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    <title>Tag: unesco-world-heritage-site | ArchDaily</title>
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      <title>
        <![CDATA[19 New UNESCO World Heritage Sites and the Restoration of Hollywood's Cinerama Dome: This Week's Review]]>
      </title>
      <link>https://www.archdaily.com/1181852/19-new-unesco-world-heritage-sites-and-the-restoration-of-hollywoods-cinerama-dome-this-weeks-review</link>
      <pubDate>Thu, 30 Jul 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>This week was marked by recognition and major announcements for the cultural industry. Amid international reports of both deliberate and natural destruction, <a href="https://www.archdaily.com/1181787/from-aalto-works-to-tashkent-modernism-discover-the-19-new-cultural-sites-added-to-the-unesco-world-heritage-list-in-2026" target="_blank" rel="noopener">UNESCO added 25 new sites of Outstanding Universal Value</a> to its <a href="/tag/world-heritage">World Heritage</a> List, protecting a diverse range of places that includes funerary landscapes and landmark works of modern architecture. Beyond heritage, contemporary architectural practice also received renewed recognition through <a href="https://www.archdaily.com/1181774/alejandro-aravena-and-smiljan-radic-win-chiles-2026-national-architecture-prize" target="_blank" rel="noopener">Alejandro Aravena and Smiljan Radić</a>, while new developments were announced for cultural projects across the United Arab Emirates, Ecuador, China, India, and the United States. Recent updates include the restoration of a landmark cinema in Los Angeles, a new museum dedicated to innovation and entrepreneurship in Bengaluru, and the topping out of a 39-story hybrid timber tower in Sydney.</p>]]>
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      <title>
        <![CDATA[From Aalto Works to Tashkent Modernism: Discover the 19 New Cultural Sites Added to the UNESCO World Heritage List in 2026 ]]>
      </title>
      <link>https://www.archdaily.com/1181787/from-aalto-works-to-tashkent-modernism-discover-the-19-new-cultural-sites-added-to-the-unesco-world-heritage-list-in-2026</link>
      <pubDate>Wed, 29 Jul 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/unesco/page/1">UNESCO</a> World Heritage Committee <a href="https://whc.unesco.org/en/newproperties/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">has announced 25 new inscriptions</a> to the <a href="https://www.archdaily.com/tag/unesco-world-heritage-site/page/1">World Heritage List</a> during its 48th session, expanding the international register with sites that reflect a wide range of architectural, cultural, and natural heritage. The 2026 additions include 19 cultural properties, five natural sites, and one mixed property, alongside approvals for two significant boundary modifications and one revision to the criteria of an existing inscription. Spanning every inhabited continent, the newly recognized places range from archaeological landscapes and historic urban centers to modernist architecture and industrial heritage, underscoring the diversity of the built environment and the evolving scope of heritage conservation.</p>]]>
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      <title>
        <![CDATA[UNESCO Inscribes 13 Aalto Works on the World Heritage List]]>
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      <link>https://www.archdaily.com/1181723/unesco-inscribes-13-aalto-works-on-the-world-heritage-list</link>
      <pubDate>Tue, 28 Jul 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/unesco-world-heritage-site/page/1">UNESCO World Heritage</a> Committee <a href="https://whc.unesco.org/en/list/1752/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">has inscribed Aalto Works</a>, a collection of thirteen buildings and architectural ensembles across Finland designed by Aino Marsio-Aalto, <a href="https://www.archdaily.com/tag/elissa-aalto/page/1">Elissa Aalto</a>, and <a href="https://www.archdaily.com/tag/alvar-aalto/page/1">Alvar Aalto</a>, on the <a href="https://www.archdaily.com/tag/unesco/page/1">UNESCO</a> <a href="/tag/world-heritage-list">World Heritage List</a>. The designation recognizes the international significance of a body of work that helped redefine modern architecture through a human-centered approach, emphasizing the relationship between buildings, everyday life, nature, and social well-being. Spanning projects completed between the late 1920s and the 1980s, the series represents <a href="https://www.archdaily.com/country/finland/page/1">Finland</a>'s contribution to the Modern Movement while acknowledging the collaborative practice of the Aaltos and their studio.</p>]]>
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        <![CDATA[Rivers Before Roads: How Southeast Asia's Waterways Produced an Alternative Urbanism]]>
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      <link>https://www.archdaily.com/1042908/rivers-before-roads-how-southeast-asias-waterways-produced-an-alternative-urbanism</link>
      <pubDate>Sun, 19 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
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        <![CDATA[<p>For most of the twentieth century, architecture has learned to read cities through roads. Street hierarchies define urban plans, intersections organize movement, and buildings are understood by the façades they present to sidewalks. <a href="https://www.archdaily.com/1001083/what-are-the-spatial-possibilities-for-enclosures-within-the-highway-interchange">Roads appear so fundamental to urban life</a> that they are often mistaken for a universal condition. Across much of <a href="https://www.archdaily.com/tag/southeast-asia">Southeast Asia</a>, cities developed according to an entirely different spatial logic. Long before automobiles reordered urban landscapes, <a href="https://www.archdaily.com/1035237/shifting-sediments-rivers-as-an-architectural-and-cultural-catalyst">rivers served as streets, marketplaces, civic spaces, and public infrastructure. </a>Movement occurred primarily by boat, commerce unfolded along waterfronts, and architecture addressed water rather than asphalt. <a href="https://www.mdpi.com/2071-1050/13/13/7039?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Reading these cities through their waterways changes how architecture itself is understood.</a> Infrastructure, in this case, is not the road but the river.</p>]]>
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        <![CDATA[Lebanon's World Heritage Sites Endangered Amid Ongoing War]]>
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      <link>https://www.archdaily.com/1042071/israels-invasion-of-lebanon-is-erasing-world-heritage-sites</link>
      <pubDate>Tue, 02 Jun 2026 08:00:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042071/israels-invasion-of-lebanon-is-erasing-world-heritage-sites</guid>
      <description>
        <![CDATA[<p>Following over two years of systematic destruction of life, habitat, and <a href="https://www.un.org/unispal/document/unosat-gaza-strip-damage-assessment-31oct25/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">essential facilities in the Gaza Strip</a>, a new front of war in Southwest Asia was announced on February 28th, 2026. Since then, <a href="https://www.archdaily.com/1039470/cultural-heritage-sites-in-the-middle-east-damaged-as-war-reaches-historic-urban-areas" target="_blank" rel="noopener">US-Israeli military attacks have had a human and infrastructural impact</a> on <a href="/tag/lebanon">Lebanon</a>, Syria, Iraq, and Jordan. In the months since, the attacks have only intensified, reaching the deepest ground advance into Lebanese territory in 26 years and leading to mass displacement in the southern part of the country. This latest stage of the conflict marks the sixth Israeli invasion of Lebanon since 1978, resuming <a href="https://theconversation.com/israel-has-invaded-lebanon-six-times-in-the-past-50-years-a-timeline-of-events-240157?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">a nearly 50-year history</a> of Israeli military interventions in the country. While <a href="https://www.middleeasteye.net/news/full-text-ceasefire-agreement-lebanon-and-israel?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">a ceasefire agreement</a> was supposed to take effect on 27 November 2024 and expire on 2 March 2026, evidence of the destruction of towns and World <a href="/tag/heritage">Heritage</a> Sites shows that <a href="https://www.theguardian.com/world/2026/jun/01/iran-strikes-us-military-base-kuwait-iranian-air-defences?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">it was never truly respected</a>. <a href="/tag/unesco">UNESCO</a> has consistently issued condemnations of "unlawful attacks against cultural property,"<a href="https://www.unesco.org/en/articles/unesco-statement-ongoing-escalation-hostilities-lebanon?hub=701&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> the latest one responding to the "ongoing escalation of hostilities" on May 29th, 2026</a>.</p>]]>
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        <![CDATA[Kengo Kuma & Associates and Paul Raff Studio Selected to Design New Banff National Park Visitor Centre in Canada]]>
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      <link>https://www.archdaily.com/1041575/kengo-kuma-and-associates-and-paul-raff-studio-selected-to-design-new-banff-national-park-visitor-centre-in-canada</link>
      <pubDate>Fri, 15 May 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>On May 13, 2026, Parks Canada, the federal agency responsible for protecting and managing <a href="https://www.archdaily.com/country/canada" target="_blank" rel="noopener">Canada</a>'s natural and cultural heritage, announced the winning design for a reimagined visitor centre and community space in Banff National Park. The competition was organized in partnership with the <a href="https://www.archdaily.com/tag/royal-architectural-institute-of-canada" target="_blank" rel="noopener">Royal Architectural Institute of Canada</a> (RAIC) as part of the 200-Block Banff Avenue Redevelopment Project. The proposal by <a href="https://www.archdaily.com/office/paul-raff-studio" target="_blank" rel="noopener">Paul Raff Studio </a>and <a href="https://www.archdaily.com/office/kengo-kuma-and-associates" target="_blank" rel="noopener">Kengo Kuma &amp; Associates</a> was selected from a shortlist of five pre-qualified teams that also included EVOQ + Ryder, <a href="https://www.archdaily.com/office/kpmb-architects" target="_blank" rel="noopener">KPMB Architects</a>, <a href="https://www.archdaily.com/office/revery-architecture" target="_blank" rel="noopener">Revery Architecture</a>, and <a href="https://www.archdaily.com/office/stantec-architecture" target="_blank" rel="noopener">Stantec Architecture</a>. An independent jury assembled by the RAIC selected the design for its approach to landscape, sustainability principles, and its balance between conservation, heritage, Indigenous perspectives, and visitor experience, among other considerations.</p>]]>
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        <![CDATA[Antoni Gaudí’s Last Original Residence at Casa Batlló Opens Following Three-Year Restoration]]>
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      <link>https://www.archdaily.com/1041497/antoni-gaudis-last-original-residence-at-casa-batllo-opens-following-three-year-restoration</link>
      <pubDate>Wed, 13 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041497/antoni-gaudis-last-original-residence-at-casa-batllo-opens-following-three-year-restoration</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/90689/ad-classics-casa-batllo-antoni-gaudi?ad_source=search&amp;ad_medium=projects_tab">Casa Batlló</a> in <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a> has unveiled the restored Third Floor of the building, opening the last original residence preserved from <a href="https://www.archdaily.com/office/antoni-gaudi">Antoni Gaudí</a>'s 1904-1906 transformation of the property to the public for the first time. Led by <a href="https://www.archdaily.com/tag/restoration">restoration</a> architect Xavier Villanueva and developed over three years through an archaeological-style <a href="https://www.archdaily.com/tag/conservation">conservation</a> process, the intervention recovers a largely intact domestic environment that had remained inhabited by descendants of the Batlló family for more than a century. Adapted into a series of private rooms for gatherings, cultural events, and experiences, the restored apartment combines <a href="https://www.archdaily.com/tag/heritage">heritage preservation</a> with a contemporary interior design intervention by Paola Navone – OTTO Studio, establishing a new program for one of <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a>'s most recognized <a href="https://www.archdaily.com/877599/10-must-see-gaudi-buildings-in-barcelona">architectural landmarks</a>.</p>]]>
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      <title>
        <![CDATA[On International Mother Earth Day: Urban Rewilding, Aquatic Ecosystems, and Ancestral Practices for Biodiversity]]>
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      <link>https://www.archdaily.com/1040850/on-international-mother-earth-day-urban-rewilding-aquatic-ecosystems-and-ancestral-practices-for-biodiversity</link>
      <pubDate>Wed, 22 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The United Nations' International Mother Earth Day, observed annually on April 22, <a href="https://unhabitat.org/events/international-mother-earth-day-2?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">aims to "promote harmony with nature and the Earth.</a>" In light of the urgency posed by climate change, it seeks to raise awareness of the challenges of preserving all forms of life supported by the planet. It is a call to the global community to safeguard biodiversity while striving to balance economic, social, and ecological systems. Crimes against biodiversity include large-scale practices such as deforestation, land-use change, intensified agriculture, livestock production, and illegal wildlife trade, <a href="https://www.un.org/en/observances/earth-day?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">all considered by the UN to be accelerating factors in the destruction of the planet</a>.</p>]]>
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        <![CDATA[The Earthen Towers of Shibam: A Vertical City in the Desert of Yemen]]>
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      <link>https://www.archdaily.com/1039429/the-earthen-towers-of-shibam-a-vertical-city-in-the-yemeni-desert</link>
      <pubDate>Mon, 16 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Symbols of <a href="https://www.archdaily.com.br/br/926864/inovacao-na-construcao-novos-materiais-e-novas-tecnologias">technological development</a> and <a href="https://www.archdaily.com.br/br/986625/o-que-e-densidade-urbana-e-quais-sao-suas-vantagens-e-desvantagens">urban density</a>, <a href="https://www.archdaily.com.br/br/tag/edificios-em-altura">tall buildings</a> as we know them today emerged in the late 19th century, primarily in the <a href="https://www.archdaily.com.br/br/country/estados-unidos">United States</a>, in <a href="https://www.archdaily.com.br/br/983080/rem-koolhaas-sobre-o-fenomeno-dos-arranha-ceus-e-o-potencial-dos-emirados-de-reinventar-a-urbanizacao?ad_medium=widget&amp;ad_name=related-tags-article-show">response to rapid growth</a> in urban commerce and the need to expand cities without consuming more land. The term <em><a href="https://www.archdaily.com.br/br/category/arranha-ceu">skyscraper</a></em>, for instance, was coined in the 1880s and originally referred to buildings of about 10 to 20 stories—an impressive height at the time.</p>]]>
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        <![CDATA[Cultural Heritage Sites in the Middle East Damaged as War Strikes Historic Urban Areas]]>
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      <link>https://www.archdaily.com/1039470/cultural-heritage-sites-in-the-middle-east-damaged-as-war-reaches-historic-urban-areas</link>
      <pubDate>Tue, 10 Mar 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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      <description>
        <![CDATA[<p>On February 28th, 2026,<a href="https://www.en-hrana.org/the-first-day-of-the-u-s-israel-and-iran-war-initial-report-on-the-scope-of-attacks-and-their-human-consequences/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"> the news of the loss of human lives</a>, the operational pattern of military strikes, damage to infrastructure, communication disruptions, and international responses following US-Israeli military attacks on <a href="/tag/iran">Iran</a> <a href="https://www.theguardian.com/world/us-israel-war-on-iran?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">confirmed to the world that there was a new focus of war in Southwest Asian territory</a>. This military conflict has also had a human and infrastructural impact on <a href="/tag/lebanon">Lebanon</a>, Syria, Iraq, and Jordan, with active combat zones in their territories, and the Gulf States, where damage particularly affected US military bases and energy infrastructure. This adds a new site of armed conflict in the area, following over two years of systematic destruction of life, habitat, and essential facilities in the Gaza Strip, <a href="https://www.un.org/unispal/document/unosat-gaza-strip-damage-assessment-31oct25/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">reaching a near total of 81% destroyed structures by the end of 2025</a>. These territories are currently involved in the deliberate destruction of their normality, including essential, everyday, <a href="https://www.lemonde.fr/en/culture/article/2026/03/07/cultural-heritage-under-threat-from-middle-east-war_6751201_30.html?M_BT=193539955101321&amp;lmd_campaign=trf_newsletters_lmie&amp;lmd_creation=lemonde_in_english_NY&amp;lmd_link=editorspicks-title&amp;lmd_medium=email&amp;lmd_send_date=20260309130000&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">and cultural infrastructure of global value</a>. Although information is currently scattered and partial, it is possible to assess some of the damage to cultural heritage caused by this new outbreak of armed conflict.</p>]]>
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        <![CDATA[Who decides what deserves to be preserved? Power and heritage in Latin America]]>
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      <link>https://www.archdaily.com/1038829/who-decides-what-is-worth-preserving-power-and-heritage-in-latin-america</link>
      <pubDate>Sat, 28 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>When we enter a <a href="https://www.archdaily.com.br/search/br/projects/categories/museu">museum</a>, walk through a <a href="https://www.archdaily.com.br/br/tag/centro-historicos">historic center</a>, or check a <a href="https://www.archdaily.com.br/br/tag/world-heritage-list">country's list of heritage sites</a>, we rarely think about the process behind these <a href="https://www.archdaily.com.br/br/972251/arquitetura-e-patrimonio-estrategias-de-preservacao-em-sitios-protegidos-pela-unesco">choices</a>. <a href="https://seer.ufrgs.br/index.php/PortoArte/article/view/27940/16550?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Who decided, on behalf of us all</a>, that these objects, <a href="https://www.archdaily.com.br/br/944635/6-sitios-tombados-pela-unesco-restaurados-virtualmente">places</a>, architecture, and <a href="https://www.archdaily.com.br/br/937861/restauro-e-reabilitacao-10-projetos-de-intervencao-no-patrimonio">heritage deserved to be conserved and shared</a>, while others are discarded?</p>]]>
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        <![CDATA[Shaping Architectural Continuity: 25 Revitalization Projects Across Historic, Industrial, and Natural Sites]]>
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      <link>https://www.archdaily.com/1038703/shaping-architectural-continuity-25-revitalization-projects-across-historic-industrial-and-natural-sites</link>
      <pubDate>Fri, 13 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Miwa Negoro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038703/shaping-architectural-continuity-25-revitalization-projects-across-historic-industrial-and-natural-sites</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/971945/architecture-and-unesco-rethinking-preservation-and-cultural-heritage" target="_blank" rel="noopener">Heritage sites constitute complex spatial archives</a> in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts—from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.</p>]]>
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        <![CDATA[Diriyah Contemporary Art Biennale 2026 Opens at JAX District in Saudi Arabia]]>
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      <link>https://www.archdaily.com/1038758/diriyah-contemporary-art-biennale-2026-opens-at-jax-district-in-saudi-arabia</link>
      <pubDate>Fri, 13 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038758/diriyah-contemporary-art-biennale-2026-opens-at-jax-district-in-saudi-arabia</guid>
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        <![CDATA[<p>The third edition of the <a href="https://www.archdaily.com/tag/diriyah/page/1">Diriyah</a> <a href="https://www.archdaily.com/tag/contemporary-art">Contemporary Art</a> <a href="https://www.archdaily.com/tag/biennale/page/1">Biennale</a> opened on January 30, 2026, and will remain on view through May 2, 2026, in <a href="https://www.archdaily.com/tag/riyadh/page/1">Riyadh</a>, <a href="https://www.archdaily.com/country/saudi-arabia/page/1">Saudi Arabia</a>. Organized by <a href="https://www.archdaily.com/1025750/diriyah-biennale-foundation-bricklab?ad_source=search&amp;ad_medium=projects_tab">the Diriyah Biennale Foundation</a>, the Biennale takes place at <a href="/tag/jax-district">JAX District</a>, a former industrial area in <a href="https://www.archdaily.com/tag/diriyah/page/1">Diriyah</a> near the <a href="https://www.archdaily.com/tag/unesco-world-heritage-site/page/1">UNESCO World Heritage Site</a> of At-Turaif. Titled "في الحِلّ والترحال" / <em>In Interludes and Transitions</em>, the exhibition is led by Co-Artistic Directors Nora Razian and Sabih Ahmed, while Milan-based architect Sammy Zarka contributed as the Associate Architect and Exhibition Designer. The exhibition scenography is designed by <a href="https://www.archdaily.com/tag/formafantasma/page/1">Formafantasma</a>, and the event brings together more than 65 artists from over 37 countries, including more than 25 newly commissioned works.</p>]]>
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        <![CDATA[When Do Buildings Begin to Matter? Rethinking Heritage in Local Time]]>
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      <link>https://www.archdaily.com/1038647/when-do-buildings-begin-to-matter-rethinking-heritage-in-local-time</link>
      <pubDate>Fri, 13 Feb 2026 05:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038647/when-do-buildings-begin-to-matter-rethinking-heritage-in-local-time</guid>
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        <![CDATA[<p>A building still being adjusted, repaired, and debated is <a href="https://www.archdaily.com/1033248/unesco-adds-26-new-world-heritage-sites-highlighting-african-heritage-and-shared-prehistory?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">declared World Heritage</a>. Another, equally influential, must survive five centuries before anyone considers protecting it. This is not an anomaly in the heritage system; it is the system. <a href="https://www.archdaily.com/1002972/the-eternal-ephemeral-architecture-of-shikinen-sengu-the-japanese-temple-rebuilt-every-20-years" target="_blank" rel="noopener">Across the world, architecture does not age at the same pace because time itself is not neutral.</a> It is cultural, political, and deeply uneven. What we call "<a href="https://www.archdaily.com/tag/heritage">heritage</a>" is not simply old architecture; it is architecture that has reached the <em>right moment</em> in a particular place.</p>]]>
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        <![CDATA[Níall McLaughlin Architects Wins International Competition for Museum of Jesus’ Baptism at Bethany, Jordan]]>
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      <link>https://www.archdaily.com/1038651/niall-mclaughlin-architects-wins-international-competition-for-museum-of-jesus-baptism-at-bethany-jordan</link>
      <pubDate>Tue, 10 Feb 2026 08:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038651/niall-mclaughlin-architects-wins-international-competition-for-museum-of-jesus-baptism-at-bethany-jordan</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1035558/seven-finalist-designs-revealed-for-the-museum-of-jesus-baptism-in-jordan?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Following the release of seven shortlisted proposals in 2025</a> through an online gallery, the Foundation for the Development of the Lands Adjacent to the Baptism Site has announced the winner of <a href="https://www.archdaily.com/1033120/seven-international-design-teams-shortlisted-for-museum-of-jesus-baptism-in-jordan?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">the international design competition for the Museum of Jesus' Baptism at Bethany, Jordan</a>. Managed by <a href="https://www.archdaily.com/tag/malcolm-reading-consultants/page/1">Malcolm Reading Consultants</a>, the six-month invited competition brought together architect-led multidisciplinary teams to design a <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> and landscape project responding to the sacred character of Al-Maghtas, a <a href="https://www.archdaily.com/tag/unesco-world-heritage-site/page/1">UNESCO World Heritage Site</a>. After finalist interviews conducted by an international Advisory Panel, the team led by <a href="https://www.archdaily.com/office/niall-mclaughlin-architects?ad_source=search&amp;ad_medium=search_result_professionals">Níall McLaughlin Architects (NMLA)</a> was selected as the competition winner.</p>]]>
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        <![CDATA[Beyond the Walls: 21 Contemporary Interventions in Castles and Fortresses]]>
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      <link>https://www.archdaily.com/1029051/beyond-the-walls-21-contemporary-interventions-in-castles-and-fortresses</link>
      <pubDate>Tue, 30 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029051/beyond-the-walls-21-contemporary-interventions-in-castles-and-fortresses</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/castle" target="_blank" rel="noopener">Castles</a> and <a href="https://www.archdaily.com/tag/fortresses" target="_blank" rel="noopener">fortresses</a> often rise from strategic, commanding positions when standing alone or integrated into urban and rural landscapes. From above, they overlook the city, bearing in their imposing structures the weight of history. With their original functions now limited to contemplation, these spaces have been undergoing <a href="https://www.archdaily.com/910070/turins-castello-di-rivoli-tells-a-story-of-the-regions-history-through-architecture-itself" target="_blank" rel="noopener">revaluation and reintegration into everyday urban life</a>. <a href="https://www.archdaily.com/784891/ad-classics-neuschwanstein-castle-eduard-riedel" target="_blank" rel="noopener">Once symbols of military or political power</a>, they are now taking on new roles through contemporary interventions that engage with their <a href="https://www.archdaily.com/search/projects/categories/heritage" target="_blank" rel="noopener">heritage</a> without erasing their past.</p>]]>
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        <![CDATA[Global Heating: How Vernacular Architecture is Affected by the Climate Crisis]]>
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      <link>https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</link>
      <pubDate>Sun, 02 Nov 2025 07:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035554/global-heating-how-vernacular-architecture-is-affected-by-the-climate-crisis</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/vernacular-architecture" target="_blank" rel="noopener">Vernacular architecture</a> is often referred to as harboring lessons for creating <a href="https://www.archdaily.com/tag/low-carbon" target="_blank" rel="noopener">low-energy buildings</a> and the fight against climate change. Yet, as <a href="https://www.archdaily.com/tag/climate-change" target="_blank" rel="noopener">weather patterns</a> are changing, there are cases where traditional building techniques are themselves becoming at risk. As well as changes in temperature, different regions have faced becoming wetter or drier, experiencing increased risk of droughts, flooding, storms, and changes to local flora. The <a href="https://www.archdaily.com/1002826/the-painted-houses-of-tiebele-a-model-for-communal-collaboration" target="_blank" rel="noopener">painted houses of Tiébélé</a> in <a href="https://www.archdaily.com/country/burkina-faso/page/1" target="_blank" rel="noopener">Burkina Faso</a>, recognized as a <a href="https://www.archdaily.com/tag/unesco-world-heritage-site" target="_blank" rel="noopener">UNESCO World Heritage Site</a>, are one example.</p>]]>
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        <![CDATA[Seven Finalist Designs Revealed for the Museum of Jesus’ Baptism in Jordan]]>
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      <link>https://www.archdaily.com/1035558/seven-finalist-designs-revealed-for-the-museum-of-jesus-baptism-in-jordan</link>
      <pubDate>Thu, 30 Oct 2025 08:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035558/seven-finalist-designs-revealed-for-the-museum-of-jesus-baptism-in-jordan</guid>
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        <![CDATA[<p>The Foundation for the Development of the Lands Adjacent to the Baptism Site has unveiled seven shortlisted <a href="https://www.archdaily.com/tag/concept">concept</a> designs for <a href="https://www.archdaily.com/1033120/seven-international-design-teams-shortlisted-for-museum-of-jesus-baptism-in-jordan?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">the new Museum of Jesus' Baptism</a> at Bethany, <a href="https://www.archdaily.com/country/jordan/page/1">Jordan</a>. The proposals, now available in an <a href="https://competitions.malcolmreading.com/bethany/gallery?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">online gallery</a>, were developed by internationally recognized <a href="https://www.archdaily.com/tag/multidisciplinary">multidisciplinary</a> teams led by <a href="https://www.archdaily.com/office/aau-anastas?ad_source=search&amp;ad_medium=search_result_professionals">AAU Anastas</a>, <a href="https://www.archdaily.com/office/heneghan-peng-architects?ad_name=project-specs&amp;ad_medium=single">heneghan peng architects</a>, <a href="https://www.archdaily.com/office/niall-mclaughlin-architects?ad_source=search&amp;ad_medium=search_result_professionals">Níall McLaughlin Architects</a>,<a href="https://www.archdaily.com/office/studio-anne-holtrop?ad_source=search&amp;ad_medium=search_result_professionals"> Studio Anne Holtrop</a>, <a href="https://www.archdaily.com/office/tatiana-bilbao-estudio?ad_source=search&amp;ad_medium=search_result_professionals">Tatiana Bilbao ESTUDIO</a>, <a href="https://www.archdaily.com/office/toshiko-mori?ad_source=search&amp;ad_medium=search_result_professionals">Toshiko Mori Architect</a>, and <a href="https://www.archdaily.com/office/trahan-architects?ad_source=search&amp;ad_medium=search_result_professionals">Trahan Architects</a>. Managed by <a href="https://www.archdaily.com/tag/malcolm-reading-consultants/page/1">Malcolm Reading Consultants</a>, the invited competition seeks an architect-led multidisciplinary team to design a <a href="https://www.archdaily.com/tag/museum/page/1">museum</a> and <a href="https://www.archdaily.com/tag/garden">garden</a> that responds to the sacred character of the site. The project is planned to open in 2030, marking the bimillennial of Christ's baptism, and aims to create a space of reflection, learning, and cultural exchange.</p>]]>
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