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    <title>Tag: temporary-architecture | ArchDaily</title>
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      <title>
        <![CDATA[The Politics of Bamboo: From Vernacular Craft to Temporal Infrastructure ]]>
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      <link>https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</link>
      <pubDate>Thu, 09 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042929/the-politics-of-bamboo-from-vernacular-craft-to-temporal-infrastructure</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/1042601/from-stone-waste-to-bamboo-indian-architects-explore-the-future-of-regenerative-design?ad_source=search&amp;ad_medium=search_result_articles">Bamboo</a> is often praised before it is understood. It grows quickly, carries a long history of <a href="https://www.archdaily.com/1041712/material-culture-and-heritage-in-contemporary-cinema-architecture?ad_source=search&amp;ad_medium=search_result_articles">building cultures</a>, and appears to offer architecture an immediate ecological language. In photographs, it can seem almost self-explanatory: light, natural, <a href="https://www.archdaily.com/1042205/world-environment-day-2026-coincides-with-record-heatwaves-renewing-focus-on-climate-adaptation-in-cities?ad_source=search&amp;ad_medium=search_result_articles">renewable</a>, and already aligned with a more sustainable future. Yet this apparent clarity is also what makes bamboo difficult to discuss with precision. Once it becomes a symbol of environmental responsibility, the material itself can disappear behind the image it produces.</p>]]>
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        <![CDATA[Architectures of Movement: ArchDaily's July Editorial Focus]]>
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      <link>https://www.archdaily.com/1042807/architectures-of-movement-archdailys-july-editorial-focus</link>
      <pubDate>Wed, 01 Jul 2026 08:00:00 +0000</pubDate>
      <dc:creator>Romullo Baratto</dc:creator>
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        <![CDATA[<p>Every twelve years, the banks of the Ganges at Prayagraj become one of the largest cities on Earth — and then disappear. The Maha Kumbh Mela draws over 400 million pilgrims across six weeks, requiring the construction of a full urban infrastructure: pontoon bridges, field hospitals, kilometers of temporary roads, a grid of tent cities visible from space. When the festival ends, it is dismantled entirely. No gathering in human history produces a more complete architecture of movement; built for arrival, engineered for transience, and designed to leave no permanent trace. The Kumbh Mela is exceptional in scale, but not in condition: movement has become a defining spatial problem of the century.</p>]]>
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        <![CDATA[The Delay of Meaning: On the Architecture of Smiljan Radić]]>
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      <link>https://www.archdaily.com/788812/spotlight-smiljan-radic</link>
      <pubDate>Thu, 04 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Smiljan Radić's architecture often begins elsewhere: in a <a href="https://www.archdaily.com/1034567/lina-ghotmeh-on-memory-museums-and-the-archaeology-of-the-future">memory</a>, a <a href="https://www.archdaily.com/1029375/an-architectural-journey-through-tokyo-the-never-ending-city">journey</a>, a material, a stone, a half-seen structure, or a situation not yet organized as an architectural idea. In "<a href="https://www.archdaily.com/1041221/smiljan-radic-to-lead-2026-pritzker-laureate-lecture-and-panel-on-architecture-distraction-and-knowledge" target="_blank" rel="noopener">Architecture: Distraction and Knowledge</a>," his 2026 Pritzker Architecture Prize Laureate Lecture, distraction does not appear as a lack of focus, but as a way of receiving the world. It is through these peripheral encounters — travel, <a href="https://www.archdaily.com/911075/the-beauty-in-the-imperfections-of-ruins-in-architecture">ruins</a>, cities, stories, industries, and materials — that <a href="https://www.archdaily.com/1030041/the-intelligence-of-what-remains-on-archiving-and-architectural-knowledge">architectural knowledge</a> slowly accumulates. </p>]]>
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        <![CDATA[The 25th Serpentine Pavilion Designed by LANZA atelier Opens to the Public on June 6th, 2026]]>
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      <link>https://www.archdaily.com/1042141/the-25th-serpentine-pavilion-designed-by-lanza-atelier-opens-to-the-public-on-june-6th-2026</link>
      <pubDate>Wed, 03 Jun 2026 05:00:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion">The 2026 Serpentine Pavilion</a>, titled "a serpentine," designed by Mexico City-based architecture studio <a href="https://www.archdaily.com/office/lanza-atelier?ad_source=search&amp;ad_medium=search_result_professionals">LANZA atelier</a>, will open to the public on 6 June 2026 at Serpentine South in <a href="/tag/london">London</a>. Newly released preview-days images show the completed structure ahead of its seasonal activation, which will run through 25 October 2026 and include Serpentine's annual programme of public events. Now in its 25th edition, the <a href="https://www.archdaily.com/tag/serpentine-pavilion/page/1">Serpentine Pavilion</a> marks <a href="https://www.archdaily.com/790106/round-up-the-serpentine-pavilion-through-the-years">a milestone for the annual commission</a> first launched in 2000 with <a href="https://www.archdaily.com/tag/zaha-hadid">Zaha Hadid</a>'s inaugural project. To commemorate the anniversary, <a href="https://www.archdaily.com/tag/serpentine-galleries/page/1">Serpentine Galleries</a> will also collaborate with the <a href="https://www.archdaily.com/tag/zaha-hadid-foundation/page/1">Zaha Hadid Foundation</a> and the <a href="https://www.archdaily.com/tag/architectural-association/page/1">Architectural Association</a> on a parallel programme reflecting on the Pavilion's legacy and its role in contemporary architectural discourse.</p>]]>
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        <![CDATA[LANZA atelier Reveals New Details for the 2026 Serpentine Pavilion]]>
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      <link>https://www.archdaily.com/1038001/lanza-atelier-selected-to-design-the-2026-serpentine-pavilion</link>
      <pubDate>Mon, 18 May 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Mexican architecture practice <a href="https://www.archdaily.com/office/lanza-atelier?ad_source=search&amp;ad_medium=search_result_professionals">LANZA atelier</a> has unveiled new details for the 2026 <a href="https://www.archdaily.com/tag/serpentine-pavilion">Serpentine Pavilion</a>, titled "a serpentine," which will open to the public on 6 June 2026 at Serpentine South. Designed by studio founders <a href="https://www.archdaily.com/tag/isabel-abascal/page/1">Isabel Abascal</a> and <a href="https://www.archdaily.com/tag/alessandro-arienzo/page/1">Alessandro Arienzo</a>, the project reinterprets the historic serpentine or crinkle-crankle wall through a lightweight brick structure integrated into the landscape of <a href="https://www.archdaily.com/tag/hyde-park/page/1">Hyde Park</a>. Marking the 25th edition of the annual commission, the pavilion will remain on view through October 2026 and serve as a venue for <a href="https://www.archdaily.com/tag/serpentine/page/1">Serpentine</a>'s public programme of performances, talks, screenings, and community events.</p>]]>
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        <![CDATA["Calibrated Instability": Daryan Knoblauch on Building With Tension, Time, and Light]]>
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      <link>https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</link>
      <pubDate>Thu, 30 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1041066/calibrated-instability-daryan-knoblauch-on-building-with-tension-time-and-light</guid>
      <description>
        <![CDATA[<p>Daryan Knoblauch's work sits at the intersection of architecture and live <a href="https://www.archdaily.com/1034955/from-design-fiction-to-design-futures-the-changing-role-of-architecture-in-cultural-production?ad_source=search&amp;ad_medium=search_result_articles">cultural production</a>, with a focus on how space is made legible through tension and <a href="https://www.archdaily.com/1040962/designing-with-air-rethinking-architecture-beyond-the-wall?ad_source=search&amp;ad_medium=search_result_articles">atmosphere</a>. Rather than treating temporary work as a lesser category of architecture, Knoblauch approaches <a href="https://www.archdaily.com/1039596/modular-installation-reimagines-unfinished-structures-at-limbo-museum-in-accra-ghana?ad_source=search&amp;ad_medium=search_result_articles">installations</a>, stages, and event architectures as full <a href="https://www.archdaily.com/1039986/disciplinary-reflections-for-a-planet-in-transition-and-a-new-airport-terminal-in-casablanca-this-weeks-review?ad_source=search&amp;ad_medium=search_result_articles">disciplinary problems</a>—where enclosure, stability, light, and movement must be resolved with the same seriousness as any building, often under tighter constraints and faster timelines.</p>]]>
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        <![CDATA[Coachella 2026 Immersive Installations Explore Monumentality and Light Transparency in the California Desert]]>
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      <link>https://www.archdaily.com/1040623/coachella-2026-immersive-installations-explore-monumentality-and-light-transparency-in-the-california-desert</link>
      <pubDate>Tue, 14 Apr 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
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        <![CDATA[<p data-start="0" data-end="848">The 25th edition of the<a href="https://www.archdaily.com/tag/coachella" target="_blank" rel="noopener"> Coachella </a>Valley Music and Arts Festival returns to the Empire Polo Club in Indio, <a href="/tag/california">California</a>, from April 10 to 12 and April 17 to 19, 2026, bringing together more than 130 acts alongside an ambitious program of large-scale art installations. Presented by Public Art Company (PAC) and curated by founder Raffi Lehrer in collaboration with Goldenvoice Art Director Paul Clemente, this year's selection explores monumentality through luminance, transparency, and lightness of form. Set within Coachella's desert oasis, the installations invite visitors to engage physically and sensorially, responding to shifting daylight and the evolving atmosphere from sunrise to nightfall.</p>]]>
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        <![CDATA[The 12th Edition of Toronto’s Winter Stations Reveals Images of Five Winning Projects]]>
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      <link>https://www.archdaily.com/1038996/the-12th-edition-of-torontos-winter-stations-reveals-images-of-five-winning-projects</link>
      <pubDate>Tue, 24 Feb 2026 07:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>The annual <a href="https://www.archdaily.com/tag/winter-stations">Winter Stations</a> design competition returns to <a href="https://www.archdaily.com/tag/toronto/page/1">Toronto</a> for its twelfth edition, once again transforming the lifeguard stations of Woodbine <a href="https://www.archdaily.com/tag/beach">Beach</a> into temporary works of <a href="https://www.archdaily.com/tag/public-art">public art</a>. On view from February 16 to March 30, 2026, this year's <a href="https://www.archdaily.com/tag/exhibition">exhibition</a> is organized under the theme <em>Mirage</em>, inviting participants to examine perception, illusion, and the shifting boundaries between what is seen and what is constructed. Selected from more than 300 international submissions, three winning proposals from <a href="https://www.archdaily.com/country/canada/page/1">Canada</a>, the <a href="https://www.archdaily.com/country/united-states/page/1">United States</a>, and a <a href="https://www.archdaily.com/country/germany/page/1">Germany</a>–<a href="https://www.archdaily.com/country/ukraine/page/1">Ukraine</a> collaboration are presented alongside two <a href="https://www.archdaily.com/tag/installations">installations</a> developed by university teams. Installed along the frozen shoreline of Lake Ontario, the projects reinterpret seasonal infrastructure as platforms for spatial experimentation during the winter months.</p>]]>
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        <![CDATA[Heritage Without Permanence: When Architecture Endures by Disappearing]]>
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      <link>https://www.archdaily.com/1038832/heritage-without-permanence-when-architecture-endures-by-disappearing</link>
      <pubDate>Fri, 20 Feb 2026 05:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1038832/heritage-without-permanence-when-architecture-endures-by-disappearing</guid>
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        <![CDATA[<p>​​A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in <a href="/tag/kolkata">Kolkata</a> rises and vanishes within five days. Yet each draws pilgrimage, <a href="https://www.archdaily.com/1034958/architectural-rebuilding-as-cultural-memory-the-paradox-of-ever-fresh-heritage?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">shapes collective memory, and reorganizes urban life</a>. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.</p>]]>
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        <![CDATA[Winter Stations 2026: Crest]]>
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      <link>https://www.archdaily.com/1038328/winter-stations-2026-crest</link>
      <pubDate>Mon, 02 Feb 2026 10:10:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>Crest is a student-led, design-build installation produced by F_RMlab at the University of Waterloo School of Architecture for Winter Stations 2026, an international competition transforming Toronto’s lifeguard stations into immersive works of public art. This year’s theme, Mirage, invited participants to address the “boundary of what is seen and what is real in the age of AI”, exploring art as a medium that disengages from the digital world by immersing audiences in shared, tactile experiences.</p><p>Crest emerges from the sand and snow of the Toronto Beaches as a sweeping wave positioned moments before break. From a distance, the installation resembles a</p>]]>
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        <![CDATA[When Eating Becomes Spatial: 14 Projects Built Around Shared Meals]]>
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      <link>https://www.archdaily.com/1037478/when-eating-becomes-spatial-14-projects-built-around-shared-meals</link>
      <pubDate>Mon, 12 Jan 2026 05:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>In recent years, food has taken on a renewed role within architecture, not simply as a program or typology, but as a shared spatial practice. Beyond restaurants or dining design, communal eating spaces are increasingly understood as environments where presence, <a href="https://www.archdaily.com/tag/ritual">ritual</a>, and time intersect, allowing people to gather, stay, and coexist. In these settings, eating does not just happen within space; it actively shapes it, temporarily transforming ordinary, borrowed, or improvised environments into places of exchange.</p>]]>
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        <![CDATA[Architecture in Rhythm with Time: Designing Through Solar, Lunar, and Biological Cycles]]>
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      <link>https://www.archdaily.com/1037346/architecture-in-rhythm-with-time-designing-through-solar-lunar-and-biological-cycles</link>
      <pubDate>Fri, 02 Jan 2026 04:00:00 +0000</pubDate>
      <dc:creator>Daniela Andino</dc:creator>
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        <![CDATA[<p>As the solstice marks the shortest day of the year in the Northern Hemisphere, it also draws attention to something architecture has long negotiated but often overlooked: time. Beyond form or function, buildings and spaces are continuously shaped by <a href="https://www.archdaily.com/1034687/harnessing-vertical-light-strategies-for-spatial-depth-and-comfort" target="_blank" rel="noopener">cycles of light</a> and darkness, seasonal shifts, and environmental rhythms that affect how they are inhabited.</p>]]>
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        <![CDATA[What Fits in the Void? Terrain Vague and Cities That Resist Planning]]>
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      <link>https://www.archdaily.com/1036323/what-fits-in-the-void-terrain-vague-and-cities-that-resist-planning</link>
      <pubDate>Mon, 01 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Every city carries, woven into its fabric, fissures that resist capture: <a href="https://www.archdaily.com/tag/ruin" target="_blank" rel="noopener">ruins</a>, vacant lots, leftover infrastructures, and gaps that persist at the margins of the official narrative. These are places that <a href="https://www.archdaily.com/997447/meanwhile-spaces-temporary-interventions-for-lasting-urban-development" target="_blank" rel="noopener">slip through the logics of planning</a>, emerging as unexpected counter-scenes within a territory that seeks to present itself as coherent.</p>]]>
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        <![CDATA[The Spatial Agency Gap: Rethinking Public Space through Co-Designing with Foreign Domestic Workers]]>
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      <link>https://www.archdaily.com/1035204/the-spatial-agency-gap-rethinking-public-space-through-co-designing-with-foreign-domestic-workers</link>
      <pubDate>Sat, 25 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/965321/from-hidden-backrooms-to-storage-units-foreign-domestic-workers-and-the-evolution-of-their-living-space?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">Domestic workers</a> in Hong Kong and <a href="/tag/singapore">Singapore</a> are the city's quiet infrastructure. In Hong Kong alone, there are a total of roughly <a href="https://data.gov.hk/en-data/dataset/hk-immd-set4-statistics-fdh?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">300,000 domestic workers</a>, serving a portion of the approximate <a href="https://www.censtatd.gov.hk/en/scode500.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">2.7 million households</a>. Their care labor sustains dual-income family routines: <a href="https://www.archdaily.com/1033207/kindergarten-architecture-imaginative-spaces-shaping-childhood-and-creativity?ad_source=search&amp;ad_medium=search_result_articles">childcare</a>, <a href="https://www.archdaily.com/1011354/inter-generational-homes-addressing-diverse-needs-under-one-roof?ad_source=search&amp;ad_medium=search_result_articles">eldercare</a>, cooking, cleaning, and the everyday logistics that make professional life possible. Yet the people who hold this balance together remain largely invisible in policy—and, crucially, in space.</p>]]>
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        <![CDATA[Provisional Governance: How Temporary Projects Reshape Cities]]>
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      <link>https://www.archdaily.com/1034109/provisional-governance-how-temporary-projects-reshape-cities</link>
      <pubDate>Mon, 22 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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        <![CDATA[<p>Urban policymakers and developers increasingly brand projects as temporary, <a href="https://www.archdaily.com/784007/from-ancient-rome-to-the-coachella-festival-a-brief-history-of-pop-up-architecture">piloting pop-up parks</a>, art installations, and interim structures across global cities. Initiatives are often framed as experimental interventions that activate vacant sites. In practice, however, they frequently serve as provisional strategies to manage underutilized land until more profitable forms of development materialize. The temporary label functions as urban camouflage, obscuring permanent agendas behind provisional rhetoric.</p>]]>
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        <![CDATA[The City as a Laboratory of Processes: A Decade of Urban Experimentation with Concéntrico]]>
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      <link>https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</link>
      <pubDate>Mon, 08 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033891/the-city-as-a-laboratory-of-proceses-a-decade-of-urban-experimentation-with-concentrico</guid>
      <description>
        <![CDATA[<p>As cities continue to develop, we are seeing ever more <a href="https://www.archdaily.com/992594/rethinking-traditional-city-planning-14-projects-from-emerging-practices-in-europe?ad_source=search&amp;ad_medium=search_result_articles">well-planned</a>, thoroughly executed, and tightly regulated approaches to shaping urban centres and their surrounding spaces—for better and for worse. As codes, restrictions, and <a href="https://www.archdaily.com/994586/new-uses-and-contemporary-guidelines-for-public-spaces?ad_source=search&amp;ad_medium=search_result_articles">guidelines improve</a> and tighten, urban environments become safer, more balanced, and less prone to surprise. Yet the flip side is that highly managed districts can drift toward over-order and sanitisation, <a href="https://www.archdaily.com/1029344/osaka-architectural-ambiguity-within-the-urban-fabric?ad_source=search&amp;ad_medium=search_result_articles">shedding the messy</a>, accretive character that once produced alleyways, residual spaces, and unexpected sequences of movement—conditions often born from ongoing <a href="https://www.archdaily.com/1032309/co-designing-with-nature-how-communities-are-becoming-stewards-of-urban-biodiversity?ad_source=search&amp;ad_medium=search_result_articles">community improvisation</a> in the grey zones of regulation.</p>]]>
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        <![CDATA[Should Buildings Be Designed to Decay?]]>
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      <link>https://www.archdaily.com/1031846/should-buildings-be-designed-to-decay</link>
      <pubDate>Mon, 07 Jul 2025 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
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      <description>
        <![CDATA[<p>Buildings are physical, static, and permanent. To imagine them otherwise often requires some creative thinking. The industry has operated with this strong association between structures and permanence, unknowingly constraining perspectives on building life cycles. Innovations in building materials have <a href="https://www.archdaily.com/977900/circular-economy-in-urban-design-sustainability-and-community-involvement" target="_blank" rel="noopener">opened up avenues for cirular design</a> that challenge the long-held notion that buildings must endure indefinitely. Emerging approaches promote architecture that ebbs and flows with nature.</p>]]>
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        <![CDATA[Concéntrico 2025: The Politics of Urban Presence]]>
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      <link>https://www.archdaily.com/1031401/concentrico-2025-the-politics-of-urban-presence</link>
      <pubDate>Thu, 26 Jun 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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      <description>
        <![CDATA[<p>Every June, the Spanish city of <a href="https://www.archdaily.com/tag/logrono">Logroño</a> transforms into a space of architectural dialogue, opening its streets, plazas, riverbanks, and traffic islands to temporary structures that redefine how cities are inhabited. For ten editions, <a href="https://www.archdaily.com/tag/concentrico">Concéntrico</a> has worked not as a specialized fair or an architecture biennale, but as a portable museum — a curatorial gesture that brings a dispersed collection of <a href="https://www.archdaily.com/tag/contemporary-architecture">contemporary architecture</a> into public space. Set in a city suspended between arid plains and distant mountains, far from the circuits of capital cities and cultural institutions, Concéntrico presents itself as a temporary promise. It's a reminder that even cities that are often overlooked can host architecture that is current, diverse, and speculative. In this sense, the festival is less about celebration and more about activation.</p>]]>
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