<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:georss="http://www.georss.org/georss" xmlns:webfeeds="http://webfeeds.org/rss/1.0">
  <channel>
    <title>Tag: sensory-design | ArchDaily</title>
    <description>ArchDaily | Broadcasting Architecture Worldwide</description>
    <link>https://www.archdaily.com/</link>
    <lastBuildDate>Thu, 9 Jul 2026 00:00:00 +0000</lastBuildDate>
    <language>en-US</language>
    <atom:link rel="self" type="application/rss+xml" href="https://www.archdaily.com/show.xml"/>
    <sy:updatePeriod>hourly</sy:updatePeriod>
    <sy:updateFrequency>1</sy:updateFrequency>
    <webfeeds:logo>https://assets.adsttc.com/doodles/archdaily-logo-feedly.svg</webfeeds:logo>
    <webfeeds:accentColor>026CB6</webfeeds:accentColor>
    <webfeeds:analytics id="UA-73308-12" engine="GoogleAnalytics"/>
    <item>
      <title>
        <![CDATA[Beyond the Visual: Reframing Architecture Through the Senses]]>
      </title>
      <link>https://www.archdaily.com/1042976/beyond-the-visual-reframing-architecture-through-the-senses</link>
      <pubDate>Fri, 03 Jul 2026 01:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042976/beyond-the-visual-reframing-architecture-through-the-senses</guid>
      <description>
        <![CDATA[<p>An experiential rebellion takes center stage in the fourth episode of the <a href="https://www.designboom.com/tag/podcast-room-for-dreams/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><strong>Room For Dreams podcast</strong></a>, hitting directly at the heart of today's screen-deep, image-obsessed design culture. Recorded live at <a href="https://www.designboom.com/tag/milan-design-week-2026/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank"><strong>Milan Design Week 2026</strong></a> in cooperation with <a href="https://indxglobal.vision/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener"><strong>INDX|GLOBAL</strong></a>, host Claire Broadka sits down with four Indian architectural voices — Indrajit Kembhavi, Manish Gulati, Sanjay Singh, and Sidhartha Talwar — to explore a critical question: have we sacrificed the soul of architecture for the sake of a picture-perfect Instagram post?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a47/a528/de7f/3c01/8757/2ae5/newsletter/beyond-the-visual-reframing-architecture-through-the-senses_9.jpg?1783080245"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Dreaming in the Ruins: How a Sleeping Ritual in Logroño Proposes a New Civic Architecture]]>
      </title>
      <link>https://www.archdaily.com/1042854/dreaming-in-the-ruins-how-a-sleeping-ritual-in-logrono-proposes-a-new-civic-architecture</link>
      <pubDate>Thu, 02 Jul 2026 07:30:00 +0000</pubDate>
      <dc:creator>Olivia Poston</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1042854/dreaming-in-the-ruins-how-a-sleeping-ritual-in-logrono-proposes-a-new-civic-architecture</guid>
      <description>
        <![CDATA[<p>Cities are increasingly designed to mitigate risk, and by doing so, need to collect data on <a href="https://www.archdaily.com/1041719/the-metrics-we-use-decide-the-cities-we-build-urban-indicators-and-lived-experience?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">climate, infrastructure, biodiversity, and social fragmentation so that the language of resilience becomes a fixture of planning</a>. Yet the underlying conditions that produce polarization, civic disengagement, and ecological breakdown often remain unquestioned. The tools that dominate <a href="https://www.archdaily.com/1038832/heritage-without-permanence-when-architecture-endures-by-disappearing?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">urban practice tend to address only one register of human experience, </a>while the emotional and imaginative dimensions of transformation are not treated as reliable solutions.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6a42/c009/8481/2b01/8af5/11a4/newsletter/rituals-and-ecologies-in-civic-infrastructure-lessons-from-one-third-of-life-at-concentrico-2026_1.jpg?1782759456"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Moving Beyond Metrics Toward Neuroinclusive Daylighting]]>
      </title>
      <link>https://www.archdaily.com/1040441/moving-beyond-metrics-toward-neuroinclusive-daylighting</link>
      <pubDate>Fri, 24 Apr 2026 06:45:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1040441/moving-beyond-metrics-toward-neuroinclusive-daylighting</guid>
      <description>
        <![CDATA[<p>Loud noises, the continuous hum of equipment, abrupt changes in light, or intense reflections often go unnoticed. For neurodivergent individuals, these stimuli can provoke significant discomfort or even intense physical and cognitive reactions. The term "neurodivergent" refers to people whose neurological functioning differs from what is considered typical, encompassing conditions such as autism, ADHD, and dyslexia, as their brain  processes information differently, particularly in relation to sensory input, attention and emotional regulation. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69d6/5d6f/ae7d/2910/32ef/14b9/newsletter/moving-beyond-metrics-toward-neuroinclusive-daylighting_1.jpg?1775656342"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Spaces That Feel Back: How Buildings Respond to Human Behavior]]>
      </title>
      <link>https://www.archdaily.com/1039736/spaces-that-feel-back-how-buildings-respond-to-human-behavior</link>
      <pubDate>Thu, 19 Mar 2026 07:30:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039736/spaces-that-feel-back-how-buildings-respond-to-human-behavior</guid>
      <description>
        <![CDATA[<p>Buildings were always intended to solve a straightforward problem: shelter. Through form and material, they protected occupants from the weather and organized human activity. Modern architecture, along with evolving lifestyles, added new priorities — efficiency, density, structural innovation, and aesthetics. People now demand more from buildings. Occupants increasingly want environments that actively support how they <a href="https://www.archdaily.com/965178/architecture-is-a-deeply-emotional-experience" target="_blank" rel="noopener">live, work, and feel.</a></p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ba/b6b3/1d53/c701/893e/ded5/newsletter/spaces-that-feel-back-building-behavioral-systems_2.jpg?1773844158"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Designing the Sensory City: Architecture, Light Pollution, and Urban Noise]]>
      </title>
      <link>https://www.archdaily.com/1039436/designing-the-sensory-city-architecture-light-pollution-and-urban-noise</link>
      <pubDate>Fri, 13 Mar 2026 04:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039436/designing-the-sensory-city-architecture-light-pollution-and-urban-noise</guid>
      <description>
        <![CDATA[<p>For most of human history, night arrived as a planetary certainty. Darkness spread across landscapes, and the sky revealed thousands of stars. Today, that sky is disappearing. <a href="https://www.archdaily.com/1036540/the-line-of-fragile-radiance-neon-light-as-atelier-architecture-and-archive?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">Artificial light spills upward from cities</a>, scattering through the atmosphere and turning night into a permanent haze. Research mapping global sky brightness shows that more than <a href="https://www.science.org/doi/10.1126/sciadv.1600377?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">80 percent of humanity now lives under light-polluted skies</a>, and the Milky Way has vanished from view for over a third of the world's population. The disappearance of dark skies is usually discussed within astronomy, but the sources of that change are deeply embedded in the built environment. Buildings emit light, reflect it through glass façades, and extend illumination far beyond their walls. In the technosphere, the vast system of infrastructures and materials humans have constructed, architecture now shapes both physical space and the sensory conditions surrounding it.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69ad/a08a/314f/6601/8902/bb52/newsletter/filtering-the-technosphere-how-architecture-mediates-the-sensory-environment_2.jpg?1772986514"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Mapping Space Without Sight: Inside SEAlab’s Sensory Architecture]]>
      </title>
      <link>https://www.archdaily.com/1039285/mapping-space-without-sight-inside-sealabs-sensory-architecture</link>
      <pubDate>Fri, 06 Mar 2026 05:00:00 +0000</pubDate>
      <dc:creator>Ananya Nayak</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1039285/mapping-space-without-sight-inside-sealabs-sensory-architecture</guid>
      <description>
        <![CDATA[<p>Founded in 2015 in <a href="https://www.archdaily.com/tag/ahmedabad">Ahmedabad</a> by <a href="https://www.archdaily.com/photographer/anand-sonecha?ad_name=project-specs&amp;ad_medium=single">Anand Sonecha</a>, <a href="https://www.archdaily.com/office/sealab">SEAlab</a> is a practice shaped by a slow, contemplative engagement with place, proportion, and participation. Recognized as one of the winners of the <a href="https://www.archdaily.com/tag/archdaily-next-practices" target="_blank" rel="noopener">ArchDaily 2025 Next Practices Awards</a>, the studio builds with simple materials and local techniques, pursuing environments that are experienced as much as they are seen. This ethos became particularly tangible in Gandhinagar, where the <a href="https://www.archdaily.com/984721/school-for-blind-and-visually-impaired-children-sealab?ad_medium=office_landing&amp;ad_name=article">School for Blind and Visually Impaired Children</a> did not begin as a purpose-built institution. The school had been operating from an existing primary <a href="https://www.archdaily.com/1036343/archdaily-curators-picks-2025-a-look-back-at-12-key-project-reviews?ad_campaign=normal-tag">school building</a>, with classrooms stacked above dormitories and twelve children sharing a single room. Space was limited, and so were growth opportunities. The new academic building was required to expand capacity, improve living conditions, and support greater student independence.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/69a9/b9b8/785c/2724/7893/01b7/newsletter/mapping-space-without-sight-inside-sealabs-sensory-design-framework_38.jpg?1772730817"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[CRA–Carlo Ratti Associati and Italo Rota Transform MAE Carbon Fiber Archive Into an Interactive Museum in Italy]]>
      </title>
      <link>https://www.archdaily.com/1037803/cra-carlo-ratti-associati-and-italo-rota-transform-mae-carbon-fiber-archive-into-an-interactive-museum-in-italy</link>
      <pubDate>Wed, 14 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1037803/cra-carlo-ratti-associati-and-italo-rota-transform-mae-carbon-fiber-archive-into-an-interactive-museum-in-italy</guid>
      <description>
        <![CDATA[<p>A new museum dedicated to the science of carbon fiber opened in Fiorenzuola d'Arda, <a href="/tag/italy">Italy</a>, on December 17, 2025. <a href="https://www.archdaily.com/965966/cra-carlo-ratti-associati-and-italo-rota-design-museum-of-carbon-fiber-made-of-the-same-material" target="_blank" rel="noopener">The project dates back to 2021</a> and was designed by <a href="https://www.archdaily.com/office/carlo-ratti-associati" target="_blank" rel="noopener">CRA–Carlo Ratti Associati</a> in collaboration with the <a href="https://www.archdaily.com/1015399/italian-architect-and-designer-italo-rota-passes-away-at-70" target="_blank" rel="noopener">late Italian architect Italo Rota</a>. Commissioned by MAE, a manufacturer of equipment for carbon fiber production, the project transforms one of the world's largest archives on <a href="https://www.archdaily.com/tag/carbon-fiber" target="_blank" rel="noopener">carbon fiber</a> into a dynamic museum, uniting research with archival preservation and turning the archive into a space for interactive exploration. The project is described by its designers as a "living museum," a place to read, inquire, and connect ideas.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6966/e8d3/dcd0/8102/f247/a513/newsletter/carlo-ratti-associati-transforms-carbon-fiber-scientific-archive-into-living-mae-museum_6.jpg?1768352074"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[How Can Public Space Be Designed for the Neurodiverse Community?]]>
      </title>
      <link>https://www.archdaily.com/1033863/how-can-public-space-be-designed-for-the-neurodiverse-community</link>
      <pubDate>Tue, 09 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033863/how-can-public-space-be-designed-for-the-neurodiverse-community</guid>
      <description>
        <![CDATA[<p>The noise of overlapping conversations, the flashing lights of a billboard, hurried footsteps on the sidewalk, and the constant hammering of a nearby construction site: public spaces are sometimes experienced as environments <a href="https://www.archdaily.com/1029098/environmental-noise-improving-urban-soundscapes-for-well-being?ad_source=search&amp;ad_medium=search_result_articles">where stimuli accumulate and often overwhelm us</a>. Each person perceives and responds to these sensory inputs differently, and <a href="https://www.archdaily.com/1027772/architecture-for-neurodiversity-designing-for-control-choice-and-the-senses?ad_source=search&amp;ad_medium=search_result_articles">recognizing neurodiversity</a> means understanding that some individuals require more time to adapt, slower-paced journeys, or more gradual interactions with their surroundings. These encounters raise fundamental questions about <a href="https://www.archdaily.com/search/projects/categories/public-space?ad_medium=filters">contemporary public space</a>: how can it accommodate the diversity of ways people perceive and inhabit it? How can we envision it as a space that embraces all ways of experiencing it?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68bb/76bb/8791/b741/e39b/8a56/newsletter/how-can-public-space-be-designed-for-the-neurodiverse-community_12.jpg?1757116102"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Ireland’s 2025 Venice Biennale Pavilion Showcases an Architectural Prototype to Encourage Dialogue Between Strangers]]>
      </title>
      <link>https://www.archdaily.com/1026478/ireland-presents-assembly-at-the-venice-biennale-2025-reimagining-spaces-for-gathering-and-dialogue</link>
      <pubDate>Wed, 27 Aug 2025 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026478/ireland-presents-assembly-at-the-venice-biennale-2025-reimagining-spaces-for-gathering-and-dialogue</guid>
      <description>
        <![CDATA[<p>Curated by Cotter &amp; Naessens Architects, the <a href="/tag/ireland">Ireland</a> pavilion at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025#:~:text=Denmark%20Presents%20'Build%20of%20Site,the%202025%20Venice%20Architecture%20Biennale&amp;text=Denmark%20has%20announced%20its%20national,10%20to%20November%2023%2C%202025." target="_blank" rel="noopener">19th International Architecture Exhibition - La Biennale di Venezia in 2025</a> presents <em>Assembly</em>, exploring architecture's role in shaping spaces for gathering, discussion, and <a href="https://www.archdaily.com/tag/democracy">democratic</a> exchange. Commissioned by Culture Ireland in partnership with the Arts Council of Ireland the pavilion is officially inaugurated by Yvonne Farrell of Grafton Architects with Sharon Barry, Director of Culture Ireland, and Fionnuala Sweeney, Head of Architecture at the Arts Council. </p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68ae/bf5a/fe17/7701/89a5/da90/newsletter/irelands-2025-venice-biennale-pavilion-showcases-an-architectural-prototype-to-encourage-dialogue-between-strangers_16.jpg?1756282780"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Kosovo Pavilion at the Venice Architecture Biennale Explores Shifting Agricultural Landscapes Through Soil and Scent]]>
      </title>
      <link>https://www.archdaily.com/1033326/kosovo-pavilion-at-the-venice-architecture-biennale-explores-shifting-agricultural-landscapes-through-soil-and-scent</link>
      <pubDate>Thu, 21 Aug 2025 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033326/kosovo-pavilion-at-the-venice-architecture-biennale-explores-shifting-agricultural-landscapes-through-soil-and-scent</guid>
      <description>
        <![CDATA[<p data-start="165" data-end="834">The <a href="https://www.archdaily.com/country/kosovo" target="_blank" rel="noopener">Republic of Kosovo</a> brings this year to the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th Venice Architecture Biennale</a> an exhibition titled <em data-start="267" data-end="313">Lulebora nuk çel më. Emerging Assemblages.</em> The exhibit was commissioned by the National Gallery of Kosovo and curated by the architect, interdisciplinary designer, and researcher <a href="/tag/erze-dinarama">Erzë Dinarama</a>. Reflecting on the country's shifting <a href="https://www.archdaily.com/971500/rural-landscapes-how-food-production-shapes-the-land" target="_blank" rel="noopener">agricultural landscapes </a>in the context of ecological uprooting and embodied knowledge systems under climate pressure, the installation offers a sensorial exploration of Kosovan fieldwork. Combining a range of local soil materials with a hanging olfactory calendar, the <a href="/tag/pavilion">Pavilion</a> invites visitors to imagine through touch and smell.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68a6/459d/65bf/e17f/4094/a0b0/newsletter/the-pavilion-of-the-republic-of-kosovo-at-the-venice-architecture-biennale_8.jpg?1755727299"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Inclusive Playgrounds: Every Body Can Play Through Architecture]]>
      </title>
      <link>https://www.archdaily.com/1033205/inclusive-playgrounds-every-body-can-play-through-architecture</link>
      <pubDate>Tue, 19 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1033205/inclusive-playgrounds-every-body-can-play-through-architecture</guid>
      <description>
        <![CDATA[<p>Play extends beyond its recreational dimension, unfolding as a social <a href="https://www.archdaily.com/869081/18-cool-examples-of-architecture-for-kids?ad_source=search&amp;ad_medium=search_result_articles">act that encourages children to learn</a>, interact, be creative, and engage with their spatial context. As Johan Huizinga notes in <em>Homo Ludens</em>, it is a fundamental element of culture, where kids form bonds and explore ways of coexisting. When the <a href="https://www.archdaily.com/tag/architecture">architecture</a> of <a href="/tag/play">play</a> spaces excludes certain bodies or modes of participation, the collective experience becomes fragmented and loses part of its meaning. <a href="https://www.archdaily.com/tag/inclusive-architecture">Designing with inclusion in mind</a>, therefore, means recognizing that the actual value of play lies in its potential to be shared by everyone.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/68a2/dfb4/07ae/344a/64ec/f4a9/newsletter/inclusive-playgrounds-every-body-can-play-through-architecture_1.jpg?1755504574"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Slow Architecture as an Ethical Practice of Design and Construction]]>
      </title>
      <link>https://www.archdaily.com/1031734/slow-food-and-slow-architecture-an-analysis-of-materials-and-construction-systems</link>
      <pubDate>Tue, 15 Jul 2025 06:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1031734/slow-food-and-slow-architecture-an-analysis-of-materials-and-construction-systems</guid>
      <description>
        <![CDATA[<p>At the <a href="https://www.archdaily.com/106352/bruder-klaus-field-chapel-peter-zumthor">Bruder Klaus Field Chapel, designed by Peter Zumthor</a>, the construction process involved the direct participation of residents from the small Swiss village of Mechernich. Using an internal formwork made of vertically placed wooden logs, concrete was prepared in small batches and poured manually, day after day, forming layers marked by subtle variations in the mix and application. At the end of the process, the wooden structure was reduced to ashes, leaving the chapel's interior impregnated with traces of fire and revealing a dark, tactile surface. The result was a quiet and deeply meaningful space, where collective action, time, and <a href="https://www.archdaily.com/1017671/what-is-low-tech-architecture-comparing-shigeru-ban-and-yasmeen-laris-approaches" target="_blank" rel="noopener">material transformation became part of the architecture</a>. Centered on locally available resources and manual techniques, this construction method highlights how the choice of materials and building system can shape the experience of a space, reveal the time invested, and embed the culture of a place into the very matter of architecture. In doing so, it offers an example of how construction itself can become a regenerative act, restoring meaning, connecting communities, and honoring material cycles.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/686a/f56f/c677/407b/de52/0997/newsletter/slow-food-and-slow-architecture-an-analysis-of-materials-and-construction-systems_10.jpg?1751840117"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Bathroom, Reawakened: Contemporary Design Concepts for a Sensory Experience]]>
      </title>
      <link>https://www.archdaily.com/1030230/the-bathroom-reawakened-contemporary-design-concepts-for-a-sensory-experience</link>
      <pubDate>Mon, 26 May 2025 01:30:00 +0000</pubDate>
      <dc:creator>Enrique Tovar</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1030230/the-bathroom-reawakened-contemporary-design-concepts-for-a-sensory-experience</guid>
      <description>
        <![CDATA[<p>Water is a catalyst for sensory experiences: it manifests through direct contact when touched, through its presence when heard or seen reflected, and through its transformations—whether by temperature, from cold to heat, or by state, from liquid to vapor. It is a key element in <a href="https://www.archdaily.com/1027348/designing-the-senses-how-synesthesia-shapes-our-built-world?ad_source=search&amp;ad_medium=projects_tab&amp;ad_source=search&amp;ad_medium=search_result_all">designing for the senses</a>, capable of evoking physically and emotionally perceived atmospheres. As <a href="https://www.archdaily.com/901525/116-best-architecture-books-for-architects-and-students?ad_campaign=normal-tag#:~:text=The%20Eyes%20of,sound%2C%20even%20smell!">Juhani Pallasmaa suggests</a>, architecture does not address the eye alone but involves the whole body and sensory memory. The bathroom, in particular, concentrates much of the physical and emotional experience associated with water, opening up possibilities for creating environments that intensify that sensory connection. Consequently, the question arises: what elements or concepts should shape this space so that the shower experience <a href="https://www.axor-design.com/int/inspiration/escapetheordinary?utm_campaign=2025_eto_awareness_com&amp;utm_content=archdailyspotlight&amp;utm_medium=referral&amp;utm_source=archdaily" target="_blank">escapes the ordinary</a>?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/6826/90c4/5ae7/be01/8667/4019/newsletter/the-bathroom-reawakened-contemporary-design-concepts-for-a-sensory-experience_2.jpg?1747358127"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Olfactory Design: Spaces That Awaken Memories]]>
      </title>
      <link>https://www.archdaily.com/1029952/olfactory-design-spaces-that-awaken-memories</link>
      <pubDate>Tue, 13 May 2025 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029952/olfactory-design-spaces-that-awaken-memories</guid>
      <description>
        <![CDATA[<p data-start="382" data-end="1266">With each of the more than 23,000 breaths we take per day, air travels through the respiratory system into the lungs, where vital gas exchange occurs: oxygen is absorbed, and carbon dioxide is expelled. This involuntary and essential act also triggers another, less visible but deeply impactful process—our perception of smell. As air passes through the nasal cavity, odor molecules come into contact with olfactory receptors located in the olfactory epithelium. These receptors send signals directly to the olfactory bulb, which is part of the limbic system—the area of the brain linked to memory and emotion. Far from being a secondary sense, smell acts as a direct bridge between the environment and our deepest emotional responses. Scents carry a unique power to evoke vivid memories, elicit comfort or immediate aversion, and influence our emotional state almost instantaneously.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/681c/aee3/f13f/b401/7e07/6487/newsletter/olfactory-design-spaces-that-awaken-memories_1.jpg?1746710248"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Secret Garden: A Serene Retreat in the Heart of Casa Gessi Milano]]>
      </title>
      <link>https://www.archdaily.com/1029168/the-secret-garden-a-serene-retreat-in-the-heart-of-casa-gessi-milano</link>
      <pubDate>Wed, 23 Apr 2025 06:45:00 +0000</pubDate>
      <dc:creator>Rene Submissions</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1029168/the-secret-garden-a-serene-retreat-in-the-heart-of-casa-gessi-milano</guid>
      <description>
        <![CDATA[<p data-start="142" data-end="451">On the occasion of Design Week 2025, <a href="http://www.gessi.com?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Gessi</a> transforms Casa Gessi Milano into an experience of <em data-start="236" data-end="251">Haute Culture</em>, placing personal well-being at the center. A longstanding presence in the international design scene, Gessi continues to embody a vision of innovation, wellness, and refined aesthetic sensibility. Since its inauguration in 2012, this iconic space on Via Manzoni has become a distinctive meeting point where creativity, elegance, and experimentation exist in dialogue.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67ff/b6b5/9c1d/3d01/8915/4752/newsletter/the-secret-garden-a-serene-retreat-in-the-heart-of-casa-gessi-milano_1.jpg?1744811717"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[Architecture for Neurodiversity: Designing for Control, Choice, and the Senses]]>
      </title>
      <link>https://www.archdaily.com/1027772/architecture-for-neurodiversity-designing-for-control-choice-and-the-senses</link>
      <pubDate>Mon, 10 Mar 2025 05:00:00 +0000</pubDate>
      <dc:creator>Ankitha Gattupalli</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027772/architecture-for-neurodiversity-designing-for-control-choice-and-the-senses</guid>
      <description>
        <![CDATA[<p>Publicly occupied spaces can be overwhelming. Airports, schools, stadiums, and workplaces all feature environments with visual chaos that can be disorienting and stressful for individuals, especially those who are neurodiverse. The bombardment of stimuli, unpredictable movements, and competing visual information can create barriers to occupant comfort. Architects are regularly encouraged to create spaces that recognize and honor individual differences. Designing for neurodiversity is one way of <a href="https://www.archdaily.com/1019661/how-do-the-7-principles-of-universal-design-help-us-create-better-architecture" target="_blank" rel="noopener">championing inclusivity and extending principles of universal design</a>.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67cc/f8c0/6fa6/0801/8951/0cb0/newsletter/architecture-for-neurodiversity-designing-for-control-choice-and-the-senses_1.jpg?1741486279"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[The Luxembourg Contribution at the Venice Architecture Biennale 2025 Investigates Territories Through the Medium of Sound ]]>
      </title>
      <link>https://www.archdaily.com/1027667/the-luxembourg-contribution-at-the-venice-architecture-biennale-2025-investigates-territories-through-the-medium-of-sound</link>
      <pubDate>Thu, 06 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1027667/the-luxembourg-contribution-at-the-venice-architecture-biennale-2025-investigates-territories-through-the-medium-of-sound</guid>
      <description>
        <![CDATA[<p data-start="186" data-end="1002">The <a href="https://www.archdaily.com/country/luxembourg/page/1" target="_blank" rel="noopener">Luxembourg</a> pavilion at the <a href="https://www.archdaily.com/tag/venice-architecture-biennale-2025" target="_blank" rel="noopener">19th Venice Architecture Biennale</a> will offer visitors an experience focused entirely on sound. <em data-start="294" data-end="316">Sonic Investigations</em>, curated by architects <a href="/tag/valentin-bansac">Valentin Bansac</a>, <a href="/tag/mike-fritsch">Mike Fritsch</a>, and <a href="/tag/alice-loumeau">Alice Loumeau</a>, is an <a href="https://www.archdaily.com/tag/immersive" target="_blank" rel="noopener">immersive</a> invitation to shift focus from the visual to the sonic. The sound installation, located in the <a href="https://www.archdaily.com/tag/arsenale" target="_blank" rel="noopener">Arsenale</a>'s Sale d'Armi, is based on a practical and theoretical investigation that re-examines the country's territory through field recordings capturing a range of sounds from biological, geological, and anthropogenic sources woven into the landscape. The installation creates an embodied experience of space, emphasizing the value of sensorial approaches in spatial practices and exploring the question: How can we reveal the entangled character of specific contemporary situations in Luxembourg?</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67c8/c12a/f3a3/6501/8753/dfe8/newsletter/luxembourg-pavilion_2.jpg?1741209958"></enclosure>
    </item>
    <item>
      <title>
        <![CDATA[David Martínez Ramos of Práctica Arquitectura: Exploring a Timeless Architecture with Memory and Sensitivity]]>
      </title>
      <link>https://www.archdaily.com/1026929/david-martinez-ramos-of-practica-arquitectura-exploring-a-timeless-architecture-with-memory-and-sensitivity</link>
      <pubDate>Fri, 14 Feb 2025 08:30:00 +0000</pubDate>
      <dc:creator>Paula Pintos</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/1026929/david-martinez-ramos-of-practica-arquitectura-exploring-a-timeless-architecture-with-memory-and-sensitivity</guid>
      <description>
        <![CDATA[<p>Recently selected to participate in the upcoming <a href="https://www.archdaily.com/1024679/latin-american-architecture-biennial-2025-meet-the-14-selected-emerging-practices" target="_blank" rel="noopener">2025 edition of the Latin American Architecture Biennial in Pamplona</a>, <a href="https://www.archdaily.com/office/practica-arquitectura">Práctica Arquitectura</a> has established itself as a young and promising firm in the region, specifically in <a href="/tag/mexico">Mexico</a>. Their architectural work focuses on materializing projects that achieve a high level of sensitivity, both for those who inhabit them and for their immediate surroundings, whatever they may be. In close connection with <a href="https://www.archdaily.com/tag/territory-and-landscape" target="_blank" rel="noopener">landscapes and terrains</a>, their projects come to life through a design that carefully considers materials, structures, and details, while ensuring a sensory and emotional experience in the spaces they create.</p>]]>
      </description>
      <content:encoded>
      </content:encoded>
      <enclosure url="https://images.adsttc.com/media/images/67ae/4317/9790/2201/8872/f481/newsletter/david-martinez-ramos-y-practica-arquitectura-la-busqueda-de-una-arquitectura-con-memoria-trascendencia-y-sensibilidad_1.jpg?1739473704"></enclosure>
    </item>
  </channel>
</rss>
