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    <title>Tag: toyo-ito | ArchDaily</title>
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        <![CDATA[ArchDaily’s Selection: 15 Installations and Exhibitions from Milan Design Week 2026]]>
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      <link>https://www.archdaily.com/1040989/15-architectural-installations-and-exhibitions-at-the-2026-milan-design-week</link>
      <pubDate>Mon, 27 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Bringing together a week of <a href="https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events">exhibitions, installations</a>, and <a href="https://www.archdaily.com/1040422/what-to-look-forward-to-at-the-salone-del-mobililano-2026-talks-installations-and-city-interventions">industry exchange</a>, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> and <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">the 64th edition of Salone del Mobile.Milano</a> concluded on April 26, <a href="https://www.archdaily.com/1040861/salone-del-mobililano-and-milan-design-week-2026-open-across-the-city-and-fairgrounds?ad_campaign=normal-tag">following six days of programming</a> across the fairgrounds and the city. Held from April 20 to 26, this year's events reaffirmed Milan's central role within the global design calendar. The <a href="https://www.archdaily.com/tag/salone-del-mobile-2026">Salone</a> itself drew over 316,000 visitors from 167 countries. With 1,900 brands represented and a strong international presence, the week once again operated as both a cultural platform and an economic engine, navigating a context marked by market uncertainty while maintaining its capacity to convene designers, institutions, and industry leaders at a global scale.</p>]]>
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        <![CDATA[Milan Design Week 2026: Must-See Installations, Exhibitions, and Events]]>
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      <link>https://www.archdaily.com/1040640/milan-design-week-2026-must-see-installations-exhibitions-and-events</link>
      <pubDate>Tue, 14 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>From April 20 to 26, <a href="https://www.archdaily.com/tag/milan-design-week-2026">Milan Design Week 2026</a> returns as a citywide platform where design operates as both a cultural practice and a form of exploration. Framed by the <a href="https://www.fuorisalone.it/en/info/fuorisalone-theme-2026?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Fuorisalone theme "Be the Project,"</a> this year's edition shifts the focus from outcome to process, positioning design as a dynamic, human-centered act shaped by intuition, responsibility, and transformation. <a href="https://www.archdaily.com/tag/installations">Installations</a> and <a href="https://www.archdaily.com/tag/exhibitions">exhibitions</a> across the city foreground making as an open-ended condition, one that embraces error, temporality, and experimentation as integral to creative production. Within this context, design becomes a space of exchange between disciplines, materials, and intelligences, reflecting broader conversations around sustainability, emerging technologies, and the evolving relationship between the physical and the digital.</p>]]>
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        <![CDATA[Who Has Won the Pritzker Prize?]]>
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      <link>https://www.archdaily.com/889628/who-has-won-the-pritzker-prize</link>
      <pubDate>Tue, 03 Feb 2026 05:30:00 +0000</pubDate>
      <dc:creator>Nicolás Valencia</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/pritzker-prize">Pritzker Prize</a> is the most important award in the field of architecture, awarded to a living architect whose built work "has produced consistent and significant contributions to humanity through the art of architecture." The Prize rewards individuals, not offices, as happened in 2000 (when the jury selected <a href="https://www.archdaily.com/tag/rem-koolhaas">Rem Koolhaas</a> instead of his firm <a href="https://www.archdaily.com/office/oma">OMA</a>) or in 2016 (with <a href="https://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a> selected instead of <a href="https://www.archdaily.com/office/elemental">ELEMENTAL</a>); however, the Prize can also be awarded to multiple individuals working together, as was the case in 2001 (<a href="https://www.archdaily.com/office/herzog-and-de-meuron">Herzog &amp; de Meuron</a>), 2010 (Kazuyo Sejima and <a href="/tag/ryue-nishizawa">Ryue Nishizawa</a> from <a href="https://www.archdaily.com/tag/sanaa">SANAA</a>), and 2017 (Rafael Aranda, <a href="/tag/carme-pigem">Carme Pigem</a>, and Ramon Vilalta from <a href="https://www.archdaily.com/office/rcr-arquitectes">RCR Arquitectes</a>).</p>]]>
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        <![CDATA[Choreographing Space: Architecture and Dance as Interdisciplinary Practices]]>
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      <link>https://www.archdaily.com/1033981/choreographing-space-architecture-and-dance-as-interdisciplinary-practices</link>
      <pubDate>Thu, 18 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>"Dance, dance… otherwise we are lost." This oft-cited phrase by <a href="https://www.archdaily.com.br/br/tag/pina-bausch">Pina Bausch</a> encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and <a href="https://www.archdaily.com/tag/body-and-architecture">contested through the body</a>. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.</p>]]>
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        <![CDATA[Navigating Boundaries: The Architectural Legacy of Lighthouses]]>
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      <link>https://www.archdaily.com/1030303/navigating-boundaries-the-architectural-legacy-of-lighthouses</link>
      <pubDate>Wed, 02 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/lighthouse">Lighthouses</a> have stood along the margins of continents and islands for centuries as points of light in vast maritime territories. Rising in solitude from rocky cliffs, reefs, and headlands, these towers were tools for navigation and instruments of spatial clarity, shaping coastlines and marking the boundary between land and sea. Built to guide, warn, and locate, they constituted a global network of visibility long before the advent of digital mapping. Yet as <a href="https://www.archdaily.com/tag/marine-architecture">maritime technologies</a> evolved, many of these structures lost their original purpose. The <a href="https://www.archdaily.com/tag/typologies">typology</a>, once essential, now stands at the edge of obsolescence. What remains is not merely an architectural relic, but a powerful spatial form — resilient, symbolic, and increasingly open to reinterpretation.</p>]]>
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        <![CDATA[A Look Back at the 9 Japanese Architects Honored with the Pritzker Prize]]>
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      <link>https://www.archdaily.com/1014490/a-look-back-at-the-9-japanese-architects-honored-with-the-pritzker-prize</link>
      <pubDate>Wed, 13 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Last week, Japanese architect and social advocate <a href="https://www.archdaily.com/office/riken-yamamoto">Riken Yamamoto was announced as the 2024 Pritzker Architecture Prize Laureate</a>, becoming the 9th Japanese architect honored with the profession's most prestigious award. Throughout the 45-year history of the <a href="/tag/pritzker-prize">Pritzker Prize</a>, <a href="/tag/japan">Japan</a> stands out as the nation with the <a href="https://edition.cnn.com/2024/03/05/style/pritzker-prize-winner-2024-riken-yamamoto/index.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">highest number</a> of laureates. While geography is not a criterion in <a href="https://www.archdaily.com/889628/who-has-won-the-pritzker-prize?ad_campaign=normal-tag">the selection of the laureates</a>, Japanese architecture consistently impresses with its interplay of light and shadow, the careful composition of spaces, soft transitions between interior and exterior, and attention to detail and materiality. An ingrained culture of building also celebrates diverse designs and encourages global dialogue and the exchange of ideas and best practices. Read on to rediscover the 9 Japanese Pritzker laureates and glimpse into their body of work.</p>]]>
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        <![CDATA[Toyo Ito Donates His Archive to CCA for Broad Research Access]]>
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      <link>https://www.archdaily.com/1011695/toyo-ito-donates-his-archive-to-cca-for-broad-research-access</link>
      <pubDate>Fri, 29 Dec 2023 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Architect <a href="https://www.archdaily.com/tag/toyo-ito">Toyo Ito</a> has donated his archive of architectural works to the <a href="https://www.archdaily.com/tag/canadian-centre-for-architecture">Canadian Centre for Architecture</a> (CCA), an international research institution and museum focused on increasing the accessibility of architectural knowledge. Toyo Ito is now contributing to the <a href="/tag/cca">CCA</a> Collection, which contains over 200 archival holdings, following his intention to encourage new research into his work and to put it in dialogue with other artifacts held by the institution. On December 6, 2023, the early works of the architect have arrived at the CCA.</p>]]>
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        <![CDATA[Tokyo Architecture City Guide: 35 Iconic Buildings to Visit in Japan's Capital City]]>
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      <link>https://www.archdaily.com/168654/tokyo-architecture-city-guide-30-iconic-buildings-to-visit-in-japans-capital-city</link>
      <pubDate>Fri, 29 Apr 2022 03:00:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
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        <![CDATA[<p>One of the world's leading metropolises, <a href="http://www.archdaily.com/tag/tokyo/">Tokyo</a> is home to extraordinary architecture that fascinates through its blend of traditional values and high-tech expression. The 1923 earthquake and the bombardments of World War II dramatically influenced the image of the city and its architecture, giving rise to modern urban environments with complex infrastructure.</p>]]>
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        <![CDATA[BIG, OMA, 3xn, Snøhetta and Toyo Ito Compete for the New GOe Building in Spain]]>
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      <link>https://www.archdaily.com/976827/big-oma-3xn-snohetta-and-toyo-ito-compete-for-the-new-goe-building-in-spain</link>
      <pubDate>Wed, 16 Feb 2022 04:30:00 +0000</pubDate>
      <dc:creator>Fabian Dejtiar</dc:creator>
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        <![CDATA[<p>Last year, the Basque Culinary Center announced the creation of the GOe: Gastronomy Open Ecosystem. A project that seeks to generate a gastronomic ecosystem focused on research, innovation and entrepreneurship. It will have its own building in San Sebastian, <a href="/tag/spain">Spain</a>, becoming the new headquarters complementary to the <a href="https://www.plataformaarquitectura.cl/cl/02-128016/basque-culinary-center-vaumm-2?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">previous BCC building designed by VAUMM in 2011</a>.</p>]]>
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        <![CDATA[Architects, not Architecture: Toyo Ito]]>
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      <link>https://www.archdaily.com/972767/architects-not-architecture-toyo-ito</link>
      <pubDate>Wed, 01 Dec 2021 09:45:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
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        <![CDATA[<p class="p1">On November 17th, 2021, as a part of the second season of the Virtual World Tour, <a href="https://www.architectsnotarchitecture.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Architects, not Architectur</a>e had the honor to have as guest the 2013 Pritzker Prize Toyo Ito. </p>]]>
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        <![CDATA["I Am Always Inside the Architecture that I Design": In Conversation with Toyo Ito]]>
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      <link>https://www.archdaily.com/966848/i-am-always-inside-the-architecture-that-i-design-in-conversation-with-toyo-ito</link>
      <pubDate>Tue, 17 Aug 2021 03:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>Examining the work of <a href="https://www.archdaily.com/381153/happy-72nd-birthday-toyo-ito" target="_blank">Tokyo architect Toyo Ito </a>(b. 1941) – particularly his now seminal <a href="https://www.archdaily.com/118627/ad-classics-sendai-mediatheque-toyo-ito?ad_medium=office_landing&amp;ad_name=article" target="_blank">Sendai Mediatheque</a> (1995-2001), <a href="https://www.archdaily.com/344319/serpentine-gallery-pavilion-2002-toyo-ito-cecil-balmond-arup?ad_medium=office_landing&amp;ad_name=article">Serpentine Gallery</a> (London, 2002, with Cecil Balmond), TOD's Omotesando Building (Tokyo, 2004), <a href="https://www.archdaily.com/22711/tama-art-university-library-toyo-ito-by-iwan-baan?ad_medium=office_landing&amp;ad_name=article">Tama Art University Library</a> (Tokyo, 2007), and <a href="https://www.archdaily.com/796428/toyo-itos-taichung-metropolitan-opera-house-photographed-by-lucas-k-doolan" target="_blank">National Taichung Theater </a>(2009-16) – will immediately become apparent these buildings’ structural innovations and spatial, non-hierarchical organizations. Although these structures all seem to be quite diverse, there is one unifying theme – the architect’s consistent commitment to erasing fixed boundaries between inside and outside and relaxing spatial divisions between various programs within. There is continuity in how these buildings are explored. They are conceived as systems rather than objects and they never really end; one could imagine their formations and patterns to continue to evolve and expand pretty much endlessly.</p>]]>
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        <![CDATA[Lost Architecture: Resurrecting the U House by Toyo Ito]]>
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      <link>https://www.archdaily.com/961272/lost-architecture-resurrecting-the-u-house-by-toyo-ito</link>
      <pubDate>Fri, 07 May 2021 09:30:00 +0000</pubDate>
      <dc:creator>Diego Hernández</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/345857/ad-classics-white-u-toyo-ito">U House</a> is widely regarded as one of the masterpieces of Pritzker Prize winning architect <a href="/tag/toyo-ito">Toyo Ito</a>. It was designed specifically to nurture his sister and two daughters after they lost their father to cancer. Decades later, the house sat empty once the family had eventually moved on from the grips of their grief. In 1997, the house was demolished to clear the site for sale and today the building only lives on in memory, drawing, and images. In this episode of Architecture with Stewart, he reconstructs the U House to simulate what it would have been like to visit in real-life. After a forensic investigation and a close analysis of its program and geometry, he builds a <a href="https://api2.enscape3d.com/v1/view/788c9f78-98ef-4c12-bf20-807517a585ff?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">3D model</a> and navigates it in the real-time render engine <a href="https://www.archdaily.com/catalog/us/products/13696/3d-real-time-rendering-software-enscape">Enscape </a>and offers a link for you to explore as well. What hidden treasures are lurking inside this important building lost to the wrecking ball?</p>]]>
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        <![CDATA[Design Miami Unveils Architectural Drawings by 90 International Architects Including Steven Holl, David Chipperfield and David Adjaye]]>
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      <link>https://www.archdaily.com/949847/design-miami-unveils-architectural-drawings-by-90-international-architects-including-steven-holl-david-chipperfield-and-david-adjaye</link>
      <pubDate>Wed, 21 Oct 2020 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Design Miami’s latest initiative in partnership with Architects for <a href="/tag/beirut">Beirut</a>, has gathered a collection of 100+ original architectural drawings and artworks donated by 90+ renowned architects from around the world. With proceeds going to aid on-the-ground restoration efforts in Beirut, works offered include exclusive pieces from Zaha Hadid, David Chipperfield, <a href="/tag/toyo-ito">Toyo Ito</a>, Steven Holl, <a href="/tag/tatiana-bilbao">Tatiana Bilbao</a>, <a href="/tag/adjaye-associates">Adjaye Associates</a>, and Renzo Piano, to name a few.</p>]]>
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        <![CDATA[Spotlight: Toyo Ito]]>
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      <link>https://www.archdaily.com/381153/happy-72nd-birthday-toyo-ito</link>
      <pubDate>Mon, 01 Jun 2020 03:30:00 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
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        <![CDATA[<p>As one of the leading architects of&nbsp;<a href="http://www.archdaily.com/tag/japan/" target="_blank" rel="noopener">Japan</a>'s increasingly highly-regarded architecture culture,&nbsp;<a href="http://www.archdaily.com/344740/2013-pritzker-prize-toyo-ito/" target="_blank" rel="noopener">2013 Pritzker Laureate</a>&nbsp;<a href="http://www.archdaily.com/tag/toyo-ito/">Toyo Ito</a>&nbsp;(born June 1, 1941) has defined his&nbsp;career by combining&nbsp;elements of minimalism with an embrace of technology, in a way that merges both traditional and contemporary elements of Japanese culture.</p>]]>
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        <![CDATA[Studying the "Manual of Section": Architecture's Most Intriguing Drawing]]>
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      <link>https://www.archdaily.com/793424/studying-the-manual-of-section-architectures-most-intriguing-drawing</link>
      <pubDate>Thu, 29 Aug 2019 04:00:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
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        <![CDATA[<p dir="ltr">For Paul Lewis, Marc Tsurumaki and David J. Lewis, the section “is often understood as a reductive drawing type, produced at the end of the design process to depict structural and material conditions in service of the construction contract.” A definition that will be familiar to most of those who have studied or worked in architecture at some point. We often think primarily of the plan, for it allows us to embrace the programmatic expectations of a project and provide a summary of the various functions required. In the modern age, digital modelling software programs offer ever more possibilities when it comes to creating complex three dimensional objects, making the section even more of an afterthought.</p>]]>
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        <![CDATA[Toyo Ito and Rafael Moneo Design Silk Carpets for Phillips Auction House]]>
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      <link>https://www.archdaily.com/920040/toyo-ito-and-rafael-moneo-design-silk-carpets-for-phillips-auction-house</link>
      <pubDate>Fri, 28 Jun 2019 11:00:00 +0000</pubDate>
      <dc:creator>Nikolai Brandt</dc:creator>
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        <![CDATA[<p><em>Unique <a href="/tag/carpet">carpet</a> designs by the two visionary architects will be offered at 20th Century &amp; Contemporary Phillips Art Day Sale in London today, on June 28th.</em></p>]]>
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        <![CDATA[Life after Serpentine: Second Lives of Architecture's Famed Pavilions]]>
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      <link>https://www.archdaily.com/903223/life-after-serpentine-second-lives-of-some-of-architectures-famed-pavilions</link>
      <pubDate>Thu, 18 Oct 2018 09:30:00 +0000</pubDate>
      <dc:creator>Katherine Allen</dc:creator>
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        <![CDATA[<p dir="ltr">If the surest sign of summer in London is the appearance of a new pavilion in front of the <a href="/tag/serpentine-gallery">Serpentine Gallery</a>, then it’s perhaps fair to say that summer is over once the pavilion is taken down. The installations have gained prominence since its inaugural edition in 2000, acting as a kind of exclusive honor and indication of talent for those chosen to present; celebrated names from the past names include <a href="/tag/zaha-hadid">Zaha Hadid</a>, <a href="/tag/rem-koolhaas">Rem Koolhaas</a>, and Olafur Eliasson.</p>]]>
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        <![CDATA[Round-Up: The Serpentine Pavilion Through the Years]]>
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      <link>https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years</link>
      <pubDate>Mon, 11 Jun 2018 14:00:00 +0000</pubDate>
      <dc:creator>Jan Doroteo</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years</guid>
      <description>
        <![CDATA[<p>Lasting for close to two decades now, the annual <a href="http://www.archdaily.com/tag/serpentine-gallery-pavilion" target="_blank">Serpentine Gallery Pavilion Exhibition</a> has become one of the most anticipated architectural events in <a href="/tag/london">London</a> and for the global architecture community. Each of the previous eighteen pavilions have been thought-provoking, leaving an indelible mark and strong message to the architectural community. And even though each of the past pavilions are removed from the site after their short summer stints <a href="https://www.theguardian.com/artanddesign/2015/jun/16/serpentine-pavilion-second-lives-zaha-hadid-toyo-ito-frank-gehry?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">to occupy far-flung private estates</a>, they continue to be shared through photographs, and in architectural lectures. With the launch of the <a href="https://www.archdaily.com/896135/frida-escobedos-2018-serpentine-pavilion-opens-in-london" target="_blank">18th Pavilion,</a> we take a look back at all the previous pavilions and their significance to the architecturally-minded public. </p>]]>
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