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    <title>Tag: sanaa | ArchDaily</title>
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      <title>
        <![CDATA["I Don't Separate Architecture and Infrastructure": Interview With Shohei Shigematsu on OMA's New Museum Addition]]>
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      <link>https://www.archdaily.com/en/1042708/i-dont-separate-architecture-and-infrastructure-interview-with-shohei-shigematsu-on-omas-new-museum-addition</link>
      <pubDate>Thu, 25 Jun 2026 07:30:00 +0000</pubDate>
      <dc:creator>Vladimir Belogolovsky</dc:creator>
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        <![CDATA[<p>When the New Museum's original SANAA-designed building, a stack of shifted opaque boxes wrapped in a metal mesh skin, opened in 2007, it already seemed destined for some form of expansion to relieve the vertical pressure created by its constrained circulation and limited footprint. In March, <a href="https://www.archdaily.com/1039814/new-museum-of-contemporary-art-oma" target="_blank" rel="noopener">the museum unveiled its long-anticipated addition, designed by OMA's Shohei Shigematsu and Rem Koolhaas</a>. The angular and slightly set-back companion building doubles the museum's exhibition capacity while reshaping the institution's relationship to the city and to the original <a href="/en/tag/sanaa">SANAA</a> structure by <a href="/en/tag/kazuyo-sejima">Kazuyo Sejima</a> and Ryue Nishizawa.</p>]]>
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        <![CDATA[Zaha Hadid’s Legacy and Büro Ole Scheeren’s Róng Museum: This Week’s Review]]>
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      <link>https://www.archdaily.com/en/1040299/zaha-hadids-10-year-legacy-and-buro-ole-scheerens-rong-museum-this-weeks-review</link>
      <pubDate>Thu, 02 Apr 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
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        <![CDATA[<p>As architectural discourse continues to expand across <a href="https://www.archdaily.com/tag/cultural">cultural</a>, <a href="https://www.archdaily.com/tag/educational">educational</a>, and civic domains, <a href="https://www.archdaily.com/tag/ad-this-week-in-architecture">this week</a>'s developments highlight how the discipline operates simultaneously through legacy, knowledge production, and large-scale public engagement. From reflections on influential figures and their enduring impact to evolving academic landscapes and new forms of cultural infrastructure, architecture is positioned as both a repository of ideas and an active agent in shaping contemporary identities. At the same time, projects spanning <a href="https://www.archdaily.com/tag/entertainment">entertainment</a>, <a href="https://www.archdaily.com/tag/museums">museums</a>, and <a href="https://www.archdaily.com/tag/waterfront">waterfront developments</a> point to a growing emphasis on hybrid programs and experiential environments, where architecture mediates between culture, public life, and global audiences.</p>]]>
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        <![CDATA[Milan Architecture City Guide: 43 Projects from Historic Landmarks to Contemporary Designs]]>
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      <link>https://www.archdaily.com/en/979356/milan-city-guide-20-projects-to-see-in-italys-fashion-capital</link>
      <pubDate>Thu, 02 Apr 2026 04:00:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/979356/milan-city-guide-20-projects-to-see-in-italys-fashion-capital</guid>
      <description>
        <![CDATA[<p><a href="https://www.archdaily.com/tag/milan" target="_blank" rel="noopener noreferrer" data-stringify-link="https://www.archdaily.com/tag/milan" data-sk="tooltip_parent">Milan</a>, a global hub of fashion and finance, increasingly asserts itself as a leading center for architecture and design. Its status as Italy's second-largest city underpins its vibrant cultural scene, attracting both established and emerging creative talent. Additionally, Milan is home to esteemed educational institutions recognized for their focus on heritage preservation and conservation. Its cultural and design significance is increasingly pronounced, as a growing number of creators are relocating to establish their presence in this vibrant creative hub.</p>]]>
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        <![CDATA[SANAA, David Chipperfield Architects, and Snøhetta Among Five Finalists for Barcelona’s New Waterfront Cultural Venue, Liceu Mar]]>
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      <link>https://www.archdaily.com/en/1040132/sanaa-david-chipperfield-architects-and-snohetta-among-five-finalists-for-barcelonas-new-waterfront-cultural-venue-liceu-mar</link>
      <pubDate>Mon, 30 Mar 2026 06:30:00 +0000</pubDate>
      <dc:creator>Reyyan Dogan</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1040132/sanaa-david-chipperfield-architects-and-snohetta-among-five-finalists-for-barcelonas-new-waterfront-cultural-venue-liceu-mar</guid>
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        <![CDATA[<p>The city of <a href="https://www.archdaily.com/tag/barcelona/page/1">Barcelona</a> has announced the five finalist teams selected to advance in the <a href="https://www.archdaily.com/tag/international-competition">international competition</a> for Liceu Mar, a new <a href="https://www.archdaily.com/tag/cultural-venue">cultural venue</a> planned for the Port Vell <a href="https://www.archdaily.com/tag/waterfront">waterfront</a>. Promoted by the Gran Teatre del Liceu in collaboration with the Port of Barcelona, the project is conceived as a second venue for the <a href="https://www.archdaily.com/tag/historic">historic institution</a>, expanding its artistic and civic role while strengthening its international presence. Bringing together a group of internationally recognized and locally rooted practices, the <a href="https://www.archdaily.com/tag/shortlist">shortlist</a> underscores the project's global relevance, with the winning proposal expected to be announced in autumn 2026.</p>]]>
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        <![CDATA[Forum, Depot, Maze: Toward a Plural Ecology of Museums]]>
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      <link>https://www.archdaily.com/en/1037909/forum-depot-maze-toward-a-plural-ecology-of-museums</link>
      <pubDate>Thu, 29 Jan 2026 08:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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      <description>
        <![CDATA[<p><em>This article is part of our new </em><a href="https://www.archdaily.com/tag/ad-opinion" target="_blank" rel="noopener"><strong><em>Opinion</em></strong></a><em> section, a format for argument-driven essays on critical questions shaping our field.</em></p>]]>
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        <![CDATA[The New Museum Expansion by OMA Opens on March 21 with Exhibition on Humanity]]>
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      <link>https://www.archdaily.com/en/1027488/the-new-museum-expansion-by-oma-to-open-in-fall-2025-with-exhibition-on-humanity</link>
      <pubDate>Fri, 16 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1027488/the-new-museum-expansion-by-oma-to-open-in-fall-2025-with-exhibition-on-humanity</guid>
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        <![CDATA[<p data-start="125" data-end="482"><a href="https://www.archdaily.com/tag/the-new-museum" target="_blank" rel="noopener">The New Museum</a> is the only museum in <a href="https://www.archdaily.com/tag/new-york-city" target="_blank" rel="noopener">New York City</a> dedicated exclusively to contemporary art. From its beginnings as a one-room office on Hudson Street to the inauguration of its first freestanding building on the Bowery, <a href="https://www.archdaily.com/787779/ad-classics-new-museum-new-york-city-sanaa-kazuyo-sejima-ryue-nishizawa" target="_blank" rel="noopener">designed by SANAA in 2007</a>, it has evolved into a center for exhibitions, research, and documentation on international living artists. In 2017, <a href="https://www.archdaily.com/881400/oma-shohei-shigematsu-and-rem-koolhaas-selected-to-design-new-museum-expansion-in-new-york" target="_blank" rel="noopener">Shohei Shigematsu and Rem Koolhaas of OMA were selected to design the New Museum's expansion</a>. The first <a href="https://www.archdaily.com/919909/oma-unveil-their-first-public-building-in-new-york" target="_blank" rel="noopener">design images were released in 2019</a>. On January 13, the Museum announced that its 60,000-square-foot expansion, designed in collaboration with <a href="https://www.archdaily.com/office/cooper-robertson" target="_blank" rel="noopener">Cooper Robertson</a>, will open on March 21, 2026, with an exhibition exploring the very definition of humanity. </p>]]>
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        <![CDATA[Cultural Venues, Fresh Perspectives on Public Space and One Month until the Winter Olympics: This Week’s Review]]>
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      <link>https://www.archdaily.com/en/1037585/cultural-venues-fresh-perspectives-on-public-space-and-one-month-until-the-winter-olympics-this-weeks-review</link>
      <pubDate>Thu, 08 Jan 2026 06:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1037585/cultural-venues-fresh-perspectives-on-public-space-and-one-month-until-the-winter-olympics-this-weeks-review</guid>
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        <![CDATA[<p>This week's news compilation brings together current discussions around public and collective space, cultural infrastructure, and long-term urban transformation across diverse geographic contexts. From shared management models redefining public space ownership in cities such as <a href="https://www.archdaily.com/922278/23-places-in-paris-every-architect-must-visit" target="_blank" rel="noopener">Paris </a>and <a href="https://www.archdaily.com/97964/architecture-city-guide-new-york-city" target="_blank" rel="noopener">New York</a>, to large-scale event-driven initiatives linked to <a href="https://www.archdaily.com/tag/milano-cortina-2026" target="_blank" rel="noopener">Milano Cortina 2026</a> and the <a href="https://www.archdaily.com/1037524/azerbaijan-declares-2026-the-year-of-urban-planning-and-architecture-as-baku-prepares-to-host-wuf13" target="_blank" rel="noopener">World Urban Forum in Baku</a>, the selected projects and initiatives highlight how governance, culture, and infrastructure intersect in contemporary practice. These themes are further developed through a mix of <a href="https://www.archdaily.com/980460/strategic-planning-and-purpose-driven-leadership-in-the-aec-industry" target="_blank" rel="noopener">strategic planning processes</a>, including international test planning efforts in Northern <a href="https://www.archdaily.com/city/lviv" target="_blank" rel="noopener">Lviv</a>, and built projects spanning education, culture, and temporary architecture, from a new dental teaching facility in Blantyre, <a href="https://www.archdaily.com/country/malawi" target="_blank" rel="noopener">Malawi</a>, to restored and newly opened cultural venues in the <a href="https://www.archdaily.com/country/united-states" target="_blank" rel="noopener">United States</a> and <a href="https://www.archdaily.com/country/taiwan" target="_blank" rel="noopener">Taiwan</a>, and <a href="https://www.archdaily.com/search/projects/categories/adaptive-reuse" target="_blank" rel="noopener">adaptive reuse</a> interventions showcased at the <a href="/en/tag/chicago">Chicago</a> <a href="/en/tag/architecture">Architecture</a> Biennial. The international examples outline an architectural landscape shaped by reuse, public engagement, and the evolving role of design in responding to social, cultural, and institutional frameworks.</p>]]>
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        <![CDATA[SANAA’s Taichung Art Museum and Library Complex Opens as a New Public Cultural Landmark in Taiwan]]>
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      <link>https://www.archdaily.com/en/1034405/sanaa-unveils-images-of-the-design-for-taichung-art-museum-and-library-complex-in-taiwan</link>
      <pubDate>Fri, 02 Jan 2026 05:30:00 +0000</pubDate>
      <dc:creator>Antonia Piñeiro</dc:creator>
      <guid isPermaLink="false">https://www.archdaily.com/en/1034405/sanaa-unveils-images-of-the-design-for-taichung-art-museum-and-library-complex-in-taiwan</guid>
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        <![CDATA[<p data-start="108" data-end="732">The Taichung Art Museum officially opened on December 13, 2025, with an inaugural exhibition titled <em>A Call of All Beings: See You Tomorrow, Same Time, Same Place</em>. The building, designed by <a href="https://www.archdaily.com/office/sanaa" target="_blank" rel="noopener">SANAA</a>, is part of the Taichung Green Museumbrary project, developed in collaboration with local firm <a href="https://www.archdaily.com/office/ricky-liu-and-associates" target="_blank" rel="noopener">Ricky Liu &amp; Associates</a>. Conceived as a major cultural initiative, the project combines a contemporary art museum, library resources, and public parkland. Through interactive education and outreach programmes, it aims to establish a new institutional model for <a href="https://www.archdaily.com/city/taichung" target="_blank" rel="noopener">Taichung</a>, one that supports artistic exchange while positioning the city as an international cultural hub. On view through April 12, 2026, the opening exhibition explores the relationships between people and nature, the city and memory, interspecies connections, and the future, beginning with an examination of the complex's own context in central <a href="https://www.archdaily.com/country/taiwan" target="_blank" rel="noopener">Taiwan</a>.</p>]]>
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        <![CDATA[ArchDaily's Best Architectural Projects of 2025]]>
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      <link>https://www.archdaily.com/en/1036342/archdailys-best-architectural-projects-of-2025</link>
      <pubDate>Fri, 12 Dec 2025 07:30:00 +0000</pubDate>
      <dc:creator>Hana Abdel</dc:creator>
      <category>
        <![CDATA[Sustainability]]>
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        <![CDATA[<p>As the year culminates, it's once again time for the ArchDaily team of curators to reflect on the best-performing projects of 2025 and consider what readers were most interested in. Through this diverse overview, we assess the <a href="https://www.archdaily.com/1026829/extending-roofs-from-brazil-to-india-parallel-residential-design-elements-as-seen-in-10-projects?ad_medium=gallery" target="_blank" rel="noopener">cross-continental similarities</a> and differences in <a href="https://www.archdaily.com/1036727/interior-design-trends-of-2025" target="_blank" rel="noopener">trends </a>and construction development. This year brought us many grand cultural and public spaces by <a href="https://www.archdaily.com/1034567/lina-ghotmeh-on-memory-museums-and-the-archaeology-of-the-future" target="_blank" rel="noopener">Lina Ghotmeh</a>, <a href="/en/tag/big">BIG</a>, <a href="/en/tag/zaha-hadid-architects">Zaha Hadid Architects</a>, DnA, and <a href="/en/tag/serie-architects">Serie Architects</a>, who populated events like Expo Osaka and the Venice Biennale, as well as a surprising number of museums and public or landscape works in China and the rest of the Asian continent. However, while these were sought-after projects, the leading works remained, unsurprisingly, residential projects. </p>]]>
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        <![CDATA[Rethinking the Flat Datum: Designing Space with Incline and Intent]]>
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      <link>https://www.archdaily.com/en/1035411/rethinking-the-flat-datum-designing-space-with-incline-and-intent</link>
      <pubDate>Mon, 27 Oct 2025 04:00:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Historically, architecture and the built environment have insisted on creating flat, hard surfaces. In earlier eras, walking without paved ground meant mud-caked shoes, uneven footing, tripping hazards, <a href="https://www.archdaily.com/1032756/why-sit-by-the-dock-of-the-bay-designing-thresholds-to-the-water?ad_source=search&amp;ad_medium=search_result_articles">standing water</a> after rain, and high maintenance. Hence, as we shaped cities, we prioritized a smooth, continuous, solid <a href="https://www.archdaily.com/268480/venice-biennale-2012-shifting-grounds-beyond-national-architecture-ireland-pavilion?ad_source=search&amp;ad_medium=search_result_articles">horizontal datum</a>. The benefits are real: easier <a href="https://www.archdaily.com/1024726/walking-on-air-thrilling-sao-paulo-views-from-a-42-nd-floor-glass-skywalk?ad_source=search&amp;ad_medium=search_result_articles">walking</a>, simpler cleaning, and straightforward programming—furniture, equipment, and partitions all prefer a level base. This universal preference for <a href="https://www.archdaily.com/1032929/reflecting-on-territory-topography-and-landscape-discover-whale-s-projects-in-chile?ad_source=search&amp;ad_medium=search_result_articles">building on flat ground</a> remains the norm and, for many practical reasons, will likely continue to be.</p>]]>
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        <![CDATA[From Rapidity to Specificity: Multiple Dimensions of Shenzhen's Architectural Development ]]>
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      <link>https://www.archdaily.com/en/1035112/from-rapidity-to-specificity-multiple-dimensions-of-shenzhens-architectural-development</link>
      <pubDate>Fri, 24 Oct 2025 07:30:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/shenzhen" target="_blank" rel="noopener">Shenzhen</a> is <a href="https://www.archdaily.com/country/china/page/1" target="_blank" rel="noopener">China</a>'s first Special Economic Zone（SEZ), serving as a window for China's Reform and Opening-up and an emerging immigrant city. It has evolved into an influential, modern, and international metropolis, creating the world-renowned "Shenzhen Speed" and earning the reputation of the "City of Design." Architectural design stands as the most intuitive expression of Shenzhen's spirit of integration and innovation. Over the past decade (2015-2025), the development of <a href="https://www.archdaily.com/city/shenzhen" target="_blank" rel="noopener">urban architecture in Shenzhen</a> has closely integrated with its open and inclusive urban character, ecological advantages of being nestled between mountains and the sea, and the local spirit of blending traditional culture with innovative technology, showcasing Shenzhen's unique charm and robust vitality across multiple dimensions.</p>]]>
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        <![CDATA[Choreographing Space: Architecture and Dance as Interdisciplinary Practices]]>
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      <link>https://www.archdaily.com/en/1033981/choreographing-space-architecture-and-dance-as-interdisciplinary-practices</link>
      <pubDate>Thu, 18 Sep 2025 07:30:00 +0000</pubDate>
      <dc:creator>Diogo Borges Ferreira</dc:creator>
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        <![CDATA[<p>"Dance, dance… otherwise we are lost." This oft-cited phrase by <a href="https://www.archdaily.com.br/br/tag/pina-bausch">Pina Bausch</a> encapsulates not only the urgency of movement, but its capacity to reveal space itself. In her choreographies, space is never a neutral backdrop, it becomes a partner, an obstacle, a memory. Floors tilt, chairs accumulate, walls oppress or liberate. These are architectural conditions, staged and <a href="https://www.archdaily.com/tag/body-and-architecture">contested through the body</a>. What Bausch exposes — and what architecture often forgets — is that space is not simply built, it is performed. Her work invites architects to think not only in terms of materials and forms, but of gestures, relations, and rhythms. It suggests that architecture, like dance, is ultimately about how we inhabit, structure, and emotionally charge the spaces we move through.</p>]]>
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        <![CDATA[From Salt Factory to Art Museum: The Story Behind the Schaudepot in Essen, Germany]]>
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      <link>https://www.archdaily.com/en/1033368/from-salt-factory-to-art-museum-the-story-behind-the-schaudepot-in-essen-germany</link>
      <pubDate>Wed, 27 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Camilla Ghisleni</dc:creator>
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        <![CDATA[<p>Once the largest coal mine in <a href="https://www.archdaily.com/tag/europe" target="_blank" rel="noopener">Europe</a>, the <a href="http://www.zollverein.de/?utm_medium=website&amp;utm_source=archdaily.com" target="_blank" rel="noopener">Zollverein</a> complex in <a href="https://www.archdaily.com/city/essen" target="_blank" rel="noopener">Essen, Germany</a>, has undergone a remarkable transformation over the past twenty-five years. What was once a landscape of abandoned industrial facilities is now <a href="https://www.archdaily.com/534996/a-photographic-journey-through-zollverein-a-post-industrial-landscape-turned-machine-age-playground" target="_blank" rel="noopener">a laboratory of contemporary architecture</a>, featuring works by <a href="http://www.archdaily.com/tag/rem-koolhaas/" target="_blank" rel="noopener">Rem Koolhaas</a>, <a href="http://www.archdaily.com/tag/norman-foster/" target="_blank" rel="noopener">Norman Foster</a>, and <a href="http://www.archdaily.com/tag/sanaa" target="_blank" rel="noopener">SANAA</a>. Their interventions bridge <a href="https://www.archdaily.com/955139/transforming-factories-into-living-spaces-the-changing-face-of-spains-industrial-architecture" target="_blank" rel="noopener">the site’s industrial past</a> with its imagined future. Spanning 100 hectares, the <a href="/en/tag/unesco">UNESCO</a> World Heritage site has become a global model of <a href="https://www.archdaily.com/1009776/building-upon-the-built-adaptive-reuse-of-industrial-architecture-in-brazil" target="_blank" rel="noopener">adaptive reuse</a>, redefining what it means to <a href="https://www.archdaily.com/967100/industrial-nouveau-dramatic-renovation-projects-reimagining-urban-life" target="_blank" rel="noopener">preserve industrial heritage</a>. Within this context stands the Ruhr Museum and its enigmatic art repository, the Schaudepot. Located in the complex’s former salt factory, the museum impresses not only with its collection but also with its architecture, which transforms a 1960s industrial building into a vibrant cultural venue.</p>]]>
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        <![CDATA[Between Matter and Gesture, Architectures that Think Through Details]]>
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      <link>https://www.archdaily.com/en/1032647/between-matter-and-gesture-architectures-that-think-through-details</link>
      <pubDate>Tue, 05 Aug 2025 07:30:00 +0000</pubDate>
      <dc:creator>Eduardo Souza</dc:creator>
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        <![CDATA[<p>A project can be drawn in broad strokes, but it's built in details. Simple as it may seem, <a href="https://www.archdaily.com/892647/how-to-make-calculations-for-staircase-designs">a staircase</a> involves a significant degree of engineering. Some are noticeably more tiring, or more difficult to climb and descend. To address this, in the 17th century, architect <a href="https://pt.wikipedia.org/wiki/Fran%C3%A7ois_Blondel?utm_medium=website&amp;utm_source=archdaily.com" target="_blank">François Blondel</a> proposed a formula to ensure the ideal proportion between riser and tread, an equation that, when respected, offers a comfortable path. But there's another equally decisive factor: all steps must be identical. This may sound trivial and logical, yet executing anything with precision is always a construction challenge. Our bodies quickly adapt to the dimensions of the steps, and any variation (even minimal) can lead to repeated stumbles or missteps. A seemingly insignificant detail, when poorly resolved, can compromise the well-being and safety of an entire building.</p>]]>
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        <![CDATA[An Architectural Journey Through Tokyo, the Never-Ending City]]>
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      <link>https://www.archdaily.com/en/1029375/an-architectural-journey-through-tokyo-the-never-ending-city</link>
      <pubDate>Sun, 20 Apr 2025 03:30:00 +0000</pubDate>
      <dc:creator>Eron Costin</dc:creator>
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        <![CDATA[<p>Tokyo is never-ending. It is a city made up of many cities, where everything is superlative and encounters with overwhelming scale are constant. For those visiting for the first time, the cultural shock is striking. Everything is extremely clean despite the absence of public trash bins, there's a strong impression of zero violence, and society seems to follow strict disciplinary codes to the letter. There&rsquo;s a sense that human relationships and individual feelings are set aside in favor of the collective, with all the benefits and drawbacks that this way of life may bring.</p>]]>
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        <![CDATA[Touching the Earth Lightly: How Freeing the Ground Plane Shapes Architectural Atmosphere ]]>
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      <link>https://www.archdaily.com/en/1027777/touching-the-earth-lightly-how-freeing-the-ground-plane-shapes-architectural-atmosphere</link>
      <pubDate>Sat, 15 Mar 2025 07:30:00 +0000</pubDate>
      <dc:creator>Jonathan Yeung</dc:creator>
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        <![CDATA[<p>Architecture and its <a href="https://www.archdaily.com/1022444/shaping-atmospheres-with-lighting-a-human-centered-approach-to-emotional-design?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">atmospheric qualities</a> have long been a subject of discussion, yet reaching a consensus on the matter remains elusive. This is largely because spatial experience is <a href="https://www.archdaily.com/990572/when-architectural-history-meets-personal-history?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">deeply personal</a>—rooted in emotions, <a href="https://www.archdaily.com/987764/what-is-sensory-urbanism?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">sensory perceptions</a>, and individual preferences that are difficult to articulate in words alone. The way one perceives, feels, and interacts with a space adds another layer of complexity, making it challenging to define and agree upon its atmospheric impact. Nevertheless, architects and designers continuously strive to shape environments that are not only functional and comfortable but also capable of <a href="https://www.archdaily.com/933355/the-architecture-of-the-crematorium-in-10-projects?ad_source=search&amp;ad_medium=search_result_articles" target="_blank" rel="noopener">evoking emotions</a> and leaving a lasting impression on their occupants. </p>]]>
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        <![CDATA[SANAA Receives the 2025 RIBA Royal Gold Medal for Architecture]]>
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      <link>https://www.archdaily.com/en/1026557/sanaa-recieves-the-2025-riba-royal-gold-medal-for-architecture</link>
      <pubDate>Thu, 06 Feb 2025 05:30:00 +0000</pubDate>
      <dc:creator>Nour Fakharany</dc:creator>
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        <![CDATA[<p><a href="https://www.archdaily.com/tag/royal-institute-of-british-architects">The Royal Institute of British Architects (RIBA)</a> has announced that Japanese architects <a href="/en/tag/kazuyo-sejima">Kazuyo Sejima</a> and <a href="/en/tag/ryue-nishizawa">Ryue Nishizawa</a>, founders of the practice <a href="https://www.archdaily.com/office/sanaa">SANAA</a>, will receive the<a href="https://www.archdaily.com/tag/riba-royal-gold-medal"> 2025 Royal Gold Medal</a> for architecture. Awarded on behalf of His Majesty the King, the medal is one of the highest honors in the field, recognizing what RIBA describes as SANAA's contribution to shaping contemporary architecture through simplicity, light, and refined design.</p>]]>
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        <![CDATA[Exploring the Impact of Genetic Algorithm: An Interview with Luke Fox from Foster + Partners on Alibaba's Shanghai Office Building]]>
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      <link>https://www.archdaily.com/en/1022312/genetic-algorithm-to-evolve-the-optimal-massing-an-interview-with-luke-fox-from-foster-plus-partners</link>
      <pubDate>Thu, 17 Oct 2024 05:00:00 +0000</pubDate>
      <dc:creator>韩爽</dc:creator>
      <category>
        <![CDATA[ArchDaily Interviews]]>
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        <![CDATA[<p>As humanity enters the AI-driven intelligent era, technology platform enterprises adopt more open and flexible modes of operation. Collaborative spaces such as creative incubators and informal exchange areas have become key places for practicing their operational philosophies. In the design of headquarters buildings, companies aim to engage with the public more deeply and convey their corporate culture and spirit, in addition to fulfilling daily office functions. Alibaba's new headquarters in <a href="/en/tag/shanghai">Shanghai</a> is located in the "Global Waterfront Lifestyle Demonstration Zone," at the heart of the West Bank Cultural Corridor. Positioned by the river and near the West Bank Media Port, Financial City, and other industrial hubs, the site integrates art with industrial heritage, bringing a unique historical and contemporary vibrancy to the area. The architecture around the park is "star-studded," with forward-thinking designs from renowned architectural firms worldwide. The three buildings of Alibaba Xuhui Riverside <a href="/en/tag/campus">Campus</a>, designed by <a href="/en/tag/sanaa">SANAA</a>, <a href="https://www.archdaily.com/931599/foster-plus-partners-to-design-alibabas-new-hq-in-shanghai" target="_blank" rel="noopener">Foster + Partners</a>, and <a href="https://www.archdaily.com/985929/som-unveils-user-controlled-inside-out-headquarters-for-alibabas-shanghai-campus" target="_blank" rel="noopener">SOM</a>, are introducing new concepts and visions to Xuhui Riverside.</p>]]>
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