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    <title>Tag: studio-tomas-saraceno | ArchDaily</title>
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        <![CDATA[Project Galath3a: a Woman-Machine Collaboration at the Berlin Open Lab]]>
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      <link>https://www.archdaily.com/958628/project-galath3a-a-woman-machine-collaboration-at-the-berlin-open-lab</link>
      <pubDate>Tue, 16 Mar 2021 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Exploring the use of innovative technologies in architecture and practicing at the crossroads between art and spatial design, <a href="/tag/gili-ron">Gili Ron</a> and <a href="/tag/irina-bogdan">Irina Bogdan</a> have imagined project Galath3a, a woman-machine collaboration. The research-based venture uses a UR5 robotic arm named Gala (short for Galatea), to speculate on what is culturally considered as "womanly behavior".</p>]]>
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        <![CDATA[Tomás Saraceno Designs Partially Mirrored and Suspended Sphere at Moscow’s Garage Museum of Contemporary Art]]>
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      <pubDate>Wed, 30 Dec 2020 06:30:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Argentine environmental artist <a href="/tag/tomas-saraceno">Tomás Saraceno</a> has recently unveiled his latest venture at <a href="/tag/moscow">Moscow</a>’s <a href="/tag/garage-museum-of-contemporary-art">Garage Museum of Contemporary Art</a>. On view and remaining until February 14, 2021, the installation entitled <a href="https://studiotomassaraceno.org/moving-atmospheres/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Moving Atmospheres</a>, is a partially mirrored sphere suspended midair in the museum’s atrium, made from ETFE.</p>]]>
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        <![CDATA[Video Segment Showcases Tomás Saraceno's Berlin Studio]]>
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      <pubDate>Sun, 09 Feb 2020 04:00:00 +0000</pubDate>
      <dc:creator>Christele Harrouk</dc:creator>
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        <![CDATA[<p>Tomás Saraceno takes us around his <a href="/tag/berlin">Berlin</a> studio, in a short segment <a href="/tag/video">video</a>, shot during his recent exhibition 'Algo-r(h)i(y)thms' at Esther Schipper gallery. The Argentinian artist’s atelier, “<em>a space for experimentation and testing out intricate ideas</em>”, contains a room dedicated to his recent studies around spiders.</p>]]>
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        <![CDATA[Prequalification Results of the International Competition for the Landmark Design of Qianhai New City Center]]>
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      <pubDate>Wed, 05 Jun 2019 04:00:00 +0000</pubDate>
      <dc:creator>Milly Mo</dc:creator>
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        <![CDATA[<p class="p1">The Prequalification Meeting of the International Competition for the Landmark Design of <a href="/tag/qianhai">Qianhai</a> New City Center was held in Banquet Hall, 3F, Tower C, MingWah International Convention Centre on May 20, 2019. The jury was made up of 7 experts and 2 client representatives. The jury studied the registration documents and conceptual proposals of the 124 applicants. After deep discussion, through 5 rounds of open votes the jury selected 10 shortlisted competitors into the <a href="/tag/competition">competition</a> and 2 alternatives in order who will enter Stage 2 - Proposal Preparation and Review by order if any of the 10 competitors quit. </p>]]>
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        <![CDATA['On Space Time Foam' Exhibition / Studio Tomas Saraceno]]>
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      <link>https://www.archdaily.com/292447/on-space-time-foam-exhibition-studio-tomas-saraceno</link>
      <pubDate>Fri, 23 Nov 2012 23:00:42 +0000</pubDate>
      <dc:creator>Alison Furuto</dc:creator>
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        <![CDATA[<p>On display until February 3rd at the <a href="http://www.hangarbicocca.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">HangarBicocca</a> in <a href="/tag/milan">Milan</a>, the ‘On Space Time Foam’ suspended art exhibit by <a href="http://www.tomassaraceno.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Studio Tomas Saraceno</strong></a> is composed of a transparent surface accessible to visitors, hanging at a height of 20 metres and covering 400 square metres on three layers, for a total of 1,200 square metres. Known for his surprising structures that draw the public into extraordinary spatial and emotional experiences, the large soft and floating film welcomes visitors who will thus find themselves moving mid-air between the floor and the ceiling, earth and sky, and it compels them to lose their spatial coordinates. More images and architects’ description after the break.</p>]]>
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