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    <title>Tag: soviet-union | ArchDaily</title>
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        <![CDATA[Druzhba Sanatorium: A Soviet Monument Suspended Between Earth and Sea]]>
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      <link>https://www.archdaily.com/1038160/druzhba-sanatorium-a-soviet-monument-suspended-between-earth-and-sea</link>
      <pubDate>Wed, 11 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>Perched above the cliffs of <a href="https://www.archdaily.com/tag/crimea">Crimea</a>, the Druzhba Thermal Sanatorium appears less as a building than as a landed spacecraft. Its circular forms, suspended decks, and spiraling ramps evoke a scene from Andrei Tarkovsky's <em>Solaris</em> (1972), where architecture and psychology merge into a single landscape. Built between 1978 and 1985 by <a href="https://www.archinform.net/entry.htm?ID=dojk5i1kc6tt5uimraeal74gda&amp;loc=%2Farch%2F108377.htm&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Igor Vasilevsky</a>, the complex was conceived as a thermal resort for workers of the oil industry, part of the Soviet Union's extensive network of sanatoria dedicated to health and recreation.</p>]]>
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        <![CDATA[Tashkent Architecture City Guide: Ten Buildings of Soviet Hybrid Modernism]]>
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      <link>https://www.archdaily.com/1038318/soviet-architecture-of-tashkent-ten-key-buildings-of-hybrid-modernism</link>
      <pubDate>Tue, 03 Feb 2026 08:30:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
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        <![CDATA[<p>Situated along the historic Silk Road in <a href="https://www.archdaily.com/tag/central-asia" target="_blank" rel="noopener">Central Asia</a>, <a href="https://www.archdaily.com/tag/Tashkent" target="_blank" rel="noopener">Tashkent</a> is a city with a long history spanning thousands of years. Its historic architecture is known for its courtyards, domes, and blue ceramics, typical of its Timurid heritage. The capital of <a href="https://www.archdaily.com/country/uzbekistan/page/1" target="_blank" rel="noopener">Uzbekistan</a> today, it was absorbed into the Russian Empire in the 19th century, before becoming a Soviet republic. While part of the <a href="https://www.archdaily.com/tag/soviet-union" target="_blank" rel="noopener">Soviet Union</a>, the city became an example of modernization, celebrating socialist achievements in Asia. A devastating earthquake in 1966 accelerated this modernization as the city was reconstructed, leading to many of the <a href="https://www.archdaily.com/tag/modernism" target="_blank" rel="noopener">modernist</a> monuments for which Tashkent is known today.</p>]]>
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        <![CDATA[The Aesthetics of Power: Soviet Modernism Meets Uzbek Tradition in Tashkent’s Palace of Peoples’ Friendship]]>
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      <link>https://www.archdaily.com/1036573/the-aesthetics-of-power-soviet-modernism-meets-uzbek-tradition-in-tashkents-palace-of-peoples-friendship</link>
      <pubDate>Sat, 13 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/city/tashkent" target="_blank" rel="noopener">Tashkent</a>, the capital of <a href="https://www.archdaily.com/country/uzbekistan" target="_blank" rel="noopener">Uzbekistan</a> and one of the oldest cities in <a href="/tag/central-asia">Central Asia</a>, has long been <a href="https://www.archdaily.com/1006530/preserving-tashkents-unique-modernist-architecture-the-importance-of-heritage-conservation" target="_blank" rel="noopener">shaped by a hybrid culture</a>. Located at a strategic point along the Silk Road, the city developed an architectural tradition defined by inner <a href="https://www.archdaily.com/tag/courtyard" target="_blank" rel="noopener">courtyards</a>, <a href="https://www.archdaily.com/tag/dome" target="_blank" rel="noopener">domes</a>, decorative ceramics, and <a href="https://www.archdaily.com/tag/islamic-architecture" target="_blank" rel="noopener">Islamic</a> geometric patterns. The annexation by the Russian Empire in the 19th century introduced administrative buildings, <a href="https://www.archdaily.com/949094/orthogonal-grids-and-their-variations-in-17-cities-viewed-from-above" target="_blank" rel="noopener">orthogonal squares</a>, and straight avenues, creating a <a href="https://www.archdaily.com/1034850/bridging-past-and-future-uzbekistans-expanding-cultural-landscape" target="_blank" rel="noopener">dual urban fabric</a> — between the “old” Eastern city and the “new” European one — in which contrasts and overlaps became the norm.</p>]]>
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        <![CDATA[Hannes Meyer: Exploring the Legacy of a Former Bauhaus Director]]>
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      <link>https://www.archdaily.com/1028067/hannes-meyer-exploring-the-legacy-of-a-former-bauhaus-director</link>
      <pubDate>Tue, 18 Mar 2025 05:00:00 +0000</pubDate>
      <dc:creator>Mohieldin Gamal</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1028067/hannes-meyer-exploring-the-legacy-of-a-former-bauhaus-director</guid>
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        <![CDATA[<p>In March 2025, the actor <a href="https://m.imdb.com/name/nm0004778/?ref_=fn_all_nme_1&amp;utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Adrian Brody</a> rose to the stage to collect his Academy Award for playing the role of László Toth in the acclaimed film, <a href="https://www.imdb.com/title/tt8999762/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><em>The Brutalist</em></a>. The film is about a <a href="https://www.britannica.com/topic/Bauhaus?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Bauhaus</a>-educated architect who escaped Nazi <a href="https://www.archdaily.com/country/germany" target="_blank" rel="noopener">Germany </a>in the 1930s for the United States. Whilst the story is fictional, it reflects the lives of several émigré architects who left Central Europe in search of better working and intellectual conditions. These included the first three directors of Bauhaus, the renowned German school of design established in 1919. The first and third directors of the school, <a href="https://www.archdaily.com/375067/happy-birthday-to-bauhaus-founder-and-acclaimed-modernist-walter-gropius" target="_blank" rel="noopener">Walter Gropius</a> and <a href="https://www.archdaily.com/tag/mies-van-der-rohe" target="_blank" rel="noopener">Mies van der Rohe</a> respectively, ended up in the US where their careers in teaching and building both flourished. Lesser known is the second director, <a href="https://www.archdaily.com/tag/hannes-meyer" target="_blank" rel="noopener">Hannes Meyer</a>, who took a different path from his colleagues.</p>]]>
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        <![CDATA[  A New Lens on Architecture: Discovering Open House Narratives Across Europe]]>
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      <link>https://www.archdaily.com/1024707/a-new-lens-on-architecture-discovering-open-house-narratives-across-europe</link>
      <pubDate>Wed, 25 Dec 2024 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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      <description>
        <![CDATA[<p>Throughout 2024, ArchDaily, in collaboration with the <a href="https://www.archdaily.com/tag/open-house">Open House Europe</a> architecture event, brought inspiring projects and stories to light. These true architectural gems were unveiled through visits, and their widely <a href="https://www.archdaily.com/tag/ad-narrative">shared narratives</a> enriched the architectural discourse. It is an invitation to explore the stories behind buildings that, although <a href="https://www.archdaily.com/1020691/between-the-sacred-and-the-profane-the-story-behind-the-church-of-the-sacred-heart-of-jesus-in-lisbon?ad_campaign=normal-tag">part of citizens' daily lives</a>, often go unnoticed amidst the routine automation of everyday life.</p>]]>
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      <title>
        <![CDATA[Concrete Estates: The Legacy of Soviet-Era Housing]]>
      </title>
      <link>https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing</link>
      <pubDate>Mon, 23 May 2022 07:30:00 +0000</pubDate>
      <dc:creator>Matthew Maganga</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/981407/concrete-estates-the-legacy-of-soviet-era-housing</guid>
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        <![CDATA[<p>When cities grow, fuelled by an expanding population, housing becomes an essential component of the urban character of a metropolis. Across the world, housing experiments have been propagated by governments and states, with mixed results, and undoubtedly mixed opinions. The <a href="https://www.archdaily.com/tag/soviet-union" target="_blank" rel="noopener">Soviet</a>-era housing estates of Central and <a href="/tag/eastern-europe">Eastern Europe</a> are particularly interesting in that regard. These mass housing projects have been dismissed as eyesores and viewed as unimaginative monolithic structures. The legacy of these developments, however, is a lot more complicated than that.</p>]]>
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        <![CDATA[Brutalism in Central Asia: The Eastern Influences that Shaped Soviet Architecture]]>
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      <link>https://www.archdaily.com/960487/the-eastern-influences-that-shaped-soviet-architecture-in-central-asia</link>
      <pubDate>Wed, 19 May 2021 07:30:00 +0000</pubDate>
      <dc:creator>Andreea Cutieru</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/960487/the-eastern-influences-that-shaped-soviet-architecture-in-central-asia</guid>
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        <![CDATA[<p>In the second half of the 20th century, Soviet architecture has spread a common aesthetic across highly diverse environments, being an integral part in promoting the totalitarian ideology that disregarded local cultures, envisioning a unified, homogenous society. Nevertheless, in practice, the architecture proved itself susceptible to adaptations and local influences, perhaps nowhere more than in Central <a href="/tag/asia">Asia</a>. The article looks at the architectural heritage of a geographical area largely excluded from the Western-centric narratives on Soviet Modernism, encouraging a re-reading of a layered and nuanced urban landscape, with images by <a class="editor-rtfLink" href="https://www.instagram.com/ilcontephotography/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Roberto Conte</a> and <a class="editor-rtfLink" href="https://www.instagram.com/stepegphotography/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Stefano Perego</a>.</p>]]>
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        <![CDATA[Moscow's Underappreciated Architecture Now in Digitalized Book ]]>
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      <link>https://www.archdaily.com/928356/moscows-underappreciated-architecture-now-in-digitalized-book</link>
      <pubDate>Sun, 17 Nov 2019 08:00:00 +0000</pubDate>
      <dc:creator>Dima Stouhi</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/928356/moscows-underappreciated-architecture-now-in-digitalized-book</guid>
      <description>
        <![CDATA[<p>After the success of the original guide-book on underrated <a href="https://www.archdaily.com/tag/soviet-union" target="_blank">Soviet</a> architecture, Garage Museum of Contemporary Art is publishing an English version of the bestselling guide: <a href="https://en.moscow-modernism.garagemca.org/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Moscow: A Guide to Soviet Modernist Architecture 1955–1991</a><em> </em>in a new digitalized format with six new chapters. </p>]]>
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        <![CDATA[Georgia's Soviet Architectural Heritage Captured by Photographers Roberto Conte and Stefano Perego]]>
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      <link>https://www.archdaily.com/879780/georgias-soviet-architectural-heritage-captured-by-photographers-roberto-conte-and-stefano-perego</link>
      <pubDate>Thu, 21 Sep 2017 09:30:00 +0000</pubDate>
      <dc:creator>Alya Abourezk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/879780/georgias-soviet-architectural-heritage-captured-by-photographers-roberto-conte-and-stefano-perego</guid>
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        <![CDATA[<p>The Republic of <a href="/tag/georgia">Georgia</a>’s past is defined by turbulence and a struggle for identity. A former republic of the <a href="http://www.archdaily.com/tag/soviet-architecture">USSR</a>, Georgia is perhaps best known as the birthplace of <a href="https://en.wikipedia.org/wiki/Joseph_Stalin?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Joseph Stalin</a>. The nation's history has been anything but calm, and remnants of the architectural past provide a glimpse into the nation that was.</p>]]>
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        <![CDATA[Kleinewelt Architekten and Citizenstudio Envision Moscow's Gateway to the Five Seas]]>
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      <link>https://www.archdaily.com/879346/kleinewelt-architekten-and-citizenstudio-envision-moscows-gateway-to-the-five-seas</link>
      <pubDate>Sat, 16 Sep 2017 12:00:00 +0000</pubDate>
      <dc:creator>Lindsey Leardi</dc:creator>
      <category>
        <![CDATA[Monuments]]>
      </category>
      <guid isPermaLink="false">https://www.archdaily.com/879346/kleinewelt-architekten-and-citizenstudio-envision-moscows-gateway-to-the-five-seas</guid>
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        <![CDATA[<p><a href="http://www.archdaily.com/office/kleinewelt-architekten-bureau">Kleinewelt Architekten</a> in partnership with <a href="/tag/citizenstudio">Citizenstudio</a> / Gorozhane Group, created a re-design proposal for the Northern <a href="/tag/river">River</a> Boat Station <a href="/tag/park">Park</a>, also known as the Park of Five Seas, in <a href="http://www.archdaily.com/tag/moscow">Moscow</a>. Built in the 1930’s, the current park is supposed to act as the city’s gateway to the five seas: the White, Baltic, Black, Azov, and Caspian Sea. However, the park is removed from city life and separates Moscow from it’s historic waterways.</p>]]>
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      <title>
        <![CDATA[The Fossilized Soviet Architecture of Belarus, in Photos]]>
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      <link>https://www.archdaily.com/805576/the-fossilized-soviet-architecture-of-belarus-in-photos</link>
      <pubDate>Tue, 21 Feb 2017 09:30:00 +0000</pubDate>
      <dc:creator>Isabella Baranyk</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/805576/the-fossilized-soviet-architecture-of-belarus-in-photos</guid>
      <description>
        <![CDATA[<p>The history of what is now the Republic of <a href="http://www.archdaily.com/country/belarus">Belarus</a> is a turbulent one. It has been part of the Russian Empire, occupied by the Germans during both World Wars, divided between Poland and the <a href="/tag/soviet-union">Soviet Union</a>, and finally declared its independence in 1991. Although Belarus is now an independent nation, it is also an isolated dictatorship that has in some ways remained unchanged since the 1990s, and is largely seen both culturally and architecturally as a sort of time warp, Europe's most vivid window into life in the Soviet Union.</p>]]>
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        <![CDATA[Photographer Raphael Olivier Explores the Suspended Reality of North Korea’s Socialist Architecture]]>
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      <link>https://www.archdaily.com/793962/photographer-raphael-olivier-explores-the-suspended-reality-of-north-koreas-socialist-architecture</link>
      <pubDate>Thu, 08 Sep 2016 09:30:00 +0000</pubDate>
      <dc:creator>Marie Chatel</dc:creator>
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        <![CDATA[<p id="docs-internal-guid-b1fa8ca5-bbc7-ed21-74e4-c674db87c762" dir="ltr">North <a href="/tag/korea">Korea</a> is one of the few countries still under communist rule, and probably the most isolated and unknown worldwide. This is a result of the philosophy of Juche – a political system based on national self-reliance which was partly influenced by principles of Marxism and Leninism.</p>]]>
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      <title>
        <![CDATA[The Strange Beauty of Soviet Sanatoria]]>
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      <link>https://www.archdaily.com/784605/the-strange-beauty-of-soviet-sanitoriums</link>
      <pubDate>Thu, 31 Mar 2016 04:00:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>Khoja Obi Garm is a Soviet sanatorium nestled high in the mountains of Tajikistan – a place known for its curative, radon-rich waters. When Maryam Omidi, a former journalist, visited in 2015 she was "blown away" by both the architecture and landscape: a enormous concrete, Brutalist block at the peak of a snow-capped mountain. She has since launched a <a href="http://kck.st/1MwJk9f?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Kickstarter</a> campaign to develop a book of photographs exploring "the best sanatoriums" across the former Soviet Union.</p>]]>
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        <![CDATA[How a Soviet Governmental Residence, the K-2 Dacha, Became a "Manifestation of the Finnish Dream"]]>
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      <link>https://www.archdaily.com/783400/how-a-soviet-governmental-residence-the-k-2-dacha-became-a-manifestation-of-the-finnish-dream</link>
      <pubDate>Tue, 15 Mar 2016 04:00:00 +0000</pubDate>
      <dc:creator>Ksenia Litvinenko</dc:creator>
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        <![CDATA[<p><em>In this article, which originally appeared in the</em> <a href="http://calvertjournal.com/features/show/5658/k2-modernist-government-dacha-alexander-zhuk-alvar-aalto?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Calvert Journal</a><em>, <a href="https://calvertjournal.com/contributors/show/5669/ksenia-litvinenko?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Ksenia Litvinenko</a> narrates the story of the K-2 Dacha – a governmental residence in <a href="/tag/st-petersburg">St. Petersburg</a> which sought to shrug off Russian Classicism and Soviet Modernism in favor of the principles of <a href="/tag/finnish-modernism">Finnish Modernism</a>. Illustrated by photographs by <em><a href="http://egorrogalev.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Egor Rogalev</a> and researched alongside Vladimir Frolov, this article examines a Modernist gem that you probably won't have heard of, or seen, before.</em></em></p>]]>
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        <![CDATA[These Drone Photographs Reveal the Hidden Geometries of Late Soviet Modernism]]>
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      <link>https://www.archdaily.com/779042/these-drone-photographs-reveal-the-hidden-geometries-of-late-soviet-modernism</link>
      <pubDate>Sun, 20 Dec 2015 10:30:00 +0000</pubDate>
      <dc:creator>David Douglass-Jaimes</dc:creator>
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        <![CDATA[<p>Though the ahistorical dogma of modernism would seem a perfect fit for the <a href="http://www.archdaily.com/tag/soviet-union">Soviet Union</a>’s mandated break with traditions, the architectural history of the USSR was somewhat more complex. <a href="http://www.archdaily.com/tag/stalin">Stalin</a>’s neoclassically-inflected socialist realism superseded the <a href="http://www.archdaily.com/tag/constructivism">constructivist</a> heyday of the early Soviet Union, only to be replaced by a return to <a href="http://www.archdaily.com/tag/modernism">modernism</a> under Khrushchev, facilitated by an opening to the West. Architectural photographers <strong><a href="http://www.denisesakov.com/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Denis Esakov</a></strong> and <strong>Dmitry Vasilenko</strong> recently used a <a href="http://www.archdaily.com/tag/drones">drone</a> to capture photographs of several landmark structures of the Khrushchev-era return to modernism, focusing on how these <a href="http://www.archdaily.com/591341/the-power-of-the-plan-drones-and-architectural-photography">aerial views</a> reinforce their rational geometries and regimented forms. Until the recent advent of satellite imagery and commercially available drones, these were views that were only ever seen by the architects, and the officials who reviewed the plans. Even so, the photographer notes that these methodical forms must have been very attractive to the state officers tasked with implementing Khrushchev’s mandated aesthetic.</p>]]>
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        <![CDATA[Exhibition "Expedition Wunderlich: 11 Interior Architects"]]>
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      <link>https://www.archdaily.com/778769/exhibition-expedition-wunderlich-11-interior-architects</link>
      <pubDate>Mon, 14 Dec 2015 10:05:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/778769/exhibition-expedition-wunderlich-11-interior-architects</guid>
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        <![CDATA[<p>Darkness, light, warmth, cold, silence and sound &ndash; the ground zero of creating space &ndash; are the focus of a mystical experimental exhibition currently open at the Museum of Estonian Architecture in Tallinn.</p>
<p>An attempt to speak about space, its creator and its user as a coherent whole, the exhibition acts as an intimate meeting with professionals who create the environments we inhabit. "Expedition Wunderlich: 11 Interior Architects" is only open on Saturdays and Sundays, 1 hour at a time (12 pm &ndash; 1 pm).</p>]]>
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        <![CDATA[Read Through Buckminster Fuller's FBI File]]>
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      <link>https://www.archdaily.com/635336/read-through-buckminster-fuller-s-fbi-file</link>
      <pubDate>Tue, 26 May 2015 12:15:42 +0000</pubDate>
      <dc:creator>Karissa Rosenfield</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/635336/read-through-buckminster-fuller-s-fbi-file</guid>
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        <![CDATA[<p>An unconventional man with radical ideas, <a href="http://www.archdaily.com/tag/buckminster-fuller/" target="_blank">Buckminster Fuller</a> was an "affable weirdo" and "counterculture icon" who, as <a href="http://paleofuture.gizmodo.com/we-got-buckminster-fullers-fbi-file-1704777475?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">Gizmodo reports</a>, often caught the attention of the <a href="/tag/fbi">FBI</a>. For the first time ever, his (heavily redacted) FBI files have been released, revealing some of the reasons why the FBI felt the need to keep tabs on the world famous architect and designer, including speculations regarding Fuller and the <a href="/tag/soviet-union">Soviet Union</a>. Though it seems nothing ever went beyond speculation, the files are fascinating. You can read them in full, <a href="http://paleofuture.gizmodo.com/we-got-buckminster-fullers-fbi-file-1704777475?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>. </p>]]>
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        <![CDATA[Reinier de Graaf on Cultural Amnesia and the "Fall" of the Berlin Wall]]>
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      <link>https://www.archdaily.com/604882/reinier-de-graaf-on-cultural-amnesia-and-the-fall-of-the-berlin-wall</link>
      <pubDate>Wed, 04 Mar 2015 06:00:02 +0000</pubDate>
      <dc:creator>Rory Stott</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/604882/reinier-de-graaf-on-cultural-amnesia-and-the-fall-of-the-berlin-wall</guid>
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        <![CDATA[<p>"Twenty-five years after the <a href="http://www.archdaily.com/tag/berlin/" target="_blank">Berlin</a> Wall’s demise, it is as though a large part of the twentieth century never happened," writes <a href="http://www.archdaily.com/tag/oma/" target="_blank">OMA</a> principle <a href="http://www.archdaily.com/tag/reinier-de-graaf/" target="_blank">Reinier de Graaf</a> in his <a href="http://www.metropolismag.com/February-2015/The-Other-Truth/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">article for Metropolis Magazine "The Other Truth"</a>. "An entire period has been erased from public consciousness, almost like a blank frame in a film." Through the course of the article, de Graaf outlines how the West has rewritten the history of the cold war, erasing the "other truth" that existed for nearly half a century in East Berlin, the USSR, and other soviet-aligned states - a truth that we forget to our peril. It may not be immediately architectural, but the essay provides an interesting look into the political thoughts of de Graaf who, as the principle of one of architecture's most prominent research organizations in <a href="http://www.archdaily.com/tag/amo/" target="_blank">AMO</a>, has an important influence on the profession's understanding of the wider world. Read the article in full <a href="http://www.metropolismag.com/February-2015/The-Other-Truth/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">here</a>.</p>]]>
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