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    <title>Tag: urban-intervention | ArchDaily</title>
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      <title>
        <![CDATA[When Architecture Moves: Kinetic Design and the Rituals of Space]]>
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      <link>https://www.archdaily.com/1041693/when-architecture-moves-kinetic-design-and-the-rituals-of-space</link>
      <pubDate>Wed, 27 May 2026 04:00:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
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        <![CDATA[<p>For centuries, architecture has been defined by unmoving permanence. A building is assumed to be fixed, its walls and foundation immobile in space. A growing number of architects are now challenging <a href="https://www.archdaily.com/1035970/architecture-in-motion-framing-spaces-that-live-and-breathe?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">this assumption by incorporating movement into the very fabric and tectonic structures of buildings</a>.</p>]]>
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        <![CDATA[Jahad Metro Plaza in Tehran: Reclaiming Infrastructure as Civic Space]]>
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      <link>https://www.archdaily.com/1039662/jahad-metro-plaza-in-tehran-reclaiming-infrastructure-as-civic-space</link>
      <pubDate>Fri, 20 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>In Iran's capital, <a href="https://www.archdaily.com/search/projects/categories/public-space/country/iran">Tehran</a>, movement defines the city. Each day, millions navigate a landscape shaped by highways, traffic corridors, and dense urban blocks. Over decades of rapid expansion, <a href="https://www.archdaily.com/tag/public-infrastructure">infrastructure</a> has become the dominant language of development. Streets prioritize vehicles, sidewalks function as narrow conduits, and many <a href="https://www.archdaily.com/1037119/european-prize-for-urban-public-space-2026?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">public spaces</a> operate primarily as passages rather than places of gathering. Across parts of West Asia, ongoing conflict has also reshaped the region's <a href="https://www.archdaily.com/1037479/who-owns-public-space-three-active-models-of-shared-management-shaping-urban-commons-in-europe-and-new-york?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">urban landscapes</a>, where <a href="https://www.archdaily.com/1039470/cultural-heritage-sites-in-the-middle-east-damaged-as-war-reaches-historic-urban-areas" target="_blank" rel="noopener">significant architectural environments have been damaged or transformed</a>. Within this broader context, the preservation and creation of everyday civic space becomes increasingly meaningful. Recognized with the <a href="https://www.archdaily.com/1033690/aga-khan-award-for-architecture-announces-2025-winners?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Aga Khan Award for Architecture</a>, the <a href="https://www.archdaily.com/1033623/jahad-metro-plaza-ka-architecture-studio-mohammad-khavarian" target="_blank" rel="noopener">Jahad Metro Plaza</a> project, designed by <a href="https://www.archdaily.com/office/ka-architecture-studio-mohammad-khavarian?ad_source=search&amp;ad_medium=search_result_projects">KA Architecture Studio, </a>demonstrates how modest infrastructural interventions can reshape the civic life of a city.</p>]]>
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        <![CDATA[Concéntrico 2026 Features Smiljan Radić Installation and 26 Urban Interventions in Logroño, Spain]]>
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      <link>https://www.archdaily.com/1039787/concentrico-2026-features-smiljan-radic-installation-and-26-urban-interventions-in-logrono-spain</link>
      <pubDate>Thu, 19 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/concentrico" target="_blank" rel="noopener">Concéntrico</a>, the Spanish laboratory for urban innovation exploring new ways of inhabiting public space through temporary urban <a href="https://www.archdaily.com/search/projects/categories/installation" target="_blank" rel="noopener">installations</a>, presented the program for its upcoming edition on March 17th, along with its main lines of work for the 2025–2026 season. The festival invites architects, designers, artists, and researchers from different geographies to propose interventions that activate squares, streets, riverbanks, and vacant spaces in the city. This year's edition includes the participation of <a href="https://www.archdaily.com/1039553/smiljan-radic-clarke-receives-the-2026-pritzker-prize-the-artist-of-unspoken-architecture" target="_blank" rel="noopener">Smiljan Radić, the recently awarded Pritzker Architecture Prize laureate</a>, who will develop a light, foldable, and temporary structure built from industrial plastic fabrics following the concept of a "poor circus." Another 26 teams, including<a href="https://www.archdaily.com/1038871/festival-concentrico-2026-announces-three-selected-urban-installations-from-its-international-open-calls" target="_blank" rel="noopener"> three practices selected through the festival's international open calls</a>, will intervene in Logroño's public space from June 18 to 23, 2026, with projects ranging from climate-responsive structures to ephemeral public space activations.</p>]]>
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        <![CDATA[Urban Banquet at the Curb: Hong Kong’s Third-Space Dining]]>
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      <link>https://www.archdaily.com/1037794/urban-banquet-at-the-curb-hong-kongs-third-space-dining</link>
      <pubDate>Sun, 18 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Across cities worldwide, architecture unfolds continuously at the scale of<a href="https://www.archdaily.com/1037784/full-of-people-and-alive-once-again-in-conversation-with-holcim-award-grand-prize-winner-riwaq-centre-for-architectural-conservation?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all"> people and community</a>—not only through new buildings, renovations, or monumental works. "Third spaces" are especially revealing. Consider the <a href="https://www.archdaily.com/1037748/designing-streets-through-the-lens-of-care?ad_source=search&amp;ad_medium=search_result_articles">street-side</a> culinary realm: how seating, serving, and lingering occupy the edge of the street often discloses a city's cultural codes and spatial habits. What forms of <a href="https://www.archdaily.com/1036528/how-environments-shape-outdoor-dining-spaces-24-architectural-approaches?ad_source=search&amp;ad_medium=search_result_articles">dining and inhabitation</a> have emerged in response to local climate, regulation, and <a href="https://www.archdaily.com/1035410/scaling-the-threshold-when-community-architecture-becomes-too-large?ad_source=search&amp;ad_medium=search_result_articles">social custom</a>—and how have they evolved over time?</p>]]>
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        <![CDATA[Beyond the Walls: 21 Contemporary Interventions in Castles and Fortresses]]>
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      <link>https://www.archdaily.com/1029051/beyond-the-walls-21-contemporary-interventions-in-castles-and-fortresses</link>
      <pubDate>Tue, 30 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/castle" target="_blank" rel="noopener">Castles</a> and <a href="https://www.archdaily.com/tag/fortresses" target="_blank" rel="noopener">fortresses</a> often rise from strategic, commanding positions when standing alone or integrated into urban and rural landscapes. From above, they overlook the city, bearing in their imposing structures the weight of history. With their original functions now limited to contemplation, these spaces have been undergoing <a href="https://www.archdaily.com/910070/turins-castello-di-rivoli-tells-a-story-of-the-regions-history-through-architecture-itself" target="_blank" rel="noopener">revaluation and reintegration into everyday urban life</a>. <a href="https://www.archdaily.com/784891/ad-classics-neuschwanstein-castle-eduard-riedel" target="_blank" rel="noopener">Once symbols of military or political power</a>, they are now taking on new roles through contemporary interventions that engage with their <a href="https://www.archdaily.com/search/projects/categories/heritage" target="_blank" rel="noopener">heritage</a> without erasing their past.</p>]]>
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        <![CDATA[Seoul Biennale 2025 Reveals "Walls of Public Life" Installation Designers ]]>
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      <link>https://www.archdaily.com/1032888/seoul-biennale-2025-reveals-walls-of-public-life-installation-designers</link>
      <pubDate>Thu, 07 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/seoul-biennale-2025">The 2025 edition of the Seoul Biennale of Architecture and Urbanism</a> has announced the 24 designers commissioned to create the <em>Walls of Public Life</em>, a collective <a href="https://www.archdaily.com/tag/installation">installation</a> that explores how the <a href="https://www.archdaily.com/tag/exteriors">exteriors</a> of buildings can become more expressive, engaging, and emotionally resonant. Each contributor will produce a 2.4 by 4.8-meter building fragment, offering a reimagining of the architectural <a href="https://www.archdaily.com/tag/wall">wall</a> not as a backdrop, but as an active participant in public life. Installed along the north side of Songhyeon Green Plaza in central <a href="https://www.archdaily.com/tag/seoul">Seoul</a>, the walls will form part of a larger <a href="https://www.archdaily.com/tag/urban-interventions">urban intervention</a> that includes the <em>Humanise Wall</em>, a four-storey, 90-meter-long installation to the south of the park.</p>]]>
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        <![CDATA[An Epic of Fire and Stone: The Story Behind the Intervention at the Benedictine Monastery of Catania, Sicily]]>
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      <link>https://www.archdaily.com/1032305/an-epic-of-fire-and-stone-the-story-behind-the-intervention-at-the-benedictine-monastery-of-catania-sicily</link>
      <pubDate>Wed, 23 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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      <description>
        <![CDATA[<p>The Benedictine Monastery of San Nicolò l’Arena in <a href="/tag/catania">Catania</a>, Sicily, holds within its stones the <a href="https://www.archdaily.com/1018995/restoration-as-a-method-of-revalorizing-built-heritage-in-spain?ad_campaign=normal-tag" target="_blank" rel="noopener">echoes of five centuries</a>, shaped by time, varied uses, violent earthquakes, and the blazing force of Mount Etna. Its walls, silent witnesses to history, were molded both by the fire of nature and by human hands. Yet among all the transformations it underwent, none was as profound or poetic as the one led by Italian architect <a href="https://www.archdaily.com/tag/giancarlo-de-carlo" target="_blank" rel="noopener">Giancarlo De Carlo</a>, starting in 1980. After 30 years of dedicated work, time required to truly understand such a complex and awe-inspiring site, the former <a href="https://www.archdaily.com/915700/rethinking-sacred-spaces-for-new-purposes?ad_campaign=normal-tag" target="_blank" rel="noopener">monastic residence was reborn</a> as a university, not by force, but through revelation.</p>]]>
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        <![CDATA[Learning from Artists: New Perspectives on Public Space]]>
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      <link>https://www.archdaily.com/1030983/learning-from-artists-new-perspectives-on-public-space</link>
      <pubDate>Thu, 19 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/search/projects/categories/public-space">Public space</a> has long been central to architectural thought, often framed in terms of planning, infrastructure, and regulation. From Haussmann's Paris to <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary masterplans</a>, architects have worked to define and formalise collective life through spatial tools. Yet, outside of these frameworks, artists have continuously offered alternative ways of understanding and inhabiting public space—ways that rely not on construction or permanence, but on presence, perception, and participation. Through actions, objects, or atmospheres, artists engage the city as a site of friction and imagination. These gestures challenge architectural conventions and invite artists to reconsider public space not as a solved form, but as a contingent and open process.</p>]]>
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        <![CDATA["The Logic Is to Let the Content Be Open to the Possibilities": In Conversation with Andrea Caputo, Founder of DROPCITY]]>
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      <link>https://www.archdaily.com/1029626/the-logic-is-to-let-the-content-be-open-to-the-possibilities-in-conversation-with-andrea-caputo-founder-of-dropcity</link>
      <pubDate>Tue, 29 Apr 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029626/the-logic-is-to-let-the-content-be-open-to-the-possibilities-in-conversation-with-andrea-caputo-founder-of-dropcity</guid>
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        <![CDATA[<p data-start="0" data-end="547"><a href="https://www.dropcity.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">DROPCITY</a> is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by <a href="/tag/andrea-caputo">Andrea Caputo</a> in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During <a href="/tag/milan">Milan</a> Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.</p>]]>
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        <![CDATA[A Translucent Art Museum in Dubai and a Biennale Exhibition Hall in South Korea: 8 Unbuilt Cultural Institutions Submitted by the ArchDaily Community]]>
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      <link>https://www.archdaily.com/1012596/a-translucent-art-museum-in-dubai-and-biennale-exhibition-hall-in-south-korea-8-unbuilt-cultural-institutions-submitted-by-the-archdaily-community</link>
      <pubDate>Thu, 25 Jan 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.</p>]]>
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        <![CDATA[What are the Spatial Possibilities for Enclosures Within the Highway Interchange?]]>
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      <link>https://www.archdaily.com/1001083/what-are-the-spatial-possibilities-for-enclosures-within-the-highway-interchange</link>
      <pubDate>Fri, 19 May 2023 07:30:00 +0000</pubDate>
      <dc:creator>Paul Yakubu</dc:creator>
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        <![CDATA[<p>Highway interchanges have evolved from important infrastructures that help distribute traffic to unique landmarks that define cities. As multiple road networks embrace and form distinctive sculptures, these road intersections range from singular bridge connections and roundabouts to numerous, layered and multi-layered interchanges. They twist, turn, loop, and wrap around sparse land, vegetation, or existing structures in a bid to transfer travelers from one roadway to another. However, they also create a moment of enclosure, forming partially bounded areas and a sense of space. These spaces could be viewed as liminal and transitional, with no fixed typology able to be hosted. But that blurring character calls for ideas of urban intervention to disrupt the notion of what these spaces can be. They can be readapted from car-dominant sculptures into more human-friendly places and re-integrated as extended schemes of the city's architecture.  </p>]]>
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        <![CDATA[“Shared Streets; Meeting Streets”, an Urban Intervention to Rethink Public Space]]>
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      <link>https://www.archdaily.com/998171/shared-streets-meeting-streets-an-urban-intervention-to-rethink-public-space</link>
      <pubDate>Wed, 29 Mar 2023 07:30:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
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        <![CDATA[<p>As part of a new initiative of the multidisciplinary laboratory based in Mexico, <a href="https://derivelab.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">dérive LAB</a> presents "Shared Streets", a project with a focus on urban design that seeks to spatially transform the street so that it is governed by human relations, rather than using traffic control devices; this suggests that the street is not only a space for transportation and mobility but one in which many other social, economic and cultural activities take place.</p>]]>
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        <![CDATA[11 Rules to Follow When Creating Vibrant Public Spaces]]>
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      <link>https://www.archdaily.com/927754/11-rules-to-follow-when-creating-vibrant-public-spaces</link>
      <pubDate>Tue, 28 Feb 2023 04:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The <a href="https://www.placemakingweek.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">International Placemaking Week</a>, presented by <a href="https://www.pps.org/about?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Project for Public Spaces </a>(PPS) is an inspiring and engaging event designed as a global gathering of placemakers from different sectors to discuss thoughts and share strategies in order to push forward the concept of placemaking in the host city and on an international level. Previous editions took place in Vancouver in 2016, Amsterdam in 2017, and <a href="https://www.archdaily.com/tag/chattanooga">Chattanooga</a>, <a href="https://www.archdaily.com/tag/tennessee">Tennessee</a> in 2019.</p>]]>
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        <![CDATA[Chicago Architecture Biennial 2021 Announces Winners of its First Commission, the DAF Open Call ]]>
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      <link>https://www.archdaily.com/957414/chicago-architecture-biennial-announces-winners-of-the-daf-open-call</link>
      <pubDate>Tue, 23 Feb 2021 07:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>The <a href="https://chicagoarchitecturebiennial.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Chicago Architecture Biennial</a> (CAB) and the <a href="https://www.kunst.dk/english/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Danish Arts Foundation</a> (DAF) have selected Soil Lab as the winning project of a DAF Open Call for a major new commission in the North Lawndale neighborhood of Chicago. Responding to the biennial’s 2021 edition theme <a href="https://www.archdaily.com/950074/chicago-architecture-biennial-announces-2021-edition-entitled-the-available-city-and-under-artistic-direction-of-david-brown" target="_blank"><em>The Available City</em>, led by Artistic Director David Brown</a>, the proposal, chosen to represent <a href="/tag/denmark">Denmark</a> at the <a href="/tag/2021-chicago-architecture-biennial">2021 Chicago Architecture Biennial</a>, was imagined by an international design team that includes Eibhlín Ní Chathasaigh (Dublin), James Albert Martin (Dublin), Anne Dorthe Vester (Copenhagen), Maria Bruun (Copenhagen) and Chicago residents.</p>]]>
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        <![CDATA[Local Collective Imagines Seating Made from Clay for London's Railway Station]]>
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      <link>https://www.archdaily.com/957024/local-collective-imagines-seating-made-from-clay-for-londons-railway-station</link>
      <pubDate>Fri, 19 Feb 2021 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p><a href="https://lcstudio.co.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Local Collective</a> has designed a seating made of clay for the <a href="https://www.londonfestivalofarchitecture.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">London Festival of Architecture</a> and <a href="https://www.networkrail.co.uk/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Network Rail</a>. Unveiled at London Bridge Station, the urban furniture is a result of a “<em>competition organized by the LFA and Network Rail to create public installations that celebrate London’s shared spaces and connect people with playful encounters</em>”.</p>]]>
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        <![CDATA[6 Small Scale Projects with Large Social Impact]]>
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      <link>https://www.archdaily.com/948459/6-small-scale-projects-with-large-social-impact</link>
      <pubDate>Mon, 28 Sep 2020 04:00:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
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        <![CDATA[<p dir="ltr">The field of architecture has the potential to influence human relations in countless ways through the built space. In small-scale projects, in particular, the challenges of tackling the dialogue between the space and the individual are combined with the task of conveying ideas to inspire people to explore the use of these&nbsp;minimal spaces.&nbsp;</p>]]>
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        <![CDATA[Camille Walala Unveils Public Urban Interventions in London]]>
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      <link>https://www.archdaily.com/945826/camille-walala-unveils-public-urban-intervention-in-white-city-west-london</link>
      <pubDate>Fri, 04 Sep 2020 05:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>"Les Jumeaux" or The Twins is a new large-scale public urban intervention by French artist and designer <a href="/tag/camille-walala">Camille Walala</a> in White City, West <a href="/tag/london">London</a>. The project encompasses two pedestrian crossings and seven striking murals, created with geometric patterns and primary colors, Walala’s signature style. Moreover, Camille Walala also unveiled this month her East London intervention, a giant work of art aiming to breathe new life into the street and boost the local economy, entitled "Walala Parade".</p>]]>
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        <![CDATA[Living in Community: 13 Projects That Promote Shared Spaces]]>
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      <link>https://www.archdaily.com/946464/living-in-community-13-projects-that-promote-shared-spaces</link>
      <pubDate>Fri, 28 Aug 2020 02:30:00 +0000</pubDate>
      <dc:creator>Susanna Moreira</dc:creator>
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        <![CDATA[<p dir="ltr">Due to population growth and an increase in urban density and real estate prices, architects and urban planners have been pursuing alternatives for new spatial configurations for settling and housing in the cities. The multiplication of shared housing and workspaces is&nbsp;an example of how the field of architecture is adapting to new ways of living in society.&nbsp;</p>]]>
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