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    <title>Tag: takatsuki | ArchDaily</title>
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        <![CDATA[Takatsuki Arts Theatre / Nikken Sekkei]]>
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      <link>https://www.archdaily.com/1025395/takatsuki-arts-theatre-nikken-sekkei</link>
      <pubDate>Tue, 07 Jan 2025 07:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Theaters & Performance]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1025395/takatsuki-arts-theatre-nikken-sekkei</guid>
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        <![CDATA[<p><em><strong>Takatsuki Arts Theatre: Creating Public Architecture Integrated with a Park - </strong>Creating a Forest of Arts and Culture Clad in Osaka's Trees - </em>When the design process began in the spring of 2015, the site visit highlighted a land nurtured over time, where history and nature are intertwined. On the former grounds of <a href="/tag/takatsuki">Takatsuki</a> Castle, where historical elements coexist with park greenery, we sought to create a theater that would seamlessly integrate and resonate with the town as a natural extension of the landscape. Inspired by the Hokusetsu mountains to the north of Takatsuki—which have long overseen and nurtured the growth of the town—the aim was to infuse this venue with the enduring strength of the land, using timber from the Hokusetsu mountain range. The intention was to recall the charm of the castle town and the natural beauty of Takatsuki's forests through a theater adorned with wooden exteriors.</p>]]>
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      <title>
        <![CDATA[Hokusetsu Polygon House / FujiwaraMuro Architects]]>
      </title>
      <link>https://www.archdaily.com/1022657/hokusetsu-polygon-house-fujiwaramuro-architects</link>
      <pubDate>Thu, 24 Oct 2024 00:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Houses]]>
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        <![CDATA[<p>The site faces a greenbelt across the road with a 2-meter difference in elevation within it. We wanted to design a residence that would utilize this greenbelt as a backdrop and maintain continuity with the hilly streetscape.</p>]]>
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      <title>
        <![CDATA[T-LINKS / TAISEI DESIGN Planners Architects & Engineers]]>
      </title>
      <link>https://www.archdaily.com/1015900/t-links-arena-and-office-taisei-design-planners-architects-and-engineers</link>
      <pubDate>Wed, 24 Apr 2024 00:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/1015900/t-links-arena-and-office-taisei-design-planners-architects-and-engineers</guid>
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        <![CDATA[<p>A Refreshing Terrace with a Large Roof for Connecting the Company with the Local Community—Environmental Architecture Embracing Japanese-style aesthetics and Shading. Nestled between Osaka and Kyoto, <a href="/tag/takatsuki">Takatsuki</a> is an area steeped in Japanese culture. Surrounded by residential areas and close to railway stations, it's a bustling corner where many people pass by. Here, we planned the construction of T-LINKS, a recreational facility for a pharmaceutical company. This facility is to be used primarily for recreational activities by employees and for regional events. In the event of a major disaster, the facility will collaborate with Takatsuki City to serve as a temporary evacuation space for nearby residents and people who are unable to return home, fostering a connection between the company and the local community.</p>]]>
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        <![CDATA[Innovation Garden OSAKA Center / Takenaka Corporation]]>
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      <link>https://www.archdaily.com/977819/innovation-garden-osaka-center-takenaka-corporation</link>
      <pubDate>Thu, 03 Mar 2022 23:00:00 +0000</pubDate>
      <dc:creator>Andreas Luco</dc:creator>
      <category>
        <![CDATA[Office buildings]]>
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      <guid isPermaLink="false">https://www.archdaily.com/977819/innovation-garden-osaka-center-takenaka-corporation</guid>
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        <![CDATA[<p>Platform where People, Nature, and Information Interact. As the hub of Konica Minolta's imaging IoT/AI development and business creation in the Kansai area, this is a development base where diverse human resources gather. We wanted to create a patchwork of environments such as inside/outside, light/dark, movement/stillness, and open/closed, not by the type of furniture or interior design, but by the composition and planning of the architecture.</p>]]>
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        <![CDATA[House With 3 Shed Roofs / 416 Architects]]>
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      <link>https://www.archdaily.com/939875/house-with-3-shed-roofs-416-architects-ayako-shima</link>
      <pubDate>Wed, 20 May 2020 19:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Houses]]>
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      <guid isPermaLink="false">https://www.archdaily.com/939875/house-with-3-shed-roofs-416-architects-ayako-shima</guid>
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        <![CDATA[<p>The house is located in a busy, built-up area, on an awkwardly-shaped site with variations in elevation. It is home to a couple and their two children. Rather than divide up the rooms and spaces with walls and fittings, we separated the different areas using portal frames, which form the structure, and the height differences produced inside the building. It became the kind of house where your view of the different spaces varies, as if you are walking down an alleyway, and you catch glimpses through small gaps of the rooms on the other side.</p>]]>
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        <![CDATA[House in Takatsuki / Tato Architects]]>
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      <link>https://www.archdaily.com/936631/house-in-takatsuki-tato-architects</link>
      <pubDate>Wed, 01 Apr 2020 00:00:00 +0000</pubDate>
      <dc:creator>Valeria Silva</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/936631/house-in-takatsuki-tato-architects</guid>
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        <![CDATA[<p>When designing a house on a site with limited space, we have recently been exploring the possibilities of a continuous floor arrangement that extends gradually over a series of stepped floors. Rather than using walls and different floor levels to clearly divide the space into various functions, everything loosely connects and disconnects from each other through stepped floors. The idea is to create a sense of expansion inside a small house, so that you would find yourself on top of a rooftop in one moment, and tucked beneath a floor in another. </p>]]>
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        <![CDATA[House in Takatsuki / Tato Architects]]>
      </title>
      <link>https://www.archdaily.com/935675/house-in-takatsuki-tato-architects</link>
      <pubDate>Wed, 18 Mar 2020 00:00:00 +0000</pubDate>
      <dc:creator>Collin Chen</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/935675/house-in-takatsuki-tato-architects</guid>
      <description>
        <![CDATA[<p>When designing a house on a site with limited space, we have recently been exploring the possibilities of a continuous floor arrangement that extends gradually over a series of stepped floors. Rather than using walls and different floor levels to clearly divide the space into various functions, everything loosely connects and disconnects from each other through stepped floors. The idea is to create a sense of expansion inside a small house, so that you would find yourself on top of a rooftop in one moment, and tucked beneath a floor in another.</p>]]>
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        <![CDATA[House in Tsukawaki / Horibe Associates]]>
      </title>
      <link>https://www.archdaily.com/925054/house-in-tsukawaki-horibe-associates</link>
      <pubDate>Tue, 24 Sep 2019 21:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[House Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/925054/house-in-tsukawaki-horibe-associates</guid>
      <description>
        <![CDATA[<p>The client, who spends his days off travelling to mountains in various regions for rock climbing, is a professional-level boulderer who is also qualified as an instructor. We were asked to design a serious climbing wall that could also be used as the client’s training room.</p>]]>
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        <![CDATA[Othello House / MASA Architects]]>
      </title>
      <link>https://www.archdaily.com/925048/othello-house-masa-architects</link>
      <pubDate>Mon, 23 Sep 2019 23:00:00 +0000</pubDate>
      <dc:creator>Pilar Caballero</dc:creator>
      <category>
        <![CDATA[House Interiors]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/925048/othello-house-masa-architects</guid>
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        <![CDATA[<p>A house that shares pleasure with a town: <a href="/tag/takatsuki">Takatsuki</a> City is located nearly at the center between Osaka and Kyoto, thriving as a bed town for these cities. This area in front of JR Takatsuki station has developed as a detached residential area almost 40 years ago. It is a typical urban residential area where 4m width roads run along, each section divided around 120㎡, surrounded by concrete block fences.</p>]]>
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      <title>
        <![CDATA[House in Takatsuki / Shogo ARATANI Architect & Associates]]>
      </title>
      <link>https://www.archdaily.com/908308/house-in-takatsuki-shogo-aratani-architect-and-associates</link>
      <pubDate>Tue, 25 Dec 2018 20:00:00 +0000</pubDate>
      <dc:creator>Rayen Sagredo</dc:creator>
      <category>
        <![CDATA[Houses]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/908308/house-in-takatsuki-shogo-aratani-architect-and-associates</guid>
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        <![CDATA[<p dir="ltr">The architectural program for this project was to rebuild a house in a residential subdivision developed about forty years ago. Many houses from that era remain in the neighborhood today, and this new structure follows their lead in terms of the shape of the roof, color of the exterior walls, and other elements of the overall form. Looking at these older buildings, one notices that the one-meter-wide margin of space around them that is required by setback regulations is typically a simple gap used for storage or to house utility pipes or appliances such as air conditioning units. Even when the setback is wider, the orientation of the properties often means that large windows in neighboring houses look out on these open spaces, making privacy difficult to obtain.</p>]]>
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        <![CDATA[White Rose School / Naoko Horibe Associates]]>
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      <link>https://www.archdaily.com/552175/white-rose-school-naoko-horibe-associates</link>
      <pubDate>Thu, 02 Oct 2014 00:00:00 +0000</pubDate>
      <dc:creator>Cristian Aguilar</dc:creator>
      <category>
        <![CDATA[Classrooms]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/552175/white-rose-school-naoko-horibe-associates</guid>
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        <![CDATA[<p>White Rose English School is a school for children to learn English conversation as kindergarten'extracurricular education. There was a concern about the street getting over-crowded with cars during the time of picking up and dropping off children, as the child care center was just in front of this English school.</p>]]>
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        <![CDATA[Arboleda / Naoko Horibe]]>
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      <link>https://www.archdaily.com/447307/arboleda-naoko-horibe</link>
      <pubDate>Tue, 12 Nov 2013 00:00:00 +0000</pubDate>
      <dc:creator>Javier Gaete</dc:creator>
      <category>
        <![CDATA[Houses]]>
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      <guid isPermaLink="false">https://www.archdaily.com/447307/arboleda-naoko-horibe</guid>
      <description>
        <![CDATA[<p>The client came to the architect with a request to combine two completely opposing concepts in a single structure, without a sense of clashing.</p>]]>
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