Tag: tashkent | ArchDaily

Cultural Centers Beyond the Building: 6 Unbuilt Projects Integrating Landscape

Nour Fakharany — Fri, 03 Apr 2026 07:30:00 +0000

Cultural centers continue to serve as a productive ground for unbuilt architectural exploration, reflecting how architects are rethinking the role of public institutions in relation to landscape, experience, and program hybridity. In this Unbuilt edition, submitted by the ArchDaily community, the selected projects bring together a range of proposals that expand the definition of the cultural center beyond a singular building. These works position architecture as a spatial framework that mediates between research, exhibition, retreat, and public life, often embedded within or distributed across natural and urban contexts.

SUZANI by Madina Kasimbaeva Museum / ARC Architects

Pilar Caballero — Thu, 26 Feb 2026 04:00:00 +0000

Suzani by Madina Kasimbaeva is located in the historic part of Tashkent and forms part of the Suzuk Ota ensemble, which includes a mosque, a mausoleum, landscaped parkland, and traditional residential workshop houses. The complex occupies the front line of the ensemble and opens onto the main street, establishing a strong urban presence.

Tashkent Architecture City Guide: Ten Buildings of Soviet Hybrid Modernism

Mohieldin Gamal — Tue, 03 Feb 2026 08:30:00 +0000

Situated along the historic Silk Road in Central Asia, Tashkent is a city with a long history spanning thousands of years. Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of Uzbekistan today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the Soviet Union, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the modernist monuments for which Tashkent is known today.

The Aesthetics of Power: Soviet Modernism Meets Uzbek Tradition in Tashkent’s Palace of Peoples’ Friendship

Camilla Ghisleni — Sat, 13 Dec 2025 07:30:00 +0000

Tashkent, the capital of Uzbekistan and one of the oldest cities in Central Asia, has long been shaped by a hybrid culture. Located at a strategic point along the Silk Road, the city developed an architectural tradition defined by inner courtyards, domes, decorative ceramics, and Islamic geometric patterns. The annexation by the Russian Empire in the 19th century introduced administrative buildings, orthogonal squares, and straight avenues, creating a dual urban fabric — between the “old” Eastern city and the “new” European one — in which contrasts and overlaps became the norm.

Lina Ghotmeh on Memory, Museums, and the Archaeology of the Future

Christele Harrouk — Thu, 09 Oct 2025 07:30:00 +0000

Known today for her poetic yet rigorous approach to architecture, Lina Ghotmeh has become one of the most compelling voices in contemporary design. Her work spans continents, from the British Museum's Western Range redesign in London to AlUla's Contemporary Art Museum, and includes landmark commissions such as the Serpentine Pavilion in London, Stone Garden in Beirut, the Bahrain Pavilion at the 2025 Expo Osaka, and the Estonian National Museum in Tartu, Estonia which she won the competition to design at just 25. Through a palimpsest of projects, Ghotmeh has established a distinctive architectural language that bridges memory and contemporary life. Wherever she builds, her process captures a constant dialogue between people, place, past and future.

Bridging Past and Future: Uzbekistan’s Expanding Cultural Landscape

Reyyan Dogan — Wed, 08 Oct 2025 06:30:00 +0000

Uzbekistan's architectural and artistic heritage reflects a layered history shaped by centuries of cultural exchange along the Silk Road. From the monumental ensembles of Samarkand and Bukhara to the scientific and educational institutions of the Timurid era, architecture has long been a vessel of identity and knowledge across the region. In the twentieth century, Tashkent emerged as a new urban laboratory, where modernist ideals met local craft traditions and environmental pragmatism. The city's reconstruction following the 1966 earthquake became a defining moment, fusing Soviet urbanism with regional aesthetics to produce a distinctly Central Asian expression of modernity, one that translated cultural continuity into concrete, glass, and light.

Studio KO Transforms Industrial Landmark into Tashkent’s Centre for Contemporary Arts

Reyyan Dogan — Mon, 08 Sep 2025 06:30:00 +0000

The Uzbekistan Art and Culture Development Foundation (ACDF) has announced the transformation of a 1912 industrial building in Tashkent into the Centre for Contemporary Arts (CCA), set to become the first permanent institution dedicated to contemporary art and research in Central Asia. Designed by the French architecture practice Studio KO, led by Karl Fournier and Olivier Marty, the project integrates preservation of the city's industrial heritage with a new cultural identity for the historic site. The building, originally designed by Wilhelm Heizelmann, known for the Treasury Chamber, was constructed as a diesel station and depot for Tashkent's first tram line. After decades of serving the city's electricity network, the structure was transferred to the Foundation in 2019 as part of Uzbekistan's long-term cultural development strategy. Under the leadership of Gayane Umerova, the project now represents a major step in shaping a contemporary cultural infrastructure for the region.

Tadao Ando’s National Museum of Uzbekistan Breaks Ground in Tashkent

Reyyan Dogan — Thu, 28 Aug 2025 04:30:00 +0000

The Uzbekistan Art and Culture Development Foundation (ACDF) has announced the groundbreaking of the National Museum of Uzbekistan, designed by Japanese architect Tadao Ando. Marking Ando's first major project in Central Asia, the museum is envisioned as both an architectural and cultural landmark in Tashkent. Planned to open in March 2028, the building reflects Ando's minimalist architectural language, integrating references to Uzbekistan's heritage with his characteristic use of geometry, natural light, and spatial clarity.

Uzbekistan’s 2025 Venice Biennale Pavilion Explores Soviet-Era Solar Furnace and Modernist Legacy

Nour Fakharany — Thu, 20 Feb 2025 06:30:00 +0000

Uzbekistan's National Pavilion at the 19th International Architecture Exhibition- La Biennale di Venezia in 2025 presents "A Matter of Radiance." Curated by the architecture studio GRACE, led by Ekaterina Golovatyuk and Giacomo Cantoni, the exhibition explores Uzbekistan's modernist architectural legacy in response to the Biennale's overarching theme, "Intelligens. Natural. Artificial. Collective."

Cross Works Unveils Masterplan for New Tashkent Expansion in Uzbekistan

Nour Fakharany — Tue, 07 Jan 2025 05:30:00 +0000

Cross Works just unveiled the plans for New Tashkent, a large-scale expansion of Uzbekistan's capital, Tashkent. The project covers 25,000 hectares to the east of the existing city, located between the Chirchiq and Karasu Rivers. Designed to accommodate an estimated 2.5 million people in the coming decades, the development aims to address population growth in a sustainable manner. The initiative follows an international design competition held in early 2023, which was won by London-based design and technology firm Cross Works. Following their selection, the firm has taken the lead on masterplanning, digital twin development, and coordination of a multidisciplinary team.

Zaha Hadid Architects Reveals Design for New Scientific Research Centre in Tashkent, Uzbekistan

Maria-Cristina Florian — Tue, 15 Oct 2024 05:30:00 +0000

Zaha Hadid Architects (ZHA) has been announced as the architect of the Alisher Navoi International Scientific Research Centre, an expansive cultural and educational facility taking shape in New Tashkent, Uzbekistan. The center is set to incorporate the Navoi State Museum of Literature, along with a 400-seat auditorium and an International Research Center and residential school dedicated to training 200 students in the Uzbek language, literature, and music.

Highlights from the Sharjah Triennial: 10 Installations Exploring the Beauty of Impermanence

Nour Fakharany — Tue, 05 Mar 2024 04:00:00 +0000

Running from November 11, 2023 until March 10, 2024, The Sharjah Architecture Triennial celebrates innovations in the built environment, particularly in the global south. The main goal of the display is to draw attention to sustainable, accessible, and equitable futures while highlighting the value of alternative responses to resource constraints. As the event draws to a close, ArchDaily explores 10 architectural installations that respond to the overarching theme through various mediums.

Waiwai Presents "Tashkhent: Appropriating Modernism" at Sharjah Triennial 2023

Nour Fakharany — Mon, 11 Dec 2023 05:30:00 +0000

The Uzbekistan Art and Culture Development Foundation and Wael Al Awar have jointly unveiled “Tashkent: Appropriating Modernism” at the Sharjah Architecture Triennial. The showcase spotlights three essential instances of modern architecture in Tashkent, Uzbekistan. Crafted by Wael Al Awar, founder and principal architect of waiwai, the initiative presents the three case studies and their significant evolution.

The Beauty of Impermanence: Exploring Adaptive Architecture from the Global South at the 2023 Sharjah Architecture Triennial

Christele Harrouk — Thu, 07 Dec 2023 08:00:00 +0000

Inaugurated on November 11, 2023, and running until March 10, 2024, the Sharjah Architecture Triennial serves as a metaphor drawing attention to the design and technological innovations within the built environment, particularly in the global south. The exhibition features contributions from 29 architects and studios spanning 25 countries. Building upon Venice's global platform for experimentation at the 18th International Architecture Exhibition, the 2023 Triennial embarks on a similar journey, creating space for voices and discussions often overlooked in global exhibitions and unveiling elements that have long existed but remained unseen. With a keen awareness of the global south, but also of the global north, and an understanding of the polarities between them, as articulated by curator Tosin Oshinowo, this second edition of the exhibition focuses on "The Beauty of Impermanence: An Architecture of Adaptability."

GAD Presents New Tashkent City Masterplan Focused on Accessibility and Collaboration

Nour Fakharany — Thu, 16 Nov 2023 05:30:00 +0000

Global Architecture Development (GAD) has presented the New Tashkent City master plan, shortlisted in the Master planning category at the World Architecture Festival (WAF) 2023. This comprehensive vision hopes to propel Tashkent, Uzbekistan, into a new development phase through their design strategies. The New Tashkent City master plan attempts to carefully examine critical aspects of traditional city planning, setting up lasting development goals for the design. In fact, it includes efforts to strengthen infrastructure, support economic growth, improve community involvement, and enhance environmental services. Overall, the design hopes to raise the city’s overall livability.

Tashkent Modernism XX/XXI: A Research and Preservation Project for Uzbekistan's Architectural Heritage

Christele Harrouk — Wed, 20 Sep 2023 07:30:00 +0000

Tashkent, the capital city of Uzbekistan, stands as one of the most populous cities in Central Asia. Situated in the northeastern part of the country, near the border with Kazakhstan, Tashkent has been profoundly shaped and influenced by diverse cultures throughout its history. The most significant transformation of its urban landscape occurred during the Soviet era when the city was rebuilt as a model Soviet city, following the 1966 earthquake that caused substantial damage. During this reconstruction, architects from various regions of the Soviet Union collaborated with local experts, resulting in a unique form of architectural modernism that harmoniously integrated elements of Islamic architecture, indigenous creativity, and cutting-edge engineering achievements of that era. At that time, Tashkent held the esteemed status of a prominent international city in the East.

A Floating Neighborhood in Florida and a Reimagined Industrial Heritage Site in India: 8 Unbuilt Urban Projects Submitted by the ArchDaily Community

Maria-Cristina Florian — Thu, 19 Jan 2023 07:30:00 +0000

Master plans, or large-scale urban planning projects, are one of the main tools for shaping and structuring land use and development to ensure that the built environment is coherent and functional. The interventions vary in scope and approach. While some projects are extending the buildable area by creating floating neighborhoods off the coast of Florida, others are reusing the existing spaces and heritage to reimagine the future of their communities.

Studio KO Selected as Curator of the Uzbekistan National Pavilion at the 2023 Venice Biennale

Maria-Cristina Florian — Fri, 13 Jan 2023 07:30:00 +0000

Studio KO as the curator of the Uzbekistan National Pavilion at the 18^th Venice Architecture Biennale. Uzbekistan’s response to this year’s overarching theme, Laboratory of the Future, is an exhibition titled “Unbuild Together.” It aims to bring into focus the country’s rich architectural heritage as a potential tool and inspiration for developing a more sustainable future. The curatorial team will include Karl Fournier, Olivier Marty, Jean-Baptiste Carisé, and Sophia Bengebara.