediately encounter—at the center of the room, stretched across its width, and acting as the undeniable protagonist—a large, inflated pink bag that instinctively invites repose. This is a silobag, an object commonly used in the Argentinian countryside to store grain and a potent symbol of the country’s export-driven economy. In this setting, the silobag becomes more than a spatial intervention; it also introduces a temporal dimension: an invitation to pause and reflect amid the relentless rhythm of the Biennale.</p>]]>
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        <![CDATA[Everything You Need to Know about the Venice Architecture Biennale 2025]]>
      </title>
      <link>https://www.archdaily.com/997848/everything-you-need-to-know-about-the-venice-architecture-biennale-2023</link>
      <pubDate>Mon, 05 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="0" data-end="648">Next week, the world of architecture will focus its attention on Italy for the opening of the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th edition of the Venice Architecture Biennale.</a> This year’s edition, titled <em data-start="166" data-end="215">“<a href="https://www.archdaily.com/1016290/natural-artifical-and-collective-intelligence-carlo-ratti-announces-theme-and-title-for-2025-venice-architecture-biennale" target="_blank" rel="noopener">Intelligens. Natural. Artificial. Collective,</a>”</em> promises to bring together <a href="https://www.archdaily.com/1029692/discover-the-full-list-of-special-projects-and-participants-of-the-2025-venice-architecture-biennale" target="_blank" rel="noopener">over 750 participants</a> in a multifaceted exploration of architecture’s role in adapting to <a href="https://www.archdaily.com/tag/climate-crisis" target="_blank" rel="noopener">climate change</a>, <a href="https://www.archdaily.com/tag/population" target="_blank" rel="noopener">shifting populations</a>, and <a href="https://www.archdaily.com/tag/artificial-intelligence" target="_blank" rel="noopener">artificial forms of intelligence</a>. According to the figures released, curator <a href="https://www.archdaily.com/tag/carlo-ratti" target="_blank" rel="noopener">Carlo Ratti</a>’s call is projected to be the largest <a href="https://www.archdaily.com/tag/architecture-biennale" target="_blank" rel="noopener">Architecture Biennale</a> ever held in <a href="https://www.archdaily.com/city/venice" target="_blank" rel="noopener">Venice</a>. Below, we answer 10 of the most frequently asked questions about the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">2025 Venice Architecture Biennale</a>.</p>]]>
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        <![CDATA[Hortus Conclusus Center / C&P Architetti ]]>
      </title>
      <link>https://www.archdaily.com/1020502/hortus-conclusus-center-c-and-p-architetti</link>
      <pubDate>Tue, 27 Aug 2024 12:00:00 +0000</pubDate>
      <dc:creator>Hadir Al Koshta</dc:creator>
      <category>
        <![CDATA[Educational Architecture]]>
      </category>
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      <description>
        <![CDATA[<p>In the most introverted part of the Salesian Don Bosco center in Mestre, the facades are composed of each other, drawing a void, destined over the years to be a garden. A garden consisting of a green lawn and inhabited only by trees of different species and sizes planted here randomly, without an overall design. This space appeared as an island built inside the void defined by the buildings and separated from them by an almost impassable ring of asphalt, crossed by cars and also used as a parking lot.</p>]]>
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        <![CDATA[Striatus Bridge / Zaha Hadid Architects + Block Research Group]]>
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      <link>https://www.archdaily.com/965324/striatus-bridge-zaha-hadid-architects-plus-block-research-group</link>
      <pubDate>Fri, 17 Nov 2023 12:00:00 +0000</pubDate>
      <dc:creator>Alexandria Bramley</dc:creator>
      <category>
        <![CDATA[Pedestrian bridge]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/965324/striatus-bridge-zaha-hadid-architects-plus-block-research-group</guid>
      <description>
        <![CDATA[<p>Striatus is an arched, unreinforced masonry footbridge composed of 3D-printed concrete blocks assembled without mortar. Exhibited at the Giardini della Marinaressa during the <a href="/tag/venice">Venice</a> Architecture Biennale until November 2021, the 16x12-metre footbridge is the first of its kind, combining traditional techniques of master builders with advanced computational design, engineering, and robotic manufacturing technologies.</p>]]>
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        <![CDATA[Garage Dallegret Exhibition / Supervoid]]>
      </title>
      <link>https://www.archdaily.com/1001690/garage-dallegret-exhibition-supervoid</link>
      <pubDate>Wed, 31 May 2023 10:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Museums & Exhibit]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1001690/garage-dallegret-exhibition-supervoid</guid>
      <description>
        <![CDATA[<p>Garage Dallegret hosts François Dallegret's visionary imagination between design, fine arts, architecture, and technology. The drawings, the objects, and the ephemera exposed describe an imaginative practice of futurity that brings down the disciplinary limits between the human body and object, subjectivity and urban context, and reality and imagination. This is the first Italian monographic exhibition of the artist and architect, which is set up at Spazio Punch (Giudecca Island, Venice) based upon an idea conceived by Augusto Maurandi with Alessandra Ponte.</p>]]>
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        <![CDATA[The Dedalo Minosse Award Recognizes Projects, Architects, and Clients]]>
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      <link>https://www.archdaily.com/989136/the-dedalo-minosse-award-recognizes-projects-architects-and-clients</link>
      <pubDate>Mon, 19 Sep 2022 05:30:00 +0000</pubDate>
      <dc:creator>Paula Cano</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/989136/the-dedalo-minosse-award-recognizes-projects-architects-and-clients</guid>
      <description>
        <![CDATA[<p>The International Award for the <a href="https://www.dedalominosse.org/eng/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Commission of Architecture “Dedalo Minosse</a>” promoted the Italian association for professional Architects returns after three years on hold, to tribute worldwide architects. Firms like <a href="https://www.archdaily.com/office/oddo-architects?ad_source=search&amp;ad_medium=search_result_professionals" target="_blank" rel="noopener">ODDO architects</a>, <a href="https://www.archdaily.com/office/ryuichi-ashizawa-architects-and-associates?ad_name=project-specs&amp;ad_medium=single" target="_blank" rel="noopener">Ryuichi Ashizawa</a>, and <a href="https://kresge.org/our-work/detroit/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">The Kresge Foundation - Detroit</a> are some of the winners for their promotion and contribution to the discipline. The Anniversary is also de 12th edition of the Dedalo <a href="/tag/prize">Prize</a>, which will be held From September 16 to October 2, 2022, in Vicenza, <a href="/tag/italy">Italy</a>. The event will host forums and workshops about and around the city, opening with the spectacular award ceremony at the iconic Teatro Olimpico, and continuing with a Multimedia exhibition at the <a href="https://www.archdaily.com/770610/gallery-palladio-in-vicenza?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all" target="_blank" rel="noopener">Basilica Palladiana</a>.</p>]]>
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        <![CDATA[Hanji House Pavilion  / Stefano Boeri Architetti]]>
      </title>
      <link>https://www.archdaily.com/980546/hanji-house-pavilion-stefano-boeri-architetti</link>
      <pubDate>Thu, 21 Apr 2022 06:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Museum & Exhibition Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/980546/hanji-house-pavilion-stefano-boeri-architetti</guid>
      <description>
        <![CDATA[<p class="p2">Designed by <strong>Stefano Boeri Architetti</strong>, the <strong><em>Hanji House</em></strong> is a site-specific commissioned pavilion made in dialogue with the exhibition <strong><em>Chun Kwang Young: Times Reimagined</em></strong> – that features 40 large-scale mulberry-paper reliefs, sculptures, and installations created by the Korean artist <strong>Chun Kwang Young</strong>, at the Palazzo Contarini Polignac, in Venice.</p>]]>
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        <![CDATA[Procuratie Vecchie Restoration / David Chipperfield Architects]]>
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      <link>https://www.archdaily.com/980179/procuratie-vecchie-restoration-david-chipperfield-architects</link>
      <pubDate>Thu, 14 Apr 2022 07:00:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <category>
        <![CDATA[Restoration]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/980179/procuratie-vecchie-restoration-david-chipperfield-architects</guid>
      <description>
        <![CDATA[<p>Saint Mark’s Square, besides being one of the world’s most recognisable squares, is an extraordinary and explicit demonstration of ordered public space defined on three of its four sides by the Procuratie Vecchie, the Procuratie Nuove and Procuratie Nuovissime.</p>]]>
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        <![CDATA[M9 Museum Distric / Sauerbruch Hutton ]]>
      </title>
      <link>https://www.archdaily.com/909280/m9-museum-distric-sauerbruch-hutton</link>
      <pubDate>Mon, 14 Jan 2019 07:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[Museum]]>
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      <guid isPermaLink="false">https://www.archdaily.com/909280/m9-museum-distric-sauerbruch-hutton</guid>
      <description>
        <![CDATA[<p>M9 is a museum of the cultural inheritance of the 20th century, located in a small museum quarter in Mestre, the mainland gateway to <a href="/tag/venice">Venice</a>. An agent of urban renewal, this educational institution and events venue provides a point of local identification and helps to redress the disparity of cultural wealth between Mestre and the tourist magnet across the lagoon.</p>]]>
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        <![CDATA[AD Classics: Venice Hospital / Le Corbusier]]>
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      <link>https://www.archdaily.com/789025/ad-classics-venice-hospital-proposal-le-corbusier</link>
      <pubDate>Tue, 16 Oct 2018 22:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[hospital]]>
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      <guid isPermaLink="false">https://www.archdaily.com/789025/ad-classics-venice-hospital-proposal-le-corbusier</guid>
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        <![CDATA[<p id="docs-internal-guid-88d0b943-2bca-5689-367e-f3974ae4cb91" dir="ltr"><em>This article was originally published on August 15, 2016. To read the stories behind other celebrated architecture projects, visit our <a href="https://www.archdaily.com/architecture-classics">AD Classics</a> section. <br></em><br>Le Corbusier made an indelible mark on Modernist architecture when he declared “une maison est une machine-à-habiter” (“a house is a machine for living”). His belief that architecture should be as efficient as machinery resulted in such proposals such as the <em>Plan Voisin</em>, a proposal to transform the Second Empire boulevards of Paris into a series of cruciform skyscrapers rising from a grid of freeways and open parks.[1] Not all of <a href="/tag/le-corbusier">Le Corbusier</a>’s concepts, however, were geared toward such radical urban transformation. His 1965 proposal for a hospital in <a href="/tag/venice">Venice</a>, Italy, was notable in its attempt at seeking aesthetic harmony with its unique surroundings: an attempt not to eradicate history, but to translate it.</p>]]>
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        <![CDATA[AD Classics: Palazzo dei Congressi / Louis Kahn]]>
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      <link>https://www.archdaily.com/789021/ad-classics-palazzo-dei-congressi-louis-kahn</link>
      <pubDate>Sat, 11 Jun 2016 14:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Government]]>
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        <![CDATA[<p dir="ltr">The city of <a href="/tag/venice">Venice</a> has been caught in a tug of war between progress and traditionalism for many years, and particularly since the construction of a railroad viaduct in 1846 linked the island city to the Italian mainland for the first time in its history.[1] Over a century later, the Venetian government commissioned <a href="/tag/louis-kahn">Louis Kahn</a> to design a new Palazzo dei Congressi for the city; his proposal, while paying respect to the histories of both the Republic of Venice and a unified Italy, could not escape similar controversy.</p>]]>
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        <![CDATA[Il Fondaco dei Tedeschi / OMA]]>
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      <link>https://www.archdaily.com/789167/il-fondaco-dei-tedeschi-oma</link>
      <pubDate>Thu, 09 Jun 2016 14:14:00 +0000</pubDate>
      <dc:creator>Fernanda Castro</dc:creator>
      <category>
        <![CDATA[Store]]>
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        <![CDATA[<p>OMA’s restoration of the 16th Century Fondaco dei Tedeschi in Venice is complete. Commissioned by the Benetton family in 2009 to transform the 9,000m2 building into a department store, now under a leasing agreement with Hong Kong-based DFS. OMA has nished its work and transferred the building to DFS for their retail t out.</p>]]>
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        <![CDATA[AD Classics: Palazzo Santa Sofia / The Ca d’Oro]]>
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      <link>https://www.archdaily.com/782044/ad-classics-palazzo-santa-sofia-the-ca-doro</link>
      <pubDate>Mon, 15 Feb 2016 05:00:00 +0000</pubDate>
      <dc:creator>Luke Fiederer</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p dir="ltr">Sitting on the northern bank of Venice's <a href="/tag/grand-canal">Grand Canal</a> is a great house whose ornately carved marble facade only hints at its original splendor. The <a href="/tag/palazzo">Palazzo</a> Santa Sofia—or the <em>Ca D’Oro</em> (House of Gold), as it is also known—is one of the most notable examples of late <a href="/tag/venetian">Venetian</a> <a href="/tag/gothic">Gothic</a> architecture, which combined the existing threads of Gothic, Moorish, and Byzantine architecture into a unique aesthetic that symbolized the Venetian <a href="/tag/republic">Republic</a>’s cosmopolitan mercantile empire. Built to serve as the grand residence of wealthy Venetian businessman and politician Marin <a href="/tag/contarini">Contarini</a>, the<em> palazzo</em> has seen a number of owners and renovations over its lifetime before ultimately coming to serve as a museum for medieval painting and sculpture.[1]</p>]]>
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        <![CDATA[House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes]]>
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      <link>https://www.archdaily.com/512258/house-housing-an-untimely-history-of-architecture-and-real-estate-in-nineteen-episodes</link>
      <pubDate>Mon, 02 Jun 2014 00:00:00 +0000</pubDate>
      <dc:creator>Sebastian Jordana</dc:creator>
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        <![CDATA[<p><a href="http://house-housing.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes</a> is the first public presentation of a multi-year research project conducted by the <a href="http://buellcenter.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Temple Hoyne Buell Center for the Study of American Architecture</a> at Columbia University. Installed in the second-floor apartment of Columbia’s Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture exhibition, that architecture focus on its “fundamentals.” House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network. </p>]]>
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        <![CDATA[100 MAJA/ HOUSES: Participation of Estonia at La Biennale di Venezia]]>
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      <link>https://www.archdaily.com/75369/100-maja-houses-participation-of-estonia-at-la-biennale-di-venezia</link>
      <pubDate>Sun, 29 Aug 2010 20:00:31 +0000</pubDate>
      <dc:creator>Sebastian Jordana</dc:creator>
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        <![CDATA[<p>n order to demonstrate the historical continuity and unique position of private residential architecture in the local architectural scene, the exhibition includes private residences with special iconic meaning from the period of the first Estonian Republic and the Soviet era. However, the main emphasis is placed on the 21st century, thereby creating such a voluminous overview of the best of Estonian residential architecture for the first time.</p> ]]>
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