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    <title>Tag: temporary-pavilion | ArchDaily</title>
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        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Thu, 09 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[The 25th Serpentine Pavilion Designed by LANZA atelier Opens to the Public on June 6th, 2026]]>
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      <link>https://www.archdaily.com/1042141/the-25th-serpentine-pavilion-designed-by-lanza-atelier-opens-to-the-public-on-june-6th-2026</link>
      <pubDate>Wed, 03 Jun 2026 05:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion">The 2026 Serpentine Pavilion</a>, titled "a serpentine," designed by Mexico City-based architecture studio <a href="https://www.archdaily.com/office/lanza-atelier?ad_source=search&amp;ad_medium=search_result_professionals">LANZA atelier</a>, will open to the public on 6 June 2026 at Serpentine South in <a href="/tag/london">London</a>. Newly released preview-days images show the completed structure ahead of its seasonal activation, which will run through 25 October 2026 and include Serpentine's annual programme of public events. Now in its 25th edition, the <a href="https://www.archdaily.com/tag/serpentine-pavilion/page/1">Serpentine Pavilion</a> marks <a href="https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years">a milestone for the annual commission</a> first launched in 2000 with <a href="https://www.archdaily.com/tag/zaha-hadid">Zaha Hadid</a>'s inaugural project. To commemorate the anniversary, <a href="https://www.archdaily.com/tag/serpentine-galleries/page/1">Serpentine Galleries</a> will also collaborate with the <a href="https://www.archdaily.com/tag/zaha-hadid-foundation/page/1">Zaha Hadid Foundation</a> and the <a href="https://www.archdaily.com/tag/architectural-association/page/1">Architectural Association</a> on a parallel programme reflecting on the Pavilion's legacy and its role in contemporary architectural discourse.</p>]]>
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        <![CDATA[LANZA atelier Reveals New Details for the 2026 Serpentine Pavilion]]>
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      <link>https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion</link>
      <pubDate>Mon, 18 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion</guid>
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        <![CDATA[<p>Mexican architecture practice <a href="https://www.archdaily.com/office/lanza-atelier?ad_source=search&amp;ad_medium=search_result_professionals">LANZA atelier</a> has unveiled new details for the 2026 <a href="https://www.archdaily.com/tag/serpentine-pavilion">Serpentine Pavilion</a>, titled "a serpentine," which will open to the public on 6 June 2026 at Serpentine South. Designed by studio founders <a href="https://www.archdaily.com/tag/isabel-abascal/page/1">Isabel Abascal</a> and <a href="https://www.archdaily.com/tag/alessandro-arienzo/page/1">Alessandro Arienzo</a>, the project reinterprets the historic serpentine or crinkle-crankle wall through a lightweight brick structure integrated into the landscape of <a href="https://www.archdaily.com/tag/hyde-park/page/1">Hyde Park</a>. Marking the 25th edition of the annual commission, the pavilion will remain on view through October 2026 and serve as a venue for <a href="https://www.archdaily.com/tag/serpentine/page/1">Serpentine</a>'s public programme of performances, talks, screenings, and community events.</p>]]>
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        <![CDATA["Calibrated Instability": Daryan Knoblauch on Building With Tension, Time, and Light]]>
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      <link>https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</link>
      <pubDate>Thu, 30 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Daryan Knoblauch's work sits at the intersection of architecture and live <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=search_result_articles">cultural production</a>, with a focus on how space is made legible through tension and <a href="https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall?ad_source=search&amp;ad_medium=search_result_articles">atmosphere</a>. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches <a href="https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana?ad_source=search&amp;ad_medium=search_result_articles">installations</a>, stages, and event architectures as full <a href="https://www.archdaily.com/1039986/disciplinary-reflections-for-a-planet-in-transition-and-a-new-airport-terminal-in-casablanca-this-weeks-review?ad_source=search&amp;ad_medium=search_result_articles">disciplinary problems</a>—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.</p>]]>
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        <![CDATA[The Spatial Agency Gap: Rethinking Public Space through Co-Designing with Foreign Domestic Workers]]>
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      <link>https://www.archdaily.com/1035204/the-spatial-agency-gap-rethinking-public-space-through-co-designing-with-foreign-domestic-workers</link>
      <pubDate>Sat, 25 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035204/the-spatial-agency-gap-rethinking-public-space-through-co-designing-with-foreign-domestic-workers</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/965321/from-hidden-backrooms-to-storage-units-foreign-domestic-workers-and-the-evolution-of-their-living-space?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Domestic workers</a> in Hong Kong and <a href="/tag/singapore">Singapore</a> are the city's quiet infrastructure. In Hong Kong alone, there are a total of roughly <a href="https://data.gov.hk/en-data/dataset/hk-immd-set4-statistics-fdh?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">300,000 domestic workers</a>, serving a portion of the approximate <a href="https://www.censtatd.gov.hk/en/scode500.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2.7 million households</a>. Their care labor sustains dual-income family routines: <a href="https://www.archdaily.com/1033207/kindergarten-architecture-imaginative-spaces-shaping-childhood-and-creativity?ad_source=search&amp;ad_medium=search_result_articles">childcare</a>, <a href="https://www.archdaily.com/1011354/inter-generational-homes-addressing-diverse-needs-under-one-roof?ad_source=search&amp;ad_medium=search_result_articles">eldercare</a>, cooking, cleaning, and the everyday logistics that make professional life possible. Yet the people who hold this balance together remain largely invisible in policy—and, crucially, in space.</p>]]>
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        <![CDATA[The Chilean Architecture Biennial Revives a Church Ruin as a Temporary Pavilion]]>
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      <link>https://www.archdaily.com/1035201/the-chilean-architecture-biennial-revives-a-church-ruin-as-a-temporary-pavilion</link>
      <pubDate>Tue, 21 Oct 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1035201/the-chilean-architecture-biennial-revives-a-church-ruin-as-a-temporary-pavilion</guid>
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        <![CDATA[<p>Between September 25 and October 5, 2025, the XXIII <a href="/tag/chilean-architecture">Chilean Architecture</a> and Urbanism Biennial took place in <a href="https://www.archdaily.com/tag/santiago" target="_blank" rel="noopener">Santiago</a>. Under the title "DOUBLE EXPOSURE: (re)program · (re)adapt · (re)construct," the event was organized around the idea of "understanding architecture not as the production of the new, but as the ability to reactivate what already exists." Based on this premise, the curatorial team, composed of Ángela Carvajal and Sebastián López (<a href="https://www.archdaily.cl/cl/office/anagramma-arquitectos" target="_blank" rel="noopener">Anagramma Arquitectes</a>) together with Óscar Aceves, conceived a circuit of eight venues located in <a href="https://www.archdaily.com/992337/santiago-architecture-city-41-buildings-complexes-and-parks-to-visit-in-the-chilean-capital" target="_blank" rel="noopener">downtown Santiago</a>. Their goal was to revive and reclaim urban spaces through a series of free public activities that drew around 70,000 visitors. Among the reactivated sites, the ruins of the San Francisco de Borja <a href="/tag/church">Church</a> stood out. Burned during <a href="https://en.wikipedia.org/wiki/Social_Outburst_(Chile)?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">the social outburst of October 2019</a>, the site hosted a <a href="https://www.archdaily.com/tag/temporary-pavilion" target="_blank" rel="noopener">temporary pavilion</a> that served as a venue for talks, readings, art installations, discussions, and community events.</p>]]>
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        <![CDATA[Adjaye Associates Unveil First Phase of Barbados National Performing Arts Centre]]>
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      <link>https://www.archdaily.com/1034546/adjaye-associates-unveil-first-phase-of-barbados-national-performing-arts-centre</link>
      <pubDate>Mon, 29 Sep 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1034546/adjaye-associates-unveil-first-phase-of-barbados-national-performing-arts-centre</guid>
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        <![CDATA[<p>The first phase of the Barbados National Performing Arts Centre, designed by <a href="https://www.archdaily.com/office/adjaye-associates?ad_source=search&amp;ad_medium=search_result_professionals">Adjaye Associates</a>, has officially opened in Bridgetown, marking the commencement of a significant cultural initiative. Originally conceived as a <a href="https://www.archdaily.com/tag/temporary">temporary</a> <a href="https://www.archdaily.com/tag/pavilion">pavilion</a> for Carifesta XV, the <a href="https://www.archdaily.com/tag/timber">timber</a> structure serves as both a functional venue for <a href="https://www.archdaily.com/tag/performance">performances</a> and the foundation for the forthcoming 85,000-square-foot permanent complex, slated for completion in 2026. Developed in collaboration with structural engineer <a href="https://www.archdaily.com/professional/structurecraft?ad_source=search&amp;ad_medium=search_result_professionals">StructureCraft</a>, the project features mass <a href="https://www.archdaily.com/tag/timber-construction">timber construction</a>, <a href="https://www.archdaily.com/tag/low-carbon">low-carbon</a> design strategies, and <a href="https://www.archdaily.com/tag/adaptive-reuse">adaptive reuse</a> of components. This approach provides Barbadians with a "meanwhile use" venue while laying the groundwork for a future national hub within the <a href="https://www.archdaily.com/973017/david-adjaye-commissioned-to-design-the-barbados-heritage-district-documenting-the-imprint-of-slavery">Barbados Heritage District</a>.</p>]]>
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        <![CDATA[The City as a Laboratory of Processes: A Decade of Urban Experimentation with Concéntrico]]>
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      <link>https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</link>
      <pubDate>Mon, 08 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>As cities continue to develop, we are seeing ever more <a href="https://www.archdaily.com/992594/rethinking-traditional-city-planning-14-projects-from-emerging-practices-in-europe?ad_source=search&amp;ad_medium=search_result_articles">well-planned</a>, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and <a href="https://www.archdaily.com/994586/new-uses-and-contemporary-guidelines-for-public-spaces?ad_source=search&amp;ad_medium=search_result_articles">guidelines improve</a> and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, <a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles">shedding the messy</a>, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing <a href="https://www.archdaily.com/1032309/co-designing-with-nature-how-communities-are-becoming-stewards-of-urban-biodiversity?ad_source=search&amp;ad_medium=search_result_articles">community improvisation</a> in the grey zones of regulation.</p>]]>
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        <![CDATA[Between Fantasy and Reality: Aldo Rossi's Floating Teatro del Mundo for the First Venice Architecture Biennale]]>
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      <link>https://www.archdaily.com/1031620/between-fantasy-and-reality-aldo-rossis-floating-teatro-del-mundo-for-the-first-venice-architecture-biennale</link>
      <pubDate>Thu, 03 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>The first edition of the <a href="https://www.archdaily.com/tag/venice-architecture-biennale" target="_blank" rel="noopener">Venice Architecture Biennale</a> took place in 1980, immediately revealing <a href="https://www.domusweb.it/en/from-the-archive/2023/05/02/aldo-rossis-teatro-del-mondo-in-venice.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">its role as a platform for images</a> and ideas that would become essential references in <a href="https://www.archdaily.com/tag/contemporary-architecture" target="_blank" rel="noopener">contemporary architectural</a> theory and practice. This disruptive character was embodied from the very beginning by the strangely familiar floating structure designed by <a href="https://www.archdaily.com/tag/aldo-rossi" target="_blank" rel="noopener">Aldo Rossi</a>, titled <a href="https://www.archdaily.com/tag/teatro-del-mondo" target="_blank" rel="noopener"><em>Teatro del Mondo</em></a>. <a href="https://www.domusweb.it/en/from-the-archive/2023/05/02/aldo-rossis-teatro-del-mondo-in-venice.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">At once temporary and archetypal</a>, the project introduced central themes that would shape Italian architectural discourse in the years that followed. To this day, it continues to inspire reflections on timelessness, imagination, and the memory embedded in cities.</p>]]>
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        <![CDATA[Conservation Campaign by Melbourne Citizens Successfully Extends Tadao Ando’s MPavilion until 2030]]>
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      <link>https://www.archdaily.com/1030922/melbourne-citizens-launch-conservation-campaign-to-protect-tadao-andos-mpavilion</link>
      <pubDate>Thu, 19 Jun 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="151" data-end="936">Every year, the <a href="https://www.archdaily.com/tag/naomi-milgrom-foundation" target="_blank" rel="noopener">Naomi Milgrom Foundation</a> commissions an architect to design a <a href="https://www.archdaily.com/tag/temporary-pavilion" target="_blank" rel="noopener">temporary pavilion</a> for the Queen Victoria Gardens, in the center of <a href="https://www.archdaily.com/city/melbourne" target="_blank" rel="noopener">Melbourne</a>'s Southbank Arts Precinct. The pavilions are then transferred to the state of Victoria. The tenth edition of the <a href="https://www.archdaily.com/tag/mpavilion" target="_blank" rel="noopener">MPavilion</a> was designed by Pritzker Prize Laureate <a href="https://www.archdaily.com/tag/tadao-ando" target="_blank" rel="noopener">Tadao Ando</a> as his first and only built work in <a href="https://www.archdaily.com/country/australia/page/1" target="_blank" rel="noopener">Australia </a>and the southern hemisphere. The pavilion opened on November 16, 2023, and <a href="https://www.archdaily.com/1016102/tadao-andos-mpavilion-announces-year-long-extension-in-melbourne-australia" target="_blank" rel="noopener">its presence was extended until March 2025</a>, hosting a wide-ranging program of cultural events over two summer seasons. After facing demolition, given the temporary nature of the initiative, a community-led program, <a href="https://www.preservethepavilion.au/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">"Preserve the Pavilion"</a>, was launched in hopes of preserving the building. The Naomi Milgrom Foundation has <a href="https://mpavilion.org/mpavilion-by-ando-extended-to-2030/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">recently announced</a> that the pavilion will remain in Queen Victoria Gardens until 2030, following a decision by the City of Melbourne.</p>]]>
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        <![CDATA[On Designing National Pavilions: Power and Identity at Universal Exhibitions]]>
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      <link>https://www.archdaily.com/1030539/on-designing-national-pavilions-power-and-identity-at-universal-exhibitions</link>
      <pubDate>Fri, 30 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>What can a pavilion’s architecture reveal about its country? At major <a href="https://www.archdaily.com/tag/world-expo" target="_blank" rel="noopener">World Expos</a>, <a href="https://www.archdaily.com/tag/pavilions" target="_blank" rel="noopener">national pavilions</a> are designed to answer this question, transforming into spaces laden with symbolism. Though <a href="https://www.archdaily.com/tag/temporary-architecture" target="_blank" rel="noopener">temporary</a>, these structures are rich in meaning, functioning as architectural expressions of <a href="https://www.archdaily.com/tag/politics" target="_blank" rel="noopener">political identity</a>. Their forms and materials encapsulate national ambitions. <a href="https://www.archdaily.com/tag/expo-2025-osaka" target="_blank" rel="noopener">Expo Osaka 2025</a>, the latest chapter in this ongoing narrative, showcases how <a href="https://www.archdaily.com/1028820/one-week-to-expo-2025-osaka-8-must-see-national-pavilions" target="_blank" rel="noopener">nations increasingly use built space</a> to construct global images of themselves—sustainable, technological, culturally distinct, and geopolitically relevant.</p>]]>
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        <![CDATA[AD Classics: Finnish Pavilion at the Venice Biennale / Alvar Aalto + Elissa Aalto]]>
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      <link>https://www.archdaily.com/1030484/ad-classics-finnish-pavilion-at-the-venice-biennale-alvar-and-elissa-aalto</link>
      <pubDate>Mon, 26 May 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Tucked within the leafy confines of the<a href="https://www.labiennale.org/en/venues/giardini-della-biennale?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"> Giardini della Biennale</a> in <a href="https://www.archdaily.com/tag/venice">Venice</a> stands a structure modest in scale yet immense in quiet conviction: the <a href="https://visit.alvaraalto.fi/en/destinations/the-finnish-pavilion-at-the-venice-biennale/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Finland Pavilion,</a> designed by Alvar and <a href="/tag/elissa-aalto">Elissa Aalto</a> for the <a href="https://www.labiennale.org/en/asac/amarcord-2-1947-1958?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">1956 Venice Biennale</a>. Unlike the monumental pavilions that surround it, Aalto's structure was conceived not as a permanent structure, but as a temporary exhibition space for a single exhibition season. And yet, nearly seventy years on, it remains—weathered, resilient, and quietly luminous.</p>]]>
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        <![CDATA[Serpentine Reveals New Details of Marina Tabassum's "A Capsule in Time" 2025 Pavilion]]>
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      <link>https://www.archdaily.com/1026244/serpentine-announces-marina-tabassum-as-the-designer-of-the-2025-pavilion</link>
      <pubDate>Wed, 21 May 2025 05:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/marina-tabassum">Bangladeshi architect and educator Marina Tabassum</a> and her firm, <a href="https://www.archdaily.com/office/marina-tabassum-architects">Marina Tabassum Architects</a>, have been selected to design the 2025 <a href="https://www.archdaily.com/tag/serpentine-pavilion">Serpentine</a> <a href="/tag/pavilion">Pavilion</a>. Titled "A Capsule in Time," the proposal takes inspiration from the ephemeral nature of architecture in the Bengal Delta, incorporating a semi-transparent structure intended to evoke a sense of community and connection. The Pavilion will open to the public on June 6th, until 26 October 2025, with a press preview two days before the opening. Tabassum's pavilion will mark the 25th year since the Serpentine's first commission of <a href="https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years">Zaha Hadid's inaugural structure in Hyde Park in 2000</a>. </p>]]>
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        <![CDATA[The Luxembourg Pavilion, Designed by STDM and Mikan, Explores Rhythms and Modularity at Expo Osaka 2025]]>
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      <link>https://www.archdaily.com/1019211/the-luxembourg-pavilion-designed-by-stdm-and-mikan-explores-rhythms-and-modularity-at-expo-osaka-2025</link>
      <pubDate>Mon, 21 Apr 2025 04:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>The <a href="/tag/luxembourg">Luxembourg</a> national pavilion, designed by Luxembourg-based office <a href="https://stdm.lu/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">STDM architectes urbanistes</a> in collaboration with Japanese office <a href="https://www.archdaily.com/tag/mikan">MIKAN</a>, with the concept of "Doki-Doki –The Luxembourg Heartbeat," has just opened its doors at the <a href="https://www.archdaily.com/tag/expo-2025-osaka">Osaka 2025 World Expo</a>. The pavilion takes its name from the Japanese term for heartbeat, aiming to express joy and enthusiasm while strengthening the connection between the two countries. It also strives to offer visitors a chance to discover the cultural richness of Luxembourg and its multifaceted identity.</p>]]>
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        <![CDATA[From Common Sight to Cultural Symbol: The Rise and Decline of Bamboo Scaffolding in Hong Kong]]>
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      <link>https://www.archdaily.com/1029052/from-common-sight-to-cultural-symbol-the-rise-and-decline-of-bamboo-scaffolding-in-hong-kong</link>
      <pubDate>Sun, 20 Apr 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>The<a href="https://www.archdaily.com/793364/watch-how-bamboo-scaffolding-was-used-to-build-hong-kongs-skyscrapers"> bamboo scaffolding</a> building typology—temporary, agile, and deeply rooted in tradition—particularly, the <a href="https://www.icho.hk/en/web/icho/representative_list_bamboo_theatre.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">bamboo shed theatre building</a> technique, is recognized as an item of Intangible <a href="/tag/cultural-heritage">Cultural Heritage</a> in <a href="https://www.archdaily.com/country/hong-kong">Hong Kong</a>. As one walks through the city, especially in busy urban districts, it's nearly impossible not to encounter a bamboo scaffold within a five-minute radius. <a href="/tag/bamboo">Bamboo</a> scaffolding is arguably the most iconic construction material in Hong Kong, valued for its abundance, sustainability, flexibility, adaptability, and—most importantly—scalability. These qualities have contributed to its widespread use in <a href="https://www.archdaily.com/1023454/climate-responsive-temporary-pavilions-exploring-4-ephemeral-structures-across-europe?ad_source=search&amp;ad_medium=search_result_articles">temporary construction</a>, from building maintenance and renovations to festival stages and sporting events.</p>]]>
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        <![CDATA[Winter Stations Unveils Six Winning Installations at Toronto's Woodbine Beach in 2025]]>
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      <link>https://www.archdaily.com/1028192/winter-stations-unveils-six-winning-installations-at-torontos-woodbine-beach-in-2025</link>
      <pubDate>Fri, 21 Mar 2025 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p>The <a href="https://www.archdaily.com/tag/winter-stations" target="_blank" rel="noopener">Winter Stations</a> annual design competition celebrates its 11th edition in 2025. The competition challenges international artists and designers to reimagine lifeguard stations as captivating, interactive <a href="https://www.archdaily.com/tag/art-installations" target="_blank" rel="noopener">art installations</a>. Designed to harmonize with the environment at Woodbine <a href="/tag/beach">Beach</a> in <a href="https://www.archdaily.com/1006691/toronto-architecture-city-guide-30-modern-and-contemporary-landmarks-in-canadas-largest-city" target="_blank" rel="noopener">Toronto, Canada</a>, these installations encourage immersive engagement with art in a <a href="https://www.archdaily.com/tag/public-space" target="_blank" rel="noopener">public space</a>, offering a transformative experience. <a href="https://www.archdaily.com/1012269/the-10th-edition-of-torontos-winter-stations-announces-winning-projects" target="_blank" rel="noopener">Following its 10th anniversary in 2024</a>, Winter Stations introduced an additional challenge, inviting participants to consider the future of the stations and their evolving relationship with the public and the <a href="https://www.archdaily.com/tag/environment" target="_blank" rel="noopener">environment</a>. The theme for the 2025 edition, Dawn, calls on designers to explore how the stations can adapt, grow, and transform in the coming years.</p>]]>
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        <![CDATA[Climate-Responsive Temporary Pavilions: Exploring 4 Ephemeral Structures across Europe]]>
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      <link>https://www.archdaily.com/1023454/climate-responsive-temporary-pavilions-exploring-4-ephemeral-structures-across-europe</link>
      <pubDate>Sun, 17 Nov 2024 07:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/pavilions">Pavilions</a> offer architects a unique opportunity to experiment, serving as compact spaces that push the boundaries of design and spatial concepts. Free from many conventional functional constraints, these structures allow for artistic expression and the testing of new technologies. Pavilions often act as living <a href="https://www.archdaily.com/tag/laboratory">laboratories</a> of architecture, positioned in public or <a href="https://www.archdaily.com/tag/cultural">cultural contexts</a>. They transform their surroundings into interactive, memorable experiences, providing a stage for architects to showcase their most innovative ideas. In recent years, <a href="https://www.archdaily.com/tag/climate-responsive">climate responsiveness</a> has emerged as a crucial focus in pavilion design. By using temporary structures as a testing ground for more sustainable practices, architects can experiment with alternative <a href="https://www.archdaily.com/tag/material">materials</a> and environmentally conscious approaches that address the climate crisis.</p>]]>
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        <![CDATA[Ephemeral Architectures: Engaging Communities through Temporary Structures]]>
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      <link>https://www.archdaily.com/1019356/ephemeral-architectures-engaging-communities-through-temporary-structures</link>
      <pubDate>Fri, 16 Aug 2024 04:00:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/ephemeral-architecture">Ephemeral architectures</a>, characterized by their temporary and flexible nature, have emerged as powerful tools for revitalizing urban spaces and fostering architectural creativity. These transient installations <a href="https://www.archdaily.com/993876/community-and-identity-central-topics-in-ephemeral-architecture-in-2022">transform public areas, engaging communities, and prompting reflections on the potential futures of our cities.</a> By temporarily <a href="https://www.archdaily.com/1007496/inflatable-architecture-pneumatic-structures-transforming-built-environments?ad_campaign=normal-tag">transforming environments</a>, ephemeral architectures encourage both architects and the public to reimagine the possibilities of urban living. This dynamic interplay, between the temporary and the permanent, challenges traditional architectural practices and opens up new avenues for sustainable and inclusive urban development.</p>]]>
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