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    <title>Tag: stone | ArchDaily</title>
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      <title>
        <![CDATA[From Quarry to Countertop: Tracing the Origins of Natural Stone in Architecture]]>
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      <link>https://www.archdaily.com/1042445/from-quarry-to-countertop-tracing-the-origins-of-natural-stone-in-architecture</link>
      <pubDate>Tue, 30 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>For some time now, it has become common to wonder <a href="https://www.archdaily.com.br/br/967091/passaportes-de-materiais-como-dados-incorporados-podem-transformar-a-arquitetura-e-o-design">where the things we consume come from</a>. We check labels, seek out local producers, and <a href="https://www.archdaily.com/1037282/unearthing-the-ground-the-politics-of-the-subterranean">investigate supply chains</a> in an attempt to understand <a href="https://www.archdaily.com.br/br/984613/qual-o-impacto-de-cada-material-de-construcao">the impact</a> of our habits, whether on our own health or on the planet.</p>]]>
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      <title>
        <![CDATA[The Alchemy of Mass: Peter Zumthor and the Perception of Lightness]]>
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      <link>https://www.archdaily.com/1040865/the-alchemy-of-mass-peter-zumthor-and-the-perception-of-lightness</link>
      <pubDate>Fri, 24 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Valentina Díaz</dc:creator>
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        <![CDATA[<p>Architecture begins as an encounter with gravity. It is t<a href="https://www.archdaily.com/1040208/light-lighter-lightest-archdailys-april-editorial-focus" target="_blank" rel="noopener">he ancient act of placing weight upon the earth</a>, of persuading matter to stand, hold, and shelter. Within this fundamental condition of heaviness, however, lies a quieter possibility: density itself can generate a sense of lightness—a perceptual condition in which the body, fully convinced of matter's weight, begins to experience space as suspension.</p>]]>
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        <![CDATA[Atelier Tsuyoshi Tane Architects Designs Sea of Time – TOHOKU in Fukushima, Japan]]>
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      <link>https://www.archdaily.com/1040899/atelier-tsuyoshi-tane-architects-designs-sea-of-time-tohoku-in-fukushima-japan</link>
      <pubDate>Thu, 23 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Located in <a href="https://www.archdaily.com/tag/tomioka/page/1">Tomioka</a>, <a href="https://www.archdaily.com/tag/fukushima/page/1">Fukushima</a> Prefecture, Sea of Time – TOHOKU is both an artwork by Tatsuo Miyajima and an architectural project commissioned by the artist. Designed by <a href="https://www.archdaily.com/tag/japanese-architecture/page/1">Japanese architect</a> <a href="https://www.archdaily.com/tag/tsuyoshi-tane/page/1">Tsuyoshi Tane</a> of <a href="https://www.archdaily.com/office/atelier-tsuyoshi-tane-architects?ad_source=search&amp;ad_medium=search_result_professionals">Atelier Tsuyoshi Tane Architects </a>(ATTA), the project envisions a permanent museum to house Miyajima's artwork. Currently under development from 2024 to 2027, with an anticipated opening in spring 2028. Positioned on a cliff overlooking the <a href="https://www.archdaily.com/tag/pacific-ocean/page/1">Pacific Ocean</a>, the proposal brings together architecture and installation within a site shaped by the memory of the 2011 Tōhoku earthquake and tsunami, framing both the landscape and its historical context as integral components of the design.</p>]]>
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        <![CDATA[Historic Materials in the Digital Age: How Digitally Assisted Stone Carving Adds a New Dimension to Heritage Restoration ]]>
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      <link>https://www.archdaily.com/1029725/historic-materials-in-the-digital-age-how-digitally-assisted-stone-carving-adds-a-new-dimension-to-heritage-restoration</link>
      <pubDate>Mon, 29 Dec 2025 04:00:00 +0000</pubDate>
      <dc:creator>Moises Carrasco</dc:creator>
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        <![CDATA[<p>Heritage restoration has always been an intricate process that requires delicate balancing between preserving the integrity of historic materials while integrating contemporary techniques that can enhance accuracy, efficiency, and resilience. With <a href="https://www.canada.ca/en/public-services-procurement/services/infrastructure-buildings/parliamentary-precinct/multimedia/renovating-centre-block.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">the restoration process of Parliament Hill</a> in <a href="/tag/ottawa">Ottawa</a>, Canada's capital city, this intersection of tradition and technology is now on full display. <a href="https://www.canada.ca/en/public-services-procurement/services/infrastructure-buildings/parliamentary-precinct/discover/east-block.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The East Block</a>, built in 1865, offers a compelling example of how digital tools can support the efforts of heritage restoration and contribute to a centuries-old craft such as stone carving.</p>]]>
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        <![CDATA[Izat Arundell’s “Caochan na Creige” Wins RIBA House of the Year 2025 Award]]>
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      <link>https://www.archdaily.com/1036944/izat-arundells-caochan-na-creige-wins-riba-house-of-the-year-2025-award</link>
      <pubDate>Fri, 12 Dec 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>Caochan na Creige, designed by <a href="https://www.archdaily.com/tag/izat-arundell/page/1">Izat Arundell</a>, has been announced as the winner of the<a href="https://www.archdaily.com/tag/riba-house-of-the-year"> RIBA House of the Year</a> 2025 award. The timber-framed, stone-clad <a href="/tag/self-build">self-build</a> is located in <a href="https://www.archdaily.com/tag/scotland/page/1">Scotland</a>'s Outer Hebrides, occupying a compact <a href="https://www.archdaily.com/tag/rural">rural</a> plot defined by exposed weather conditions and a distinct geological setting. Built by and for its <a href="https://www.archdaily.com/tag/architect">architect</a> owners, the <a href="https://www.archdaily.com/tag/house">house</a> was selected for its clear response to site constraints, its <a href="https://www.archdaily.com/tag/material">material</a> strategy, and the consistency between design intent and <a href="https://www.archdaily.com/tag/construction">construction</a>.</p>]]>
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        <![CDATA[A Modernist Church Set in Stone: The Story Behind the Temppeliaukio Kirkko in Helsinki, Finland]]>
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      <link>https://www.archdaily.com/996216/a-modernist-church-set-in-stone-the-story-behind-the-temppeliaukio-kirkko-in-helsinki-finland</link>
      <pubDate>Thu, 21 Aug 2025 04:00:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
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        <![CDATA[<p>Near the center of <a href="/tag/helsinki">Helsinki</a>, <a href="/tag/finland">Finland</a>, in the Töölö neighborhood, one can find the Temppeliaukio Church, an unusual-looking Lutheran church nestled between granite rocks. Approaching the square from Fredrikinkatu street, the church appears subtly, a flat dome barely rising above its surrounding landscape. An unassuming entrance, flanked by concrete walls, leads visitors through a dark hallway, and into the light-filled sanctuary carved directly into the bedrock. The exposed rock walls earned it the alternative name “The Church of the Rock.” To contrast the heaviness of the materials, skylights surrounding the dome create a play of light and shadows and a feeling of airiness.</p>]]>
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        <![CDATA[Redefining Contemporary Rituals: Architectural Approaches in 17 Crematorium Projects ]]>
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      <link>https://www.archdaily.com/933355/the-architecture-of-the-crematorium-in-10-projects</link>
      <pubDate>Mon, 03 Feb 2025 05:00:00 +0000</pubDate>
      <dc:creator>Niall Patrick Walsh</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/933355/the-architecture-of-the-crematorium-in-10-projects</guid>
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        <![CDATA[<p>As people take greater control over the rituals surrounding their deaths, cremation has become an increasingly popular option worldwide. This shift has prompted the thoughtful <a href="https://www.archdaily.com/search/projects/categories/crematorium" target="_blank" rel="noopener">design of spaces </a>that address the profound emotions tied to cremation, life and death, and stillness. Architects are increasingly grappling with the question of what <a href="https://www.archdaily.com/1023106/designing-above-ground-cemeteries-challenges-and-solutions" target="_blank" rel="noopener">role architecture plays </a>in these rituals.</p>]]>
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        <![CDATA[Notre Dame Rebuilt: A Journey of Restoration for France's Iconic Cathedral]]>
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      <link>https://www.archdaily.com/1024689/notre-dame-rebuilt-a-journey-of-restoration-for-frances-iconic-cathedral</link>
      <pubDate>Thu, 12 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Maria-Cristina Florian</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1024689/notre-dame-rebuilt-a-journey-of-restoration-for-frances-iconic-cathedral</guid>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/notre-dame-cathedral" target="_blank" rel="noopener">Notre Dame Cathedral </a>reopened on December 7th, 2024, <a href="https://www.archdaily.com/1024495/notre-dame-cathedral-reopens-in-paris-france?ad_campaign=normal-tag" target="_blank" rel="noopener">welcoming visitors for the first time</a> since the 2019 fire. The restoration of Notre Dame Cathedral was a massive undertaking, led by chief architect Philippe Villeneuve, assisted by Rémi Fromont and Pascal Prunet. <a href="https://www.nytimes.com/2024/12/06/world/europe/notre-dame-paris-france.html?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">The project involved</a> approximately 2,000 craftspeople, 250 companies, and about $900 million, demonstrating the immense scale and complexity of the work on a tight deadline. Despite the major milestone of opening before the end of the year, the restoration works are not yet complete, as they are scheduled to continue through 2026.</p>]]>
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        <![CDATA[Carving Pietra Tiburtina: A Contemporary Approach to Classic Travertine]]>
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      <link>https://www.archdaily.com/1022299/carving-pietra-tiburtina-a-contemporary-approach-to-classic-travertine</link>
      <pubDate>Thu, 24 Oct 2024 06:45:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
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        <![CDATA[<p>Travertine —known as <em>lapis tiburtinus</em> by the ancient Romans— has endured for centuries as one of the most iconic materials in Italian design heritage. This limestone has left a lasting mark on architectural history, from the <a href="https://www.archdaily.com/954743/italy-to-rebuild-the-colosseum-with-retractable-floor?ad_source=search&amp;ad_medium=search_result_articles">monuments of the Roman Empire</a> to contemporary works like the <a href="https://www.archdaily.com/20105/church-of-2000-richard-meier?ad_source=search&amp;ad_medium=projects_tab">Church of 2000</a> and the <a href="https://www.archdaily.com/104187/ara-pacis-museum-richard-meier-partners?ad_source=search&amp;ad_medium=projects_tab">Ara Pacis Museum</a>. Over time, its aesthetic has evolved alongside art and design, adapting to technical advancements while preserving its essence and relevance in modern architecture.</p>]]>
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        <![CDATA[Heritage in Mud, Stone, and Reeds: Rediscovering Ancestral Construction Techniques]]>
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      <link>https://www.archdaily.com/1020943/heritage-in-mud-stone-and-reeds-rediscovering-ancestral-construction-techniques</link>
      <pubDate>Tue, 24 Sep 2024 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020943/heritage-in-mud-stone-and-reeds-rediscovering-ancestral-construction-techniques</guid>
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        <![CDATA[<p>Reflecting on the past is often viewed as nostalgia or, from a more critical standpoint, as a sign of regression. However, looking back can offer valuable insights into a society that sometimes appears overly focused—if not obsessed—with the <a href="https://www.archdaily.com/1018432/the-future-of-smart-cities-how-digital-technologies-are-transforming-urban-living-in-barcelona-and-dublin?ad_source=search&amp;ad_medium=search_result_articles">future and technology</a>. In architecture, this reflection allows us to reconnect with our roots and appreciate the knowledge accumulated over generations. It invites us to explore how our ancestors designed durable <a href="https://www.archdaily.com/1015368/introspection-elevation-covering-up-radical-architectural-operations-for-adverse-climates?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">structures adapted to their environment</a>. Refined through centuries of observation, experimentation, and likely even errors, these systems demonstrate a profound understanding of <a href="https://www.archdaily.com/1015382/how-can-modular-housing-production-incorporate-material-locality-and-regional-craft?ad_source=search&amp;ad_medium=search_result_articles">local materials and building techniques</a>.</p>]]>
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        <![CDATA[Beyond Green Architecture: 5 Middle Eastern Projects Redefining Landscape Design]]>
      </title>
      <link>https://www.archdaily.com/1020737/beyond-green-architecture-5-middle-eastern-projects-redefining-landscape-design</link>
      <pubDate>Wed, 04 Sep 2024 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p>Landscape architecture has traditionally been associated with lush <a href="https://www.archdaily.com/tag/green">greenery</a>, rooted in the historical development of gardens and parks as spaces that bring nature into <a href="https://www.archdaily.com/tag/urban-areas">urban areas</a>. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the <a href="https://www.archdaily.com/tag/middle-east">Middle East,</a> where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as <a href="https://www.archdaily.com/tag/sand">sand</a>, <a href="https://www.archdaily.com/tag/stone">stone</a>, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the <a href="https://www.archdaily.com/tag/environment">environmental</a> and cultural contexts of the region.</p>]]>
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        <![CDATA[A New Museum in Cyprus and A Private Residence in Greece: 8 Unbuilt Projects Championing Stone and Submitted by the ArchDaily Community]]>
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      <link>https://www.archdaily.com/1020062/a-new-museum-in-cyprus-and-a-private-residence-in-greece-8-unbuilt-projects-championing-stone-submitted-by-the-archdaily-community</link>
      <pubDate>Wed, 14 Aug 2024 04:00:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1020062/a-new-museum-in-cyprus-and-a-private-residence-in-greece-8-unbuilt-projects-championing-stone-submitted-by-the-archdaily-community</guid>
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        <![CDATA[<p>Throughout history, <a href="https://www.archdaily.com/tag/stone">stone</a> has been a vital building <a href="https://www.archdaily.com/tag/material">material</a> because of its strength, beauty, and inherent appeal. <a href="/tag/stone">Stone</a> has been used to build long-lasting <a href="https://www.archdaily.com/tag/construction">constructions</a> for ages, from historic monuments to contemporary residences. Because of its resilience, it is suitable for both interior and exterior design projects, providing a diverse array of appearances. There are numerous varieties of stone, each with a distinct texture and color, including marble, granite, and <a href="https://www.archdaily.com/tag/limestone">limestone</a>. Because of this diversity, stone may be creatively used by architects and builders to create accents or entire buildings. This curated selection of <a href="https://www.archdaily.com/tag/unbuilt-architecture">Unbuilt Architecture,</a> <a href="https://www.archdaily.com/contact" target="_blank" rel="noopener">submitted by the ArchDaily community</a>, showcases how stone is still a dependable and adaptable building material that can combine old-world <a href="https://www.archdaily.com/tag/craftsman">craftsmanship</a> with contemporary style.</p>]]>
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        <![CDATA[Harnessing Thermal Mass for Sustainable Living: 4 Residential Projects in the U.S. Deserts]]>
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      <link>https://www.archdaily.com/1017558/residential-projects-in-us-deserts-harnessing-thermal-mass-for-sustainable-living</link>
      <pubDate>Sat, 15 Jun 2024 07:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p class="p1">Thermal mass is the ability of a material to absorb, store, and release heat. Used to moderate building temperatures by reducing fluctuations, the concept is crucial in improving <a href="https://www.archdaily.com/tag/energy-efficiency">energy efficiency</a>. <a href="/tag/materials">Materials</a> with relatively high thermal mass, such as <a href="https://www.archdaily.com/tag/stone">stone</a>, concrete, rammed earth, and <a href="https://www.archdaily.com/tag/brick">brick</a>, can absorb significant heat during the day and release it slowly when temperatures drop at night, reducing the need for heating and cooling systems. Properties like heat capacity, thermal conductivity, and density are all considered when assessing the thermal mass property of a material. </p>]]>
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        <![CDATA[Sustainable Heating: Explore 4 Projects Featuring Trombe Walls that Enhance Thermal Efficiency]]>
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      <link>https://www.archdaily.com/1017459/sustainable-heating-projects-featuring-trombe-walls</link>
      <pubDate>Fri, 07 Jun 2024 07:30:00 +0000</pubDate>
      <dc:creator>Clara Ott</dc:creator>
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        <![CDATA[<p class="p1">A <a href="https://www.archdaily.com/946732/how-does-a-trombe-wall-work" target="_blank" rel="noopener">Trombe wall</a> is a passive solar building feature that enhances thermal efficiency. Positioned on the sun-facing side of a structure, it consists of a wall made from materials like brick, stone, or concrete, and a glass panel or polycarbonate sheet placed a few centimeters in front of it. Solar radiation penetrates the glass during daylight hours and heats the masonry wall. This wall then slowly releases the stored heat into the building during the cooler nighttime hours, maintaining a more consistent indoor temperature without the need for active heating systems.</p>]]>
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        <![CDATA[Land as Raw Material: Latin American Homes Built With Locally Sourced Soil]]>
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      <pubDate>Sun, 26 May 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Organizing, shaping, stacking. Transforming <a href="https://www.archdaily.com/tag/organic" target="_blank" rel="noopener">raw materials</a> from the <a href="https://www.archdaily.com/tag/earth" target="_blank" rel="noopener">soil</a> into <a href="https://www.archdaily.com/search/us/projects/materials/stone" target="_blank" rel="noopener">architecture</a>. This is a challenge that many <a href="https://www.archdaily.com/tag/latin-america" target="_blank" rel="noopener">Latin American architects</a> embrace, demonstrating that scarcity can be daunting but also a rich opportunity to unleash creativity.</p>]]>
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        <![CDATA[Landscape Architects Lead Bhutan’s Mindfulness City]]>
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      <link>https://www.archdaily.com/1015456/landscape-architects-lead-bhutans-mindfulness-city</link>
      <pubDate>Wed, 10 Apr 2024 03:30:00 +0000</pubDate>
      <dc:creator>Jared Green</dc:creator>
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        <![CDATA[<p>“The Mindfulness City will be a sustainable city. To be mindful is to be aware — to perform best,” said Giulia Frittoli, partner and head of landscape at <a href="https://www.archdaily.com/office/bjarke-ingels-group" target="_blank" rel="noopener">BIG</a>. The Kingdom of <a href="https://www.archdaily.com/country/bhutan" target="_blank" rel="noopener">Bhutan</a> is a landlocked Buddhist country in the eastern <a href="/tag/himalayas">Himalayas</a>, nestled between <a href="https://www.archdaily.com/search/projects/country/china">China</a> and <a href="https://www.archdaily.com/country/india" target="_blank" rel="noopener">India</a>. It covers 14,000 square miles and has a population of nearly 800,000.</p>]]>
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        <![CDATA[Architecture in Mexico: Projects Using Stone]]>
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      <link>https://www.archdaily.com/1013764/architecture-in-mexico-projects-using-stone</link>
      <pubDate>Sat, 09 Mar 2024 07:30:00 +0000</pubDate>
      <dc:creator>Mónica Arellano</dc:creator>
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        <![CDATA[<p>Due to their aesthetic, sustainable, durable, and resistant qualities, stone materials have accompanied the disciplines of architecture and engineering since their origins. As is known, in Mexico, stone has been a fundamental element in pre-Hispanic constructions where experimentation was done with vaults, ashlars, masonry, etc.</p>
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        <![CDATA[The Use of Natural Stone in Contemporary Argentinian Architecture]]>
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      <link>https://www.archdaily.com/1013648/the-use-of-natural-stone-in-contemporary-argentinian-architecture</link>
      <pubDate>Mon, 26 Feb 2024 07:30:00 +0000</pubDate>
      <dc:creator>Agustina Iñiguez</dc:creator>
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        <![CDATA[<p>From <a href="https://www.archdaily.com/tag/tafi-del-valle" target="_blank" rel="noopener">Tafí del Valle</a> to <a href="https://www.archdaily.com/tag/san-carlos-de-bariloche" target="_blank" rel="noopener">San Carlos de Bariloche</a>, the implementation of natural stone in contemporary Argentine architecture reveals the decisions of architects seeking to maintain a dialogue with their surrounding environment and highlight the purity of materials. While stone is one of the oldest building materials, enduring throughout history, its application in homes in <a href="https://www.archdaily.com/950577/stone-houses-in-uruguay-interior-and-exterior-designs" target="_blank" rel="noopener">Uruguay</a>, <a href="https://www.archdaily.com/country/brazil/page/1" target="_blank" rel="noopener">Brazil</a>, and <a href="https://www.archdaily.com/country/mexico/page/1" target="_blank" rel="noopener">Mexico</a> highlights different characteristics in terms of textures, shapes, shades, and patterns.</p>]]>
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