Tag: temporary | ArchDaily

An Abandoned 70s Building in Berlin Became a Contemporary Art Venue During the “The Sun Machine Is Coming Down” Event

Andreea Cutieru — Wed, 20 Oct 2021 05:30:00 +0000

For 10 days, Berlin's abandoned International Congress Centre (ICC) was transformed into a stage for performance, acrobatic and visual arts, films, concerts and talks during Berliner Festspiele's "The Sun Machine Is Coming Down" event. The 1970s futuristic building that remained closed for the last seven years provided the framework for a multi-layered experience, illustrating its potential for reactivation and adaptive reuse.

Refugee Camps: From Temporary Settlements to Permanent Dwellings

Christele Harrouk — Mon, 26 Jul 2021 07:30:00 +0000

With more than 70 million forcibly displaced people worldwide, according to the UNHCR, and nearly 25.9 million refugees, the time has come to reconsider the traditional emergency camp approach. Although the concept is temporary by definition, in real life the lifespan of these refugee camps exceeds the planned and the expected.

Open Call: Pop-up Bazaar Istanbul

Rene Submissions — Wed, 21 Nov 2018 06:01:00 +0000

The oriental establishments of the Middle-East, Northern Africa and some parts of Europe all mention the bustling marketplaces in their popular culture. They weren’t just the main centers of trade and business, but were multifunctional entities that contributed to the social and cultural exchange between people and civilizations. These marketplaces were called by different names in different regions and languages; Bazaar in Persian, Souk in Arabic etc. Today, bazaars tend to be found in a city's medina (old quarter) and are often important tourist attractions.

A bazaar was originally an open-air marketplace that were held outside cities at locations where incoming

Multi-Functional Lego-Like Plywood Building Blocks Create Limitless Design Solution

Lindsey Leardi — Sun, 24 Dec 2017 08:00:00 +0000

Out of 200 applicants, London-based Gilles Retsin Architecture won the Tallinn Architecture Biennale 2017 competition with their temporary outdoor installation. Participants were challenged to use the fabrication abilities of Estonian wooden house manufacturers in a new and creative way. Jury member Martin Tamke said the Retsin proposal is, “characterized by outstanding aesthetic and intellectually challenging, as it questions current beliefs and trends in architecture."

Students Construct 7 Inhabitation Structures at Hello Wood's 2017 Project Village

Patrick Lynch — Wed, 09 Aug 2017 16:30:00 +0000

Since the first Hello Wood Project Village debuted in 2015, architecture, art and design students from all over the world have gathered together each summer in Hungary to imagine and build structures using innovative wood construction techniques. With each passing year, the village has grown more complex, with new students using the decisions of their predecessors to inform and evolve subsequent designs.

Call for Submissions: [TRANS-]ient

Rene Submissions — Thu, 16 Feb 2017 14:00:00 +0000

It is often thought that architecture has a quality permanence. In the third issue of [TRANS-] journal we seek to understand that this is not always true. Exploring how the construction of spaces can speak to impermanence, transient design could be a variety of things: built one day and disassembled another; rootless, wandering, and drifting as a nomad among environmental and geopolitical conditions; or spaces that house impermanent populations or respond to temporary phenomena or needs. With transient space comes participants that condition its purpose and interpretation. Perhaps of equal importance is not the design itself but rather the symbolic significance of its remnants, which has the capacity to endure or pass.

ANSKA Unveils Floating Platform Design for Paris Olympics

Sabrina Santos — Sat, 28 Jan 2017 08:00:00 +0000

ANSKA has unveiled Spots, a series of temporary floating platforms to host micro-events for the Paris Olympic Games of 2024. Intended as an alternative to classic river typologies like barges or heavy structures, Spots are modular systems that can easily be assembled or disassembled, allowing them to become durable programmatic solutions.

Adaptable Bamboo Geodesic Domes Win the Buckminster Fuller Challenge Student Category 2016

Ariana Zilliacus — Sun, 13 Nov 2016 09:30:00 +0000

Launched in 2007, The Buckminster Fuller Challenge has quickly gained a reputation for being what Metropolis Magazine once called “Socially-Responsible Design’s Highest Award.” This year, for the first time, a Student Category was reviewed separately from the general applications, however still based upon the same criteria: comprehensiveness, feasibility, replicability, ecological responsibility, and how verifiable and anticipatory the project is. Students from the Centre for Human Habitat and Alternative Technology (CHHAT) claimed the prize with their adaptable and lightweight modular domes, made from natural, local or recycled materials.

Architects Construct Village of 14 Wooden Structures at Hello Wood 2016

Patrick Lynch — Fri, 19 Aug 2016 16:30:00 +0000

Students and architects from over 30 countries have constructed a “village” of 14 wooden structures at Hello Wood’s Project Village 2016. Founded in 2010 as an art camp for students in architecture, art and design disciplines, Hello Wood has since grown into an award-winning interior summer school program focused on creating design through collaborative methods and bringing together the principles of architecture, art, innovation and social impact. The Project Village, conceived just last year, pushes these ideals to their limit by challenging students, teachers and designers to work together to create a new architecture of community at Hello Wood’s rural campus in Csoromfolde, Hungary.

A Floating Timber Pavilion Takes Center Stage at Manifesta 11 in Zurich

Jan Doroteo — Mon, 20 Jun 2016 06:00:00 +0000

On June 11th, the European Biennial of Contemporary Art, also known as Manifesta, began its 100-day stint in this edition's host city, Zurich, Switzerland. The festival's center-piece is a timber raft floating on Lake Zurich, known as the Pavilion of Reflections. The temporary structure was designed and realized by Studio Tom Emerson and a team of thirty students from ETH Zurich. Constructed primarily of timber, Christian Jankowski, curator of Manifesta 11, describes the exhibit “as a floating multi-functional platform with a giant LED screen, a stand for spectators, a swimming pool and a bar.”

Call for Entries: Ship Point Pop-Up Design Competition

Rene Submissions — Sat, 26 Mar 2016 10:31:00 +0000

The City of Victoria invites teams and individuals to submit creative design concepts to temporarily transform Ship Point Plaza, an underutilized paved plaza space along Victoria’s downtown waterfront, into a magnetic and memorable ‘pop-up’ public space during the 2016 summer season.

From Ancient Rome to the Coachella Festival: A Brief History of Pop-Up Architecture

Marni Epstein-Mervis — Thu, 17 Mar 2016 09:30:00 +0000

Ask some people, and they'll tell you that pop-up architecture is a quintessentially 21st century form of architecture, but in fact the idea goes back over 2000 years. In this article originally published on Curbed as "The Rise and Rise of Pop-Up Architecture," Marni Epstein-Mervis traces the development of pop-up architecture right from its origins in ancient Rome, analyzing how the phenomenon has transformed into what we recognize today.

Between the Kaleidoscopic Present and the Uncertain Future: A Case for Temporary Architecture

Shumi Bose — Tue, 08 Mar 2016 04:00:00 +0000

Temporary architecture is often misrepresented as a flimsy trend or photo-ready quick fix: easy, entertaining and often, mistakenly, cheap. This is Temporary concerns itself with a group of young, emerging, socially minded group of architects and designers who are taking the city back into their own hands and creating experimental sites for interaction and engagement. These architects, collectives, students and artists are designing transient structures, situations and events that invest and embed themselves in a community, public space or set of ideas.

Hello Wood 2015: It Takes a Village to Raise Outstanding Architecture

Finn MacLeod — Thu, 12 Nov 2015 06:00:00 +0000

Set in the depths of rural Hungary, Hello Wood has emerged from the landscape for its 2015 edition, entitled 'Project Village'. Since 2010, the Hungarian-led collective of architects, designers, students and artists have gathered from around the world to create temporary wooden installations. Now in its sixth year, Hello Wood was realized with the help of 150 volunteers from 30 countries, and co-curated by Johanna Muszbek, with the shared vision to build a series of community-driven pavilions. Together the teams created fifteen unique wooden pavilions, each centred on a different component of the architecture of a village.

Help Shigeru Ban Provide Emergency Shelter to Nepal

Karissa Rosenfield — Thu, 07 May 2015 13:05:47 +0000

Shigeru Ban Architects, together with the Voluntary Architects' Network (VAN), has announced plans to send emergency shelter, housing and other community facilitates to the victims of Nepal's deadly April 25th earthquake. As part of a three-phase plan, Shigeru Ban will first delivery and assemble tents with plastic partitions acquired though donation to provide immediate shelter. A few months after, the Japanese practice will collaborate with local architects and students to build temporary housing with materials found prevalent in Nepal.

Kumbh Mela: Designing the World's Largest Gathering Of People

Rahul Mehrotra & Felipe Vera — Tue, 28 Apr 2015 09:30:50 +0000

As the location of the world's largest single-purpose gathering of people, the 2013 Kumbh Mela obviously required a significant organizational effort from those charged with planning it - but what is less obvious is exactly how this need to plan can be squared with the nature of the Kumbh Mela itself. Located in the floodplain of the river Ganges, most of the 23.5-square-kilometer area of the festival (commonly referred to as the nagri) remains underwater until a few months before the festival, and organization is at every stage challenged by the uncertainty and ephemerality of the festival itself. In this excerpt from the recently published book, "Kumbh Mela, January 2013: Mapping the Ephemeral Mega City," Rahul Mehrotra, Chair of the Department of Urban Planning and Design at the Harvard GSD, and Felipe Vera, Co-director of the Center for Ecology, Landscape and Urbanism at UAI DesignLab, explain how infrastructure and street grids are deployed in a way that not only enables the Kumbh Mela festival itself, but enhances its ephemeral and democratic spirit.

Kumbh Mela: A Temporary (But Not Instant) City for 2 Million

Anthony Acciavatti — Tue, 21 Apr 2015 09:30:18 +0000

Among the many complex interactions between humans and water in the Ganges river basin, perhaps none is more awe-inspiring than the religious festival of Kumbh Mela, which every twelve years hosts the largest single-purpose gathering of people on the planet, with an estimated 2 million temporary residents and 100 million total visitors in 2013. In the following excerpt from his book "Ganges Water Machine: Designing New India's Ancient River," Anthony Acciavatti recounts the history of this spectacular event, as well as the smaller annual Magh Mela - and explains why even though it is temporary, the huge tent settlement that supports these festivals is not the "instant city" it is often described as, but instead a microcosm of settlement patterns across the whole Ganges.

A Mobile Italian Garden Overlooking London

James Taylor-Foster — Fri, 24 Oct 2014 00:00:00 +0000

The Decorators, an interdisciplinary group of practitioners working with space in London, recently transformed the terrace overlooking the city at Alexandra Palace by installing a mobile Italian garden. As a "landscape of scattered objects" which geometrically piece together to resemble a formal garden, the designers describe the project as somewhere between "grotto and folly, garden and landscape, stage and amphitheater," all the while drawing from the historical character of the surrounding context. The scheme ultimately "breaks the monumental proportions of the main building to meet visitors with a more intimate scale on their first encounter" with the palace.