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    <title>Tag: site-design | ArchDaily</title>
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        <![CDATA[“Material Is Where the Story Begins”: Studio NEiDA on Building Through Craft and Context]]>
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      <link>https://www.archdaily.com/1040373/material-is-where-the-story-begins-studio-neida-on-building-through-craft-and-context</link>
      <pubDate>Fri, 10 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Studio NEiDA operates at the intersection of architectural <a href="https://www.archdaily.com/1038978/the-machine-in-the-age-of-collective-practice?ad_source=search&amp;ad_medium=search_result_articles">practice</a>, research, and <a href="https://www.archdaily.com/1039787/concentrico-2026-features-smiljan-radic-installation-and-26-urban-interventions-in-logrono-spain?ad_source=search&amp;ad_medium=search_result_articles">curatorial work</a>, with a consistent focus on how buildings emerge from the <a href="https://www.archdaily.com/1038536/material-mediation-and-architectural-heritage?ad_source=search&amp;ad_medium=search_result_articles">material</a> and cultural conditions of a place. Rather than treating materiality as a finishing language, the studio frames it as the beginning of an architectural narrative—starting from what is locally available, they look at what <a href="https://www.archdaily.com/1039504/how-contemporary-design-fairs-are-redefining-craft?ad_source=search&amp;ad_medium=search_result_articles">craft knowledge</a> exists on the ground, and how those resources and skills situate a project within an architectural lineage. This approach foregrounds limitations and possibilities as productive forces, and positions design as an <a href="https://www.archdaily.com/1034118/the-continuous-project-a-case-of-iterative-placemaking-in-long-yau-china?ad_source=search&amp;ad_medium=search_result_articles">iterative process</a> of aligning spatial intent with the realities of construction culture and vernacular intelligence.</p>]]>
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        <![CDATA[Village in the Vertical City: Tai Hang and the Afterlife of Vernacular Hong Kong]]>
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      <link>https://www.archdaily.com/1032077/village-in-the-vertical-city-tai-hang-and-the-afterlife-of-vernacular-hong-kong</link>
      <pubDate>Mon, 14 Jul 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/vernacular-architecture">Vernacular architecture</a> in <a href="https://www.archdaily.com/city/hong-kong">Hong Kong</a> originated as a series of small, <a href="https://www.archdaily.com/tag/coastal-design">coastal settlements</a>—simple, <a href="https://www.archdaily.com/tag/village">village-like communities</a> that reflected the city's early identity as a fishing hub. These seaside villages were typically composed of low-rise, <a href="https://www.archdaily.com/tag/timber-construction">timber-framed houses</a> clustered around temples, forming tight-knit <a href="https://www.archdaily.com/tag/community">communities</a> closely tied to the rhythms of the water.</p>]]>
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        <![CDATA[Touching the Earth Lightly: How Freeing the Ground Plane Shapes Architectural Atmosphere ]]>
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      <link>https://www.archdaily.com/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere</link>
      <pubDate>Sat, 15 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Architecture and its <a href="https://www.archdaily.com/1022444/shaping-atmospheres-with-lighting-a-human-centered-approach-to-emotional-design?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">atmospheric qualities</a> have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is <a href="https://www.archdaily.com/990572/when-architectural-history-meets-personal-history?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">deeply personal</a>—rooted in emotions, <a href="https://www.archdaily.com/987764/what-is-sensory-urbanism?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">sensory perceptions</a>, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of <a href="https://www.archdaily.com/933355/the-architecture-of-the-crematorium-in-10-projects?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">evoking emotions</a> and leaving a lasting impression on their occupants. </p>]]>
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        <![CDATA[A Placemaking Approach to Design Accredited Webinar ]]>
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      <link>https://www.archdaily.com/887632/a-placemaking-approach-to-design-accredited-webinar</link>
      <pubDate>Thu, 01 Feb 2018 01:00:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
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        <![CDATA[<p>The days of designing for a discrete project are numbered. Today&rsquo;s most forward-thinking architects are finding it their mission to go beyond their project &mdash; in terms of both space and time &mdash; to consider, and even encourage, land-use patterns in the surrounding area, and to anticipate and influence future events and unexpected consequences.</p>]]>
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