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    <title>Tag: sigurd-lewerentz | ArchDaily</title>
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      <title>
        <![CDATA["Freestanding" Exhibition Shows the Power and Poetry of Sigurd Lewerentz’s Architecture]]>
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      <link>https://www.archdaily.com/896171/freestanding-exhibition-shows-the-power-and-poetry-of-sigurd-lewerentzs-architecture</link>
      <pubDate>Tue, 12 Jun 2018 04:00:00 +0000</pubDate>
      <dc:creator>AD Editorial Team</dc:creator>
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        <![CDATA[<p><em>As part of our <a href="https://www.archdaily.com/tag/2018-venice-biennale" target="_blank" data-saferedirecturl="https://www.archdaily.com/tag/2018-venice-biennale">2018 Venice Architecture Biennale </a>coverage, we present</em> Freestanding, an exhibition in the Biennale's Central Pavilion.<em> Below, the team describes their contribution in their own words.</em></p>]]>
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        <![CDATA[Fighting the Neoliberal: What Today's Architects Can Learn From the Brutalists]]>
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      <link>https://www.archdaily.com/866895/fighting-the-neoliberal-what-todays-architects-can-learn-from-the-brutalists</link>
      <pubDate>Fri, 10 Mar 2017 09:30:00 +0000</pubDate>
      <dc:creator>Simon Henley</dc:creator>
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        <![CDATA[<p><em>In this second installment of his revamped “<a href="http://www.archdaily.com/tag/beyond-london">Beyond London</a>” column for ArchDaily, Simon Henley of London-based practice <a href="http://www.archdaily.com/office/henley-halebrown-rorrison">Henley Halebrown</a> discusses a potential influence that might help UK architects combat the economic hegemony currently afflicting the country – turning for moral guidance to the Brutalists of the 1960s.</em></p>]]>
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        <![CDATA[a+u April 2016 Special Issue Sigurd Lewerentz – Drawing Collection 1+2]]>
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      <link>https://www.archdaily.com/796777/au-april-2016-special-issue-sigurd-lewerentz-drawing-collection-1-2</link>
      <pubDate>Mon, 10 Oct 2016 09:30:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <category>
        <![CDATA[Residential Interiors]]>
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        <![CDATA[<p>This special edition of a+u is a comprehensive issue dedicated to Sigurd Lewerentz's drawing collection,&nbsp;originally published as two issues in January and February 2016.&nbsp;Comprised&nbsp;of Lewerentz's hand drawings from the Swedish Centre for Architecture and Design (ArkDes) archive and photographs, the issue covers four of the architect's prominent works throughout his career: Malm&ouml; Eastern Cemetery, Social Security Institute, Villa Edstrand, and St. Petri Church in Klippan.</p>]]>
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        <![CDATA['In Therapy' – the Nordic Contribution to the 2016 Venice Biennale]]>
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      <link>https://www.archdaily.com/780078/in-therapy-nil-the-nordic-contribution-to-the-2016-venice-biennale</link>
      <pubDate>Wed, 20 Jan 2016 04:00:00 +0000</pubDate>
      <dc:creator>AAA</dc:creator>
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        <![CDATA[<p>The Nordic nations—Finland, <a href="/tag/norway">Norway</a> and Sweden—have reached a pivotal point in their collective, and individual, architectural identities. The Grandfathers of the universal Nordic style—including the likes of <a href="/tag/sverre-fehn">Sverre Fehn</a>, <a href="/tag/peter-celsing">Peter Celsing</a>, <a href="/tag/gunnar-asplund">Gunnar Asplund</a>, Sigurd Lewerentz, <a href="/tag/alvar-aalto">Alvar Aalto</a>, and Eero Saarinen—provided a foundation upon which architects and designers since have both thrived on and been confined by. The <a href="http://www.archdaily.com/778232/nordic-pavilion-selects-david-basulto-as-curator-at-venice-biennale-2016">Nordic Pavilion</a> at the <a href="http://www.archdaily.com/tag/venice-biennale-2016" target="_blank">2016 Venice Biennale</a>—directed by <a href="http://www.archdaily.com/tag/alejandro-aravena">Alejandro Aravena</a>—will be the moment to probe: to discuss, argue, debate and challenge what Nordic architecture really<em> is</em> and, perhaps more importantly, what it <em>could</em> be in years to come.</p>]]>
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      <title>
        <![CDATA[A+U 544: Sigurd Lewerentz Drawing Collection I]]>
      </title>
      <link>https://www.archdaily.com/780092/a-plus-u-544-sigurd-lewerentz-drawing-collection-i</link>
      <pubDate>Sat, 09 Jan 2016 08:00:00 +0000</pubDate>
      <dc:creator>Katie Watkins</dc:creator>
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      <description>
        <![CDATA[<p><em>From the publisher:</em> January 2016 issue of <em>a+u</em> is a special issue focused on the drawing collection of Swedish architect Sigurd Lewerentz (1885–1975).</p>]]>
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      <title>
        <![CDATA[Sigurd Lewerentz, Architect (1885–1975)]]>
      </title>
      <link>https://www.archdaily.com/770146/sigurd-lewerentz-architect-1885-nil-1975</link>
      <pubDate>Mon, 13 Jul 2015 03:30:00 +0000</pubDate>
      <dc:creator>James Taylor-Foster</dc:creator>
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        <![CDATA[<p>Sigurd Lewerentz is one of Europe's greatest, relatively unsung 20th century architects. He was educated as a mechanical engineer at Chalmers University of Technology in Gothenburg, but it was an architectural apprenticeship in Munich that set him on his career path — a path that "led him to be revered as one of <a href="/tag/sweden">Sweden</a>’s most eminent architects." This sought after reprint of Janne Ahlin's seminal monograph has now been made available once again.</p>]]>
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